scholarly journals LIGHT IN THE INTERIORS OF THE URBAN LANDSCAPE

space&FORM ◽  
2021 ◽  
Vol 2020 (46) ◽  
pp. 117-132
Author(s):  
Hanna Michalak ◽  
◽  
Jerzy Suchanek ◽  

Urban compositions, which organize spaces in contemporary cities, are often perceived by its users – citizens, only as a net of communication paths There are known initiatives by more or less formalised social groups, which, in order to bring hitherto unnoticed fragments of urban territories into public consciousness, support their revitalisation, as well as the efforts of local authorities (also professional) related to architectural and urban education of children. These actions should facilitate the reading of the composition of urban spaces, which seems necessary for their proper use. This task is easier when the composition is clear, based on a conscious perception of existing spatial structures. Crystalline structures are best highlighted by light. It builds a scenography of space, helps in its perception and brings out formally important points. This article presents selected aspects of the use of daylight and artificial light in urban interiors.

2021 ◽  
pp. 009614422097612
Author(s):  
Gloria Araceli Rodriguez-Lorenzo

This article analyses the interplay between sound and urban spaces in Spain, from the end of nineteenth century until 1936. Free outdoor concerts performed by bands in public urban spaces offered a new aural experience audience from across an increasing range of very diverse social groups, almost ritualizing both the practice of listening to music and the spaces in which that music was heard—all at a time when those very spaces were changing, in a way which mirrored the wider reconfiguration and modernization of Spanish cities. Case studies focusing on political, social, and cultural changes in urban spaces are analyzed, in order to understand how cities developed new spaces for social interaction, the modern sonic environment, and the ways in which those cities have appropriated culture for their citizens, as a symbol of urban modernity.


Author(s):  
Татьяна Николаевна Золотова

В статье рассматриваются советские и постсоветские традиции празднования Дня Победы, анализируется его роль в современном социокультурном пространстве России. Источниками для работы послужили материалы по Омскому региону - результаты опросов и личных наблюдений автора, данные средств массовой информации и официальных источников. Делается вывод о центральном месте Дня Победы в современном праздничном календаре и его важной роли в объединении российской нации на основе мемориализации общего исторического прошлого. Автор объясняет значимость праздника для населения страны сохранением традиционных ценностей и смыслов, а региональные особенности празднования и процессов коммеморации - различными факторами исторического, экономического, политического, социокультурного порядка. Празднование 70-летнего и 75-летнего юбилеев Победы отразило позитивное изменение общественного сознания в постсоветской России, что проявилось в увеличении интереса к историческому наследию, усилении чувства благодарности ветеранам и гордости за их подвиг, осознании причастности каждого к историческим событиям славного прошлого страны. День Победы, выполняя главные функции праздника, поддерживает преемственность традиций, объединяет различные социальные группы, воспитывает уважение к историко-культурному наследию и патриотизм. This article examines the Soviet and post-Soviet tradition of Victory Day celebrations and analyzes their role in modern Russian socio-cultural space. It is based on materials from the Omsk Region, including the results of surveys, data from the mass media and official sources, as well as the author’s personal observations. The author describes the central place of Victory Day in the modern holiday calendar and its important role in uniting the Russian nation by memorializing a common historical past. The author considers the role of the holiday in preserving traditional values and meanings, and describes the regional features of the celebration and the processes of commemoration as shaped by various historical, economic, political, and socio-cultural factors. The celebration of the 70 th and 75 th post-Soviet anniversaries of the victory reflected a positive change in public consciousness that was manifested in greater interest in the historical heritage, an increased sense of gratitude toward veterans and pride in their accomplishment, and an awareness of everyone’s involvement in the historical events of the country’s glorious past. Victory Day, performing the main functions of a holiday, supports the continuity of tradition, unites various social groups, and promotes patriotism and respect for the historical and cultural heritage


2015 ◽  
Vol 16 (SE) ◽  
pp. 269-276
Author(s):  
Mina Bakhshi

The ever-increasing growth of urbanization, irregular population growth, multiplicity of motor vehicles, extra use of fossil energies, expansion of constructed buildings and separation of cities from the nature, as well as the environmental instability and problems, urban views are changing from valuable ecological areas into disconnected, inefficient areas in a way that every day the nature trace gets weaker and weaker. One of the conditions of making desired urban spaces is to connect urban spaces with the nature. It seems necessary to present some ideas for strengthening this connection and directing the cities towards getting as dynamic as possible. The methods compatible with nature include green roof, green walls and green corridors designs which make a kind of dynamic relationship between cold, spiritless urban frameworks and natural frames. They are of great importance in prompting urban space quality not only as an aesthetic element but also as a vital one in air pollution critical conditions. On the other hand, the importance of green space as one of the dimensions of urban landscape is in a degree that it improves the quality and beauty of sustainable city. Therefore, the green space can be considered as one of the significant areas in the quality of urban spaces. The main aim of the present study is improving the quality and aesthetic of urban space and sustainable city through green space. This has a great help in achieving applied principles in the sustainable city landscape design. The methodology is descriptive-analytical utilizing library search, sources books, and textbooks reviewing.


Author(s):  
M.S. Parvathi ◽  

Burton Pike (1981) terms the cityscapes represented in literature as word-cities whose depiction captures the spatial significance evoked by the city-image and simultaneously, articulates the social psychology of its inhabitants (pp. 243). This intertwining of the social and the spatial animates the concept of spatiality, which informs the positionality of urban subjects, (be it the verticality of the city or the horizonality of the landscape) and determines their standpoint (Keith and Pile, 1993). The spatial politics underlying cityscapes, thus, determine the modes of social production of sexed corporeality. In turn, the body as a cultural product modifies and reinscribes the urban landscape according to its changing demographic needs. The dialectic relationship between the city and the bodies embedded in them orient familial, social, and sexual relations and inform the discursive practices underlying the division of urban spaces into public and private domains. The geographical and social positioning of the bodies within the paradigm of the public/private binary regulates the process of individuation of the bodies into subjects. The distinction between the public and the private is deeply rooted in spatial practices that isolate a private sphere of domestic, embodied activity from the putatively disembodied political, public sphere. Historically, women have been treated as private and embodied and the politics of the demarcated spaces are employed to control and limit women’s mobility. This gendered politics underlying the situating practices apropos public and private spaces inform the representations of space in literary texts. Manu Joseph’s novels, Serious Men (2010) and The Illicit Happiness of Other People (2012), are situated in the word-cities of Mumbai and Chennai respectively whose urban spaces are structured by such spatial practices underlying the politics of location. The paper attempts to problematize the nature of gendered spatializations informing the location of characters in Serious Men and The Illicit Happiness of Other People.


2018 ◽  
Vol 43 (3) ◽  
pp. 295-326 ◽  
Author(s):  
Leonora C. Angeles ◽  
Omer Aijazi

The association of madrassas as “breeding grounds for terrorists” is problematic, exacerbated by a lack of understanding of how Islamic religious schools function and contribute to cities and urban social life. Our article provides an interpretative examination of the so-called madrassa question by explaining the urban-spatial embeddedness of madrassas and emphasizing the heightened sense and deployment of religious identities in the quotidian “worlding” of “lived religion” and “lived religious education” of research participants in two madrassa communities in Islamabad, Pakistan. Positioned within the growing research on urban sociology and geographies of the intersections of religion and education, this article examines lived religion and religious education within urban spaces. It discusses ethnographic findings on the performance and reproduction of spatially grounded extrareligious roles, identities, and practices in city-based madrassas. We emphasize the religious and nonreligious meanings people attach to these identities and practices, and how these are manifested, represented, and experienced in urban community spaces. We demonstrate madrassas’ connection to people’s place-making practices and meaning-making as historical processes and purposeful action. Urban landscape, quotidian religious practices, and extra-local political economy are important to linking place, human aspirations, and lived religion in reframing the madrassa question in Pakistan.


2020 ◽  
Vol 19 (3) ◽  
pp. 369-390
Author(s):  
Paul Allatson ◽  
Andrea Connor

The Australian White Ibis (Ibis) ( Threskiornis molucca) is one of three endemic Ibis species in Australia. In a short time frame beginning in the 1970s, this species has moved from inland waterways to urban centres along the eastern and southeastern seaboards, Darwin and the Western Australian southwest. Today Ibis are at home in cities across the country, where they thrive on the food waste, water resources and nesting sites supplied by humans. In this article, the authors focus on Sydney to argue that the physical and cultural inroads of Ibis, and the birds’ urban homeliness, are resignifying urban surfaces and the multispecies ecologies in which contemporary Australians operate. They explore how the very physical and sensory presence of Ibis disrupts the assumptions of many urban Australians, and visitors from overseas, that cities are human-centric or human-dominant, non-hybrid assemblages. They also introduce to this discussion of disrupted human expectations a cultural parallel, namely, the recent rise of Ibis in popular culture as an icon-in-the-making of the nation and as a totem of the modern Australian city itself. This trend exemplifies an avian-led revisualization of urban spaces, and is notable for its visual appeals to Ibis kitsch, and to working class or ‘bogan’ sensibilities that assert their place alongside cosmopolitan visions of being Australian. Sometimes kitsch Ibis imagery erupts across the urban landscape, as occurs with many Ibis murals. At other times it infiltrates daily life on clothing, on football club, university and business logos, as tattoos on people’s skin, and as words in daily idiom, confirmed by terms such as ‘picnic pirates’, ‘tip turkeys’ and ‘bin chickens’. The article uses a visual vignette methodology to chart Ibis moves into Sydney and the realms of representation alike, and thus to reveal how new zoöpolitical entanglements are being made in the 21st century.


2016 ◽  
Vol 40 (2) ◽  
pp. 87-98
Author(s):  
Maria Pia Fontana ◽  
Miguel Mayorga ◽  
Margarita Roa

In Le Corbusier’s work the threshold is represented like a revealing and enigmatic space that define the relations of the limit or boundary, the separation and the union between the buildings and the urban spaces, and the space that defines, qualifies and characterises the minimum condition of urbanity of any work of architecture, irrespective of its use or scale. Through an analysis of the draws based on the study of the six notebooks of The Voyage d’Orient (1911), and of the study of the urban settings visited, we verified that the threshold is, for Le Corbusier, a space or sequence of spaces organised under the idea of “plan” of variable thickness or extension, that includes both criteria and guidelines of order as well as solutions for managing the limits or boundaries in architecture, as well as its relation with space and the involvement with its surroundings, that is to say, we have also focused on highlighting how the architecture in itself, attends to an order that as well as being articulated and unitary, is extended by means of doors, frames, courtyards, terraces, sheds and exterior spaces, that incorporate both the nearby urban landscape as well as the distant cityscape.


Urban Studies ◽  
2016 ◽  
Vol 55 (4) ◽  
pp. 702-719 ◽  
Author(s):  
Harriet Bulkeley ◽  
Andrés Luque-Ayala ◽  
Colin McFarlane ◽  
Gordon MacLeod

As the 21st Century world assumes an increasingly urban landscape, the question of how definitive urban spaces are to be governed intensifies. At the heart of this debate lies a question about the degree and type of autonomy that towns and cities might have in shaping their economic, environmental, social and cultural geography. This paper aims to examine this question. Starting with the premise that the degree of autonomy any particular town or city has is inherently an empirical question – one which can only be conceptualised in relational terms vis-à-vis the distributed, networked and territorialised responsibilities and powers of the city and the nation-state and other zones of connection – we examine four different contexts where debates over autonomy have intensified in recent history (Brazil, UK, India and South Africa). Drawing on recent respective histories, we identify key elements and enablers in the making of urban autonomy: a characteristic that exists in a variety of guises and forms and creates a patchwork landscape of differentially powerful fragments. We reveal how, beyond its characteristic as a political ideal, autonomy surfaces as a practice that emerges from within specific sectors of particular societies and through their relationship with national and regional politics. Four alternative forms of urban autonomy are delineated: fragmented, coerced (or enclave), distributed and networked. We contend that the spatial templates for autonomy are not predetermined but can be enhanced in multiple different sites and forms of political space within the city. This enhancement appears essential for the integration and strengthening of capacities for sustainable and just forms of development throughout the urban.


Inter ◽  
2020 ◽  
Vol 12 (2) ◽  
pp. 8-28
Author(s):  
Kseniia N. Kalashnikova

The article is devoted to the consideration of the concept of authenticity set forth by S. Zukin in the book “Naked City: Death and Life of Authentic Urban Spaces”. The sources of the concept are traced in the author’s early works, the main subjects described in them are: the process of gentrification; power relations forming the urban landscape; symbolic economy and the power of cultural characteristics. These subjects became the basis of the idea of authenticity. Its manifestations are described by the example of “uncommon” and “common” urban spaces. A separate place in the article is considered by the development of individual ideas of Sh. Zukin, their interpretations, as well as applications for specific studies in the work of followers. The conclusion is drawn about the variety of interpretations offered by researchers and the ambiguity of using authenticity as a tool for analyzing the city.


2019 ◽  
Author(s):  
Ratoola Kundu ◽  

Peri-urban spaces in the Global South are regarded as sites of radical and often violent of transformation of social and spatial structures, of brutal dispossessions of lives and livelihoods to make way for speculative real estate development and the accumulation of capital through the expropriation and commodification of land. What kinds of politics and governance configurations emerge in the peri-urban areas of mega-cities? A host of state and non-state actors such as developers, aspiring middle-class urban dwellers are reimagining these sites. This paper investigates the complex governance and livelihood transformations following the upgradation of Bidhan Municipality to a Corporation in 2015 through the state driven merger of the existing planned satellite township of Salt Lake with the surrounding unplanned rural and urban areas. The paper argues that a new politics of unsteady alliances characterises the messy, unsettled and restless territories of the newly formed Municipal Corporation. A highly contingent, informalised and powerful configuration of non-state actors – locally known as Syndicates control the development dynamics and political fortunes of the periphery


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