scholarly journals STUDYING THE ARTISTIC DETAIL (based on Donna Tartt’s novel «The Goldfinch»)

2021 ◽  
Vol 1 (192) ◽  
pp. 80-84
Author(s):  
Olha Kozii ◽  
Keyword(s):  
Adult Male ◽  
Defense Mechanisms ◽  
The Other ◽  
The Novel ◽  
Main Character ◽  
Time And Space ◽  
Part D ◽  
Life And Death ◽  
Critical Situation

«The Goldfinch» is a story of a boy and later an adult male Theodore Decker who accidentally obtains a masterpiece. The writer, as a surgeon, separates one second of expectation from the other, detail from detail. The reader is presented not just a frightened child but deep sorrow of the loss of the whole world. In the second chapter of the first part D. Tartt reveals herself as a skillful psychologist, skillfully accustoms herself to the inner state of the main character, with him she travels through the memories, tracks associative relationships he makes. The writer brilliantly follows all defense mechanisms of a man who is faced with the inevitability. The author uses gradation way of describing while stringing visual and auditory details, retards artistic time. The writing of D. Tartt is characterized by the unique skill in the detail describing. The role of artistic detail in the process of inner state depicting is investigated. The author touches upon the problem of the depicting of critical situation in the novel. The attention is paid to the writer’s skills in showing main character’s feelings, memoirs, thoughts, associative relations and human nocifensor in critical situations. It is admitted that in case of such temporal and space detail the most suitable way of analysis is «in succession to the author». Thus, in the novel The Goldfinch D.Tartt declares herself a talented master of words, subtle psychologist and philosopher. As a surgeon, the writer separates one second of expectation from the other, detail from detail. Therefore, the reader can observe not just a frightened child but deep sorrow of the loss of the whole world. This is achieved by the skillful combination of visual and auditory details that create convex emotionally saturated images filled with heartbeat of life. The author dowers the main character – both a teenager and an adult man – with the ability to see deep philosophical maxims in small details, to decipher the message from the artist, to understand the dialectical interpenetration of life and death. Because of such careful author's treatment to the artistic time and space the most appropriate way to study seems to be the analysis «in succession to the author».

scholarly journals Main Character’s Resistance Against Traumatic Experience in Frances Hudgson Burnett’s The Secret Garden: Freud’s Tripartite Model Analysis

2019 ◽  
Vol 7 (1) ◽  
pp. 13
Author(s):  
Brian Cesar
Keyword(s):  
Sigmund Freud ◽  
Model Analysis ◽  
The Other ◽  
Traumatic Experience ◽  
Tripartite Model ◽  
The Novel ◽  
Main Character ◽  
Minor Characters ◽  
The Secret Garden

This thesis discusses about the effect caused by parent’s neglect towards children’s development as seen in the novel The Secret Garden by Francis Hudgson Burnett. The main character, Mary Lennox, has life without love and attention from her parents. This situation has a great impact towards Mary’s development, mentally and physically. The role of “the secret garden” along with several characters that appears in the story have a big contribution in help Mary to change to a better person, based on the theory by Sigmund Freud about “id, ego and superego” or famous with the term “tripartite theory”. The result of this research is how the contribution from the secret garden to help Mary changes to a better child. The secret garden has a role to helps Mary understands about her own intention, helped with the other minor characters that drives the “id” and “superego” of the main character.

KONSEP DIRI “ I “ DAN “ME” TOKOH HIROKO DALAM NOVEL NAMAKU HIROKO KARYA NH.DINI

2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar
Keyword(s):  
Point Of View ◽  
The Other ◽  
Self Concept ◽  
The Novel ◽  
Main Character ◽  
Fictional Character ◽  
Social Customs ◽  
The Social ◽  
The Village ◽  
The City

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.

scholarly journals What Is Orientation in Dignitarian Thinking? Self, Other, Time and Space

2020 ◽  
pp. 174387212098228
Author(s):  
Stephen Riley
Keyword(s):  
The Self ◽  
The Other ◽  
Core Area ◽  
Methodological Challenge ◽  
Time And Space ◽  
Normative Discourse ◽  
The Government

Drawing upon Kant’s analysis of the role of intuitions in our orientation towards knowledge, this paper analyses four points of departure in thinking about dignity: self, other, time and space. Each reveals a core area of normative discourse – authenticity in the self, respect for the other, progress through time and authority as the government of space – along with related grounds of resistance to dignity. The paper concludes with a discussion of the methodological challenge presented by our different dignitarian intuitions, in particular the role of universality in testing and cohering our intuitions.

Chronotopes as a Component of Ideological Narrative in Political Advertisements

2019 ◽  
pp. 77-94
Author(s):  
Hasan Turgut
Keyword(s):  
The Political ◽  
Local Elections ◽  
The Novel ◽  
Political Campaign ◽  
Time And Space ◽  
Political Advertisements ◽  
Narrative Structures ◽  
Justice And Development Party ◽  
Ideological Stance

The JDP (Justice and Development Party-AK Party) enters the local elections to be held on March 31, 2019, with the slogan of “Gönül Belediyeciliği”. In this process, the political campaign process is carried out in accordance with the conservative ideological stance of the party around various slogans such as “Memleket İşi Gönül İşi,” “Gönülden Yaparsan Gönüller Kazanırsın,” and “Gönlü Güzel İnsanların Ülkesidir Burası.” M. Bakhtin describes how the narrative is structured in time and space in the novel with the concept of chronotope. In a narrative, chronotope is the place where the plot is touched and solved as a combination of time and space. This study aims to explore the role of chronotopes in the formation of ideological narrative structures. Within this framework, chronotopic elements in “Gönül Belediyeciliği” commercials will be analyzed.

Introduction: Religion and the Novel

2019 ◽  
pp. 3-33
Author(s):  
Christina Phillips
Keyword(s):  
Postcolonial Studies ◽  
Critical Role ◽  
Postcolonial Literature ◽  
The Other ◽  
The Novel ◽  
Religion And Literature ◽  
Religious Other ◽  
Role Of Religion ◽  
The Relationship

This chapter introduces the topic of religion and literature, theorises the novel as a secular genre, and develops a concept of religion as the other in the Arabic novel. It begins with a discussion of the relationship between religion and literature, identifying imagination, metaphorical language and mythos as areas of overlap, before turning to the question of religion and the Arabic novel as a modern form which eschews faith and dogma but is nevertheless packed with religious themes, images, characters, language and intertextuality. This is accounted for by the form’s secularism, which is theorised in terms of Charles Taylor’s conditions of belief. Literary secularism is not static and stable however, thus religion emerges as the other in the Egyptian novel, with all the ambivalence which alterity characteristically entails. This religious other calls into question postcolonial studies’ over-valorisation of the East/West binary insofar as it has obscured the critical role of religion in Arab postcolonial literature and identity.

scholarly journals The Analysis of Three Dimension Aspects of the Main Character in the Novel The Short Second Life of Bree Tanner

HUMANIS ◽  
2018 ◽  
pp. 165
Author(s):  
Ida Ayu Febi Dwi Sangastu ◽  
I Wayan Mulyawan ◽  
I Gusti Agung Istri Aryani
Keyword(s):  
Second Life ◽  
Human Life ◽  
The Other ◽  
Clear Understanding ◽  
Three Dimension ◽  
The Novel ◽  
Main Character ◽  
Human Relationship ◽  
Red Eyes ◽  
Sociological Aspect

Literature is one of the written works that express aspect of human life. This study is using a novel entitled The Short Second Life of Bree Tanner. It is analyzing the main character in terms of physiological, psychological, and sociological dimension aspects. Dramatic and character on the other character method were used in analyzing the study based on character dialogue, action, opinion, and feeling. These were explained descriptively in order to have a clear understanding of the aspects implied in the story. The result of findings were three dimension aspects, as of; physiological, that influenced the main character are the age and physical appearance. The psychological, about the situation that she was ran away from her father when she still human. The sociological background and human relationship are influenced in sociological aspect. It can be concluded that the whole three dimension aspects of the main character showed in physiological, Bree was fifteen years old girl almost sixteen years old when she became a vampire,but she did not remember how old she was when she was a human. Her body will sparkling like a crystal when exposed to sunlight and also have a bright and red eyes. In psychological, she is an introvert vampire with few friends and does not really like to make trouble andspare time with other vampire. In sociological, before became a vampire, Bree was a girl who lived with her father. But, after her mother died, her relationship with her father not good, because her father was rude person.

scholarly journals Self-Destructive Behavior Analysis of Hannah Baker in The Thirteen Reasons Why Novel

2020 ◽  
Vol 1 (2) ◽  
pp. 16-32
Author(s):  
Jeantriani Febrita ◽  
Eka Margianti Sagimin
Keyword(s):  
Sigmund Freud ◽  
Defense Mechanisms ◽  
Defense Mechanism ◽  
Qualitative Approach ◽  
The Self ◽  
The Novel ◽  
Main Character ◽  
Destructive Behavior ◽  
The Past ◽  
Self Defense

This study investigates Self-Destructive Behavior of Hannah Baker in Thirteen Reasons Why novel, conducted in qualitative approach analysis of self-destructive behavior of the main character and what reasons or the causes of it through the narratives in the Thirteen Reasons Why novel. The goal of the study is to analyze how self-destructive behavior impacted the main character, Hannah Baker which is described using the theory of Self-Destructive Behavior and Defense Mechanisms by Sigmund Freud (1966). The result of this study shows that Hannah Baker developed the self-destructive behavior as a defense mechanisms from herself that triggered by trauma from the past. It started with the non-suicidal self-destructive behavior but soon turns into the suicidal self-destructive behavior. This study also shows how a suicide can really be an impact of the behavior that happens in the novel resulted from a non-suicidal self-destructive behavior that is not handled well, and all the mistreatments that the main character felt which produce the desire for ending her life.Keywords: Self-Defense Mechanism, Self-Destructive Behavior, Sigmund Freud, Suicide, Thirteen Reasons Why.

scholarly journals Offervilje. Om ret og rimelighed blandt venner og fjender og om at komme og dømme levende og døde i Max Kestners film "I am Fiction"

2013 ◽  
Vol 28 (70) ◽  
Author(s):  
Louise Brix Jacobsen ◽  
Henrik Skov Nielsen ◽  
Rikke Andersen Kraglund
Keyword(s):  
Freedom Of Expression ◽  
Publishing House ◽  
The Other ◽  
The Novel ◽  
Main Character ◽  
Artistic Collaboration ◽  
Other Hand ◽  
The Dead ◽  
The One ◽  
Alleged Victim

Louise Brix Jacobsen, Rikke Andersen Kraglund & Henrik Skov Nielsen: “Selfsacrifice. On Right and Reasonableness among Foes and Friends, and on Judging the Living and the Dead in Max Kestner’s film I am Fiction”In 2011, the performance artist Thomas Skade-Rasmussen Strøbech lost a lawsuit against his former friend and collaborator Helge Bille Nielsen and the publishing house of Gyldendal. This led to a debate about copyright, freedom of expression, identity, and the line between fiction and reality. In 2008, Nielsen or Das Beckwerk published the novel The Sovereign where Strøbech – seemingly without his knowledge and apparently against his will – is the main character. About a year after losing the lawsuit Strøbech and film director Max Kestner gives his version of the events before, during, and after the trial in the film I am Fiction (Identitetstyveriet). This article analyzes I am fiction in order to show how the film on the one hand outlines Strøbech’s version of the events as a story about a victim but on the other hand undermines this version with humor and irony and points towards an artistic collaboration between alleged victim and villain.

scholarly journals Representação e performance na literatura contemporânea

2007 ◽  
Vol 16 (2) ◽  
pp. 80-93
Author(s):  
Luciene Azevedo
Keyword(s):  
Contemporary Literature ◽  
Literary Tradition ◽  
The Other ◽  
Clarice Lispector ◽  
The Novel ◽  
A Performance

Resumo: Identificando no romance A hora da estrela, de Clarice Lispector, a problematização da questão da representação do Outro, marca importante da tradição literária brasileira, o ensaio levanta a hipótese de a literatura contemporânea deslocar- se do paradigma da representação para o da performance construída sobre um precário equilíbrio entre a crítica e a reiteração de muitos preconceitos e estereótipos, desestabilização para a qual já acena o romance publicado em 1977. A ambigüidade da performance desdobra a questão da representação do Outro e abre um capítulo novo nos embates sobre o papel do escritor e da literatura.Palavras-chave: performance; representação; literatura contemporânea.Abstract: Identifying in Clarice Lispector’s novel A Hora da Estrela the discussion about the representation of the other, an important mark in the Brazilian literary tradition, the essay raises the hypothesis that contemporary literature dislocates the paradigm of representation to that of a performance constructed on a precarious balance between criticism and the reiteration of many preconceptions, to which the novel published in 1977 points. The ambiguity of the performance unfolds the question of the representation of the other and opens a new chapter by addressing the role of the writer and of literature.Keywords: performance; representation; contemporary literature.

scholarly journals Philosophical contexts in Mary Shelley’s novel «Frankenstein»

2020 ◽  
Vol 25 (3) ◽  
pp. 61-66
Author(s):  
Konstantin A. Ozherelyev
Keyword(s):  
New Age ◽  
The Other ◽  
The Novel ◽  
Gothic Novel ◽  
Other Hand ◽  
The One

The paper analyzes the key philosophical contexts and subtexts of M. Shelley’s most famous work “Frankenstein”. According to the author of the article, the philosophical layer of this Gothic novel consists of ideas and maxims that directly inherit the concepts of the worldview platforms of Plato, J.-J. Russo, G. W. F. Hegel, K. F. Volney, W. Godwin, M. Wollstonecraft, as well as the philosophy of the New Age and romanticism. An assumption is made, on the one hand, about the proximity of some worldview attitudes of these philosophers and the author of “Frankenstein” and, on the other hand, about the deliberate introduction of philosophical passages into the fabric of the novel, which play the role of retardation elements.

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