THE IMAGE OF A LION IN THE NINE VOLUMES OF FABLES BY I. A. KRYLOV

2020 ◽  
Vol 6 (4) ◽  
pp. 48-62
Author(s):  
Sergey O. SHIPOV ◽  
Sergey A. KOMAROV
Keyword(s):  
19Th Century ◽  
Fictional World ◽  
Invariant Model ◽  
Structural Part ◽  
The World ◽  
The Future ◽  
Literary Process ◽  
The 19Th Century ◽  
First Time ◽  
Significant Factors

This article presents, for the first time, the meaning of the metaplot in the books of fables by I. A. Krylov. The metaplot of a lion is canonical for the fable genre and represents an invariant model of power in the fictional world. The purpose of this article is to identify and describe the metaplot as one of the significant factors of Krylov’s literary strategy, as he created the nine volumes of fables during a dynamic literary process and change in the dominant trends in the national verbal culture of the first half of the 19th century. The idea of the fabulist regarding the lion’s metaplot is revealed in the horizontal sphere of the world, the prevalence of negative tendencies and the tragic, but natural ending of the character in the eighth and ninth books. The authors of this article consider the infernal space in the metaplot of a lion as a structural part of a moralistic message, dialogically addressed to the character; they fix the correlation between the plot punishment and the emergence of the space of hell in the nine-book. Reconstruction of the character's individual hell, taking into account his passions, shows that Krylov’s use of infernal space is not accidental, which in the future will give researchers ample opportunities for analyzing the space of his entire meta-concept. This article focuses on the chronological points of actualization of the metaplot in the work of the fabulist, in particular, in 1818-1819, as well as his transferability of the texts within the framework of the nine books, which is obviously connected with his special vision of the intertextual integrity of the project.

scholarly journals Upphaf kvikmyndaaldar á Íslandi

Ritið ◽  
2019 ◽  
Vol 19 (2) ◽  
pp. 43-68
Author(s):  
Gunnar Tómas Kristófersson
Keyword(s):  
Prior Knowledge ◽  
19Th Century ◽  
Early Years ◽  
The World ◽  
The 19Th Century ◽  
Magic Lantern ◽  
First Time

The article addresses the early years of film in iceland, where the goal is to deepen our knowledge of the main participants in introducing and promoting cinema in iceland at the turn of the 19th century. Two years spanning a three-year period mark the beginnings of the age of film in iceland. The former is 1901 when the Dutch filmmaker F. A. Nöggerath came to film iceland and icelanders for an English film company. The latter year is 1903, when the Norwegian, Rasmus Hallseth and the Swede David Fernander, traveled around the country to screen films for the first time in iceland. These two visits mark the emergence of cinema in iceland. iceland-ers had little prior knowledge of the new medium, which was getting to be widely known around the world, apart from the coverage of newspapers and stories of lucky icelanders who had experienced film screenings abroad. Shows using a predecessor of film, the magic lantern, were held by Sigfús Eymundsson and Þorlákur ó. Jo-hnson in the 19th century. After the introduction of films in 1903, several people put together funds to buy Hallseth’s and Fernanders’ equipment and began to exhibit films on their own. However, daily performances did not happen until Reykjavik Biograftheater (later ,,Gamla Bíó”) was established in 1906. After several attempts by various parties to hold regular screenings in Reykjavik, one could say that cinema did not properly settle in iceland until the establishment of Nýja Bíó in 1913.

Cholera Epidemics in Valencia in the 19th Century

2022 ◽  
pp. 215-224
Author(s):  
Rafael Roca
Keyword(s):  
19Th Century ◽  
Future Development ◽  
Cultural Impact ◽  
Crown Of Aragon ◽  
World Crisis ◽  
The Social ◽  
The World ◽  
The Future ◽  
The 19Th Century

The world crisis created by COVID-19 invites us to find some precedents to it by examining past periods and situations in which our society has suffered similar circumstances. In this regard, one of the periods that show more similarities from a social and sanitary perspective is the Valencia of the 19th century, where between 1834 and 1890 there were a total of nine cholera epidemics that resulted in dozens of deaths and determined the future development of one of the main regions of the old Crown of Aragon. The author analyzes the social and cultural impact of cholera in Valencia during the 19th century and especially in the intellectual and literary world.

Digitalization and Urbanization

2022 ◽  
pp. 135-146
Author(s):  
Anish Gupta ◽  
Hayri Uygun ◽  
Rashmi Gujrati ◽  
Dhiraj Gupta
Keyword(s):  
Construction Industry ◽  
19Th Century ◽  
Industrial Revolution ◽  
Full Bloom ◽  
Business World ◽  
Industrial Age ◽  
The World ◽  
The Future ◽  
The 19Th Century

The business world is transforming into digitalization. To stay modest and appropriate, it has become necessary to adopt digitalization. The construction industry is entirely ready for the opportunity that will come through digitalization. Currently, we are in the finishing days of the industrial age. With this advanced revolution, the future will be reshaped in two trends: digitalization and urbanization. At the starting of the 19th century when the industrial revolution was in full bloom, a small amount of the population was living in the cities. As it has been for thousands of years, the world is still rural and agricultural.

scholarly journals A Textbook Pointing the Way to the Russian Classics

2021 ◽  
Vol 3 (1) ◽  
pp. 284-293
Author(s):  
Natalya V. Yakovenko
Keyword(s):  
19Th Century ◽  
Basic Concept ◽  
Russian Literature ◽  
Classical Literature ◽  
Philosophical Thought ◽  
Reform Period ◽  
Literary Process ◽  
The 19Th Century ◽  
Difficult Times ◽  
First Time

The article is a review of the textbook in two parts under the title “Russian literature of the 19th century” by the well-known literary scholar Doctor of Philology Yuri Vladimirovich Lebedev. A brief description of the publication, its structure, some of the problems raised by the author, and the basic concept of the textbook continuing the whole line of the author's books published for schoolchildren and students are given. Yu. V. Lebedev emphasizes the uniqueness of the path of Russian literature, a special mission that has always been with our writers — to be spiritual authorities, especially in the most difficult times of our country. In this textbook presents not only the personalities of poets and writers. The author of the textbook also shows the integral literary process of the 19th century closely connected with philosophical thought in Russia and the life of society. In his textbooks Yu. V. Lebedev for the first time in the post-reform period in Russia speaks so vividly and accurately about the reviving and transforming power of Russian classical literature.

Women's Place in Travel Texts

Prospects ◽  
1995 ◽  
Vol 20 ◽  
pp. 161-179
Author(s):  
Mary Suzanne Schriber
Keyword(s):  
19Th Century ◽  
American Women ◽  
White American ◽  
East Indies ◽  
The World ◽  
Travel Abroad ◽  
White American Women ◽  
The 19Th Century ◽  
First Time ◽  
Japan And China

In the 19th Century, white American women of the middle and upper classes began to travel abroad in significant numbers for the first time in history. Prior to the 19th Century, and with the exception of such women as Abigail Adams and Martha Bayard, who accompanied their parents or husbands on diplomatic missions, American women as a rule traveled only about the countryside or to frontier settlements. Beginning in the 1820s, however, and escalating after the Civil War, the prototypes of Henry James's Isabel Archer and Edith Wharton's Undine Spragg set out by the hundreds to see the world, from Europe to the Middle East and from Africa to Japan and China. The greatest number of them visited the British Isles and continental Europe. As early as 1835, according to Paul R. Baker, some fifty American women visited Rome during Holy Week. Many women were among the fifty thousand Americans who, in 1866 alone, traveled to Europe. According to Mrs. John Sherwood in 1890, there were “more than eleven thousand virgins who semi-yearly migrate[d] from America to the shores of England and France.” Women found their way to virtually all parts of the world, as the book-length travel accounts of women (far fewer than the numbers of women who traveled) show. Women published accounts of twenty journeys to China, seventeen to Palestine, eleven to India, twenty-two to Egypt, two to the East Indies, twenty to Greece, three to Arabia, six to Algeria, and four to Africa, as well as travel in Central and South America, Cuba, the Yucatan, and Jamaica.

Bonobos

2018 ◽  
Keyword(s):  
19Th Century ◽  
Historical Data ◽  
Line Drawings ◽  
History Of ◽  
The 19Th Century ◽  
First Time

This is a comprehensive, illustrated catalogue of the 200+ marine chronometers in the collections of Royal Museums Greenwich. Every chronometer has been completely dismantled, studied and recorded, and illustrations include especially commissioned line drawings as well as photographs. The collection is also used to illustrate a newly researched and up-to-date chapter describing the history of the marine chronometer, so the book is much more than simply a catalogue. The history chapter naturally includes the story of John Harrison’s pioneering work in creating the first practical marine timekeepers, all four of which are included in the catalogue, newly photographed and described in minute detail for the first time. In fact full technical and historical data are provided for all of the marine chronometers in the collection, to an extent never before attempted, including biographical details of every maker represented. A chapter describes how the 19th century English chronometer was manufactured, and another provides comprehensive and logically arranged information on how to assess and date a given marine chronometer, something collectors and dealers find particularly difficult. For further help in identification of chronometers, appendices include a pictorial record of the number punches used by specific makers to number their movements, and the maker’s punches used by the rough movement makers. There is also a close-up pictorial guide to the various compensation balances used in chronometers in the collection, a technical Glossary of terms used in the catalogue text and a concordance of the various inventory numbers used in the collection over the years.

scholarly journals Catalogue of the primatological collection of the Torino University

2016 ◽  
Vol 3 (2) ◽  
pp. 3 ◽  
Author(s):  
Mara Calvini ◽  
Maria Stella Siori ◽  
Spartaco Gippoliti ◽  
Marco Pavia
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Great Part ◽  
Type Specimen ◽  
Zoological Garden ◽  
Historical Material ◽  
The 19Th Century ◽  
First Time

The revised catalogue of primatological material stored in the Museo Regionale di Scienze Naturali of Torino and in the Dipartimento di Scienze della Vita e Biologia dei Sistemi of the Università degli Studi di Torino and belonging to the historical material of the Torino University is introduced. The material, 494 specimens belonging to 399 individuals of 122 taxa, is of particular importance since specimens were mainly obtained during the 19th Century and the beginning of the 20th Century. A relevant part of the collection was created by the collaborators of the Museum, among which it is worth to mention F. De Filippi, A. Borelli and E. Festa, while other material came from purchases and donations from private people or the Royal Zoological Garden of Torino. Great part of the specimens is stuffed but also the osteological materials are of particular importance, as many of them derived from the specimens before being prepared and consisting of skulls or more or less complete skeletons. After this revision, the Lectotype and Paralectotypes of <em>Alouatta</em> <em>palliata</em> <em>aequatorialis</em> have been selected, and the type-specimen of the <em>brunnea</em> variety of <em>Cebus</em> <em>albifrons</em> <em>cuscinus</em> has been recognized. In addition, some specimens of particular historical-scientific importance have also been identified and here presented for the first time.

Zum Aufstieg und Niedergang des Normalarbeitsverhältnisses in Deutschland 1800-2010 - ein Forschungsprojekt

2009 ◽  
Vol 50 (2) ◽  
Author(s):  
Toni Pierenkemper ◽  
Klaus F. Zimmermann
Keyword(s):  
Welfare State ◽  
20Th Century ◽  
19Th Century ◽  
Working Hours ◽  
Modern Concept ◽  
Employment Contract ◽  
Unemployment Rates ◽  
The Future ◽  
The 19Th Century ◽  
The Welfare State

AbstractThis paper attempts to trace the construction of the standard employment contract in Germany from the beginning of the 19th century onwards. In 20th century Germany, it was reinforced alongside with the consolidation of the welfare state and developed into the modern concept of the standard employment contract. Due to globalization forces and dynamics of capitalist market economies, the standard employment contract has turned into an obstacle in the way of modern economy’s progress. The future might be determined by increasing work flexibility, rising working hours, falling income and increasing unemployment rates, rendering the standard employment contract anachronistic and obsolete.

scholarly journals Back in time for utopia: Neo-Victorian utopianism and the return to William Morris

2020 ◽  
pp. 136754942098000
Author(s):  
Joe PL Davidson
Keyword(s):  
19Th Century ◽  
Reality Television ◽  
Interesting Case ◽  
Arts And Crafts ◽  
William Morris ◽  
Victorian Studies ◽  
Victorian Era ◽  
Cultural Imaginary ◽  
The Future ◽  
The 19Th Century

When we think of the Victorian era, images of shrouded piano legs, dismal factories and smoggy streets often come to mind. However, the 19th century has been rediscovered in recent years as the home of something quite different: bold utopian visions of the future. William Morris’ great literary utopia News from Nowhere, first published in 1890, is an interesting case study in this context. Morris’ text is the point of departure for a number of recent returns to Victorian utopianism, including Sarah Woods’ updated radio adaptation of News from Nowhere (2016) and the BBC’s historical reality television series The Victorian House of Arts and Crafts (2019). In this article, I analyse these Morris-inspired texts with the aim of exploring the place of old visions of the future in the contemporary cultural imaginary. Building on previous work in neo-Victorian studies and utopian studies, the claim is made that the return to 19th-century dreams is a plural phenomenon that has a number of divergent effects. More specifically, neo-Victorian utopianism can function to demonstrate the obsolescence of old visions of utopia, prompt a longing for the clarity and radicality of the utopias of the Victorian moment, or encourage a process of rejuvenating the utopian impulse in the present via a detour through the past.

THE UNIFORM OF A MINING ENGINEER FROM THE BURIAL OF THE FORMER NAGORNY CEMETERY OF BARNAUL

2021 ◽  
Vol 27 ◽  
pp. 36-41
Author(s):  
KALASHNIKOV D. ◽  
◽  
SITNIKOV S. ◽  
SEMIBRATOV V. ◽  
CHUDILIN I. ◽  
...  
Keyword(s):  
19Th Century ◽  
Work Study ◽  
Mining Engineer ◽  
The Future ◽  
General Rank ◽  
Specific Rank ◽  
The 19Th Century ◽  
Dark Blue

The study of materials obtained during emergency work on the territory of the former Nagorny cemetery in Barnaul in 2015-2016 continues. This article attempts to determine the rank of the official whose burial was discovered in the autumn of 2015. The identification is carried out by the uniform of dark blue cloth preserved on the remains of the official with full gold embroidery on the collar and cuffs, indicating that he belongs to the Mining Department and general rank. The work is complicated by the incomplete preservation of the uniform and numerous changes in the uniform of the officials of the Mining Department throughout the 19th century. In the future, when determining the specific rank and time of existence of a uniform of this cut, it is possible to establish a fairly reliable identity. The number of employees of this rank in Barnaul was insignificant. The record of the official’s death was to be preserved in the metrical registers of one of the city’s most important churches. Keywords: Barnaul, Nagorny cemetery, emergency work, study of finds, uniform of the mining department, departmental gold embroidery, establishment of the rank of the buried engineer

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