scholarly journals Challenging Stereotypes with Media and Information Literacy in Mexico

2019 ◽  
Vol 10 (19) ◽  
pp. 68-82
Author(s):  
Julieta Flores Michel ◽  
Margarita Emilia González Treviño ◽  
Alma Elena Gutiérrez Leyton
Keyword(s):  
Media Literacy ◽  
Information Overload ◽  
Digital Natives ◽  
Fake News ◽  
Social Fabric ◽  
The Public ◽  
The Social ◽  
The Public Sphere ◽  
Private Domain ◽  
The City

Information overload that affects digital natives and other generations in the 21st century makes it difficult for recipients to analyze the information’s truthfulness and quality. In this context, items of fake news pass as facts that could be interpreted as true, which may result in serious issues for the social fabric, especially if immersed in unstable or troublesome political and economic contexts. Still, the problem with disinformation is not limited to fake news because, even when content comes from trustworthy sources and verifiable facts, there are filters that present a subjective, biased and deformed reality. Within this context, we are submitting an example of a positive practice in media literacy targeting Research Methodology students at the Faculty of Communication. During this project, students analyzed the way women and men are shown on the cover of a local printed newspaper El Porvenir in the city of Monterrey, Mexico. In broad strokes, the results found a preference for stories showcasing men and stereotypes that place men in the public sphere and women in a private domain.

scholarly journals Courtesan Singers as Courtiers: Power, Political Pawns, and the Arrest of virtuosa Nina Barcarola

2020 ◽  
Vol 73 (2) ◽  
pp. 207-267
Author(s):  
Amy Brosius
Keyword(s):  
Vocal Performance ◽  
The Public ◽  
Contemporary Politics ◽  
The Social ◽  
Archival Documents ◽  
Symbolic Extension ◽  
Male Dependents ◽  
The Public Sphere ◽  
And Gender ◽  
The City

This article gives a close reading of the “avvisi di Roma”—unpublished archival documents reporting on daily life in the city—that record the arrest in 1645 of famous Roman courtesan singer Nina Barcarola. Organized by the political enemies of Nina's main protector, Cardinal Antonio Barberini, the arrest was orchestrated so as to compromise the public honor of both. The reports of the arrest reflect a growing elite interest in female vocal performance in Rome, and attest to a rise in the social value of courtesan singers. Examining details provided in these reports, the article explores various aspects of Nina's life and courtesan singing culture more generally: the public honor and social practices of courtesan singers; the positive effect of singing on courtesan honor; the types of gatherings hosted by Nina; and her politically satirical public performances. It also analyzes Nina's relationship to various areas of contemporary politics—social, state, familial, and gender. The reports reveal that, in the public sphere, Nina, like Barberini's male dependents, served as a symbolic extension of the cardinal. By introducing courtesan singers—a significant, marginalized population—into musicological discourse on seventeenth-century Rome, the article broadens our understanding of Roman singing culture in this period.

Romantic Essayism

2019 ◽  
pp. 191-252
Author(s):  
Tim Milnes
Keyword(s):  
Eighteenth Century ◽  
Public Sphere ◽  
Scottish Enlightenment ◽  
The Public ◽  
The Social ◽  
Charles Lamb ◽  
Familiar Essay ◽  
The Public Sphere ◽  
Private Domain

This chapter argues that the Romantic familiar essay privatizes and idealizes the essay’s inherent epistemological ambiguity. While for Addison, Hume, and Johnson, the essayist moderates communication at the borderline of systematic science and the public sphere, for Hazlitt and his contemporary Charles Lamb, the ‘public’ could no longer function as the ground for epistemic solidarity. Once the social intellect of the Scottish Enlightenment was moved into the private domain of consciousness and individual imagination, the essayist was increasingly seen as mediating between idealized phenomenological realms of ‘inner’ and ‘outer’ experience. Consequently, the ludic indeterminacy of the Romantic imagination is oriented by a purely aesthetic purposiveness: its playfulness expresses not the pragmatic presuppositions of communication, but the dark foundations of experience. In aestheticizing the communicative intellect of the eighteenth-century essayists, the identity doublings and performances of the Romantic familiar essay acquire significance as the hypostatized others of a lost wholeness.

scholarly journals Pentecostal cultures in urban peripheries: a socio-anthropological analysis of Pentecostalism in arts, grammars, crime and morality

2018 ◽  
Vol 15 (1) ◽  
Author(s):  
Christina Vital da Cunha
Keyword(s):  
Popular Culture ◽  
Social Life ◽  
Field Research ◽  
Science Literature ◽  
The Public ◽  
The Social ◽  
Pentecostal Churches ◽  
The Public Sphere ◽  
The City ◽  
Empirical Field

Abstract In past decades, Catholicism in Brazil has emerged as a privileged theme in the Social Sciences literature, coming to be recognised as a key element in the formation of a "national culture". For the less affluent residents of the city, Catholicism constituted what Sanchis (1997) called “traditional urban popular culture”. Despite the abstraction contained in the notion of a "popular culture", Sanchis’ perspective has had wide academic repercussion. With the growing presence of Pentecostal Evangelicals in the public sphere, and the percentage of people who claimed to be “Evangelical” in the IBGE censuses since 1990, part of the social science literature began to reflect on the possible establishment of a "Pentecostal culture" in Brazil. In this article, I analyse the formation of a Pentecostal culture in urban peripheries. To this end, I consider that the increase in the number of Pentecostal churches and their devotees in these localities provoked changes in different spheres of social life. This article is based on empirical field research carried out intermittently between the years of 1996 and 2015 in the Acari shantytown (Rio de Janeiro).

Daenerys Targaryen Will Save Spain:Game of Thrones, Politics, and the Public Sphere

2018 ◽  
Vol 20 (5) ◽  
pp. 423-442 ◽  
Author(s):  
Concepción Cascajosa Virino ◽  
Vicente Rodríguez Ortega
Keyword(s):  
Participatory Culture ◽  
The Political ◽  
Social Fabric ◽  
The Public ◽  
The Social ◽  
Political Forces ◽  
The Public Sphere ◽  
Bottom To Top ◽  
The Impact ◽  
The Relationship

This article deals with the use of the American television series Game of Thrones (HBO: 2011–) as part of the political discourse of the emerging political party Podemos in Spain. First, we focus on Podemos leader, Pablo Iglesias, who, in 2014, edited a book devoted to analyzing this series from a political science viewpoint. We then move on to study ideologically charged symbolic gestures and the detailed analysis of the parallelisms between Daenerys Targaryen’s revolutionary enterprise and Podemos’s bottom-to-top quest to seize power. We then scrutinize how emergent political forces that threaten the enduring hegemony of traditional parties use popular cultural artifacts to intervene in the social fabric and how they attempt to tune in with the Internet-dedicated, socially networked younger classes. This article, thus, analyzes how the relationship between politics and serialized TV fiction has morphed within the Spanish mediascape, paying special attention to the impact of participatory culture.

The Big Picture: Imagining the Constitution

2021 ◽  
pp. 0067205X2199315
Author(s):  
Desmond Manderson
Keyword(s):  
Public Sphere ◽  
Exceptional Case ◽  
Modern World ◽  
Constitutional Court ◽  
Social Fabric ◽  
The Public ◽  
The Social ◽  
Big Picture ◽  
The Public Sphere ◽  
Cultural Functions

In Australia, a technocratic minimalist approach to constitutional interpretation leaves little space for what has recently been described as a ‘democratic’ or ‘social’ ‘constitutional imaginary’. The ‘big picture’ of what a constitution is, and why it matters, is systematically reduced to a ‘strict and complete legalism’ that shows little interest in the social and cultural functions of a constitution in the modern world. The ‘dual citizenship’ cases (2017–18), concerning s 44 of the Australian Constitution, provide an exceptional case study. The High Court of Australia’s narrow positivism shielded it from criticism, but at a high cost to Australia’s democratic and social fabric. This article argues that, at a time when the rule of law and the public sphere is under threat as never before, we can and should expect more of our peak legal institutions. A constitutional court without a broader commitment to constitutionalism imperils the legitimacy of the whole constitutional order and of the public sphere.

scholarly journals Pervasive death: Teresa Margolles and the space of the corpse

2018 ◽  
Vol 4 (1) ◽  
pp. 25-40 ◽  
Author(s):  
Edward Bacal
Keyword(s):  
Public Sphere ◽  
Contemporary Art ◽  
Air Conditioners ◽  
The Public ◽  
The Social ◽  
Art Works ◽  
Social Realm ◽  
The Public Sphere ◽  
The City ◽  
Inside Out

I focus on two contemporary art installations in which Teresa Margolles employs water used to wash corpses during autopsies. By running this water through a fog machine or through air conditioners, these works incorporate bodily matter but refuse to depict, identify or locate anybody (or any body) within it. Rather, Margolles creates abstract works in which physical limits – whether of bodies or of art works – dissolve into a state of indeterminacy. With that pervasive distribution of corporeal matter, Margolles charts the dissolution of the social, political and spatial borders that contain death from the public sphere. In discussing these works, I consider Margolles’ practice in relation to the social and aesthetic function of the morgue. Specifically, I consider how Margolles turns the morgue inside out, opening it upon the city in order to explore the inoperative distinctions between spaces of sociality and those of death. In turn, I consider how Margolles places viewers in uneasy proximity to mortality, bodily abjection and violence in order to illustrate the social, political and aesthetic conditions by which bodies become unidentifiable. I ultimately argue that her aesthetic strategies match her ethical aspirations to reconsider relations to death, violence and loss within the social realm.

scholarly journals Women in the social life of a medieval town (based on the material of London in the 14th–15th centuries)

2021 ◽  
Vol 21 (3) ◽  
pp. 320-329
Author(s):  
Larisa N. Chernova ◽  
Keyword(s):  
Social Life ◽  
Social Activity ◽  
The Public ◽  
The Social ◽  
The Status ◽  
New Type ◽  
The Public Sphere ◽  
The Right ◽  
The City

The article examines the place and role of women in the social life of London in the 14th–15th centuries based on the material of the original sources. It is shown that, despite the restrictions fixed by custom and laws on the social activity of women, the range of occupations of the townsmen –wives and widows – was unusually wide. It is craft and trade, including the right to take apprentices, real estate transactions, and financial deals. Women did not just help men in the craft or trade shops, but also worked independently. The status of women, especially married women, who chose to participate in trade or in town production as their main occupation, was never fully developed. A significant degradation in the position of women in the public sphere in London occurred in the 16th century. The author concludes that, despite all the difficulties, a new type of woman was gradually developed in the city – energetic, enterprising, educated, who acts in society as an independent head of the family and business.

scholarly journals Choreographies of Dissent and the Politics of Public Space in State-of-Emergency Turkey

2019 ◽  
Vol 5 (1) ◽  
pp. 90-108
Author(s):  
Sevi Bayraktar
Keyword(s):  
Public Space ◽  
Urban Space ◽  
State Agencies ◽  
Folk Dance ◽  
Recent Period ◽  
State Of Emergency ◽  
The Public ◽  
The Social ◽  
The Public Sphere ◽  
The City

This article investigates a recent period in which dissenting activism has been shifted in Istanbul under the state of emergency (2016-2018). Based on an ethnography conducted with activists in feminist and LGBTQI+ demonstrations, anti-emergency decree vigils, and the Presidential Referendum protests, the study discusses how activists resist and undermine mobilization of violence through using the hegemonic tools of repression tactically, and choreographically. By employing Hannah Arendt’s concepts of “politics” and “isolation,” I examine that state agencies like the police forcefully disperse protesters and display authority, oppression, and occupation of public spaces by constantly creating an atmosphere of fear and insecurity. In opposition, dissenters practice and rehearse dispersal as a resilient choreography to once again relate each other against the forces of isolation. I suggest the term “tactics of dispersal” to define and analyze how activists depart from the central assembly of the social movement to create smaller, mobile, and ephemeral assemblies. In the city-scale, by scattering themselves in the city of Istanbul and mobilizing peripheries of the urban space, dissenters re-choreograph and subvert a thanatopolitical strategy of dispersal in favor of pluralism under political hardship. In the bodily-scale, activists claim the public sphere through the transience of folk dance. Whenever protesters depart from folk dance collectives to create new ones, they perpetually re-configure the area and initiate novel actions contingent upon their temporal and positional assessments during the dance. Such tactical applications of dispersal characterized by the smaller scale and transitory gatherings with ever-changing combinations of bodies at the peripheral space of urban activism manifest its great potential for collective agency and plural politics. 

scholarly journals Urban Laughter as a “Counter-Public” Sphere in Augsburg: The Case of the City Mayor, Jakob Herbrot (1490/95–1564)

2007 ◽  
Vol 52 (S15) ◽  
pp. 77-93 ◽  
Author(s):  
Christian Kuhn
Keyword(s):  
Public Sphere ◽  
Early Modern ◽  
Urban Society ◽  
Popular Media ◽  
Religious Movements ◽  
The Public ◽  
Bourgeois Society ◽  
The Social ◽  
The Public Sphere ◽  
The City

Social movement scholarship has recently focused on “popular” media of protest; reading and singing provided a forceful communicative structure in semi-literate urban society, especially in Augsburg, the largest city of Reformation Germany. The case of Jakob Herbrot (1490/95–1564) combines the antagonisms of political, social, and religious movements; a rich Calvinist, he climbed the social ladder from a lowly regarded profession to the highest office of the imperial city in a precarious time of confessional armed conflict. Herbrot's conduct triggered a life-long series of accusations, polemics, satires, humorous ballads, and songs, material that allows a reassessment of the early modern discourse of Öffentlichkeit, as well as of urban laughter in the “public sphere” before its modern elevation to the central doctrine of bourgeois society. The sources suggest that humour was of essential importance to the public in the early modern city, a counter-public in the sense of an independent political arbiter.

LEGAL ESSENCE OF ANCIENT PROVERBS AND SAYS AND THEIR SOCIAL SIGNIFICANCE

2020 ◽  
Author(s):  
Angela Dranishnikova ◽  
Ivan Semenov
Keyword(s):  
Public Sphere ◽  
Rule Of Law ◽  
Social Significance ◽  
The Rule Of Law ◽  
The Public ◽  
Moral Standards ◽  
The Social ◽  
The Law ◽  
The Public Sphere ◽  
Status Position

The national legal system is determined by traditional elements characterizing the culture and customs that exist in the social environment in the form of moral standards and the law. However, the attitude of the population to the letter of the law, as a rule, initially contains negative properties in order to preserve personal freedom, status, position. Therefore, to solve pressing problems of rooting in the minds of society of the elementary foundations of the initial order, and then the rule of law in the public sphere, proverbs and sayings were developed that in essence contained legal educational criteria.

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