scholarly journals Realność artystyczna i koneksje literackie. Bruno Schulz w Umarłej klasie Tadeusza Kantora

2021 ◽  
pp. 279-299
Author(s):  
Katarzyna Flader-Rzeszowska
Keyword(s):  
Short Story ◽  
Young Age ◽  
Specific Work ◽  
Old People ◽  
The Dead ◽  
Bruno Schulz ◽  
The Way

The inspiration that Tadeusz Kantor drew from the works by Schulz can be seen in many of his theatre performances. Like he did with Gombrowicz, Kantor never used one specific work to be staged in his theatre. The Dead Class is a piece where one can find influences by Witkacy, Gombrowicz and Schulz – probably the three most important writers for Kantor. In this article, I discuss the way Schulz, with his short story A Pensioner, is handled in the ‘Cricot 2’ performance. Even though many studies concerning this performance have been written and the connections between Kantor and Schulz seem to have been covered, I have not found any study of Dead Class which would indicate any specific references to A Pensioner. In the bruno schulz w umarłej klasie tadeusza kantora article, the following questions are explored: Can Schulz’s protagonist be recognized in the senile, childlike old people from Dead Class? Which passages of the short story were used by Kantor? How differently is the notion of death treated in the short story and in the performance? And finally, why – having been so fascinated with The Cinnamon Shops at a young age – did Kantor come back to Bruno Schulz’s writings only as a mature artist? In the article, I also discuss the strategies utilized by Kantor to adapt the non-theatrical prose for the stage.

scholarly journals Male victimization of women Covered in Society’s Expectation in Razia Sultana Khan’s Seduction: The Perspective of Seven Building Tasks of Language

Society ◽  
2017 ◽  
Vol 5 (1) ◽  
pp. 107-112
Author(s):  
Nurvita Wijayanti
Keyword(s):  
Short Story ◽  
Building Blocks ◽  
Young Age ◽  
Young Girl ◽  
The Other ◽  
Human Being ◽  
Sign Systems ◽  
The Way

Living in the society’s expectation is like we are forced to do what they want us to do and it is in the circle of hell. At one time, we need society as the means to communicate and be a natural human being. At the other hands, its culture and custom destroy ourselves especially those who have sexist culture and custom. This Bangladesh short story titled Seduction is one of the representatives of society that has sexist culture. It tells about a young girl who is forced to marry at the young age and becomes the object of her husband’s sexual trinket. What the writer wants to emphasize is the way the author named Razia Sultana Khan describe the treatment and the culture through Paul Gee’s seven language blocks’ perspective. The result of the discussion is that this short story, indeed, contains some of the seven building blocks that are significance, activities, identities, relationships, politics, connections and sign systems and knowledge.

‘Do you think you're at the Gresham?’: Accepting Imperfection in ‘The Dead’

2015 ◽  
Vol 10 (2) ◽  
pp. 159-177 ◽  
Author(s):  
Randi Saloman
Keyword(s):  
Sixteenth Century ◽  
Short Story ◽  
Secondary Quality ◽  
The Dead

Dublin's Gresham Hotel, where Gabriel and Gretta Conroy end their evening in Joyce's most famous short story, has a fascinating history. It was founded in 1817 by Thomas Gresham, who began life as a foundling rescued from the steps of London's Royal Exchange and was thereby given the name of the Renaissance statesman who built that exchange. This sixteenth-century Thomas Gresham was even better known, however, for his eponymous ‘Gresham's Law’. Both Gresham's Law and the hotel setting and history enter into and help to shape ‘The Dead’. Questions of value and valuing suggested by Gresham's Law are shown to be more complicated than they initially appear, as they intersect with the various forms of hospitality traced in the story. The ‘secondary’ quality of the famous Dublin hotel (built by the second, unknown Thomas Gresham) underscores – and ultimately redeems – the theme of secondariness that runs through ‘The Dead’.

The Beginnings of the Cult of Relics

2018 ◽  
Author(s):  
Robert Wiśniewski
Keyword(s):  
Essential Element ◽  
Fourth Century ◽  
Material Objects ◽  
Long Time ◽  
Hidden Knowledge ◽  
Physical Diseases ◽  
The Dead ◽  
The Way

Christians always admired and venerated martyrs who died for their faith, but for a long time thought that the bodies of martyrs should remain undisturbed in their graves. Initially, the Christian attitude toward the bones of the dead, whether a saint’s or not, was that of respectful distance. This book tells how, in the mid-fourth century, this attitude started to change, swiftly and dramatically. The first chapters show the rise of new beliefs. They study how, when, and why Christians began to believe in the power of relics, first, over demons, then over physical diseases and enemies; how they sought to reveal hidden knowledge at the tombs of saints and why they buried the dead close to them. An essential element of this new belief was a strong conviction that the power of relics was transferred in a physical way and so subsequent chapters study relics as material objects. The book seeks to show what the contact with relics looked like and how close it was. Did people touch, kiss, or look at the very bones, or just at reliquaries which contained them? When did the custom of dividing relics appear? Finally, the book deals with discussions and polemics concerning relics and tries to find out how strong was the opposition which this new phenomenon had to face, both within and outside Christianity on the way to relics becoming an essential element of medieval religiosity.

Kierkegaard, Metaphysics, and Love

2013 ◽  
Vol 2013 (1) ◽  
Author(s):  
George Pattison
Keyword(s):  
Sense Of Self ◽  
The Self ◽  
The Other ◽  
Gabriel Marcel ◽  
The Core ◽  
The Dead ◽  
Alternative Reading ◽  
The Way

AbstractNoting Heidegger’s critique of Kierkegaard’s way of relating time and eternity, the paper offers an alternative reading of Kierkegaard that suggests Heidegger has overlooked crucial elements in the Kierkegaardian account. Gabriel Marcel and Sharon Krishek are used to counter Heidegger’s minimizing of the deaths of others and to show how the deaths of others may become integral to our sense of self. This prepares the way for revisiting Kierkegaard’s discourse on the work of love in remembering the dead. Against the criticism that this reveals the absence of the other in Kierkegaardian love, the paper argues that, on the contrary, it shows how Kierkegaard conceives the self as inseparable from the core relationships of love that, despite of death, constitute it as the self that it is.

The image of a modern shaman. A literary example of Ida Brzezińska

2021 ◽  
Vol 37 (2) ◽  
pp. 117-134
Author(s):  
Angelika Moskal
Keyword(s):  
21St Century ◽  
Popular Literature ◽  
The Other ◽  
The World ◽  
Evil Spirits ◽  
The Dead ◽  
The Way

Abstract: The shaman figure is most often associated with primitive communities, inhabiting, among others Siberia. The shaman plays one of the most important roles in them - he is an intermediary between the world of people and the world of spirits. Responds to, among others for the safe passage of souls to the other side and protects her from evil spirits. However, is there room for representatives of this institution in contemporary Polish popular literature? How would they find themselves in the 21st century? The article aims to show the interpretation of the shaman on the example of Ida Brzezińska, the heroine of the books of Martyna Raduchowska. I intend to introduce the role and functions of the „shaman from the dead”, juxtaposing the way Ida works (including reading sleepy margins from a rather unusual dream catcher, carrying out souls and the consequences that await in the event of failure or making contact with the dead) with the methods described by scholars shamans. The purpose of the work is to show how much Raduchowska tried to adapt shamanism in her work by modernizing it, and how many elements she added from herself to make the story more attractive.

scholarly journals Learning to Be Old

2018 ◽  
Vol 17 (1) ◽  
pp. 160940691881055 ◽  
Author(s):  
Deborah K. van den Hoonaard
Keyword(s):  
Qualitative Research ◽  
Life Expectancy ◽  
Aging Population ◽  
Trojan Horse ◽  
Interpretive Research ◽  
Old People ◽  
Social Component ◽  
Physical Changes ◽  
The Way

Today, we have a life expectancy that earlier eras could not have dreamed of. An aging population is the hallmark of a successful society. How is it, then, that we consider one of the greatest achievements of society to be a disaster? This talk argues that the beliefs underlying ageism, based on the premise that all old people are the same, pervade contemporary thinking. Despite the fact that becoming old involves physical changes, aging has a significant social component. This presentation marks the culmination of 25 years of qualitative research in gerontology. Given the theme of the conference, the talk begins by discussing how the Trojan horse of positivist approaches is eroding the inductive nature of qualitative research. It then illustrates, based on inductive, interpretive research, how we learn to be old and accept myths associated with aging through the way people treat us.

scholarly journals INTERPERSONAL MEANING IN THE SHORT STORIES OF WILLEM ISKANDER’S SI BULUS-BULUS SI RUMBUK-RUMBUK

LINGUISTICA ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 409
Author(s):  
ULFA YOZA SALSABILA ◽  
ELIA MASA GINTING ◽  
WILLEM SARAGIH
Keyword(s):  
Short Stories ◽  
Short Story ◽  
The Subject ◽  
The Way

This study aimed to analyze the mood and modality used in the short stories of Willem Iskander’s Si Bulus-Bulus Si Rumbuk-Rumbuk, elaborating and explaining the interpersonal meaning realized in each short story. The source of data was taken from a book authored by Willem Iskander, entitled “Si Bulus- Bulus Si Rumbuk-Rumbuk”. This research showed that : (1) there were 157 clauses in the short stories with three mood types and two degrees of modality. (2) interpersonal meaning is realized based on the order of the subject and the finite. (3) the reason why the interpersonal meaning is realized in the way they are is that the author wants to share his thoughts and experiences of Mandailingnese by classifying each clause and finding the dominant use of declarative mood as the most direct and soft way of conveying the author’s thought

scholarly journals The Archaeology of Old Age

2021 ◽  
Vol 9 (1) ◽  
pp. 163-178
Author(s):  
Stig Welinder
Keyword(s):  
Old Age ◽  
Burial Ground ◽  
Cultural Variation ◽  
Old People ◽  
Complex Concept ◽  
Anthropological Theory ◽  
Burial Grounds ◽  
The Way

Prehistoric people sometimes died at an old age to judge by the longevity of life estimated from skeletal data. Anthropology, however, suggests that old age is a much more complex concept than that. The process of growing old that is stressed in the anthropological theory of old people may advantageously be discussed on the basis of prehistoric burial-ground data. Examples from Swedish burial-grounds hint at a cultural variation in the way in which prehistoric societies viewed old age.

scholarly journals Mythopoetics of the Were-Dragon (The Way of the Dragon by B. M. Yulsky and the Literary Context)

2021 ◽  
Vol 20 (2) ◽  
pp. 128-135
Author(s):  
Guanqiong Lin
Keyword(s):  
Short Story ◽  
Chinese Culture ◽  
Far East ◽  
Historical Analysis ◽  
Mountain Forest ◽  
The Real ◽  
Literary Context ◽  
History Of ◽  
Frontier Mythology ◽  
The Way

As a Russian mountain-forest policeman and writer of the Harbin diaspora, B. M. Yulsky combined in his prose the experience of the police service and ideas about the ethnoculture of the Chinese who inhabited the territory of the Far East. This article contains a hermeneutic and comparative historical analysis of the short story The Way of the Dragon (1939) by B. M. Yulsky. The artistic morphology of the dragon is built on the comparison of its image in Chinese, Amur, Slavic and European cultures. One of the key images in the Russian heroic epic, in the Christian legend of Saint George, in Western and Northern European mythology, the dragon is actualized in modern literature. The analysis involves a philosophical treatise and a Chinese classic novel. It is shown that in the Chinese mythopoetic consciousness the temper and morphology of the dragon is different from its interpretation in European and Russian texts. The content of the short story by B. M. Yulsky speaks about his acquaintance with the understanding of the dragon, which is more characteristic in Chinese culture. The writer integrated the archaic image of the werewolf dragon into the real situation and brought a legend to the history of Honghuzi. The facts set forth in the monograph by D. V. Ershov are the real confirmation of the story described by B. M. Yulsky. The Way of the Dragon is an example of the artistic ethnography and the authorial frontier mythology that have developed in Russian literature in Harbin.

The Archaeology of Ancestors: The Saxe/Goldstein Hypothesis Revisited

1991 ◽  
Vol 1 (2) ◽  
pp. 147-169 ◽  
Author(s):  
Ian Morris
Keyword(s):  
Historical Comparison ◽  
Specific Instance ◽  
Archaeological Interpretation ◽  
Ethnographic Data ◽  
The Dead ◽  
New Archaeology ◽  
The Way

Since the mid-1980s, debates between competing schools of archaeological interpretation have become more theoretical and abstruse, moving away from confrontations over specific methods of analyzing our data. This article reopens arguments over one of the more controversial propositions of the New Archaeology - Saxe's claim that the emergence of formal cemeteries corresponds to the appearance of agnatic lineages monopolizing vital resources through inheritance. The hypothesis is examined in three ways: through a generalized ethnological model; through specific ethnographic data from Taiwan and Kenya; and through a historical comparison of Athens from 500 to 100 BC and Rome from 200 BC to AD 200. It is argued that all three methods lead to a similar conclusion, that many societies do indeed talk about the dead in the way the Saxe/Goldstein hypothesis maintains, but that in any specific instance the cemetery/property message may well be subverted by other arguments which the buriers are making.

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