Specific traits of artistic time and space in the novel by sasha sokolov ‘between dog and wolf’ as the reason for its being difficult to translate

2018 ◽  
Vol 68 (4) ◽  
pp. 061-067
Author(s):  
N.S. Fedotova ◽  
◽  
D.V. Osipov ◽  
Keyword(s):  
The Novel ◽  
Time And Space ◽  
Sasha Sokolov

Chronotopes as a Component of Ideological Narrative in Political Advertisements

2019 ◽  
pp. 77-94
Author(s):  
Hasan Turgut
Keyword(s):  
The Political ◽  
Local Elections ◽  
The Novel ◽  
Political Campaign ◽  
Time And Space ◽  
Political Advertisements ◽  
Narrative Structures ◽  
Justice And Development Party ◽  
Ideological Stance

The JDP (Justice and Development Party-AK Party) enters the local elections to be held on March 31, 2019, with the slogan of “Gönül Belediyeciliği”. In this process, the political campaign process is carried out in accordance with the conservative ideological stance of the party around various slogans such as “Memleket İşi Gönül İşi,” “Gönülden Yaparsan Gönüller Kazanırsın,” and “Gönlü Güzel İnsanların Ülkesidir Burası.” M. Bakhtin describes how the narrative is structured in time and space in the novel with the concept of chronotope. In a narrative, chronotope is the place where the plot is touched and solved as a combination of time and space. This study aims to explore the role of chronotopes in the formation of ideological narrative structures. Within this framework, chronotopic elements in “Gönül Belediyeciliği” commercials will be analyzed.

scholarly journals STUDYING THE ARTISTIC DETAIL (based on Donna Tartt’s novel «The Goldfinch»)

2021 ◽  
Vol 1 (192) ◽  
pp. 80-84
Author(s):  
Olha Kozii ◽  
Keyword(s):  
Adult Male ◽  
Defense Mechanisms ◽  
The Other ◽  
The Novel ◽  
Main Character ◽  
Time And Space ◽  
Part D ◽  
Life And Death ◽  
Critical Situation

«The Goldfinch» is a story of a boy and later an adult male Theodore Decker who accidentally obtains a masterpiece. The writer, as a surgeon, separates one second of expectation from the other, detail from detail. The reader is presented not just a frightened child but deep sorrow of the loss of the whole world. In the second chapter of the first part D. Tartt reveals herself as a skillful psychologist, skillfully accustoms herself to the inner state of the main character, with him she travels through the memories, tracks associative relationships he makes. The writer brilliantly follows all defense mechanisms of a man who is faced with the inevitability. The author uses gradation way of describing while stringing visual and auditory details, retards artistic time. The writing of D. Tartt is characterized by the unique skill in the detail describing. The role of artistic detail in the process of inner state depicting is investigated. The author touches upon the problem of the depicting of critical situation in the novel. The attention is paid to the writer’s skills in showing main character’s feelings, memoirs, thoughts, associative relations and human nocifensor in critical situations. It is admitted that in case of such temporal and space detail the most suitable way of analysis is «in succession to the author». Thus, in the novel The Goldfinch D.Tartt declares herself a talented master of words, subtle psychologist and philosopher. As a surgeon, the writer separates one second of expectation from the other, detail from detail. Therefore, the reader can observe not just a frightened child but deep sorrow of the loss of the whole world. This is achieved by the skillful combination of visual and auditory details that create convex emotionally saturated images filled with heartbeat of life. The author dowers the main character – both a teenager and an adult man – with the ability to see deep philosophical maxims in small details, to decipher the message from the artist, to understand the dialectical interpenetration of life and death. Because of such careful author's treatment to the artistic time and space the most appropriate way to study seems to be the analysis «in succession to the author».

scholarly journals TIME IN THE NOVEL “A SCHOOL FOR FOOLS” BY SASHA SOKOLOV

2018 ◽  
pp. 240-242 ◽  
Author(s):  
Marina Khazhpagovna Ortanova ◽  
◽  
Zinaida Zhantemirovna Kudaeva ◽  
Keyword(s):  
The Novel ◽  
Sasha Sokolov

scholarly journals Artistic construction tools in Samrawyat's novel, Hajji Jaber: أدوات البناء الفني في رواية (سَمراويتْ) لحجي جابر

2020 ◽  
Vol 4 (8) ◽  
Author(s):  
Homedan Iqtaish Matar Al-Sharafat
Keyword(s):  
Technical Analysis ◽  
The Novel ◽  
Time And Space ◽  
The Third ◽  
Narrative Imagination ◽  
Analysis Tools ◽  
Technical Construction

This research bears the name: (Artistic Building Tools in Samarawit Novel) by Hajji Jaber, and he addressed technical building tools as one of the technical analysis tools in stylistics, and he came in three demands: He addressed in the first requirement: the terms of study such as the technical building tools and narrative and narrative imagery, and in The second requirement: The study studied the structure of fictional speech in a novel (Samarawit), and defined the technical thresholds, and the third topic: Dealing with the tools of technical construction in the novel and the space of the novel time and space. The research has come out with some results and recommendations such as the importance of the modern stylistic study of narrative imagination, the tools of artistic construction in it, and the efforts of the narrator in transferring the story with its elements from the monotony of traditional narration to narrative imagination.

scholarly journals CRITERIA AND TOOLS TO CATALOGUE BRICK-MASONRY VAULTS. THE GIS-DATABASE OF FRAME, A FASCE AND PLANTERIAN VAULTS BETWEEN THE 16TH AND 18TH CENTURY IN NORTHERN ITALY

2021 ◽  
Author(s):  
Chiara Stanga
Keyword(s):  
18Th Century ◽  
Northern Italy ◽  
3D Modelling ◽  
Brick Masonry ◽  
The Novel ◽  
Time And Space ◽  
Gis Database ◽  
Construction Techniques ◽  
The Future ◽  
Masonry Vaults

The paper describes a proposal for criteria and tools to catalogue brick-masonry vaulted systems in Northern Italy between the 16th and 18thcenturies. Along with the standard geometric typologies, three novel parameters (maîtresses voûtes, voûte sur le plan d'une autre voûte, constructive features) are proposed to include the constructive features in the vault taxonomy. The novel parameters help catalogue three vaulting types that can be considered the metamorphosis of cloister vaults: frame, a fasce, and planterian vaults. The database was realized in MS Access and then imported into QGIS 3.10. Database and GIS have been operative tools to form hypotheses on vault disseminations, highlighting the recurrences and specificities across time and space of some peculiar construction techniques. The database collects the acquired information on each vault (building type, geolocation, building date, vaulting type, vault dimensions and description and, whenever possible, photogrammetric survey, 3D modelling, and thermographic survey). In the future, the database should be published online, making the data available and building a broader dataset to share the information.  

scholarly journals 'Ek is besig om iemand heeltemal anders te word ...': die ontginning van liminaliteit in Vaselinetjie deur Anoeschka von Meck

Literator ◽  
2006 ◽  
Vol 27 (1) ◽  
pp. 39-56 ◽  
Author(s):  
D. Van Zyl
Keyword(s):  
The Other ◽  
The Novel ◽  
Time And Space ◽  
Liminal Space ◽  
Pure Possibility ◽  
Liminal Spaces ◽  
Construction Of Identity ◽  
Other Hand ◽  
Children's Home ◽  
The One

'I am becoming someone completely different …': the utilisation of liminality in Vaselinetjie (Little Vaseline) by Anoeschka von Meck The concepts of liminality, transition and borders are utilised extensively in “Vaselinetjie” by Anoeschka von Meck (2004). This is especially the case regarding her use of characterisation, focalisation, time and space (including place and landscape) in the construction of identity. As a liminal character, Vaseline finds herself in different kinds of liminal spaces on a regular basis, like the children’s home, which is foregrounded in the novel, as well as in consecutive preliminal, liminal and postliminal phases. The children’s home is an essentially liminal space, but from the perspective of Vaseline it is firstly gradually transformed into a place to which meaning is attached, and secondly to a landscape of belonging, as she expresses her solidarity with the scorned group of children in the home. On the one hand the children’s home is characterised by a certain liminal essence, but on the other hand it can be regarded as “a realm of pure possibility” (Turner, 1967:97).

scholarly journals The Peculiarities of Chronotope in Don DeLillo’s Novel “Falling Man”

2012 ◽  
Vol 8 (1-2 (10)) ◽  
pp. 131-137
Author(s):  
Ella Asatryan
Keyword(s):  
Don Delillo ◽  
The Novel ◽  
Time And Space ◽  
American Writer ◽  
The World ◽  
Tragic Event ◽  
Falling Man ◽  
American Society ◽  
Qualitative Changes

The article analyses the Falling Man by famous American writer Don DeLillo. The novel reflects the American society after the terrorist act 9/11 in 2001 not excluding the possibility of the repetition of the tragic event in any other place at any other time. The 9/11 divided the world into two parts – Before 9/11 and After 9/11. The novel rests on this division and makes it possible to consider the qualitative changes between the notions of time and space and confirms the unity of all time and space dimensions.

scholarly journals Fictions of Time and Space

2021 ◽  
Vol 67 (2) ◽  
pp. 139-162
Author(s):  
David Sergeant
Keyword(s):  
Twentieth Century ◽  
The Novel ◽  
Time And Space ◽  
Space And Time ◽  
Spatial Narrative ◽  
Narrative Mode ◽  
Twentieth Century Fiction ◽  
Shed Light

This essay argues for a fuller recognition of the key transitional status of The Four-Gated City (1969) in Doris Lessing’s career. As an attempt to recalibrate the basic coordinates of the realist inheritance, the novel develops a strongly spatial narrative mode that coincides with a desire to write a utopian collective. This is confirmed both by previously unstudied draft material for Briefing for a Descent into Hell (1971) and the published texts that followed. However, in The Four-Gated City this attempt to break from the destructive globalization of the postwar era becomes deeply problematic through its handling of history and time. Examining this struggle in Lessing’s writing can shed light on how the interplay of space and time informs the intertwined histories of realism and modernism in twentieth-century fiction, and on how Lessing’s work contributes to current debates about possible futures for the novel.

Sign in / Sign up

Export Citation Format

Share Document