scholarly journals Archetype and matrix image (potential forms of an image)

2021 ◽  
Vol 37 (1) ◽  
pp. 154-161
Author(s):  
Ilona Błocian ◽  
Keyword(s):  
Social World ◽  
Space Time ◽  
The Other ◽  
The Unconscious ◽  
Evolutionary Pattern ◽  
Cultural Image ◽  
Matrix Image ◽  
Philosophical Criticism ◽  
Thing In Itself ◽  
Evolutionary Interpretation

The article is devoted to the analysis of potential forms of the image in culture and the development of the Jungian concept of an archetype in Wunenburger, Bachelard, Durand and modern cultural studies. The notion of archetype in Carl Jung’s concept is related to the distinction between the archetype in itself, noumenon and archetype image conceived as a phenomenal manifestation of archetypal forms in the space-time, historical and social reality. This distinction has a Kantian lineage, which Jung was clearly conscious of. He provides a reference to the conception of Kant, calling it “a school of philosophical criticism” several times in his writings. In the studies of Jung’s concept, his approach to transcendentalism (Z. Rosińska) is at times present, and a certain type of its specific, evolutionary interpretation is used. The archetype, being a “thing in itself ”, determines the appearance of phenomenal forms in the space-time, historical and social world, while remaining outside the direct entanglement and referring to the evolutionally active sphere of the unconscious as an anthropological datum. The archetypal image expresses the permanent approximation of manifestation of the semantic core of the archetype itself. The notion of an archetype has evolved in contemporary understandings and conceptions; it was conceived as a psychological expression of the evolutionary pattern of behavior, as an affective-representative node and ante rem of an idea, as a hermeneutic pattern of meaning or as a kind of matrix image. The archetype can be understood in connection with anthropological structures or with a cultural image; one way of comprehension does not exclude the other.

Emmanuel Levinas: Um estudo sobre a ética da alteridade

2020 ◽  
Author(s):  
Abimael Francisco do Nascimento
Keyword(s):  
Emmanuel Levinas ◽  
Transcendental Philosophy ◽  
The Other ◽  
New Thought ◽  
Philosophical Criticism ◽  
The Face ◽  
The Subject ◽  
Theoretical Foundations ◽  
First Philosophy

The general objective of this study is to analyze the postulate of the ethics of otherness as the first philosophy, presented by Emmanuel Levinas. It is a proposal that runs through Levinas' thinking from his theoretical foundations, to his philosophical criticism. Levinas' thought presents itself as a new thought, as a critique of ontology and transcendental philosophy. For him, the concern with knowledge and with being made the other to be forgotten, placing the other in totality. Levinas proposes the ethics of otherness as sensitivity to the other. The subject says here I am, making myself responsible for the other in an infinite way, in a transcendence without return to myself, becoming hostage to the other, as an irrefutable responsibility. The idea of the infinite, present in the face of the other, points to a responsibility whoever more assumes himself, the more one is responsible, until the substitution by other.

Interactional means of teaming up: enacting the features of contemporary working life in a theater performance

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Riikka Nissi ◽  
Melisa Stevanovic
Keyword(s):  
Working Life ◽  
Social World ◽  
The Other ◽  
Social Setting ◽  
Live Performance ◽  
Societal Issues ◽  
The Core ◽  
The Social ◽  
Workplace Organization ◽  
The One

Abstract The article examines how the aspects of the social world are enacted in a theater play. The data come from a videotaped performance of a professional theater, portraying a story about a workplace organization going through a personnel training program. The aim of the study is to show how the core theme of the play – the teaming up of the personnel – is constructed in the live performance through a range of interactional means. By focusing on four core episodes of the play, the study on the one hand points out to the multiple changes taking place both within and between the different episodes of the play. On the other hand, the episodes of collective action involving the semiotic resources of singing and dancing are shown to represent the ideals of teamwork in distinct ways. The study contributes to the understanding of socially and politically oriented theater as a distinct, pre-rehearsed social setting and the means and practices that it deploys when enacting the aspects of the contemporary societal issues.

Ironic Reprise in Galdós' Novels

PMLA ◽  
1961 ◽  
Vol 76 (3) ◽  
pp. 233-239 ◽  
Author(s):  
Monroe Z. Hafter
Keyword(s):  
Nineteenth Century ◽  
Recent Article ◽  
The Other ◽  
Separate Study ◽  
The Unconscious ◽  
Present Essay ◽  
Spanish Novel ◽  
Artistic Representation ◽  
The Rich

A recent article of Leon Livingstone rightly calls attention to the importance of Pérez Galdós' assimilation of Cervantine irony as a forerunner of the concern of modern Spanish novelists about the autonomy of their characters. The unreality of rationalism, which Livingstone holds to be the germ of El amigo Manso, the imagination's capacity to create reality at the heart of Misericordia, lead to the even bolder experiments in the artistic representation of reality undertaken by Unamuno, Azorín, Valle-Inclán, and Pérez de Ayala. Anomalous for his time yet so pervasive in his work is Galdós' employment of “interior duplication” that a separate study would contribute to our fuller understanding of his art as well as to our measure of the advances in the Spanish novel of the latter half of the nineteenth century. The present essay focuses on Galdós' developing skill with internal repetitions from La Fontana de Oro (publ. 1870), through the rich complexities of the novels written between 1886–89, to their almost stylized simplicity in El abuelo (1897). Always related to Cervantine irony, the variety of verbal echoes, the mirroring of one character in another, the unconscious illumination each may offer the other, underscore the increasingly intimate wedding of form and matter with which Galdós came to unfold his narratives.

Las mentiras en Pedro Páramo

Revue Romane ◽  
2015 ◽  
Vol 50 (1) ◽  
pp. 68-80
Author(s):  
Pol Popovic Karic
Keyword(s):  
Specific Area ◽  
Space Time ◽  
The Other ◽  
Juan Rulfo ◽  
The Novel ◽  
Pedro Paramo

Four types of lies will be analyzed in the novel Pedro Paramo by Juan Rulfo. Each one stems from a specific area: space, time, love and death. These lies are complementary; the first two permeate into the other two and these complement each other forming a circle of ambiguity and uncertainty in the narrative.

scholarly journals Bargmann–Wigner formulation and superradiance problem of bosons and fermions in Kerr space–time

2015 ◽  
Vol 30 (11) ◽  
pp. 1550052 ◽  
Author(s):  
Masakatsu Kenmoku ◽  
Y. M. Cho
Keyword(s):  
Negative Energy ◽  
Space Time ◽  
The Other ◽  
Positive Energy ◽  
Independent Components ◽  
Consistent Description ◽  
Other Hand ◽  
Kerr Space

The superradiance phenomena of massive bosons and fermions in the Kerr space–time are studied in the Bargmann–Wigner formulation. In case of bi-spinor, the four independent components spinors correspond to the four bosonic freedom: one scalar and three vectors uniquely. The consistent description of the Bargmann–Wigner equations between fermions and bosons shows that the superradiance of the type with positive energy (0 < ω) and negative momentum near horizon (p H < 0) is shown not to occur. On the other hand, the superradiance of the type with negative energy (ω < 0) and positive momentum near horizon (0 < p H ) is still possible for both scalar bosons and spinor fermions.

scholarly journals Challenges and limits of an education for all

2015 ◽  
Vol 12 (2) ◽  
pp. 310-349
Author(s):  
Ana Pires do Prado ◽  
Giselle Carino Lage
Keyword(s):  
School Management ◽  
The Other ◽  
Education For All ◽  
Public High Schools ◽  
The Unconscious ◽  
Selection Procedures ◽  
Management Culture ◽  
The Everyday ◽  
Different Types ◽  
Management Staff

Abstract This paper aims to demonstrate the existence of two different types of school management culture. Data was collected during fieldwork over the academic years 2008 and 2009 in two public high schools in Rio de Janeiro where we observed administrative and pedagogical meetings, classrooms and the everyday life of the schools. From an analysis of the practices and conceptions of management staff, we describe the unconscious grammatical principles that govern the running of the two schools. These becomes particularly clear in the different selection procedures in the two schools, one of them conducting severe criteria for entrance and the other allowing all to enter but few to reach the end of the course. These two recruitment selection practices reveal distinct expectations and beliefs on students' ability (or inability) to learn.

SYMMETRIES OF CERTAIN PHYSICAL THEORIES AND THE JORDAN ALGEBRAS

1992 ◽  
Vol 07 (15) ◽  
pp. 3623-3637 ◽  
Author(s):  
R. FOOT ◽  
G. C. JOSHI
Keyword(s):  
Jordan Algebra ◽  
Space Time ◽  
Jordan Algebras ◽  
Bosonic String ◽  
The Other ◽  
Structure Group ◽  
Division Algebras ◽  
Hermitian Matrices ◽  
Higher Dimensional ◽  
Algebraic Framework

It is shown that the sequence of Jordan algebras [Formula: see text], whose elements are the 3 × 3 Hermitian matrices over the division algebras ℝ, [Formula: see text], ℚ and [Formula: see text], can be associated with the bosonic string as well as the superstring. The construction reveals that the space–time symmetries of the first-quantized bosonic string and superstring actions can be related. The bosonic string and the superstring are associated with the exceptional Jordan algebra while the other Jordan algebras in the [Formula: see text] sequence can be related to parastring theories. We then proceed to further investigate a connection between the symmetries of supersymmetric Lagrangians and the transformations associated with the structure group of [Formula: see text]. The N = 1 on-shell supersymmetric Lagrangians in 3, 4 and 6-dimensions with a spin 0 field and a spin 1/2 field are incorporated within the Jordan-algebraic framework. We also make some remarks concerning a possible role for the division algebras in the construction of higher-dimensional extended objects.

scholarly journals Amos: ’n teologie van bedreiging?

1998 ◽  
Vol 32 (3) ◽  
Author(s):  
J. L. Helberg
Keyword(s):  
Space Time ◽  
The Other ◽  
Moral Justification ◽  
The Real ◽  
Other Hand ◽  
Personal Approach ◽  
History Of

The book of Amos contains many undertones of threat, except in the epilogue which, according to many scholars, is redactional The question thus comes to the fore whether this characteristic implies that God is seen by Amos as a God of threat for whom one can only have fear. This article, however, points out Amos’ moral justification of God's deeds. Israel's actions, on the other hand, display a self-centredness and a lack of theocentric and personal approach. Within this framework the history of salvation, especially the exodus and the conquest of the land, as well as the election, covenant and the idea of the remnant, is fossilised and God is made a captive of space, time and relations. However, Amos' proclamation implies that in reality God cannot be made captive - neither of such a religion nor of a theology of threat. Amos envisions a situation in which everything will comply with the real aim set for it/him.

Space, Time and Mind-Dependence

2011 ◽  
Vol 16 (2) ◽  
pp. 175-190 ◽  
Author(s):  
Sorin Baiasu
Keyword(s):  
Transcendental Idealism ◽  
Space Time ◽  
The Other ◽  
Special Issue ◽  
Critical Philosophy ◽  
The Third ◽  
The One

AbstractThe interpretation of Kant's Critical philosophy as a version of traditional idealism has a long history. In spite of Kant's and his commentators’ various attempts to distinguish between traditional and transcendental idealism, his philosophy continues to be construed as committed (whether explicitly or implicitly and whether consistently or inconsistently) to various features usually associated with the traditional idealist project. As a result, most often, the accusation is that his Critical philosophy makes too strong metaphysical and epistemological claims.In his The Revolutionary Kant, Graham Bird engages in a systematic and thorough evaluation of the traditionalist interpretation, as part of perhaps the most comprehensive and compelling defence of a revolutionary reading of Kant's thought. In the third part of this special issue, the exchanges between, on the one hand, Graham Bird and, on the other, Gary Banham, Gordon Brittan, Manfred Kuehn, Adrian Moore and Kenneth Westphal focus on specific aspects of Bird's interpretation of Kant's first Critique. More exactly, the emphasis is on specific aspects of Bird's interpretation of the Introduction, Analytic of Principles and Transcendental Dialectic of Kant's first Critique.The second part of the special issue is devoted to discussions of particular topics in Bird's construal of the remaining significant parts of the first Critique, namely, of the Transcendental Aesthetic and the Analytic of Concepts. Written by Sorin Baiasu and Michelle Grier, these articles examine specific issues in these two remaining parts of the Critique, from the perspective of the debate between the traditionalist and revolutionary interpretation. The special issue begins with an Introduction by the guest co-editors. This provides a summary of the exchanges between Bird and his critics, with a particular focus on the debates stemming from the differences between traditional and revolutionary interpretations of Kant.

The Subversion of Plato's Quasi-Phenomenology and Mytho-Poetics in the Symposium

Janus Head ◽  
2009 ◽  
Vol 11 (1) ◽  
pp. 59-76
Author(s):  
Bert Olivier ◽  
Keyword(s):  
Jacques Lacan ◽  
Human Condition ◽  
The Other ◽  
Philosophical Tradition ◽  
The Unconscious ◽  
Other Hand ◽  
Significant Difference ◽  
The One

Is there a significant difference between Plato's texts and what is known as 'Platonism', that is, the philosophical tradition that claims Plato as its progenitor? Focusing on the Symposium, an attempt is made here to show that, far from merely fitting neatly into the categories of Platonism—with its neat distinction between the super-sensible and the sensible—Plato's own text is a complex, tension-filled terrain of countervailing forces. In the Symposium this tension obtains between the perceptive insights, on the one hand, into the nature of love and beauty, as well as the bond between them, and the metaphysical leap, on the other hand, from the experiential world to a supposedly accessible, but by definition super-sensible, experience-transcending realm. It is argued that, instead of being content with the philosophical illumination of the ambivalent human condition—something consummately achieved by mytho-poetic and quasi-phenomenohgical means—Plato turns to a putatively attainable, transcendent source of metaphysical reassurance which, moreover, displays all the trappings of an ideological construct. This is demonstrated by mapping Plato's lover's vision of 'absolute beauty' on to what Jacques Lacan has characterized as the unconscious structural quasi-condition of all religious and ideological illusion.

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