Memaknai Studi Pergerakan Matahari dalam Perancangan Arsitektur: Kajian Beberapa Aplikasi Komputer Mengenai Studi Matahari

Modeling, as an instrument of architectural design, delineates boundaries for new ideas and establishes a framework for approaching the unknown. Those boundaries, however, often leave out elements of the design process and the larger context of the project. This is a particularly critical issue when dealing with architectural heritage sites with complex histories and multiple identities. As part of a larger research project dealing with the representation of cultural heritage, in this paper I pose the question: How can digital modeling embody the intangible dimensions of architectural production?

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Alliteration strategy In Contemporary Architecture

Journal of Engineering ◽

10.31026/j.eng.2018.04.10 ◽

2018 ◽

Vol 24 (4) ◽

pp. 24

Author(s):

Basim Hasan Hashim Al-majidi

Keyword(s):

Design Process ◽

Architectural Design ◽

Design Strategy ◽

Research Approach ◽

Architectural Form ◽

Cognitive Studies ◽

Abundance And Diversity ◽

Comprehensive Framework ◽

Contemporary Architecture ◽

Selection Of

The contemporary ideas were characterized by the abundance and diversity of their knowledge, human and conceptual production, the strategy is both a general and a detailed framework covering all design disciplines both inside and outside the field of architecture. From here, many of these terraces emerged from fields outside the field of architecture, but soon moved to form an important nerve within the field of architecture. Hence the need to define a more comprehensive framework for studying one of the concepts that can frame the framework, namely the concept of "Alliteration", and its adoption as an architectural design strategy aimed at giving the resulting form a feature of rhetoric. So the research highlighted the "scientific need to clarify knowledge about the concept of alliteration as a strategy in the design process". The aim of the research is to "clarify the knowledge about the concept of alliteration as a strategy in the design process and to reveal its mechanisms through which it can reach a contemporary architectural form characterized by rhetoric. The research approach represents several procedures to achieve the goal of research and solving the problem of research through the construction of a theoretical framework and the development of the main and secondary vocabulary after the introduction of previous cognitive studies to the selection of samples for application, then discuss, analyze the results and conclusions. Which explained that the strategy of the alliteration enables the reading of the text of the architect within the objectives of both the designer and the recipient of the product, by combining similar systems in form and content, and the integration of properties, reducing the number of words and expand their participation of recipients as a result of reliance on subjective references within the field of architecture.

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Composing the Layer of Knowledge of Digital Technology in Architecture

SHS Web of Conferences ◽

10.1051/shsconf/20184105002 ◽

2018 ◽

Vol 41 ◽

pp. 05002

Author(s):

Mikhael Johanes ◽

Yandi Andri Yatmo

Keyword(s):

Design Process ◽

Digital Technology ◽

Architectural Design ◽

Critical Evaluation ◽

Digital Tools ◽

Comprehensive Understanding ◽

Architectural Practice ◽

Vast Amount ◽

Digital Discourse ◽

Architectural Knowledge

The use of digital tools in architectural practice has been evolving significantly. In following such developments, architectural practice has been incorporating digital technology not only to meet the current demand but also to pursue the vast amount of possibilities ahead. However, the integration of digital technology in architectural knowledge has been reasonably operative that produces uncritical understanding, and it tends to put architects as a passive user of technology. This paper argues that there are layers of knowledge that nees to be acknowledged and nourished accordingly in embracing the use of computation tools yet avoiding the overly simplistic.understanding. It attempts to explore the methods of digital technology in archietctural design practices as well as dicussions that follow to create a critical evaluation of its roles and potentials. The review is conducted theoretically in which the use of digital in the design process is explored in such a way to reveal its importance in architectural design methods. The review also crosses beyond the disciplines of architecture to construct more comprehensive understanding that bridges the logic of digital technology and architecture. The resulted map of methods of the digital thus can be used to develop a framework for digital discourse that bridge the operative knowledge of technology to the more critical perspectives.

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Studying the Effect of Continent on Three Important Mosque of Timurid Period (Blue Mosque of Tabriz, Goharshadjame Mosque, Jame Mosque of Yazd)

Modern Applied Science ◽

10.5539/mas.v10n2p205 ◽

2016 ◽

Vol 10 (2) ◽

pp. 205 ◽

Cited By ~ 1

Author(s):

Davoud Saremi Naeeni ◽

Kobra Hasangholinejad Yasoori

Keyword(s):

Architectural Design ◽

Climatic Factors ◽

Spiritual Guidance ◽

Architectural Form ◽

Architectural Features ◽

Two Factors ◽

The Status ◽

History Of ◽

Physical Elements ◽

Physical Features

Mosques’ architecture is one of the monuments in the history of Iranian architecture that has alwaysbeen of interest andimportance and in the Timurid period was also welcomed by many architects and artists and examples were built that were used as a perfect model for the architects of the next periods. The architecture of this period is known as a good example of harmony with the environment, which is a result of various climatic, historical, economic, cultural and political factors and have had the greatest impact and benefit fromthe continental and social and politicalconditions of Ilkhani and Seljuk periods. Timurid mosques of Iran are from the important elements of Islamic architecture in terms of architectural form and decorations that need to be reviewed in these two factors. Building mosques in Iran, as a public place and a political state for the spiritual guidance was started at the beginning of Islam and was completed in the Timurid era in the various buildings. Mosques were firstly build as Shabestani and then as one Iwan and two Iwans and four Iwans, as one of the important elements in the cities.Given that the architectural design, construction and decorations of some of theTimurid mosques are from the architectural masterpieces of Iran, this article has considered three important mosques of the Timurid period in Iran, GoharshadJameMosque,Jame Mosque of Yazd, Blue Mosque of Tabriz, and has analyzed and compared the structural elements of the architecture of these mosques (dome, Iwan, courtyard,and use of geometry in buildings, etc.) as well as considering the climatic factors that impact on those building. The method of research is comparative study and case study and then with an analytical approach, we will compare three important mosquesin terms of political, social situations and also physics and structure and geometry and decorations of them. In addition to reviewing the related papers and books, we will have a comparative table for the physical elements and their decorations. Finally, in addition to achieving the objectives of constructing the mosques and their formal changes in this period and comparingthem, the status of each of them is reviewed in the main section of the paper and the analytical model for future studies for mosque’s architecture according to the continent, is recommended.In this research with the aim of considering the methodologies of building mosques’ architecture according to the continent, first we consider the physical features of architecture in Timurid period. Then we consider the architectural physical features of The Blue Mosque of Tabriz, GoharshadJame Mosque, and Jame Mosque of Yazd as some examples. After that, the general characteristics and structural form of mosques according to the continent and the domestic architecture of the regions was analyzed. At the end, comparing the features and similarities of mosques and the differences in mosques’ architecture in this period, we have found some strategies about building mosques according to the domestic and continental architectural features.

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PENDEKATAN DESAIN PARAMETRIK DALAM SAYEMBARA KONSEP DESAIN GEDUNG ASEAN SECRETARIAT (ASEC)

Jurnal Arsitektur ARCADE ◽

10.31848/arcade.v2i1.24 ◽

2018 ◽

Vol 2 (1) ◽

pp. 43

Author(s):

Rendy Perdana Khidmat

Keyword(s):

Honey Bee ◽

Design Process ◽

Architectural Design ◽

Parametric Design ◽

Form Finding ◽

Design Competition ◽

Recent Trends ◽

Building Form ◽

Storey Building

Abstract:. Recent trends and rapid developments in computing gives tremendous impact in many disciplines beside computer science. Architecture is one of disciplines that have undergone an evolution in paradigm as a result of this development. Parametric design is one of the approaches used in architectural design which lead to the advance circumtances in design process. This approach adopts some of designer-friendly programming language where architects can utilize unlimited computation abilities from computers in search of design solutions by designing their parametric definitions or rules. This article will discuss about the parametric approach to the design of multi-storey building buildings. The case study in this research is the design competition of ASEAN Secretariat building (ESAC) organized by Ikatan Arsitek Indonesia (IAI) Jakarta. The Grasshopper platform is used to explore for building form (form-finding) that maximize the view toward its site. A simple radiation analysis is also conducted in this design process using the plug-in called Ladybug + Honey bee and Multi-Objecive Optimization using Octopus plug-in, to look for minimal radiation that is affected by the location of the building form. Keywords: Parametrik desain, Grasshopper, Ladybug + Honey bee, Octopus Abstrak: Tren dan perkembangan yang pesat dalam komputasi banyak mempengaruhi disiplin lain diluar ilmu komputer. Arsitektur adalah salah satu disiplin yang banyak mengalami perubahan dalam paradigma pemikirannya akibat dari perkembangan ini. Parametrik desain merupakan salah satu pendekatan yang digunakan dalam desain arsitektur. Pendekatan ini mengadopsi bahasa pemrograman dimana arsitek dapat memanfaatkan kemampuan menghitung yang tidak terbatas dari komputer dalam mencari solusi desain dengan merancang definisi parametriknya. Artikel ini akan membahas mengenai pendekatan parametrik pada desain bangunan gedung berlantai banyak. Studi kasus pada penelitian ini adalah sayembara desain gedung sekretariat ASEAN Jakarta yang diselenggarakan Ikatan Arsitek Indonesia (IAI) Jakarta. Platform Grasshopper digunakan untuk mencari gubahan masa yang dapat memaksimalkan view dan bentuk terhadap tapaknya. Analisa radiasi sederhana juga dilakukan pada proses ini dengan menggunakan plug-in Ladybug + Honey bee dan Multi-Objecive Optimization dengan menggunakan plugin Octopus, untuk mencari radiasi minimal yang dipengaruhi oleh bentuk dan letak bangunan yang didesain. Kata Kunci: Parametrik desain, Grasshopper, Ladybug + Honey bee, Octopus

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KA MUA, KA MURI

10.26686/wgtn.16695985 ◽

2021 ◽

Author(s):

◽

Max Clifford

Keyword(s):

Architectural Design ◽

Structural Integrity ◽

Digital Design ◽

Digital Tools ◽

Time And Space ◽

Digital Tool ◽

Architectural Form ◽

Geometric Patterns ◽

Architectural Structures ◽

Fabric Construction

Modern generative and procedural digital tools are beginning to provide a new and previously impossible method of engaging with indigenous design from all parts of the globe. Diverse geometric patterns form the basis of many indigenous art forms, and complex digital design workflows can recreate and extend upon these. This thesis is centred around traditional Māori arts and, in particular, fabric arts as there is an opportunity for a digital tool to be established that can interact with Māori design in a far more engaging way than previous, default Western architectural design methods. This research forms an argument that modern computation tools and complex digital workflows allow for much-needed engagement, as Māori culture is often misused throughout New Zealand and the wider world. This thesis seeks to establish an innovative digital tool that can engage with Māori concepts of time and space. From researching Māori culture, it is apparent that Māori architecture is understood in a diametrically opposed way to Western architecture. By exploiting digital tools and modern fabrication methods, Māori understanding of time and space can become the design driver to form a new architectural linguistics that engages, instead of supplants, Māori culture. Traditional Māori fabric construction techniques were selected for exploration, due to the complex relationship between their structural integrity and intricate decorative beauty. Many fabric techniques have been tested and implemented into the final architectural form that has derived a new ornamental, speculative, architectural language. The architectural proposals are focused on ephemeral architectural structures based upon two typologies. The first is the traditional Māori hākari stage, a temporary structure erected for major multi-tribe feasts and celebrations throughout pre- and post-contact eras. The research into the hākari stage informs an outcome that analyses the modern fashion show typology. While seemingly opposites, the two typologies have fascinating similarities through their notions of time and space, which creates an exciting framework for new architectural outcomes.

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SUN CITY

Tidsskriftet Antropologi ◽

10.7146/ta.v0i48.107095 ◽

2003 ◽

Author(s):

Anders Høyer Toft

Keyword(s):

Design Process ◽

Architectural Design ◽

The Sun ◽

Bruno Latour ◽

Actor Network ◽

Architectural Practice ◽

The North ◽

New City ◽

North Western

The main purpose of this article is to enlighten the architectural design process. This is done through the description of how the Danish architect office Møller & Grønborg created a proposal for a new city in the North Western part of China. The city is called Sun City and is planned to be realised within the next 30 years. It is a city the size of Aarhus housing up to 300.000 inhabitants. The article is divided into two parts. Part 1 is the description of the practical creation of the competition entry to the Sun City competition. Part 2 is an attempt to reformulate the understanding of the architectural practice on the basis of how architects actually work (Sun City competition works as a case here) and on the basis of actor-network theory as it is formulated by the French philosopher Bruno Latour.

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KA MUA, KA MURI

10.26686/wgtn.16695985.v1 ◽

2021 ◽

Author(s):

◽

Max Clifford

Keyword(s):

Architectural Design ◽

Structural Integrity ◽

Digital Design ◽

Digital Tools ◽

Time And Space ◽

Digital Tool ◽

Architectural Form ◽

Geometric Patterns ◽

Architectural Structures ◽

Fabric Construction

Modern generative and procedural digital tools are beginning to provide a new and previously impossible method of engaging with indigenous design from all parts of the globe. Diverse geometric patterns form the basis of many indigenous art forms, and complex digital design workflows can recreate and extend upon these. This thesis is centred around traditional Māori arts and, in particular, fabric arts as there is an opportunity for a digital tool to be established that can interact with Māori design in a far more engaging way than previous, default Western architectural design methods. This research forms an argument that modern computation tools and complex digital workflows allow for much-needed engagement, as Māori culture is often misused throughout New Zealand and the wider world. This thesis seeks to establish an innovative digital tool that can engage with Māori concepts of time and space. From researching Māori culture, it is apparent that Māori architecture is understood in a diametrically opposed way to Western architecture. By exploiting digital tools and modern fabrication methods, Māori understanding of time and space can become the design driver to form a new architectural linguistics that engages, instead of supplants, Māori culture. Traditional Māori fabric construction techniques were selected for exploration, due to the complex relationship between their structural integrity and intricate decorative beauty. Many fabric techniques have been tested and implemented into the final architectural form that has derived a new ornamental, speculative, architectural language. The architectural proposals are focused on ephemeral architectural structures based upon two typologies. The first is the traditional Māori hākari stage, a temporary structure erected for major multi-tribe feasts and celebrations throughout pre- and post-contact eras. The research into the hākari stage informs an outcome that analyses the modern fashion show typology. While seemingly opposites, the two typologies have fascinating similarities through their notions of time and space, which creates an exciting framework for new architectural outcomes.

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Morphing in Form Finding Stage through the Architectural Design Process

Engineering Research Journal ◽

10.21608/erj.2020.132109 ◽

2020 ◽

Vol 165 (0) ◽

pp. 114-132

Author(s):

Sarah Ismail Hassan Soliman ◽

Mohamed Alaa Mandour ◽

Hala Adeeb

Keyword(s):

Design Process ◽

Architectural Design ◽

Form Finding

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Ka mua Ka muri

10.26686/wgtn.16695985.v2 ◽

2021 ◽

Author(s):

◽

Max Clifford

Keyword(s):

Architectural Design ◽

Structural Integrity ◽

Digital Design ◽

Digital Tools ◽

Time And Space ◽

Digital Tool ◽

Architectural Form ◽

Geometric Patterns ◽

Architectural Structures ◽

Fabric Construction

Modern generative and procedural digital tools are beginning to provide a new and previously impossible method of engaging with indigenous design from all parts of the globe. Diverse geometric patterns form the basis of many indigenous art forms, and complex digital design workflows can recreate and extend upon these. This thesis is centred around traditional Māori arts and, in particular, fabric arts as there is an opportunity for a digital tool to be established that can interact with Māori design in a far more engaging way than previous, default Western architectural design methods. This research forms an argument that modern computation tools and complex digital workflows allow for much-needed engagement, as Māori culture is often misused throughout New Zealand and the wider world. This thesis seeks to establish an innovative digital tool that can engage with Māori concepts of time and space. From researching Māori culture, it is apparent that Māori architecture is understood in a diametrically opposed way to Western architecture. By exploiting digital tools and modern fabrication methods, Māori understanding of time and space can become the design driver to form a new architectural linguistics that engages, instead of supplants, Māori culture. Traditional Māori fabric construction techniques were selected for exploration, due to the complex relationship between their structural integrity and intricate decorative beauty. Many fabric techniques have been tested and implemented into the final architectural form that has derived a new ornamental, speculative, architectural language. The architectural proposals are focused on ephemeral architectural structures based upon two typologies. The first is the traditional Māori hākari stage, a temporary structure erected for major multi-tribe feasts and celebrations throughout pre- and post-contact eras. The research into the hākari stage informs an outcome that analyses the modern fashion show typology. While seemingly opposites, the two typologies have fascinating similarities through their notions of time and space, which creates an exciting framework for new architectural outcomes.

Download Full-text