scholarly journals C. G. Jung on religion

Author(s):  
Punita Miranda

This paper considers Jung’s lifelong engagement with the phenomenon of religion. More specifically, it examines the development of his theories in relation to the stages of his life and how religion gradually assumed a definite place in his theory and practice; moving over from psychiatry through psychoanalysis and typology to the theory of archetypes, and finally to the psychology of religious motifs. From the years spent composing his Red Book, Jung struggled to understand the psychological and historical effects of Christianity. The older he got, the more he felt a powerful sense that it was his task to treat the spiritual and religious ills of his patients. His whole oeuvre can be understood as an attempt to grasp the future religious development of the West, in the conviction that religion was necessary for the spiritual evolution of mankind. A strong example of Jung’s influence in the second half of the twentieth century was his promotion of one of the most dynamic and innovative discourses on religion, the annual Eranos Conferences, which became one of the most important forums of dissemination of his religious ideas to a broader public. In the course of his research he actively cultivated dialogue with theologians and historians of religion, and everything he published had to do with religion to a greater or lesser degree.

Author(s):  
Hans-Martin Sass

Ludwig Feuerbach, one of the critical Young Hegelian intellectuals of the nineteenth century, has become famous for his radical critique of religious belief. In Das Wesen des Christentums (Essence of Christianity) (1841) he develops the idea that God does not exist in reality but as a human projection only, and that the Christian principles of love and solidarity should be applied directly to fellow humans rather than being regarded as an indirect reflection of God’s love. In religion, the believer ‘projects his being into objectivity, and then again makes himself an object of an object, another being than himself’. Religious orientation is an illusion and is unhealthy, as it deprives and alienates the believer from true autonomy, virtue and community, ‘for even love, in itself the deepest, truest emotion, becomes by means of religiousness merely ostensible, illusory, since religious love gives itself to man only for God’s sake, so that it is given only in appearance to man, but in reality to God’ (Feuerbach 1841: 44, 48). In Grundsätze der Philosophie der Zukunft (Principles of the Philosophy of the Future) (1843) he extends his criticism to all forms of metaphysics and religion: ‘True Dialectics is not the Monologue of the sole Thinker, rather the Dialogue between I and Thou’, he writes in paragraph 62 (1846–66 II: 345), criticizing in particular his former teacher Hegel. The philosophy of the future has to be both sensual and communal, equally based on theory and practice and among individuals. In an anonymous encyclopedia article (1847) he defines his position: ‘the principle from which Feuerbach derives everything and towards which he targets everything is "the human being on the ground and foundation of nature"’, a principle which ‘bases truth on sensuous experience and thus replaces previous particular and abstract philosophical and religious principles’ (1964– III: 331). Feuerbach’s sensualism and communalism had great influence on the young Karl Marx’s development of an anthropological humanism, and on his contemporaries in providing a cultural and moral system of reference for humanism outside of religious orientation and rationalistic psychology. In the twentieth century, Feuerbach influenced existential theology (Martin Buber, Karl Barth) as well as existentialist and phenomenological thought.


On Hospitals ◽  
2020 ◽  
pp. 3-30
Author(s):  
Sethina Watson

This chapter redefines the problem of hospitals in the medieval church. It surveys the spread of welfare foundations to the West and, especially, the intensive foundation of welfare houses, in many forms, during the ‘charitable revolution’ of the twelfth and thirteenth centuries. This messy picture of hospitals on the ground, ‘between church and world’, has never conformed to the legal model that historians have long held for hospitals, as ecclesiastical houses under the bishop (a model that rests fundamentally on the sixth-century laws of Justinian, the East Roman/Byzantine Emperor). This gap between the ‘theory’ and ‘practice’ of hospitals, so familiar in scholarship, has long been attributed to lax enforcement—and a general lack of concern—by bishops, popes, and canonists. This chapter redefines the problem as the model itself, which was established by early twentieth-century historians. It unpicks this model, identifying the national agendas that produced it and the frameworks that have continued to shape the field. It argues for canon law as a European question and for the place of welfare at the heart of medieval Christianity. The overall approach and structure of the book is then introduced.


1996 ◽  
Vol 13 (2) ◽  
pp. 271-275
Author(s):  
M. Ehsan Ahrari

As Boris Yeltsin's ruthless suppression of Chechnya's struggle forindependence becomes one more item in a series of turbulent and bloodyevents involving Russia and some of the republics of the former Sovietunion and the former Yugoslavia, Ahmad Rashid's The Resurgence ofCentral Asia: Islam or Nationalism grows in significance for students ofthat region. The author is a Pakistani journalist with a vast knowledge ofthe area. He has utilized effectively his many travels to the region in developingan authoritative history of Central Asia.Rashid shifts gears back and forth in history quite effectively in thisstudy to make his points. For instance, in the first chapter he notes that"much of the world's ancient history originated in Central Asia, for it wasthe birthplace of the great warrior tribes that conquered Russia, India, andChina" (p. 8). Also note his following observation: "Central Asia hasalways been different At the heart of Central Asia is not the story of princesand their courts, but the story of the nomad and his horse" (p. 9). In thesame chapter, he quotes a Turkoman foreign ministry official's concern,expressed to him in the aftermath of the Soviet Union's implosion to theeffect that "the future is extremely bleak. The West will help Russia andother Slav republics to survive, but who will help us?" (p. 4). This book isreplete with such examples. The first chapter contains a condensed versionof the " great game" between the two colonial powers of the eighteenth andnineteenth centuries: Russia and Britain.Russia underwent two major revolutions in the twentieth century: onein 1917 and the second in 1991. The first revolution, bloody as it was, ...


2017 ◽  
Vol 68 (1) ◽  
pp. 108-112
Author(s):  
P. G. MAXWELL-STUART

Collected essays are a popular and useful way of throwing light on their proclaimed subject matter or period, and of bringing recent research to a more general audience. They are, of course, inevitably limited in their scope, although this does not necessarily imply that they are at all parochial. ‘Europe’ is a frequent and obvious geographical limitation imposed upon matter dealing with magic and witchcraft, and ‘early modern’ a common chronological set of termini. Thus, the recent Oxford handbook of witchcraft (2013) declares itself confined – a very broad confinement – to early modern Europe and Colonial America. Bengt Ankarloo and Stuart Clark's earlier Athlone history of witchcraft and magic in Europe (1999–2002) again takes Europe as its principal theatre, although its spread over six volumes allows the editors to begin with the ancient Middle East and extend chronologically to the twentieth century. By adding ‘in the West’ to the title of his collection, Collins therefore appears to be confining himself geographically (although ‘the West’ is remarkably large), while ‘from antiquity to the present’ extends to his contributors a brave allowance of time in a single volume. This volume, then, more or less follows an established pattern for this kind of scholarly work. How far does it succeed in matching the endeavours and achievements of its predecessors?


2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.


This book is devoted to the life and academic legacy of Mustafa Badawi who transformed the study of modern Arabic literature in the second half of the twentieth century. Prior to the 1960s the study of Arabic literature, both classical and modern, had barely been emancipated from the academic approaches of orientalism. The appointment of Badawi as Oxford University's first lecturer in modern Arabic literature changed the face of this subject as Badawi showed, through his teaching and research, that Arabic literature was making vibrant contributions to global culture and thought. Part biography, part collection of critical essays, this book celebrates Badawi's immense contribution to the field and explores his role as a public intellectual in the Arab world and the west.


Author(s):  
VICTOR BURLACHUK

At the end of the twentieth century, questions of a secondary nature suddenly became topical: what do we remember and who owns the memory? Memory as one of the mental characteristics of an individual’s activity is complemented by the concept of collective memory, which requires a different method of analysis than the activity of a separate individual. In the 1970s, a situation arose that gave rise to the so-called "historical politics" or "memory politics." If philosophical studies of memory problems of the 30’s and 40’s of the twentieth century were focused mainly on the peculiarities of perception of the past in the individual and collective consciousness and did not go beyond scientific discussions, then half a century later the situation has changed dramatically. The problem of memory has found its political sound: historians and sociologists, politicians and representatives of the media have entered the discourse on memory. Modern society, including all social, ethnic and family groups, has undergone a profound change in the traditional attitude towards the past, which has been associated with changes in the structure of government. In connection with the discrediting of the Soviet Union, the rapid decline of the Communist Party and its ideology, there was a collapse of Marxism, which provided for a certain model of time and history. The end of the revolutionary idea, a powerful vector that indicated the direction of historical time into the future, inevitably led to a rapid change in perception of the past. Three models of the future, which, according to Pierre Nora, defined the face of the past (the future as a restoration of the past, the future as progress and the future as a revolution) that existed until recently, have now lost their relevance. Today, absolute uncertainty hangs over the future. The inability to predict the future poses certain challenges to the present. The end of any teleology of history imposes on the present a debt of memory. Features of the life of memory, the specifics of its state and functioning directly affect the state of identity, both personal and collective. Distortion of memory, its incorrect work, and its ideological manipulation can give rise to an identity crisis. The memorial phenomenon is a certain political resource in a situation of severe socio-political breaks and changes. In the conditions of the economic crisis and in the absence of a real and clear program for future development, the state often seeks to turn memory into the main element of national consolidation.


2005 ◽  
Vol 55 (2) ◽  
pp. 223-234
Author(s):  
Edin Mujagic ◽  
Dóra Győrffy ◽  
László Jankovics

EMU Enlargement to the East and the West CEPR/ESI Conference. Report of the 8th annual conference of the Centre for Economic Policy Research (CEPR) and the European Summer Institute (ESI) held in September 2004 in Budapest, Hungary. (Conference report by Edin Mujagic); Dilemmas around the future enlargement of the EU-EACES Conference. The European Association for Comparative Economic Studies (EACES) held its 8th biannual conference at the Faculty of Economics in Belgrade on September 23-25, 2004. (Conference report by Dóra Gyõrffy and László Jankovics)


2018 ◽  
Vol 56 (1) ◽  
pp. 13-23
Author(s):  
Nela Štorková

While today the Ethnographic Museum of the Pilsen Region represents just one of the departments of the Museum of West Bohemia in Pilsen, at the beginning of the twentieth century, in 1915, it emerged as an independent institution devoted to a study of life in the Pilsen region. Ladislav Lábek, the founder and long-time director, bears the greatest credit for this museum. This study presents PhDr. Marie Ulčová, who joined the museum shortly after the Second World War and in 1963 replaced Mr. Lábek on his imaginary throne. The main objective of this article is to introduce the personality of Marie Ulčová and to evaluate the activity of this Pilsen ethnographer and the museum employee with an emphasis on her work in the Ethnographic Museum of the Pilsen Region. The basic aspects of the ethnographic activities, not only of Marie Ulčová but also of the Ethnographic Museum of the Pilsen Region in the years 1963–1988, are described through her professional and popularising articles, archival sources and contemporary periodicals.


2013 ◽  
Vol 54 (1) ◽  
pp. 35-47
Author(s):  
Jerzy Święch

Summary Adam Ważyk’s last volume of poems Zdarzenia (Events) (1977) can be read as a resume of the an avant-garde artist’s life that culminated in the discovery of a new truth about the human condition. The poems reveal his longing for a belief that human life, the mystery of life and death, makes sense, ie. that one’s existence is subject to the rule of some overarching necessity, opened onto the last things, rather than a plaything of chance. That entails a rejection of the idea of man’s self-sufficiency as an illusion, even though that kind of individual sovereignty was the cornerstone of modernist art. The art of late modernity, it may be noted, was already increasingly aware of the dangers of putting man’s ‘ontological security’ at risk. Ważyk’s last volume exemplifies this tendency although its poems appear to remain within the confines of a Cubist poetics which he himself helped to establish. In fact, however, as our readings of the key poems from Events make clear, he employs his accustomed techniques for a new purpose. The shift of perspective can be described as ‘metaphysical’, not in any strict sense of the word, but rather as a shorthand indicator of the general mood of these poems, filled with events which seem to trap the characters into a supernatural order of things. The author sees that much, even though he does not look with the eye of a man of faith. It may be just a game - and Ważyk was always fond of playing games - but in this one the stakes are higher than ever. Ultimately, this game is about salvation. Ważyk is drawn into it by a longing for the wholeness of things and a dissatisfaction with all forms of mediation, including the Cubist games of deformation and fragmentation of the object. It seems that the key to Ważyk’s late phase is to be found in his disillusionment with the twentieth-century avant-gardes. Especially the poems of Events contain enough clues to suggest that the promise of Cubism and surrealism - which he sought to fuse in his poetic theory and practice - was short-lived and hollow.


Sign in / Sign up

Export Citation Format

Share Document