Chronotopes as a Component of Ideological Narrative in Political Advertisements

2019 ◽  
pp. 77-94
Author(s):  
Hasan Turgut
Keyword(s):  
The Political ◽  
Local Elections ◽  
The Novel ◽  
Political Campaign ◽  
Time And Space ◽  
Political Advertisements ◽  
Narrative Structures ◽  
Justice And Development Party ◽  
Ideological Stance

The JDP (Justice and Development Party-AK Party) enters the local elections to be held on March 31, 2019, with the slogan of “Gönül Belediyeciliği”. In this process, the political campaign process is carried out in accordance with the conservative ideological stance of the party around various slogans such as “Memleket İşi Gönül İşi,” “Gönülden Yaparsan Gönüller Kazanırsın,” and “Gönlü Güzel İnsanların Ülkesidir Burası.” M. Bakhtin describes how the narrative is structured in time and space in the novel with the concept of chronotope. In a narrative, chronotope is the place where the plot is touched and solved as a combination of time and space. This study aims to explore the role of chronotopes in the formation of ideological narrative structures. Within this framework, chronotopic elements in “Gönül Belediyeciliği” commercials will be analyzed.

scholarly journals Authoritarian Populism in Indonesia: The Role of the Political Campaign Industry in Engineering Consent and Coercion

2021 ◽  
pp. 186810342110278
Author(s):  
Inaya Rakhmani ◽  
Muninggar Sri Saraswati
Keyword(s):  
Social Inequalities ◽  
The Political ◽  
Political Elites ◽  
Political Campaign ◽  
Power Struggle ◽  
Young Voters ◽  
Political Discourses ◽  
Authoritarian Populism ◽  
The People

All around the globe, populism has become increasingly prominent in democratic societies in the developed and developing world. Scholars have attributed this rise at a response to the systematic reproduction of social inequalities entwined with processes of neoliberal globalisation, within which all countries are inextricably and dynamically linked. However, to theorise populism properly, we must look at its manifestations in countries other than the West. By taking the case of Indonesia, the third largest democracy and the largest economy in Southeast Asia, this article critically analyses the role of the political campaign industry in mobilising narratives in electoral discourses. We use the Gramscian notion of consent and coercion, in which the shaping of populist narratives relies on mechanisms of persuasion using mass and social media. Such mechanisms allow the transformation of political discourses in conjunction with oligarchic power struggle. Within this struggle, political campaigners narrate the persona of political elites, while cyber armies divide and polarise, to manufacture allegiance and agitation among the majority of young voters as part of a shifting social base. As such, we argue that, together, the narratives – through engineering consent and coercion – construct authoritarian populism that pits two crowds of “the people” against each other, while aligning them with different sections of the “elite.”

The role of cultural production in celebrity politics: Comparing the campaigns of Jesse ‘The Body’ Ventura (1999) and Donald Trump (2016)

Politics ◽  
2019 ◽  
Vol 40 (2) ◽  
pp. 139-153
Author(s):  
David S Moon
Keyword(s):  
Cultural Production ◽  
The Body ◽  
Cultural Value ◽  
The Political ◽  
Political Elites ◽  
Political Protest ◽  
Political Campaign ◽  
Donald Trump ◽  
Celebrity Politics

This article draws out the significant similarities between the political insurgencies of Jesse Ventura in 1999 and Donald Trump in 2016, charting their own premillennial political collaborations as members of the Reform Party, before identifying wider lessons for studies of contemporary celebrity politicians through a comparison of their individual campaigns. Its analysis is based upon the concept of the ‘politainer’, introduced by Conley and Schultz, into which it incorporates Mikhail Bakhtin’s conception of the carnival fool. The heterodox nature of both Ventura and Trump’s political campaign styles, it argues, is in part explained by the nature of the cultural spheres within which their public personas were produced; specifically, the fact that these personas, which they carried over from the entertainment to political spheres, were produced within genres of popular culture generally positioned as having ‘low’ cultural value. This, it argues, furnished both with an anti-establishment ethos as ‘no bullshit’ straight-talkers, marking them as outsider candidates able to act as conduits for political protest by an electorate alienated from mainstream political elites. It concludes by emphasising the potential importance that political celebrities’ specific cultural production can play in shaping a subsequent political campaign in general.

How Should a Person Be (Transpersonal)? Ben Lerner, Roberto Esposito, and the Biopolitics of the Future

2016 ◽  
Vol 45 (5) ◽  
pp. 659-681 ◽  
Author(s):  
Pieter Vermeulen
Keyword(s):  
Human Life ◽  
The Political ◽  
The Novel ◽  
Literary Character ◽  
The Future ◽  
Political Category

This essay complements Roberto Esposito’s analysis of the political category of the person by outlining the role of literature, and especially the genre of the novel, in consolidating this category and allowing it to do its political and affective work. The essay shows how Ben Lerner’s 2014 novel 10:04 dismantles three central features of the traditional novel’s poetics of the person: its investment in the notion of literary character, its use of fictionality, and its structural reliance on the narrative future. Lerner’s novel, like Esposito’s biopolitical work, aims to overcome the hierarchical divisions within human life that are endemic to the category of the person and that have historically fostered biopolitical violence. Both projects intimate a less destructive politics—what Lerner calls “the transpersonal” and Esposito “the impersonal.”

scholarly journals STUDYING THE ARTISTIC DETAIL (based on Donna Tartt’s novel «The Goldfinch»)

2021 ◽  
Vol 1 (192) ◽  
pp. 80-84
Author(s):  
Olha Kozii ◽  
Keyword(s):  
Adult Male ◽  
Defense Mechanisms ◽  
The Other ◽  
The Novel ◽  
Main Character ◽  
Time And Space ◽  
Part D ◽  
Life And Death ◽  
Critical Situation

«The Goldfinch» is a story of a boy and later an adult male Theodore Decker who accidentally obtains a masterpiece. The writer, as a surgeon, separates one second of expectation from the other, detail from detail. The reader is presented not just a frightened child but deep sorrow of the loss of the whole world. In the second chapter of the first part D. Tartt reveals herself as a skillful psychologist, skillfully accustoms herself to the inner state of the main character, with him she travels through the memories, tracks associative relationships he makes. The writer brilliantly follows all defense mechanisms of a man who is faced with the inevitability. The author uses gradation way of describing while stringing visual and auditory details, retards artistic time. The writing of D. Tartt is characterized by the unique skill in the detail describing. The role of artistic detail in the process of inner state depicting is investigated. The author touches upon the problem of the depicting of critical situation in the novel. The attention is paid to the writer’s skills in showing main character’s feelings, memoirs, thoughts, associative relations and human nocifensor in critical situations. It is admitted that in case of such temporal and space detail the most suitable way of analysis is «in succession to the author». Thus, in the novel The Goldfinch D.Tartt declares herself a talented master of words, subtle psychologist and philosopher. As a surgeon, the writer separates one second of expectation from the other, detail from detail. Therefore, the reader can observe not just a frightened child but deep sorrow of the loss of the whole world. This is achieved by the skillful combination of visual and auditory details that create convex emotionally saturated images filled with heartbeat of life. The author dowers the main character – both a teenager and an adult man – with the ability to see deep philosophical maxims in small details, to decipher the message from the artist, to understand the dialectical interpenetration of life and death. Because of such careful author's treatment to the artistic time and space the most appropriate way to study seems to be the analysis «in succession to the author».

scholarly journals Lingual Aspects of Mystical Narration in V. Shevchuk’s Novel “The Beginning of Horror”

2020 ◽  
pp. 109-125
Author(s):  
Florij Batsevych
Keyword(s):  
Narrative Analysis ◽  
Narrative Structure ◽  
Point Of View ◽  
The Novel ◽  
Unreliable Narrator ◽  
Narrative Structures ◽  
Christian View ◽  
Flow Of Time ◽  
The Individual

In recent decades, the researchers of artistic stories have paid their attention to the narrative analysis of a set of weird texts of mystical and absurd content, works of “black humour”, fantastic (khymerna) prose created by a non-anthropic narrator or by an author in a changed state of consciousness. These texts serve the field of actualizing atypical and non-usual narrative structures, the sphere of meaningful changes within the bounds of narrative categories and, which is important, of forming special communicative senses of aesthetic nature. The basic problems of the linguistic analysis of “unnatural” stories are identifying the types of changes in the narration constituents, reasons of these changes and narrative categories (first of all, events, participants, objects, chronotope characteristics, points of view, moduses, modalities, etc.). The article analyses one of the texts of mystical content aiming at the revealing of some specificities of the structure and functioning of the so-called “unnatural artistic narrations”. The object of the research is V. Shevchuk’s novel “The Beginning of Horror”. The subject of the analysis is lingual means of the narrative structure formation, the author’s objectification of the mystical artistic sense and lingual “signals” of a reader’s perception of these senses. The most important semantic means of creating mystical atmosphere of the story are predicates that ascribe the names of their referents atypical dynamic and static features connected with the Christian view of the infernal world. It helps to form narrative events that root in weird situations, which cannot take place in reality. Non-dispositional nature of these situations correlates with the reference to the mystery that goes far beyond the bounds of a usual perceptive and psycho-mental background. Among the pragmatic means of creating mystical atmosphere of the main hero’s story as well as of the novel in general, we specify the individual inimitative perception of the flow of time and modality of “real unreality” formed by the role of an unreliable narrator and a vague point of view of the described event with its perceptive, ideological and time planes of objectification. Due to the increasing interest to various expressions of the esoteric, the increase of the number of artistic works of such content and growth of their popularity, we consider it topical to proceed in further investigations of lingual-narrative aspects of “unnatural” stories, in particular, the ones with the modus of mystical in them.

The Geopolitical Context for Institutional Change: The Case of Prussia in the 17th and 18th Century

2017 ◽  
Vol 137 (1-2) ◽  
pp. 31-67
Author(s):  
Christian Berker
Keyword(s):  
Institutional Change ◽  
18Th Century ◽  
The Political ◽  
Time And Space ◽  
Jel Codes ◽  
Context Sensitive ◽  
Political Events ◽  
Lively Debate ◽  
Geopolitical Context

After the “institutional turn” economists are now in a lively debate about the role of institutions for growth as well as the sources of institutional change. This paper discusses institutional change in Prussia in the 17th and 18th century. It shows the importance of the geopolitical context for understanding institutional change. Using three political events, the paper combines geographical, institutional and political arguments and highlights how context-sensitive institutional change can be. Prussia’s institutional change was heavily influenced by its many direct neighbours and the political necessities of that time. Therefore, time and space (location) are highly relevant for institutional change. JEL Codes: N13, O43

scholarly journals The Local Election Amidst the Oligarchs

2019 ◽  
Vol 2 (1) ◽  
pp. p21
Author(s):  
Nur Hidayat Sardini
Keyword(s):  
Local Government ◽  
The Political ◽  
Local Elections ◽  
Constitutional Courts ◽  
Election Administration ◽  
Official Report ◽  
Local Election ◽  
Massive Scale ◽  
Technical Issues

This article scrutinizes the phenomenon of Local Government Election (Local election) of a regency at the easternmost province in Indonesia, Jayapura Regency of Papua. During the election period, there was a great number of violations against election rules which were not only sporadic but also designed on a structured, systematic and massive scale – using the term of Indonesian Constitutional Courts. The violations were related to the role of the oligarchs who cooperatively worked hand in hand to win the political contestation. The activities of the oligarchs which involved clerical-technical issues are undoubtedly prohibited by the Law of Pilkada. The clerical-technical issues include unlawful activities such as replacing some officials of polling station a day before the election, manipulating the official report documents like voting and the calculation of the votes forms, certificates of results and holographic forms of the votes calculation details and records of the results of valid vote calculation at the polling stations in massive numbers. In the Jayapura Regency Election, it is found that the practice of the election administration regime is defied by an electoral shadow structure played by the Oligarchs. Thus, this article argues that the political decentralization results in a powerful control of the local oligarchs on the Local Elections which must be solved for the sake of Indonesia’s democratization.

scholarly journals Migración, espacio y exclusión en 2020 de Javier Moreno

2019 ◽  
Vol 10 (1) ◽  
pp. 9
Author(s):  
Carolina Leon Vegas
Keyword(s):  
Financial Crisis ◽  
Michel Foucault ◽  
Theoretical Framework ◽  
The Novel ◽  
Time And Space ◽  
Secondary Role ◽  
The Relationship

A number of novels about the financial crisis and its consequences have been written in Spain in recent years. In most, migrants are represented in a secondary role, often as short allusions or as mere ornaments. This article aims to highlight one novel, 2020 by Javier Moreno, that breaks that pattern since it features migrant characters in key roles. The article further aims to analyse the relationship between space and the representation of the migrant in the context of a society in crisis. The notions of non-place by Marc Augé and heterotopia by Michel Foucault will serve as the theoretical framework that will allow for an exploration of phenomena such as the inversion of non-places into places, the connection of crisis and deviation, the role of certain spaces as both shelters and containers of the unwanted, the role of gaze in the construction of an exclusion, and the circular movement of powerless characters in time and space throughout the novel.

scholarly journals Surviving Over Time and Space? The Experience of the English Compact

2012 ◽  
Vol 3 (2) ◽  
Author(s):  
Marilyn Taylor
Keyword(s):  
Third Sector ◽  
The State ◽  
The Political ◽  
Time And Space ◽  
Future Role ◽  
The Third ◽  
Role Of The State ◽  
International Status ◽  
Over Time

AbstractSince it was first agreed in the autumn of 1998, the English Compact has achieved international status, as a marker of – or vehicle for - a new and improved relationship between the state and the third sector. Over the twelve years or so since its first publication, it has been supplemented by local compacts across the country and has been ‘refreshed’ or renewed twice. As such it has proved remarkably durable across time and space. But the political context in which it operates has now changed. A government committed to partnership has been replaced by one with a strong ideological commitment to limiting the powers and role of the state. How will this affect its future role?

Dream Time, Modality, and Counterfactual Imagination in Thomas Pynchon’s Mason & Dixon

2020 ◽  
pp. 39-57
Author(s):  
Arkadiusz Misztal
Keyword(s):  
Conceptual Framework ◽  
The Political ◽  
The Novel ◽  
Time And Space ◽  
Narrative Strategy ◽  
Narrative Time

This paper elucidates the structure and scope of Pynchon’s temporal imagination by studying the complex relations between narrative time and modality in his 1997 novel Mason & Dixon using the conceptual framework of contemporary narratology. It argues that Pynchon’s use of the subjunctive mode allows him not only to articulate the political and ideological concerns in his vision of America on the eve of its founding but also to address the problems of historicity, causality and irreversibility of time. By employing the subjunctive as a general narrative strategy, Mason & Dixon challenges the various temporal regimes and discourses of modernity, and projects imaginative re-figurations of time and space. In carrying this out, the novel moves beyond what Pynchon calls “the network of ordinary latitude and longitude” (Against the Day 250) and replaces a totalizing singularity with plurality of times and timescapes

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