scholarly journals Analisis Wacana Kritis Komentar Seksual dalam Media Sosial Twitter Laki-Laki Berekspresi Gender Feminin

2021 ◽  
Vol 2 (2) ◽  
pp. 117-126
Author(s):  
Nara Garini Ayuningrum

Pandemi COVID-19 memaksa masyarakat untuk mengisolasi diri mereka masing-masing demi mencegah penyebaran virus. Hal ini meningkatkan aktivitas daring para individu demi memenuhi segala kebutuhan dan kewajiban. Tidak hanya aplikasi berbasis jasa yang mengalami peningkatan aktivitas pengguna, tetapi juga aplikasi media sosial, salah satunya adalah Twitter. Dengan berbagai fitur yang ditawarkan, Twitter tidak hanya mempermudah individu untuk berkomunikasi dengan orang-orang yang dikenalnya, tetapi juga membuka peluang untuk berinteraksi dengan pengguna lain tanpa adanya batasan. Twitter memungkinkan penggunanya untuk mengunggah swafoto dan membiarkan pengguna lain untuk mengomentari swafoto/unggahan tersebut. Dalam penelitian ini, penulis akan menganalisis komentar-komentar bernada seksual yang ada pada swafoto akun @dododid_ selama periode tahun 2020. Dengan menggunakan metode analisis wacana kritis Norman Fairclough, peneliti menemukan 3 wacana besar terkait swafoto laki-laki berekspresi gender feminin, yaitu wacana cantik = perempuan, wacana objektifikasi dan stigma dan stereotipe. Melalui penelitian ini penulis juga menemukan bahwa kekerasan  gender berbasis online bisa dialami oleh siapa saja dalam bentuk yang bermacam-macam. === The COVID-19 forces people to isolate themselves to prevent the spread of the virus. COVID-19 increases the online activities of individuals to meet all their needs and obligations. Not only service-based applications that increased user activity, but also social media applications, which is Twitter. With the various features that Twitter offers, it not only makes it easier for individuals to communicate with people they know, but also opens up opportunities to interact with other users without any restrictions. Twitter allows its users to upload selfies and allows other users to comment on those selfies/uploads. In this research, authors analyzed sexually comments on @dododid_ selfies during the 2020 period. Using Norman Fairclough's critical discourse analysis method, authors found 3 major discourses related to selfies of men with feminine gender expression, that are beautiful discourse = women, objectification discourse and stigma and stereotypes. Through this study the author also found that online-based gender violence can be experienced by anyone in various forms.

2021 ◽  
Vol 2 (2) ◽  
pp. 127-138
Author(s):  
Rafif Pamenang Imawan

Kajian ini akan mengeksplorasi kekerasan berbasis gender dengan mengeksplorasi pengaturan data pribadi dan solusi dominasi patriarki dalam masalah media online. Dengan menggunakan tinjauan pustaka sistematis, tujuan dari penelitian ini adalah memberikan peta kompleksitas dalam masalah pemanfaatan media sosial online. Harapan dari penelitian ini adalah dapat memberikan informasi kepada pembaca tentang masalah hakikat kekerasan berbasis gender online dengan memberikan peta permasalahan sosial di Indonesia. Selain itu, secara akademis, tulisan ini akan mengeksplorasi teori postmodernisme tentang gender, ruang media sosial dan online serta masalah pola pikir struktural terkait kekerasan berbasis gender. Dalam ranah yang lebih praktis, tulisan ini akan memberikan landasan dasar bagi para pemangku kepentingan untuk merumuskan kebijakan terkait kekerasan berbasis gender secara online. === The COVID-19 forces people to isolate themselves to prevent the spread of the virus. COVID-19 increases the online activities of individuals to meet all their needs and obligations. Not only service-based applications that increased user activity, but also social media applications, which is Twitter. With the various features that Twitter offers, it not only makes it easier for individuals to communicate with people they know, but also opens up opportunities to interact with other users without any restrictions. Twitter allows its users to upload selfies and allows other users to comment on those selfies/uploads. In this research, authors analyzed sexually comments on @dododid_ selfies during the 2020 period. Using Norman Fairclough's critical discourse analysis method, authors found 3 major discourses related to selfies of men with feminine gender expression, that are beautiful discourse = women, objectification discourse and stigma and stereotypes. Through this study the author also found that online-based gender violence can be experienced by anyone in various forms.


2015 ◽  
Vol 2 (2) ◽  
pp. 153-166
Author(s):  
Elvi Susanti

Abstract This research is linked with Twitter, as one of social media services on the Internet that are extremely popular in the world, including in Indonesia. This research is important because Twitter is effective in quickly and accurately delivering messages. In fact, everyone can act as a 'reporter' and form quick opinions through this social media. This research is aimed to investigate the emergence of the roots of hegemony based on text analysis that is linked with representation, relation, identity, and transformation of national issues that become trending topics on Twitter. Moreover, the research is to discuss the social media's discourse practice that influences media workers in producing news, and to see how it implicates the research on the study of discourse analysis. By using the Fairclough theory, especially on text analysis that is linked with representation, relation, and identity, the researcher attempts to explore how the roots of hegemony emerge in the national issues that become trending topics on Twitter. The researcher also offers a new function to complete the approach of Fairclough in text analysis on social media: transformation – which is an attempt to see the change in roles of news participants and amateur readers as 'reporters' and participate in forming opinions. Abstrak Penelitian ini berhubungan dengan twitter, sebagai salah satu media sosial di internet yang sangat populer di dunia, termasuk di indonesia. Penelitian ini penting karena twitter efektif dalam menyampaikan pesan dengan cepat dan akurat. Faktanya, semua orang dapat bertindak sebagai "reporter" dan membuat opini yang cepat melalui sosial media tersebut. Penelitian ini bertujuan untuk menyelidiki kemunculan dari akar hagemoni berdasarkan analisis teks yang berhubungan dengan representasi, hubungan, identitas, dan transformasi isu-isu nasional yang menjadi topik yang sedang tren di twitter. Selain itu, penelitian ini juga untuk mendiskusikan praktik wacana media sosial  yang mempengaruhi pekerja media dalam membuat berita, dan untuk melihat bagaimana hal tersebut melibatkan penelitian dalam studi analisis wacana. Dengan menggunakan teori Fairclough, khususnya pada analisis teks yang berhubungan dengan penafsiran, hubungan, identitas, peneliti berupaya untuk menyelidiki bagaimana akar hegemoni muncul yang menjadi topik tren di twitter. Peneliti juga menawarkan sebuah fungsi baru untuk melengkapi pendekatan Fairlclough dalam analisis teks pada sosial media: transformasi - yang merupakan usaha untuk melihat perubahan peran pembuat berita dan pembaca awam sebagai 'reporter' dan berpartisipasi dalam membentuk opini. How to Cite : Susanti, E. (2015). Hegemony of The Social Media Twitter About National Issues in Indonesia and Its Implications to the Discourse Analysis Subject in Colleges. TARBIYA: Journal Of Education In Muslim Society, 2(2), 153-166. doi:10.15408/tjems.v2i2.3180. Permalink/DOI: http://dx.doi.org/10.15408/tjems.v2i2.3180


2020 ◽  
Vol 9 (2) ◽  
pp. 101-126
Author(s):  
Stephen Turton

Abstract This paper furthers the goal of “queering lexicography” (Nossem 2018) by proposing a theoretical approach to analysing dictionary definitions that replaces the traditional descriptive/prescriptive binary with a model of normativity influenced by performativity theory. This is demonstrated by a critical discourse analysis of how entries for lesbian, gay, and homosexual in four contemporary English dictionaries tacitly position homosexual as a neutral term against which lesbian and gay are sociolinguistically marked. The paper also stresses the need for researchers not only to analyse how normativity is embedded in dictionaries, but to recognize the extent to which lay dictionary-users are already aware of the normative potential of lexicography, whether they embrace it or condemn it. This is explored through an incident in which Merriam-Webster’s addition of the word genderqueer to its online dictionary in 2016 became the subject of public scrutiny and contestation on social media.


2016 ◽  
Vol 4 (2) ◽  
Author(s):  
Dewi Yana

This study aims at describing the text analysis, social cognition, social context, and ideology of sindo newspaper of  Wednesday December 11th 2013 edition.. This study uses Critical Discourse Analysis method  with  a Teun A Van Dijk  approach model.  The data were in the form of news entitled “Putusan Luthfi Hasan Diharapkan Jadi Efek Jera”. The data were analyzed with integrating the third dimension of Teun A Van Djik Discoure model in the unity analysis, they were text, social cognition, and social context. The results found that the Sindo Newspaper supported the work of the Corruption Eradication Commission (KPK) and the presiding judge of Corruption Court (Tipikor). The news in the edition of Wednesday, December 11th, 2013 “the  ideology of Sindo Newspaper practically used  to build the image of KPK and TIPIKOR to be more better in the society.


2016 ◽  
Vol 25 (3) ◽  
Author(s):  
L P Siziba ◽  
F Wood

Social media has transformed into a space of contest for identity, language and culture. In an attempt to reclaim, redefine and restore their distorted identity, the Ndebele people have taken to the use of social media as a forum to fulfil their quest. Unlike most cultures and identities the concept of Ndebeleness is a fluid ideology, because the concept of Nationalism in this culture involved a unification of various identities which in itself caused an identity divide in the Ndebele ideology. More recently the identity debates are centered on the concept of ‘who is Ndebele and who is an outsider?’ This article reflects on and discusses key ideas and cross-cutting themes around the evolution of ‘cultures’, discursive practices and other ‘language forms’ in Zimbabwe that have in recent years played a significant role in shaping ideas about Ndebele identity and the other. The research analyses these concepts using facets of critical discourse analysis as well as Primordial and Constructivist theories of identity. The article uses data collected from various social media forums for analysis purposes.


2020 ◽  
Vol 8 (1) ◽  
pp. 51
Author(s):  
Titin Purwaningtyas

The textbook plays an essential role for students in the teaching and learning process. Imagery, combined with texts in the textbook, makes subjects easy to understand. Images are generally used to convey things we can't tell in the text. Visual images help students make sense of output and input around them. This study investigates the representation of the visual image in the EFL textbook proposed by using a multimodal discourse analysis method. The researcher used the framework from Kress van Leeuwen. Information from all visual images consist of 158 images in the Indonesian EFL textbook is collected as the data in this study. The results showed that females (70%) portions were more commonly portrayed than males ( 30%). In terms of social roles, females have the same proportion of occupations as males. In terms of image appearance, the foreign and Indonesian cultures portrayed to show the tolerance culture. This study aims to explore the meaning of the integrated use of semiotic resources, such as visual image representation in the textbook. The researcher expected students and teachers as textbook users could increase their understanding with the subject of teaching and learning by interpreting the visual images effectively. This study recommends to the textbook user that visual images appearances can strengthen the text or written material in the textbook. Also, it suggests textbook publishers be more concerned and synchronize between the written content and the visual representation portrayed not to occur misinterpretation among the textbook users.


2020 ◽  
Vol 202 ◽  
pp. 07037
Author(s):  
M Muzakka ◽  
Suyanto ◽  
Mujid Farihul Amin

This study aims to: (1) describe and explain the knowledge and beliefs of the target study communities of Covid 19 and the corpse of victims of Covid 19 and (2) explains the sociocultural factors that influence the attitudes and behavior of the community regarding Covid 19 and the rejection of the funeral of Covid 19 victims. This study uses the Fairclough model of critical discourse analysis approach with a focus on social practices of the Sewakul community, Semarang District, represented in various mass media and social media. The formal object of this study is the discourse on social media detiknews.com, republika.co.id, and solopost.com and its formal object is the rejection of the funeral of a corpse of Covid 19 victims by the Sewakul community. Data collection uses the method of listening and note taking and in-depth interviews. Data analysis through three stages, namely data reduction, data display, conclusion / verification. The results of the study show that the people of Sewakul generally have undue (low) knowledge of the Covid 19 pandemic and its victims and loss of humanity. The sociocultural factors among the Sewakul people prioritize paternalistic, shyness, and blind social solidarity.


2019 ◽  
Vol 13 (1) ◽  
Author(s):  
Liony Gita ◽  
Cosmas Gatot Haryono

<p>ABSTRACT<br />This study discusses the discourse contained in the Kimi Hime youtube upload which is quite controversial because it is considered too sensual. This research is a research with a critical paradigm which analyzes the Norman Fairclough critical discourse analysis and uses the content commodification theory proposed by Vincent Mosco. The results of this study indicate that the YouTube show made by Kimi Hime is basically a commodification of sensuality by producing the title and content of the show, including reproducing sensual words and sentences that can arouse male biological desires to attract many viewers and visitors from the social media channel Kimi Hime.<br />Keywords: Critical Discourse Analysis, Commodification, Sensuality</p><p> </p><p>ABSTRAK<br />Penelitian ini membahas mengenai wacana yang terkandung dalam unggahan youtube Kimi Hime yang cukup kontroversial karena dianggap terlalu sensual. Penelitian ini merupakan penelitian dengan paradigma kritis yang melakukan analisis dengan menggunakan analisis wacana kritis Norman Fairclough dan menggunakan teori komodifikasi konten yang dikemukanan oleh Vincent Mosco. Hasil dari penelitian ini menunjukkan bahwa tayangan youtube yang dibuat Kimi Hime pada dasarnya merupakan suatu komodifikasi terhadap sensualitas yang dilakukan dengan memproduksi judul dan isi tayangan, termasuk di dalamnya mereproduksi kata dan kalimat yang bersifat sensual serta bisa mengguah hasrat biologis lelaki demi menarik banyak penonton dan pengunjung dari kanal media sosial Kimi Hime.<br />Kata Kunci: Analisis Wacana Kritis, Komodifikasi, Sensualitas</p>


2018 ◽  
Vol 21 (6) ◽  
pp. 1290-1310 ◽  
Author(s):  
Kaitlynn Mendes ◽  
Jessalynn Keller ◽  
Jessica Ringrose

In this article, we argue that social media platforms like Tumblr and Twitter have facilitated an emergence of “digitized narratives” of sexual violence. These narratives are rooted in historical ways in which feminists have discursively articulated sexual violence, yet are shaped by distinctive “platform vernacular” or the conventions, affordances, and restrictions of the platforms in which they appear. Drawing on a qualitative content and critical discourse analysis of 450 texts from the Tumblr site Who Needs Feminism? and the hashtag #BeenRapedNeverReported, we argue that digital platforms such as Tumblr and Twitter produce new vernacular practices which shape how “digitized narratives” of sexual violence are not only disclosed and known, but felt and experienced across digital networks.


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