scholarly journals Upphaf kvikmyndaaldar á Íslandi

Ritið ◽  
2019 ◽  
Vol 19 (2) ◽  
pp. 43-68
Author(s):  
Gunnar Tómas Kristófersson
Keyword(s):  
Prior Knowledge ◽  
19Th Century ◽  
Early Years ◽  
The World ◽  
The 19Th Century ◽  
Magic Lantern ◽  
First Time

The article addresses the early years of film in iceland, where the goal is to deepen our knowledge of the main participants in introducing and promoting cinema in iceland at the turn of the 19th century. Two years spanning a three-year period mark the beginnings of the age of film in iceland. The former is 1901 when the Dutch filmmaker F. A. Nöggerath came to film iceland and icelanders for an English film company. The latter year is 1903, when the Norwegian, Rasmus Hallseth and the Swede David Fernander, traveled around the country to screen films for the first time in iceland. These two visits mark the emergence of cinema in iceland. iceland-ers had little prior knowledge of the new medium, which was getting to be widely known around the world, apart from the coverage of newspapers and stories of lucky icelanders who had experienced film screenings abroad. Shows using a predecessor of film, the magic lantern, were held by Sigfús Eymundsson and Þorlákur ó. Jo-hnson in the 19th century. After the introduction of films in 1903, several people put together funds to buy Hallseth’s and Fernanders’ equipment and began to exhibit films on their own. However, daily performances did not happen until Reykjavik Biograftheater (later ,,Gamla Bíó”) was established in 1906. After several attempts by various parties to hold regular screenings in Reykjavik, one could say that cinema did not properly settle in iceland until the establishment of Nýja Bíó in 1913.

THE IMAGE OF A LION IN THE NINE VOLUMES OF FABLES BY I. A. KRYLOV

2020 ◽  
Vol 6 (4) ◽  
pp. 48-62
Author(s):  
Sergey O. SHIPOV ◽  
Sergey A. KOMAROV
Keyword(s):  
19Th Century ◽  
Fictional World ◽  
Invariant Model ◽  
Structural Part ◽  
The World ◽  
The Future ◽  
Literary Process ◽  
The 19Th Century ◽  
First Time ◽  
Significant Factors

This article presents, for the first time, the meaning of the metaplot in the books of fables by I. A. Krylov. The metaplot of a lion is canonical for the fable genre and represents an invariant model of power in the fictional world. The purpose of this article is to identify and describe the metaplot as one of the significant factors of Krylov’s literary strategy, as he created the nine volumes of fables during a dynamic literary process and change in the dominant trends in the national verbal culture of the first half of the 19th century. The idea of the fabulist regarding the lion’s metaplot is revealed in the horizontal sphere of the world, the prevalence of negative tendencies and the tragic, but natural ending of the character in the eighth and ninth books. The authors of this article consider the infernal space in the metaplot of a lion as a structural part of a moralistic message, dialogically addressed to the character; they fix the correlation between the plot punishment and the emergence of the space of hell in the nine-book. Reconstruction of the character's individual hell, taking into account his passions, shows that Krylov’s use of infernal space is not accidental, which in the future will give researchers ample opportunities for analyzing the space of his entire meta-concept. This article focuses on the chronological points of actualization of the metaplot in the work of the fabulist, in particular, in 1818-1819, as well as his transferability of the texts within the framework of the nine books, which is obviously connected with his special vision of the intertextual integrity of the project.

Women's Place in Travel Texts

Prospects ◽  
1995 ◽  
Vol 20 ◽  
pp. 161-179
Author(s):  
Mary Suzanne Schriber
Keyword(s):  
19Th Century ◽  
American Women ◽  
White American ◽  
East Indies ◽  
The World ◽  
Travel Abroad ◽  
White American Women ◽  
The 19Th Century ◽  
First Time ◽  
Japan And China

In the 19th Century, white American women of the middle and upper classes began to travel abroad in significant numbers for the first time in history. Prior to the 19th Century, and with the exception of such women as Abigail Adams and Martha Bayard, who accompanied their parents or husbands on diplomatic missions, American women as a rule traveled only about the countryside or to frontier settlements. Beginning in the 1820s, however, and escalating after the Civil War, the prototypes of Henry James's Isabel Archer and Edith Wharton's Undine Spragg set out by the hundreds to see the world, from Europe to the Middle East and from Africa to Japan and China. The greatest number of them visited the British Isles and continental Europe. As early as 1835, according to Paul R. Baker, some fifty American women visited Rome during Holy Week. Many women were among the fifty thousand Americans who, in 1866 alone, traveled to Europe. According to Mrs. John Sherwood in 1890, there were “more than eleven thousand virgins who semi-yearly migrate[d] from America to the shores of England and France.” Women found their way to virtually all parts of the world, as the book-length travel accounts of women (far fewer than the numbers of women who traveled) show. Women published accounts of twenty journeys to China, seventeen to Palestine, eleven to India, twenty-two to Egypt, two to the East Indies, twenty to Greece, three to Arabia, six to Algeria, and four to Africa, as well as travel in Central and South America, Cuba, the Yucatan, and Jamaica.

The Germans and their Jewish Neighbors on the Ukrainian Areas at the Second Half of the 19th Century

2020 ◽  
pp. 17-27
Author(s):  
D. Meshkov
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
Russian Empire ◽  
Early Years ◽  
Criminal Cases ◽  
South West ◽  
Multiethnic Population ◽  
The Russian Empire ◽  
The 19Th Century ◽  
The Relationship

The article presents some of the author’s research results that has got while elaboration of the theme “Everyday life in the mirror of conflicts: Germans and their neighbors on the Southern and South-West periphery of the Russian Empire 1861–1914”. The relationship between Germans and Jews is studied in the context of the growing confrontation in Southern cities that resulted in a wave of pogroms. Sources are information provided by the police and court archival funds. The German colonists Ludwig Koenig and Alexandra Kirchner (the resident of Odessa) were involved into Odessa pogrom (1871), in particular. While Koenig with other rioters was arrested by the police, Kirchner led a crowd of rioters to the shop of her Jewish neighbor, whom she had a conflict with. The second part of the article is devoted to the analyses of unty-Jewish violence causes and history in Ak-Kerman at the second half of the 19th and early years of 20th centuries. Akkerman was one of the southern Bessarabia cities, where multiethnic population, including the Jews, grew rapidly. It was one of the reasons of the pogroms in 1865 and 1905. The author uses criminal cases` papers to analyze the reasons of the Germans participation in the civilian squads that had been organized to protect the population and their property in Ackerman and Shabo in 1905.

Bonobos

2018 ◽  
Keyword(s):  
19Th Century ◽  
Historical Data ◽  
Line Drawings ◽  
History Of ◽  
The 19Th Century ◽  
First Time

This is a comprehensive, illustrated catalogue of the 200+ marine chronometers in the collections of Royal Museums Greenwich. Every chronometer has been completely dismantled, studied and recorded, and illustrations include especially commissioned line drawings as well as photographs. The collection is also used to illustrate a newly researched and up-to-date chapter describing the history of the marine chronometer, so the book is much more than simply a catalogue. The history chapter naturally includes the story of John Harrison’s pioneering work in creating the first practical marine timekeepers, all four of which are included in the catalogue, newly photographed and described in minute detail for the first time. In fact full technical and historical data are provided for all of the marine chronometers in the collection, to an extent never before attempted, including biographical details of every maker represented. A chapter describes how the 19th century English chronometer was manufactured, and another provides comprehensive and logically arranged information on how to assess and date a given marine chronometer, something collectors and dealers find particularly difficult. For further help in identification of chronometers, appendices include a pictorial record of the number punches used by specific makers to number their movements, and the maker’s punches used by the rough movement makers. There is also a close-up pictorial guide to the various compensation balances used in chronometers in the collection, a technical Glossary of terms used in the catalogue text and a concordance of the various inventory numbers used in the collection over the years.

scholarly journals Catalogue of the primatological collection of the Torino University

2016 ◽  
Vol 3 (2) ◽  
pp. 3 ◽  
Author(s):  
Mara Calvini ◽  
Maria Stella Siori ◽  
Spartaco Gippoliti ◽  
Marco Pavia
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Great Part ◽  
Type Specimen ◽  
Zoological Garden ◽  
Historical Material ◽  
The 19Th Century ◽  
First Time

The revised catalogue of primatological material stored in the Museo Regionale di Scienze Naturali of Torino and in the Dipartimento di Scienze della Vita e Biologia dei Sistemi of the Università degli Studi di Torino and belonging to the historical material of the Torino University is introduced. The material, 494 specimens belonging to 399 individuals of 122 taxa, is of particular importance since specimens were mainly obtained during the 19th Century and the beginning of the 20th Century. A relevant part of the collection was created by the collaborators of the Museum, among which it is worth to mention F. De Filippi, A. Borelli and E. Festa, while other material came from purchases and donations from private people or the Royal Zoological Garden of Torino. Great part of the specimens is stuffed but also the osteological materials are of particular importance, as many of them derived from the specimens before being prepared and consisting of skulls or more or less complete skeletons. After this revision, the Lectotype and Paralectotypes of <em>Alouatta</em> <em>palliata</em> <em>aequatorialis</em> have been selected, and the type-specimen of the <em>brunnea</em> variety of <em>Cebus</em> <em>albifrons</em> <em>cuscinus</em> has been recognized. In addition, some specimens of particular historical-scientific importance have also been identified and here presented for the first time.

Aesthetics of the presence of women in Afghan cinema

2021 ◽  
Author(s):  
Abbas Mohammadi
Keyword(s):  
19Th Century ◽  
Human Beings ◽  
Positive View ◽  
The World ◽  
Human World ◽  
Different Dimensions ◽  
Male Dominated ◽  
The 19Th Century

Cinema consists of two different dimensions of art and instrument. A tool that mixes with art and represents society in which anything can be depicted for others. But art has always sought to portray the beauties of this universe. The beauty that lies within philosophy. Since the advent of human beings, men have always sought to dominate and abuse women for their own benefit. In the 19th century, cinema entered the realm of existence and found its place in the human world. With the empowerment of cinema in the world, filmmakers tried to achieve their goals by using this tool.Many filmmakers use women as a propaganda tool to attract a male audience. In many films, when the hero of a movie succeeds in reaching a woman, or in doing so, she is succeeded by a woman. In this way, of course, women themselves are not faultless and have helped men abuse women. Afghanistan, a traditional and male-dominated country, has not been the exception, and in many Afghan films women have been instrumental zed and used in various ways to benefit men, and we have seen fewer films in which women be a movie hero or a woman in a movie like a man. This kind of treatment of women in Afghan films has caused other young Afghan girls to not have a positive view of Afghan cinema.

De windmolen

2020 ◽  
Vol 5 (1) ◽  
pp. 17-32
Author(s):  
JOS BAZELMANS
Keyword(s):  
The Netherlands ◽  
19Th Century ◽  
Turn Of The Century ◽  
The 19Th Century ◽  
First Time ◽  
At Home

The windmill. The origins of a Dutch icon The windmill is an icon of the Netherlands. But when did this instrument acquire this symbolic role at home and abroad? After all, mills are also common outside of the Netherlands. In this essay, it is argued that during the second half of the 19th century, foreigners systematically identified the Netherlands and the windmill for the first time. More than in other countries, there was a varied use of mills in the Netherlands, large and robust mills and clusters of industrial mills. Within the Netherlands itself, development towards an iconic position is only visible around the turn of the century when the mill turned out to be a plus in tourist recruitment abroad and when mills were slowly disappearing from the landscape.

Death Shall have no Dominion: The Passing of the World of the Dead in America

1977 ◽  
Vol 8 (3) ◽  
pp. 195-203 ◽  
Author(s):  
Charles O. Jackson
Keyword(s):  
19Th Century ◽  
Living World ◽  
The World ◽  
The Dead ◽  
American Society ◽  
Social Importance ◽  
The 19Th Century

The dead have largely lost their social importance, visibility, and impact in American society. This event is essentially a phenomenon of the present century. For three centuries prior, the dead world occupied a significant and readily recognizable place in the living world. Indeed, that place was growing rapidly through much of the 19th century. Causes of the reversal in relationship between the two worlds are examined and consequences of the present radical withdrawal from the dead are suggested.

scholarly journals FROM ORANJE NASSAU TO PULAU LAUT : THE INVEST OF COAL MINING IN SOUTHEAST KALIMANTAN FROM 1845 TO 1931

2016 ◽  
Vol 14 (2) ◽  
pp. 323
Author(s):  
Mansyur -
Keyword(s):  
Eighteenth Century ◽  
Coal Mining ◽  
19Th Century ◽  
Industrial Revolution ◽  
World Market ◽  
Mining Company ◽  
The World ◽  
Coal Market ◽  
Left And Right ◽  
The 19Th Century

European Industrial Revolution in the eighteenth century brought great changes not only in Europe itself but also in other parts of the world including Indonesia which was used to be a country of Dutch colony. The invention of steam-powered ships triggered the Dutch to use steam-powered vessels as the alteration of yachts, wind-powered ships, in the 19th century. At the beginning, the steam-powered ships used rotating wheels in the left and right side; however, the ships finally used ordinary windmills or propellers. The decrease and the lack of this production was getting worsened the competition of other producer countries in world market and the unstable coal market and in crisis year in 1930, Pulau Laut Mining Company production dropped so that it was closed down in the same year.

scholarly journals Wesley in Oxford and the Legend of Holy Grail’s Knight: The Study about the Root of Methodism to the World, and the Foundation of Kwansei-Gakuin in Japan

2017 ◽  
Vol 6 (1) ◽  
pp. 9-16
Author(s):  
Kawanishi Takao
Keyword(s):  
Roman Empire ◽  
19Th Century ◽  
18Th Century ◽  
Round Table ◽  
King Arthur ◽  
Spiritual Power ◽  
The World ◽  
Methodist Episcopal Church ◽  
New States ◽  
The 19Th Century

Abstract John Wesley (1703-91）is known as the founder of Methodism in his time of Oxford University’s Scholar. However, about his Methodical religious theory, he got more spiritual and important influence from other continents not only Oxford in Great Britain but also Europe and America. Through Wesley’s experience and awakening in those continents, Methodism became the new religion with Revival by the spiritual power of “Holy Grail”. By this research using Multidisciplinary approach about the study of Legend of Holy Grail’s Knight, - from King Arthur and Knights of the Round Table in the Medieval Period, and in 18th century Wesley, who went to America in the way on ship where he met the Moravian Church group also called Herrnhut having root of Pietisms, got important impression in his life. After this awakening, he went to meet Herrnhut supervisor Zinzendorf (1700-60) in Germany who had root of a noble house in the Holy Roman Empire, - and to Legend of Holy Grail’s Knight Opera “Parsifal” by Richard Wagner at Bayreuth near Herrnhut’s land in the 19th century, Wesley’s Methodism is able to reach new states with the legend, such as the historical meaning of Christianity not only Protestantism but also Catholicism. I wish to point out Wesley’s Methodism has very close to Legend of Holy Grail’s Knight. In addition, after the circulation in America, in the late 19th century Methodism spread toward Africa, and Asian Continents. Especially in Japan, by Methodist Episcopal Church South, Methodism landed in the Kansai-area such international port city Kobe. Methodist missionary Walter Russel Lambuth (1854-1921) who entered into Japan founded English schools to do his missionary works. Afterward, one of them became Kwansei-Gakuin University in Kobe. Moreover, Lambuth such as Parsifal with Wesley’s theories went around the world to spread Methodism with the Spirit’s the Legend of Holy Grail’s Knight as World Citizen.

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