Cholera Epidemics in Valencia in the 19th Century

2022 ◽  
pp. 215-224
Author(s):  
Rafael Roca

The world crisis created by COVID-19 invites us to find some precedents to it by examining past periods and situations in which our society has suffered similar circumstances. In this regard, one of the periods that show more similarities from a social and sanitary perspective is the Valencia of the 19th century, where between 1834 and 1890 there were a total of nine cholera epidemics that resulted in dozens of deaths and determined the future development of one of the main regions of the old Crown of Aragon. The author analyzes the social and cultural impact of cholera in Valencia during the 19th century and especially in the intellectual and literary world.

Author(s):  
Sergey O. SHIPOV ◽  
Sergey A. KOMAROV

This article presents, for the first time, the meaning of the metaplot in the books of fables by I. A. Krylov. The metaplot of a lion is canonical for the fable genre and represents an invariant model of power in the fictional world. The purpose of this article is to identify and describe the metaplot as one of the significant factors of Krylov’s literary strategy, as he created the nine volumes of fables during a dynamic literary process and change in the dominant trends in the national verbal culture of the first half of the 19th century. The idea of the fabulist regarding the lion’s metaplot is revealed in the horizontal sphere of the world, the prevalence of negative tendencies and the tragic, but natural ending of the character in the eighth and ninth books. The authors of this article consider the infernal space in the metaplot of a lion as a structural part of a moralistic message, dialogically addressed to the character; they fix the correlation between the plot punishment and the emergence of the space of hell in the nine-book. Reconstruction of the character's individual hell, taking into account his passions, shows that Krylov’s use of infernal space is not accidental, which in the future will give researchers ample opportunities for analyzing the space of his entire meta-concept. This article focuses on the chronological points of actualization of the metaplot in the work of the fabulist, in particular, in 1818-1819, as well as his transferability of the texts within the framework of the nine books, which is obviously connected with his special vision of the intertextual integrity of the project.


2018 ◽  
Vol 55 (3) ◽  
pp. 428-440
Author(s):  
Birk Engmann ◽  
Holger Steinberg

This article analyses 19th-century publications which dealt with the social and cultural aspects of psychiatric disorders in different parts of the world. Systematic reviews were conducted of three German medical journals, one Russian medical journal, and a relevant monograph. All these archives were published in the 19th century. Our work highlights the fact that long before Kraepelin, several, mostly forgotten, publications had already discussed cultural aspects, social conditions, the influence of religion, the influence of climate, and also “race” as a trigger or amplifier of psychiatric diseases. These publications also reflect racist notions of the colonial period.


2019 ◽  
Vol 24 (2) ◽  
pp. 193
Author(s):  
Vivian Orsi ◽  
Marciele Cristina Almeida

Resumo: A moda, com sua própria linguagem, transmite a identidade de um indivíduo e/ou grupo em determinada sociedade e época, portanto, pode ser entendida como forma de comunicação entre o sujeito e o mundo que o cerca. Nesta pesquisa, propõe-se o estudo do léxico da moda do século XIX no Brasil baseado nas teorias da Lexicologia e na Moda; fazendo uma análise sobre os itens lexicais que se refiram às vestimentas encontradas em Memórias póstumas de Brás Cubas, de Machado de Assis (1994) e Lucíola, de José de Alencar (1988). Os resultados das reflexões permitem a compreensão da dinâmica social da sociedade da época e do estabelecimento da língua portuguesa brasileira independente da variedade continental.Palavras-chave: léxico; moda; literatura; século XIX.Abstract: Fashion, with its own language, establishes a group identity within the society and the period in which it is set. Moreover, it is a way of communication between an individual and the world around them. This research aims at the study of the lexicon of nineteenth-century fashion in Brazil, based on the theories of Lexicology and Fashion, on a collection of lexical items referring to clothes found in Memórias póstumas de Brás Cubas (The Posthumous Memoirs of Bras Cubas), Machado de Assis (1994), and Lucíola, José de Alencar (1988). The results of the reflection leave room for understanding of the social dynamics of the society of the time and of the establishment of the Brazilian Portuguese language independent from the continental variety.Keywords: lexicon; fashion; literature; 19th century.


2022 ◽  
pp. 135-146
Author(s):  
Anish Gupta ◽  
Hayri Uygun ◽  
Rashmi Gujrati ◽  
Dhiraj Gupta

The business world is transforming into digitalization. To stay modest and appropriate, it has become necessary to adopt digitalization. The construction industry is entirely ready for the opportunity that will come through digitalization. Currently, we are in the finishing days of the industrial age. With this advanced revolution, the future will be reshaped in two trends: digitalization and urbanization. At the starting of the 19th century when the industrial revolution was in full bloom, a small amount of the population was living in the cities. As it has been for thousands of years, the world is still rural and agricultural.


Imafronte ◽  
2020 ◽  
pp. 1-16
Author(s):  
José Miguel López Castillo

Uno de los apartados menos tratados de las representaciones visuales de Murcia ha sido el de la ephemera comercial. Por tal motivo, dado su uso limitado y efímero, en muchas ocasiones no se le ha considerado como un apartado estimable en la historia del arte. Pero lo cierto es que las etiquetas de fábricas de conservas, frutas, licores y otros establecimientos, desde los últimos años del siglo XIX y la primera mitad del XX, en base al diseño difundieron los elementos identitarios más significativos de este territorio por toda España y el resto del mundo. En la mayoría de casos, la marca publicitaria estaba basada en estampas e imágenes del Costumbrismo romántico murciano que ya se habían consolidado durante el ochocientos para la demanda social de esa corriente; en otros casos se fueron adaptando a los nuevos criterios estéticos del siglo XX. Finalmente, esta forma de publicitar cada producto ayudó a patentar la denominación de origen de diversas empresas de varios sectores, principalmente agroalimentarias, y al mismo tiempo a su asimilación con esta región levantina gracias a sus hitos arquitectónicos, la huerta o sus tipos populares. Esta última premisa es la que abordaremos dentro de este estudio al contrastarlas con otras representaciones anteriores. One of the less treated sections of the visual representations of Murcia has been the comercial ephemera. For this reason, given its limited and fleeting use, it has often not been considerated as a valvable section in the history of art. But the truth is that the labels of canning factories, fruits, liquors and other establishments, from the last years of the 19th century based on the design spread the most significant identity elements of this territory throughout Spain and the rest the world. In the majority of cases, the advertising brand was based on prints and images of Murcian romantic costums that had already been consolidated during the 19th century for the social demand of this currens, in other cases they were adapted to the new aesthetic criteria of the 20th century. Finally, this way of advertising each product helped to panted the denomination of origin of various companies, mainly agry-food, and at the same time to assimilate it with this southeast region thanks to its architectural landmarks, the orchard or its popular types. This last premise is the one we will address within this study when contrasting them other previous representations.


2008 ◽  
Vol 25 (3) ◽  
pp. 144-146
Author(s):  
Isa Blumi

The annual spectacle of millions of pilgrims flooding Makkah has capturedthe imagination of generations of readers. This interest in the hajj, however,has not necessarily produced quality scholarship. From crude ethnographicsummaries to careful narratives of spiritual attainment, the literature has beeninconsistent at best. Brill’s republishing of Dutch scholar Christiaan SnouckHurgronje’s (1857-1936) forgotten work offers the modern reader not only aninvaluable window into the hajj as practiced before the age of mass communication,but provides a hitherto neglected discussion on the social, cultural,political, and economic impact that the experience had upon Muslims.Often lost in the generalizations one finds in descriptions of the annualpilgrimage, the world in which the reader is thrust while reading this bookoffers a Makkah that is far more culturally dynamic than expected. Hurgronje’sworld is one filled with cultural and doctrinal variances that aremanifestedin the different ways in which Muslims worshiped, clothed themselves,and ultimately socialized while in Makkah. In this sense, his carefulstudy of life over the months leading to the hajj exposes the reader to a fluidcultural and economic process that constantly transforms, leaving the readerwith the impression that life was not, as the clichés so often try to instill,“timeless.” Hurgronje, to his credit, is not interested in retelling theOrientalist trope; rather, he strives to provide a serious ethnographic and historicalstudy.As Hurgronje himself writes, this is a study to help non-Muslims, especiallyfellow Dutchmen, understand their Muslim subjects living in the FarEast. For this reason, the book’s final part focuses exclusively on the Makkanexperience of Dutch subjects. In this regard, it is a careful analysis of howMuslims from Java, Borneo, and Sumatra interacted with fellow Muslims;socialized in this cosmopolitan milieu; and adopted numerous personal andcollective activities during their stay. That being said, it is especially impressivethat this study is not meant to be only a tool for colonial governance ...


Author(s):  
Svetlana Pirozhok

The relevance of determining the theoretical and methodological determinants of the Robert von Moll’s concept of the social state is due to the need to determine the patterns of evolution of ideas about the state and law, as well as the need to assess the ability to use the potential of the Robert von Moll’s theoretical and legal heritage, his predecessors and contemporaries to identify the optimal model of the social state. Modern Russia attempts to build such state. The proclamation and consolidation of Russia as a social state governed by the rule of law at the constitutional level requires attention both to the experiments carried out in social and legal development, and to the practices of social reform, and also to those ideas that have not yet been embodied. The ideas of European scholars regarding the evolution of the state-legal organization of society in the early modern period, based on which Robert von Mohl (1799–1875) developed original concepts of a social state and a state governed by the rule of law are discussed in the article. An analysis of the state of European political and legal thought and identification of the factors that have a significant impact on the development of Robert von Mohl’s doctrine of a social state governed by the rule of law are the purposes of the scientific article. The methodological basis of the study was the dialectical-materialistic, general scientific (historical, systemic) and special (historical-legal, comparativelegal) methods of legal research. The method of reconstruction and interpretation of legal ideas had great importance. As a result of the study, it was concluded that in the first half of the 19th century in European political and legal thought various approaches was formed to consider the problems of social protection and how to resolve them. The development trend of European political science became the transition from ideas and principles formed in the conditions of police states and enlightened absolutism to the ideas of a state governed by the rule of law (constitutional) that protects the rights and freedoms of a citizen. At the same time, it was a question of the rights and freedoms of only a part of the population: the proletariat growing in number and significance was not always evaluated as an independent social stratum. The axiological principles of state justification have also changed. Rights and utility principle became dominant principles. In the first half of the 19th century the social issue as an independent scientific problem of the European political and legal thought was not posed and not systematically developed. Questions about the social essence of the state, the specifics of the implementation of the state social function, the features of public administration in the new stage of socio-economic development of society predetermined the emergence of the idea of a social state. This idea was comprehensively characterized in the Robert von Mohl’s works. He went down in the history of political and legal thought as founder of the concepts of social and governed by the rule of law state.


Thesis Eleven ◽  
2018 ◽  
Vol 145 (1) ◽  
pp. 77-98 ◽  
Author(s):  
Jose Jowel Canuday

In popular imagery, the littorals of Sulu and Zamboanga conjure visions of pirates, terrorists, and bandits marauding its rough seas, open shores, and rugged mountains. These bleak accounts render the region nothing but a violent and peripheral southern Philippine backdoor inconspicuous to the sophisticated constituencies of the world’s metropolitan centres. Obscured from these imageries are the lasting cosmopolitan traits of openness, flexibility, and reception of local folk to trans-local cultural streams that marked Sulu and Zamboanga as a globalised space across the ages and oceans. The distinctive features of these cosmopolitan sensibilities are strikingly discernible in inter-generationally shared narratives, artefacts, and performances that were continually renewed from the days when Sulu and Zamboanga served as a borderless trading and cultural enclave nestled at the crossroads of the Pacific and the Indian Oceans. These enduring cosmopolitan sensibilities are embodied in the blending, among others, of the time-honoured dance of pangalay and the pop-musical dance genre celebrated on actual, analogue, and digitally-mediated spaces of the contemporary world. Furthermore, these embodied sensibilities are evident in song compositions that proclaim the humanistic themes of hope, peace, and prosperity to their place and the world in ways that exemplify the local people’s broader sense of connections beyond the narrow association of family, community, ethnicity, religion, and identity. This mixed bag of age-old and recent imaginaries and cultural traffic evoke a sociality that link the social spaces of the troubled but once and current globalised region to continuing acts of transcendence in history, memory, and visions of the future. In these marginalized places, we can see an unyielding tradition of cultural re-adaptation and creativity made up of myriad everyday acts that are down-to-earth, pragmatic, interstitial, and practical cosmopolitanism.


2021 ◽  
pp. 092137402110218
Author(s):  
Ute Röschenthaler

Brokers have played important roles in the trade of green tea between China and Mali, from the 19th century when tea first came to Mali up to the present. They mediate between tea buyers and sellers, work on their own account, use soft skills, knowledge and networks and make a living from the commission they gain. This article examines the work of brokers in the tea trade, the social constellations in which they are active and the scope of their activity. Based on extensive field research in Mali and China, this article shows how brokers create their own jobs in a dynamic business landscape, which is often delimited by governmental policies, competing entrepreneurial activities and social movements.


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