scholarly journals Male victimization of women Covered in Society’s Expectation in Razia Sultana Khan’s Seduction: The Perspective of Seven Building Tasks of Language

Society ◽  
2017 ◽  
Vol 5 (1) ◽  
pp. 107-112
Author(s):  
Nurvita Wijayanti
Keyword(s):  
Short Story ◽  
Building Blocks ◽  
Young Age ◽  
Young Girl ◽  
The Other ◽  
Human Being ◽  
Sign Systems ◽  
The Way

Living in the society’s expectation is like we are forced to do what they want us to do and it is in the circle of hell. At one time, we need society as the means to communicate and be a natural human being. At the other hands, its culture and custom destroy ourselves especially those who have sexist culture and custom. This Bangladesh short story titled Seduction is one of the representatives of society that has sexist culture. It tells about a young girl who is forced to marry at the young age and becomes the object of her husband’s sexual trinket. What the writer wants to emphasize is the way the author named Razia Sultana Khan describe the treatment and the culture through Paul Gee’s seven language blocks’ perspective. The result of the discussion is that this short story, indeed, contains some of the seven building blocks that are significance, activities, identities, relationships, politics, connections and sign systems and knowledge.

scholarly journals The Depiction of Malala’s Struggle for Gender Equality as Seen on He Named Me Malala Film

2021 ◽  
Vol 4 (1) ◽  
pp. 26-34
Author(s):  
Dedi Efendi ◽  
Dodi Oktariza ◽  
Azmita Yakub
Keyword(s):  
Gender Equality ◽  
Negative Impact ◽  
Positive Impact ◽  
Young Girl ◽  
The Other ◽  
Human Being ◽  
The Right ◽  
Data Result ◽  
Descriptive Qualitative

This research is analyzes about the struggle of Malala’s in He Named Me Malala film. The purposes of this research are to explain the great efforts of young girl named Malala for gender equality on education and politic and to explain the positive and negative impact after defying gender in equality in He Named Me Malala film. In analyzing the research, the writer uses feminism approach and some supporting theories. The method used in the research is descriptive qualitative. The data are formed in words, phrases and sentences. The data are analyzed through four procedures: identifying, classifying, analyzing, and making conclusions of the data.  Result of this research are the writer found some great efforts of Malala’s struggle on gender equality on education and politic. The last, the writer found the positive impact of the Malala’s effort on education and politic. Malala has given chance for the other women to get education and the right of politic which is the basic right of human being as seen on He Named Me Malala film.

Vasily Polenov: Conversation with the Soul

2021 ◽  
pp. 75-83
Author(s):  
Natalya N. Rostova
Keyword(s):  
Point Of View ◽  
The Other ◽  
Philosophical Analysis ◽  
Landscape Painting ◽  
Human Being ◽  
Other Hand ◽  
The Subject ◽  
The One ◽  
The Way

The article examines the work of Vasily Polenov. The author presents Polenov’s artistic path as the dramatic choice between what is commonly called genre and landscape painting. From the philosophical point of view, the problem consists in concept of understanding art. On the one hand, the essence of art can be reduced to «what», to writing a story, a big sense. On the other hand, art can be understood as «painting for painting’s sake». In this sense, the tension in Polenov’s work arises between the paintings «Moscow Courtyard» and «Christ and the Sinner». The author notes that the way out of this dilemma is to understand art as the subject that reflects the non-objectifiable and devoid of anything essence. The article analyzes the philosophical meaning of Polenov’s paintings of the gospel cycle and provides a philosophical analysis of the artist’s nostalgic paintings. The author comes to the conclusion that Polenov’s paintings are the form that establishes an emotionally experiencing human being

Viewing the world through Lucy Corin’s “Eyes of Dogs”

2020 ◽  
Vol 6 (2) ◽  
pp. 191-212
Author(s):  
Nathan D. Frank
Keyword(s):  
Short Story ◽  
Narrative Text ◽  
The Other ◽  
External Scale ◽  
Spatial Metaphor ◽  
The World ◽  
Internal Scale ◽  
The Way

Abstract Marie-Laure Ryan, Kenneth Foote, and Maoz Azaryahu pave the way, in Narrating Space/Spatializing Narrative (2016), to think of space in narrative as well as narrative in space. I steer their approach through nonhuman space by examining a narrative traversal of “the mesh,” which is Timothy Morton’s spatial metaphor for human and nonhuman interconnection. “A narrative traversal of the mesh” indicates two distinct aspects of narrative motion, which can be thought of as the motion that occurs within a narrative’s fictional spaces (internal), and as the movement of a narrative through the non-fictional spaces of the mesh (external). A narrative’s internal and external motions suggest that a narrative text is itself an enmeshed pocket of nonhuman space that emulates the meshiness of the space that envelops it. The outcome of each “narrative traversal” is that the text purports to become the mesh, but this outcome registers on two scales – that of the storyworld containing a fictional mesh (the internal scale), and that of the actual, non-fictional mesh containing the storyworld (the external scale). Remarkably, each type of traversal relies on and influences the other, so that the tandem dynamism that obtains between them emerges as my object of inquiry more so than either of them individually. Since a narrative’s spatial situation is precisely that of one nonhuman space within the larger mesh, my reading of Lucy Corin’s short story, “Eyes of Dogs,” engages ultimately with the scalar discrepancy between text and world and concludes that narrative may serve as an extramental shelter from correlationism.

scholarly journals KEBEBASAN WANITA PADA TEKS “WARDAH AL-HĀNĪ”(1908) DALAM ANTOLOGI CERPEN “AL-ARWĀH AL-MUTAMARRIDAH” KARYA JUBRĀN KHALĪL JUBRĀN (KAJIAN SOSIOLOGI SASTRA)

Jurnal CMES ◽  
2018 ◽  
Vol 10 (2) ◽  
pp. 193
Author(s):  
Mufidah Nuruddiniyah, Tri Yanti Nurul Hidayati
Keyword(s):  
Short Story ◽  
The Other ◽  
The Real ◽  
Women's Emancipation ◽  
Literary Sociology ◽  
Two Sides ◽  
The Way ◽  
Descriptive Qualitative

<p>Women and emancipation are two things that can not be separated, both are like two sides  of the same coin. One form of women's emancipation is a freedom of determining a spouse. This research aims to describe the several forms of women's freedom of determining a spouse in short story of Kahlil Gibran entitled Wardah Al Hānī based on literary sociology theory of Rene Wellek and Austin Warren. The methodology used to realize that aim is descriptive qualitative. The results reveal that women's freedom of determining a spouse is divided into two perspectives, one relates to the opinion of the character in a story and other determined by his behaviors. In the first side, the character has an opinion that the real happiness in the life only can be brought by love. So, she must choose the man she loved. And in another side, the women's freedom is shown by the way she left her legal husband and went to the other beloved man to make her happiness life.</p><p> </p>

scholarly journals Representation of Science, Technology, and Memory of Postwar Japan in Japanese Anime

2018 ◽  
Vol 12 (3) ◽  
pp. 215 ◽  
Author(s):  
Firman Budianto
Keyword(s):  
Qualitative Research ◽  
New Technology ◽  
Science And Technology ◽  
The Other ◽  
Human Being ◽  
Postwar Japan ◽  
Science Technology ◽  
Forms Of Life ◽  
Great Sense ◽  
The Way

This research discussed the debates over the development of science and technology in postwar Japan portrayed in Tetsujin 28 anime. Most of the notable anime produced in Japan during 1940s to 1980s were closely related with the memory of wartime, as well as the development of science-and-technology. Tetsujin 28, as one of the anime engaged with the memory of postwar Japan, however, had an interesting storyline representing the debates over development of new technology at the period. By using John Fiske’s semiotics analysis, this qualitative research discussed the way Tetsujin 28 initially created by Mitsuteru Yokoyama (1934-2004) represented postwar Japan, as well as the interface between human and new technology developed during the period. The finding shows that postwar Japan represented in this anime is filled with a great sense of optimism in the middle of modernization. Japan is facing the prosperity era whose development is based on science and technology. Furthermore, the existence of Tetsujin 28 and other robotics technology can be seen as a representation of risk following the development of science and technology. On the other hand, the interface between the robot and human being depicted in this anime, in turn, will pave the way for new forms of life and hope for the prosperous nation.

scholarly journals LITERARY UTOPIA AND DYSTOPIA: THE PECULIARITIES OF GENRES, THE ASPECTS OF HERMENEUTIC RESEARCH

2020 ◽  
pp. 26-40
Author(s):  
Валерий Вячеславович Волков ◽  
Наталья Васильевна Волкова
Keyword(s):  
Structure Analysis ◽  
Short Story ◽  
Linear Time ◽  
The Other ◽  
Human Being ◽  
Theory Analysis ◽  
Distinctive Features ◽  
Other Hand ◽  
Key Concepts ◽  
The One

Цель данной работы - уточнить жанровую специфику британских и российских литературных антиутопий. В центре внимания авторов, с одной стороны, жанрово-теоретический анализ утопий, с другой стороны, анализ содержания и структуры базового дуального концепта «Время: настоящее - возможное будущее» и концептов, смежных с ним. Ключевые концепты интерпретируются по процедурам, использующимся в филологической герменевтике. В результате исследования выявлены отличительные особенности британских и российских антиутопий. Аксиологическое основание «британской» дистопии - стабильность и упрощенность, что каузирует застылость в рамках линейного времени. «Российская» дистопия в романе Ефремова основывается на идеях коммунизма, которые оказалось невозможным реализовать. Рассказ Чехова «Пари» строится в традициях «духовного реализма», центрирует внимание на соотношении секулярного и религиозного путей к «совершенному человеку». The purpose of the article is to clarify the genre characteristics of the British and the Russian dystopian fiction. The work is focused, on the one hand, on the genre and theory analysis of utopias and, on the other hand, on the content and structure analysis of the main binary concept «Time: the Present and the Possible Future», as well as related concepts. The key concepts are interpreted according to the procedures used in the philological hermeneutics. The distinctive features of the British and the Russian dystopias are revealed. The axiological essence of the «British» dystopia is stability and simplicity leading to stagnation within linear time. The «Russian» dystopia in Efremov’s novel is based on the ideas of communism impossible to implement. Chekhov’s short story «The Bet» is based on the traditions of «spiritual realism» and focuses the reader’s attention on the correlation of the secular and religious paths to the «perfect human being».

scholarly journals Realność artystyczna i koneksje literackie. Bruno Schulz w Umarłej klasie Tadeusza Kantora

2021 ◽  
pp. 279-299
Author(s):  
Katarzyna Flader-Rzeszowska
Keyword(s):  
Short Story ◽  
Young Age ◽  
Specific Work ◽  
Old People ◽  
The Dead ◽  
Bruno Schulz ◽  
The Way

The inspiration that Tadeusz Kantor drew from the works by Schulz can be seen in many of his theatre performances. Like he did with Gombrowicz, Kantor never used one specific work to be staged in his theatre. The Dead Class is a piece where one can find influences by Witkacy, Gombrowicz and Schulz – probably the three most important writers for Kantor. In this article, I discuss the way Schulz, with his short story A Pensioner, is handled in the ‘Cricot 2’ performance. Even though many studies concerning this performance have been written and the connections between Kantor and Schulz seem to have been covered, I have not found any study of Dead Class which would indicate any specific references to A Pensioner. In the bruno schulz w umarłej klasie tadeusza kantora article, the following questions are explored: Can Schulz’s protagonist be recognized in the senile, childlike old people from Dead Class? Which passages of the short story were used by Kantor? How differently is the notion of death treated in the short story and in the performance? And finally, why – having been so fascinated with The Cinnamon Shops at a young age – did Kantor come back to Bruno Schulz’s writings only as a mature artist? In the article, I also discuss the strategies utilized by Kantor to adapt the non-theatrical prose for the stage.

Edith Stein (1891–1942)

2021 ◽  
pp. 241-272
Keyword(s):  
Edmund Husserl ◽  
The Other ◽  
Human Being ◽  
Edith Stein ◽  
Embodied Mind ◽  
Human Embodiment ◽  
The Way

In this chapter, Edith Stein offers an analysis of empathy with others, which she sees as a fundamental trait of the human being. In her view, empathy is a condition of possibility for sociality and sympathy, rather than the other way around. She grounds empathy in human embodiment, more precisely in the way in which the human being is embodied mind and minded body. Stein’s work on empathy represents a pathbreaking contribution to phenomenology and shows how she makes active use of and goes beyond the works of Edmund Husserl, Alexander Pfänder, and others.

Civilization

2006 ◽  
Vol 23 (2-3) ◽  
pp. 421-427 ◽  
Author(s):  
Roland Robertson
Keyword(s):  
The Other ◽  
Human Being ◽  
Clash Of Civilizations ◽  
Clear Cut ◽  
Civilizing Process ◽  
The People ◽  
Norbert Elias ◽  
The One ◽  
Different Cultures ◽  
The Way

It is necessary to distinguish between civilization as a sociocultural complex on the one hand, and civilization as a process, on the other. This is illustrated by invoking the work of Norbert Elias. For Elias, the civilizing process consisted in the way in which what were, historically, constraints on human behaviour became internalized, and is a process that takes different forms in different cultures. On the other hand, at the centre of civilization as sociocultural complex was the question concerning the attributes of a human being, crystallizing as clear-cut criteria for adjudging the degree to which the people occupying a particular territory were or were not civilized. The conception of civilization as a complex has become contemporary via Huntington's ‘clash of civilizations’ thesis, and is indicative of the way in which the very word ‘civilization’ now carries with it a considerable ideological baggage. This article argues that the ideological use of civilization and the wider discourse of the war against terror involves the fusion, or conflation, of civilization as process and civilization as complex.

scholarly journals Discourse of the Other in Agatha Christie’s An Autobiography

2020 ◽  
Vol 98 (14f) ◽  
pp. 142-153
Author(s):  
F. J. R. Ramazan
Keyword(s):  
Positive Feedback ◽  
Young Age ◽  
Young Girl ◽  
The Other ◽  
Cultural Norms ◽  
Not Given ◽  
Authority Figures ◽  
Personal Experiences ◽  
Societal Expectations ◽  
Math Problems

The paper discusses Jacques Lacan’s discourse of the other, relevant to the authority of societal influence and the creation of a person’s ego and alter egos. Inthis theory Lacan refers to the little others (i. e. the ego and alter egos) and the big Others (i. e. points of authority, societal expectations, and cultural norms). Studying one’s psychological makeup and development is a process that can be quite invasive and lengthy. However, there is a genre of literature that focuses directly on authors’ personal and introspective views of their own lives. Autobiographies are books in which authors write about their own personal experiences. They can include information about a person’s childhood, their upbringing, the beginning of their career path, or any other life periods they deem notable enough. Thus the paper will look at Agatha Christie’s autobiography from the perspective of Lacanian ideas. Christie’s childhood is an exceptional example of how Lacan’s theories explain children’s desires and how they are shaped by the environment and authority figures around them. Christie would not have begun reading books well before her mother wanted her to if Nursie had not begun reading her stories. Likewise, she probably would not have been interested in doing math problems atsuch a young age if her wealthy father had not given her such positive feedback over her desire to learn academics as a young girl. The developments of Christie are unique to her own environment and situation; and there are many other people who have developed in other ways due to the authority figures around them. In the future, Lacan scholars may want to look at more autobiographies to see if the discourse of the Other presents itself.

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