scholarly journals The Survivor's Suite: The Life of the International Festival of Ethnological Film in Belgrade through Interesting Times

2021 ◽  
Vol 16 (4) ◽  
pp. 1013-1042
Author(s):  
Slobodan Naumović
Keyword(s):  
Film Production ◽  
Main Question ◽  
Film Festivals ◽  
Ethical Frameworks ◽  
Words And Images ◽  
The Times ◽  
The One ◽  
Ethnographic Films ◽  
International Festival ◽  
The Way

This paper is an attempt, based on many years of following the International Festival of Ethnological Film, organized by the Ethnographic Museum in Belgrade, to provide insight into the way in which it has so far fulfilled its purpose, while at the same time experiencing tumultuous, occasionally even tragic events and processes. The main question concerns the way in which “interesting times” have left their mark on and shaped the world of human experience of people who have lived through them, thus also film production and festival practice. The phrase “interesting times” is used in the sense in which it was used by the historian Eric Hobsbawm, who used it as a label for “the most extraordinary and terrible century in human history”. Two elements are of prime importance in the paper – the assumption that “interesting times” can exist simultaneously with, and can cause or heighten emotional and creative tension, and also the fact that the limited possibilities that the resulting states of mind and initiatives can be fulfilled through the usual channels, such as political ones, can lead to attempts to satisfy them through art or cultural forms. Film production and festival activities can, under certain circumstances, offer alternative channels for expressing moods and content that arise or are enhanced during “interesting times”. On the one hand, the framework for analysis will provide reflections on the nature and the possible social roles of film festivals, including festivals of documentary and ethnographic films. Essentially, it will be necessary to consider the questions of the types of experiences provided by the Festival to its participants and attendees, the cinematic experiences it offers, and the specific aims and ideologies advocated as part of it. On the other hand, relying on valuable testimony in the form of the Festival Catalogue, words and images which testify to the achievements of the Festival will be identified. At the very beginning, in the turbulent times when political orders were overthrown, along with legal and ethical frameworks, it seemed that the Festival had managed to be conceptually ahead of its time. It was a dream come true and a model for many, a place where “miracles” happened. After a number of years, its long history temporarily weakened the Festival's creative potential. The times became somewhat less interesting, slightly dull even, and the Festival followed suit. And yet through all the changes, the Festival has not ceased to be a place where people meet and learn; a place where images inspire thoughts, and thoughts seek visual means of expression; a place where, by meeting Others, we learn something about ourselves as well, but also a place where by seeking to find a way to represent ourselves, we enrich Others.

scholarly journals God nearby and God far away − Stephen Charnock on divine attributes

2014 ◽  
Vol 48 (1) ◽  
Author(s):  
Jan Hoek
Keyword(s):  
Experiential Knowledge ◽  
The Other ◽  
Main Question ◽  
Divine Attributes ◽  
Other Hand ◽  
Attributes Of God ◽  
The One ◽  
The Way

This article evaluated the way the Puritan theologian and pastor Stephen Charnock describes the attributes of God in his book titled Discourses upon the existence and attributes of God. On the one hand, the book displays a clear testimony to God’s highness, ‘God far away’, which helps us overcome earthly conceptions of God’s majesty. On the other hand, the book pays particular attention to the significance of experiential knowledge of God’s attributes such as his omnipotence, holiness and goodness regarding the life of faith. This way, Charnock endeavours to preach ‘God nearby’. The main question of research in this article is whether or not Charnock succeeded in establishing a connection between the attributes qualifying God as ‘God far away’ and those that depict him as ‘God nearby’. Did he bridge the gap between these two approaches?God nabij en God ver weg − Stephen Charnock (1628–1680) over de eigenschappern van God. Dit artikel evalueert de wijze waarop de Puriteinse theoloog en pastor Stephen Charnock in zijn boek Discourses upon the Existence and Attributes of God de eigenschappen van God bespreekt. Enerzijds is het boek een helder getuigenis van de grootheid van God, ‘de God van verre’, waardoor we geholpen worden om aardse voorstellingen van Gods majesteit te overwinnen. Tegelijkertijd geeft dit boek bijzondere aandacht aan de betekenis van de bevindelijke kennis van Gods eigenschappen, zoals zijn almacht, heiligheid, goedheid enzovoorts, in het leven van het geloof. Op deze wijze zet Charnock zich in om ‘de God van nabij’ te verkondigen. De belangrijkste vraag die dit artikel wil beantwoorden is in hoeverre Charnock erin slaagt een brug te slaan tussen deze beide benaderingen. 

scholarly journals Vesoul 2005

2005 ◽  
Author(s):  
Ron Holloway
Keyword(s):  
Far East ◽  
Film Festivals ◽  
Western Countries ◽  
The Far East ◽  
Asian Cinema ◽  
Better Than ◽  
International Festival ◽  
The Way

VESOUL INTERNATIONAL FESTIVAL OF ASIAN CINEMAS 2005 Cineastes with an incurable ache for Asian cinema are well advised to seek a cure at Vesoul. Indeed, Asian film festivals in western countries don't get much better than this annual event in an ancient town in the Haute-Saône province in eastern France. Now in its 11th year, the Vesoul International Festival of Asian Cinemas (22 February to 1 March 2005) was founded by Martine and Jean-Marc Théouanne, a teaching couple whose love for Asian cinema stems from back-packing days in the Far East. Enthusiastically supported by the home audience, Vesoul was breaking new ground back when Asian cinema was still an exotic sidebar attraction at major international film festivals. Over the years, as the festival extended its influence all the way to Paris, committed Asian cineastes climbed on board to lend a hand with programming and scouting reports - particularly Martine...

Looking at Words

2012 ◽  
Vol 6 (1-3) ◽  
pp. 67-82 ◽  
Author(s):  
S. Brent Plate
Keyword(s):  
Print Culture ◽  
Semantic Meaning ◽  
Sacred Texts ◽  
Words And Images ◽  
The Way

Regardless of their semantic meaning, words exist in and through their material, mediated forms. By extension, sacred texts themselves are material forms and engaged in two primary ways: through the ears and eyes. This article focuses on the visible forms of words that can stir emotional and even sacred responses in the eyes of their beholders. Thus words can be said to function iconically, affecting a mutually engaging form of "religious seeing." The way words appear to their readers will change the reader's interaction, devotion, and interpretation. Examples range from modern popular typography to European Christian print culture to Islamic calligraphy. Weaving through the argument are two key dialectics: the relation of words and images, and the relation of the seen and the unseen.

Make Love at War? Representing Gender and Memory in the Soviet Estonian Film Dark Windows (Pimedad aknad, Tõnis Kask, 1968)

2018 ◽  
Vol 6 (1) ◽  
pp. 20-37
Author(s):  
Liis Jõhvik
Keyword(s):  
Everyday Life ◽  
Young Women ◽  
Interpersonal Relations ◽  
Nazi Germany ◽  
National Narrative ◽  
Moral Choices ◽  
The One ◽  
Falling In Love ◽  
The Way

Abstract Initially produced in 1968 as a three-part TV miniseries, and restored and re-edited in 2008 as a feature-length film, Dark Windows (Pimedad aknad, Tõnis Kask, Estonia) explores interpersonal relations and everyday life in September 1944, during the last days of Estonia’s occupation by Nazi Germany. The story focuses on two young women and the struggles they face in making moral choices and falling in love with righteous men. The one who slips up and falls in love with a Nazi is condemned and made to feel responsible for the national decay. This article explores how the category of gender becomes a marker in the way the film reconstructs and reconstitutes the images of ‘us’ and ‘them’. The article also discusses the re-appropriation process and analyses how re-editing relates to remembering of not only the filmmaking process and the wartime occupation, but also the Estonian women and how the ones who ‘slipped up’ are later reintegrated into the national narrative. Ultimately, the article seeks to understand how this film from the Soviet era is remembered as it becomes a part of Estonian national filmography.

Ibn-Ul-Arabi's Cultural Environment that Influenced Him

2017 ◽  
Vol 5 (1) ◽  
pp. 165
Author(s):  
Assist. Prof. Dr. Kazım Yıldırım
Keyword(s):  
The Other ◽  
Cultural Environment ◽  
Ibn Rushd ◽  
Other Hand ◽  
The One ◽  
The Way

The cultural environment of Ibn al-Arabi is in Andalusia, Spain today. There, on the one hand, Sufism, on the other hand, thinks like Ibn Bacce (Death.1138), Ibn Tufeyl (Death186), Ibn Rushd (Death.1198) and the knowledge and philosophy inherited by scholars, . Ibn al-Arabi (1165-1240), that was the effect of all this; But more mystic (mystic) circles came out of the way. This work, written by Ibn al-Arabi's works (especially Futuhati Mekkiye), also contains a very small number of other relevant sources.

Making it abstract, making it contestable: Gender/sex as a politicized concept

2020 ◽  
Author(s):  
Claudia Mazzuca ◽  
Matteo Santarelli
Keyword(s):  
Social Sciences ◽  
Main Question ◽  
Abstract Concepts ◽  
Biological Feature ◽  
Dynamic Approach ◽  
Cognitive Sciences ◽  
Long Time ◽  
Cultural Construct ◽  
Science Framework ◽  
The One

The concept of gender has been the battleground of scientific and political speculations for a long time. On the one hand, some accounts contended that gender is a biological feature, while on the other hand some scholars maintained that gender is a socio-cultural construct (e.g., Butler, 1990; Risman, 2004). Some of the questions that animated the debate on gender over history are: how many genders are there? Is gender rooted in our biological asset? Are gender and sex the same thing? All of these questions entwine one more crucial, and often overlooked interrogative. How is it possible for a concept to be the purview of so many disagreements and conceptual redefinitions? The question that this paper addresses is therefore not which specific account of gender is preferable. Rather, the main question we will address is how and why is even possible to disagree on how gender should be considered. To provide partial answers to these questions, we suggest that gender/sex (van Anders, 2015; Fausto-Sterling, 2019) is an illustrative example of politicized concepts. We show that no concepts are political in themselves; instead, some concepts are subjected to a process involving a progressive detachment from their supposed concrete referent (i.e., abstractness), a tension to generalizability (i.e., abstraction), a partial indeterminacy (i.e., vagueness), and the possibility of being contested (i.e., contestability). All of these features differentially contribute to what we call the politicization of a concept. In short, we will claim that in order to politicize a concept, a possible strategy is to evidence its more abstract facets, without denying its more embodied and perceptual components (Borghi et al., 2019). So, we will first outline how gender has been treated in psychological and philosophical discussions, to evidence its essentially contestable character thereby showing how it became a politicized concept. Then we will review some of the most influential accounts of political concepts, arguing that currently they need to be integrated with more sophisticated distinctions (e.g., Koselleck, 2004). The notions gained from the analyses of some of the most important accounts of political concepts in social sciences and philosophy will allow us to implement a more dynamic approach to political concepts. Specifically, when translated into the cognitive science framework, these reflections will help us clarifying some crucial aspects of the nature of politicized concepts. Bridging together social and cognitive sciences, we will show how politicized concepts are abstract concepts, or better abstract conceptualizations.

Emerson's Memory Loss

2017 ◽  
Author(s):  
Christopher Hanlon
Keyword(s):  
William James ◽  
Memory Loss ◽  
Margaret Fuller ◽  
Final Phase ◽  
Important Work ◽  
The Social ◽  
The Many ◽  
The One ◽  
Do So ◽  
The Way

Emerson’s Memory Loss is about an archive of texts documenting Emerson’s intellectual state during the final phase of his life, as he underwent dementia. It is also about the way these texts provoke a rereading of the more familiar canon of Emerson’s thinking. Emerson’s memory loss, Hanlon argues, contributed to the shaping of a line of thought in America that emphasizes the social over the solipsistic, the affective over the distant, the many over the one. Emerson regarded his output during the time when his patterns of cognition transformed profoundly as a regathering of focus on the nature of memory and of thinking itself. His late texts theorize Emerson’s experience of senescence even as they disrupt his prior valorizations of the independent mind teeming with self-sufficient conviction. But still, these late writings have succumbed to a process of critical forgetting—either ignored by scholars or denied inclusion in Emerson’s oeuvre. Attending to a manuscript archive that reveals the extent to which Emerson collaborated with others—especially his daughter, Ellen Tucker Emerson—to articulate what he considered his most important work even as his ability to do so independently waned, Hanlon measures the resonance of these late texts across the stretch of Emerson’s thinking, including his writing about Margaret Fuller and his meditations on streams of thought that verge unto those of his godson, William James. Such ventures bring us toward a self defined less by its anxiety of overinfluence than by its communality, its very connectedness with myriad others.

The Futurists. Experts in World Futures

2018 ◽  
Author(s):  
Jenny Andersson
Keyword(s):  
Cold War ◽  
Status Quo ◽  
The Other ◽  
Futures Studies ◽  
The Future ◽  
The Status ◽  
The One ◽  
The Cold War ◽  
Images Of The Future ◽  
The Way

Alvin Toffler’s writings encapsulated many of the tensions of futurism: the way that futurology and futures studies oscillated between forms of utopianism and technocracy with global ambitions, and between new forms of activism, on the one hand, and emerging forms of consultancy and paid advice on the other. Paradoxically, in their desire to create new images of the future capable of providing exits from the status quo of the Cold War world, futurists reinvented the technologies of prediction that they had initially rejected, and put them at the basis of a new activity of futures advice. Consultancy was central to the field of futures studies from its inception. For futurists, consultancy was a form of militancy—a potentially world altering expertise that could bypass politics and also escaped the boring halls of academia.

Historical Writing in the Balkans

2018 ◽  
Author(s):  
Ulf Brunnbauer
Keyword(s):  
Freedom Of Expression ◽  
The Other ◽  
Former Yugoslavia ◽  
Ethnic Cleansing ◽  
Historical Writing ◽  
The Balkans ◽  
Other Hand ◽  
Balkan Countries ◽  
The One ◽  
The Way

This chapter analyzes historiography in several Balkan countries, paying particular attention to the communist era on the one hand, and the post-1989–91 period on the other. When communists took power in Albania, Bulgaria, Romania, and Yugoslavia in 1944–5, the discipline of history in these countries—with the exception of Albania—had already been institutionalized. The communists initially set about radically changing the way history was written in order to construct a more ideologically suitable past. In 1989–91, communist dictatorships came to an end in Bulgaria, Romania, Yugoslavia, and Albania. Years of war and ethnic cleansing would ensue in the former Yugoslavia. These upheavals impacted on historiography in different ways: on the one hand, the end of communist dictatorship brought freedom of expression; on the other hand, the region faced economic displacement.

II. Modernization of the Papacy and Catholicism in the Postmodern: Legacy and Challenges to Vatican I

Horizons ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 115-119
Author(s):  
Massimo Faggioli
Keyword(s):  
Catholic Church ◽  
Vatican Ii ◽  
Roman Catholic ◽  
Fiftieth Anniversary ◽  
Roman Catholic Church ◽  
Pope Francis ◽  
Vatican I ◽  
The One ◽  
Pius Ix ◽  
The Way

In the ongoing aggiornamento of the aggiornamento of Vatican II by Pope Francis, it would be easy to forget or dismiss the one hundred and fiftieth anniversary of Vatican I (1869–1870). The council planned (since at least the Syllabus of Errors of 1864), shaped, and influenced by Pius IX was the most important ecclesial event in the lives of those who made Vatican II: almost a thousand of the council fathers of Vatican II were born between 1871 and 1900. Vatican I was in itself also a kind of ultramontanist “modernization” of the Roman Catholic Church, which paved the way for the aggiornamento of Vatican II and still shapes the post–Vatican II church especially for what concerns the Petrine ministry.

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