scholarly journals POST-9/11 TRAUMATIC PARANOIA AS REFLECTED IN DON DELILLO’S FALLING MAN

2020 ◽  
Vol 6 (2) ◽  
pp. 72
Author(s):  
Siti Kurniati Rasad ◽  
Achmad Munjid
Keyword(s):  
American Exceptionalism ◽  
Traumatic Memory ◽  
The Novel ◽  
Collective Trauma ◽  
External Threats ◽  
Memory And Trauma ◽  
Collective Experience ◽  
Post Traumatic ◽  
Falling Man ◽  
American Society

This article investigates how the trauma of 9/11 tragedy affects the lives of the characters in DeLillo’s Falling Man and shows how the trauma of 9/11 portrayed in the novel reflects American collective trauma. This investigation is qualitative research utilizing memory and trauma as the theoretical framework. The discussion in this article reveals that individual experience the trauma of 9/11 tragedy differs from one person to another. While other characters go through their mourning successfully, the main character in the novel becomes a perennial mourner and is ceaselessly haunted by his traumatic memory due to constant avoidance from his trauma. His continuous externalization of his trauma causes him to focus on the external threats and becomes a paranoiac. On a societal level, American society is also perpetually mourning and is haunted by post-traumatic paranoia continuously. American exceptionalism, biased orientalist perspective about the orient, and alleged prolonged quasi war between Islam and the west have framed the collective experience of the trauma in binary opposite narrative of a good versus evil war. The collective trauma perpetuates and many policies are born out of their paranoia.Keywords: 9/11 tragedy; memory; mourning; post-traumatic paranoia; trauma

scholarly journals The Peculiarities of Chronotope in Don DeLillo’s Novel “Falling Man”

2012 ◽  
Vol 8 (1-2 (10)) ◽  
pp. 131-137
Author(s):  
Ella Asatryan
Keyword(s):  
Don Delillo ◽  
The Novel ◽  
Time And Space ◽  
American Writer ◽  
The World ◽  
Tragic Event ◽  
Falling Man ◽  
American Society ◽  
Qualitative Changes

The article analyses the Falling Man by famous American writer Don DeLillo. The novel reflects the American society after the terrorist act 9/11 in 2001 not excluding the possibility of the repetition of the tragic event in any other place at any other time. The 9/11 divided the world into two parts – Before 9/11 and After 9/11. The novel rests on this division and makes it possible to consider the qualitative changes between the notions of time and space and confirms the unity of all time and space dimensions.

scholarly journals The language image of the world in «The Grain Store» by Natalia Vorozhbyt

2020 ◽  
Vol 13 (22) ◽  
pp. 16-25
Author(s):  
Viktoriya Durkalevych ◽  
Keyword(s):  
Collective Identity ◽  
Communication Model ◽  
Traumatic Memory ◽  
The World ◽  
Unique Identity ◽  
Collective Experience ◽  
Post Traumatic ◽  
New Drama ◽  
Destructive Processes ◽  
Community Space

The article deals with the language image of the world in «The Grain Store» by N. Vorozhbyt. The author uses the method of cognitive definition which gives the possibility to reconstruct collective and individual ways of language conceptualization of reality with an appropriate set of categorical, evaluative and typological characteristics. The research has been carried out according to the program of minimal analysis of the language image of the world which includes six aspects of profiling in accordance with the basic communication model, taking into account language profiling of concepts in artistic texts. The program of minimal analysis of the language image of the world includes several items: way of determining collective identity; way of perception and linguistic recognition of others; ways of conceptualizing of space and «own» place in the world; ways of conceptualizing of community space; values functioning in «our world»; types of expression varied according to style and genre criteria. «The Grain Store» is classified by the researcher as the artistic work connected with «new writing» or «new drama» literary movement. The texts created in the convention of «new drama» are characterized by deep social, cultural and mental engagement, cope with complex individual and collective experience, use the strategy of deconstruction in order to redraft the established ideological schemes and update the appropriate system of values. The text by N. Vorozhbyt copes with the complex theme of the Holodomor. The issue of creating human and society identity is in the focus of playwright's attention burdened with traumatic memory and traumatic generation's experience. «The Grain Store» has demonstrated that for the art, which deals with the problems of multidimensional and multifaceted intertwining between narrative, memory and identity, the theme of the Holodomor ceases to be just a historical and factual phenomenon. Trying to understand the causes and circumstances that led to the tragedy of the Great Famine, encourage the playwright to seek deeper meaning, which are behind the factuality and topography, through the consistent updating of the anthropological, axiological and ontological perspectives. The reconstruction of the language image of the world in «The Grain Store» has demonstrated the ways of conceptualization of inevitable destructive processes related to the destruction of the unique identity of the traditional Ukrainian village as well as the consequences of these processes for the functioning of a modern post-traumatic society.

scholarly journals Trauma and Post-Traumatic Stress Disorder in Don Delillo's Falling Man

2015 ◽  
Vol 54 ◽  
pp. 1-7
Author(s):  
Hazim Adnan Hashim ◽  
Ruzbeh Babaee
Keyword(s):  
Post Traumatic Stress Disorder ◽  
Traumatic Stress ◽  
Stress Disorder ◽  
Traumatic Experience ◽  
The Novel ◽  
Post Traumatic Stress ◽  
The North ◽  
Personal Level ◽  
Post Traumatic ◽  
Falling Man

This article looks at 9/11 trauma and Post-traumatic Stress Disorder in Don DeLillo’s Falling Man. This asserts that 9/11 has brought about not only political, social, economic and cultural consequences but also caused victims on the personal level. This paper demonstrates how Keith, the protagonist of the novel, has been affected by 9/11. In other words, this article examines Keith’s traumatic experience of witnessing his close friend’s death, the falling man, and escaping his own impending death in the north tower and how these horrible scenes affect Keith’s perception of self. Eventually, this article concludes that DeLillo's Falling Man presents the reality of what the survivors have experienced during and after the attacks, and the complication of trauma and PTSD that turns their world topsy-turvy.

Thermal Conductivity Performance Modeling and Characterization of a Novel Anisotropic Conductive Adhesive Used in Lead-Free Electronics Packaging

2012 ◽  
Author(s):  
Matthew J. Combs ◽  
S. Manian Ramkumar ◽  
Satish Kandlikar
Keyword(s):  
Thermal Conductivity ◽  
Base Material ◽  
Bond Line ◽  
Thermal Interface Material ◽  
The Novel ◽  
Conductive Adhesives ◽  
Curing Conditions ◽  
Bond Line Thickness ◽  
Significant Research ◽  
American Society

The continued desire to utilize an alternative to lead-based solder materials for electrical interconnections has led to significant research interest in Anisotropic Conductive Adhesives (ACAs). The use of ACAs in electrical connections creates bonds using a combination of metal particles and epoxies to replace solder. The novel ACA discussed in this paper allows for bonds to be created through aligning columns of conductive particles along the Z-axis. These columns are formed by the application of a magnetic field, during the curing process. The benefit of this novel ACA is that it does not require precise printing of the adhesive on pads and also enables the mass curing without creating shorts in the circuitry. This paper will present the findings of the thermal conductivity performance tests using the novel ACA and its applicability as a thermal interface material and for assembling bottom termination components, power devices, etc. The columns that act as electrical conduction paths also contribute towards the thermal conductivity. The thermal conductivity of the novel ACA was measured utilizing a system that is similar to that in ASTM (American Society of Testing Materials) D5470 standard. The goal was to examine the influence of Bond Line Thickness (BLT), particle loading densities, particle diameters and adhesive matrix curing conditions on the electrical and thermal performance of the novel ACA. This paper will also present a numerical model to describe the thermal behavior of the novel ACA. The novel ACA’s applicability for PCB-level assembly has also been successfully demonstrated by RIT, including base material characterization, effect of process parameters, failures, and long-term reliability. Reliability testing included the investigation of the assembly performance in temperature and humidity aging, thermal aging, air-to-air thermal cycling, and drop testing.

Like Daughter, Like Grandson: Queering Post-Traumatic Memory

2021 ◽  
pp. 175069802098201
Author(s):  
Golan Moskowitz
Keyword(s):  
Queer Theory ◽  
Queer Studies ◽  
Memory Studies ◽  
Trauma Theory ◽  
Traumatic Memory ◽  
Mother Child Relationships ◽  
Post Traumatic

Queer and trauma theory both concern internal experiences that challenge normative social frameworks. Considering the roles of queerness within trauma and memory studies opens interpretive pathways for otherwise discredited or inaccessible meanings. It also relates survivors’ receding knowledge to those currently “queered” or endangered. With a focus on childhood and mother-child relationships, this article maps intersections of memory studies, queer theory, and trauma theory, applying subsequent insights to an “autotheoretical” analysis of the author’s own transnational, post-Holocaust family across four generations. It explores the possibility through queer studies of excavating new post-traumatic meanings and relating those meanings to present contexts.

Re-membering Syria’s Traumatic Past: Gender, Poetics, and Loss in Manhal al-Sarrāj’s As a River Should

2021 ◽  
Vol 52 (1-2) ◽  
pp. 202-227
Author(s):  
Linda Istanbulli
Keyword(s):  
Armed Conflict ◽  
Armed Conflicts ◽  
Traumatic Memory ◽  
The Novel ◽  
Historical Interpretation ◽  
The Past ◽  
Traumatic History ◽  
History Of ◽  
And Gender ◽  
The City

Abstract In a system where the state maintains a monopoly over historical interpretation, aesthetic investigations of denied traumatic memory become a space where the past is confronted, articulated, and deemed usable both for understanding the present and imagining the future. This article focuses on Kamā yanbaghī li-nahr (As a river should) by Manhal al-Sarrāj, one of the first Syrian novels to openly break the silence on the “1982 Hama massacre.” Engaging the politics and poetics of trauma remembrance, al-Sarrāj places the traumatic history of the city of Hama within a longer tradition of loss and nostalgia, most notably the poetic genre of rithāʾ (elegy) and the subgenre of rithāʾ al-mudun (city elegy). In doing so, Kamā yanbaghī li-nahr functions as a literary counter-site to official histories of the events of 1982, where threatened memory can be preserved. By investigating the intricate relationship between armed conflict and gender, the novel mourns Hama’s loss while condemning the violence that engendered it. The novel also makes new historical interpretations possible by reproducing the intricate relationship between mourning, violence, and gender, dislocating the binary lines around which official narratives of armed conflicts are typically constructed.

scholarly journals Repercussions of Stereotyping and Cultural Bigotry in John Updike’s 9/11 Fiction

2021 ◽  
Vol 3 (1) ◽  
pp. 64-73
Author(s):  
Saleem Dhobi
Keyword(s):  
African Americans ◽  
Ethnic Groups ◽  
Social Exclusion ◽  
Western Culture ◽  
Cultural Integration ◽  
The Novel ◽  
Cultural Groups ◽  
Religious Minorities ◽  
The Us ◽  
American Society

This article analyzes Updike’s 9/11 novel, Terrorist to explore the implications of stereotyping and cultural bigotry in US society in the aftermath. The novelist demonstrates the problematic in the cultural integration of minorities particularly Muslims and Jews as represented by Ahmad and Jack Levy. The primary motto of the article is to analyze the novel from the perspective of the protagonists Ahmad and Jack who suffer the cultural and social exclusion in American society. Ahmad is the victim of cultural bigotry and Jack Levy faces discriminatory practices at school. The isolation and marginalization of Ahmad and Jack respectively imply the ethnic crevices prevalent in the US society. The author demonstrates that the dominant cultural groups: European and African Americans do not accept the religious minorities: Muslims and Jews. Consequently, Muslims who are overtly the targets of cultural hatred and marginalization in the aftermath of the 9/11 as portrayed in the novel become hostile toward the Western culture. The efforts for integration of religious minorities are cosmetic as exemplified in the cases of Ahmad and Jack in the text. The writer makes a balance in representing both dominant and Muslim cultures to demonstrate the problems pertaining to ethnic groups at their failure in accommodating differences. The cultural separation and hatred prevalent in US society become obstacles even for those like Jack who seek to integrate. The paper eventually demonstrates the possibility of integration of religious minorities when both mainstream Americans and people of religious minorities conform to accepting the differences.

scholarly journals STATE OF EXCEPTION THROUGH RASISME IN GO SET A WATCHMAN IN AGAMBEN’S POLITICAL PHILOSOPHY

2021 ◽  
Vol 20 (2) ◽  
pp. 123-134
Author(s):  
Damay Rahmawati ◽  
Ramadhani Ardianto Karsa Sunaryono ◽  
Mira Utami
Keyword(s):  
Political Philosophy ◽  
Racial Discrimination ◽  
Black People ◽  
Lower Class ◽  
State Of Exception ◽  
The Novel ◽  
Citizenship Rights ◽  
American Society ◽  
The Impact ◽  
Harper Lee

This study aims to see racism in the novel Go Set a Watchman by Harper Lee as state of exception; a political philosophy of Agamben. Agamben's idea of ​​state of exception is used in this study as the theoretical framework. This research specifically reveals how racism becomes part of state of exception in American society around 1960s when the novel was written. The analysis focuses on issues of racism in American society as depicted in the novel. The issue of racism is taken with the aim of analyzing state of exception in USA, in dealing with racial discrimination. After analyzing the issues of racism and state of exception in the novel, this study reveals that racism in American society is politically structured. The finding of this study is the discrimination experienced by lower class citizens who are dominated by black people, as the impact of state of exception which affects their citizenship rights.

scholarly journals Self-Abdication and Otherness in Philip Roth’s The Human Stain (2000)

2019 ◽  
Author(s):  
Assia Mohdeb ◽  
Sofiane Mammeri
Keyword(s):  
Racial Identity ◽  
Identity Formation ◽  
Well Being ◽  
The Novel ◽  
Racial Passing ◽  
The Core ◽  
Class Discrimination ◽  
The Subject ◽  
American Society ◽  
Definition Of

Identity, in one of its understanding, signifies a set of characteristics that make up a person’s ethical faithfulness to, identification with, and pride of one’s origin, tradition, and culture. Remaining true to one’s identity and being faithful to the core values of one’s culture is a complicated matter when it comes to a black living in white society like America, where color and racial identity are rudimentary prerequisites in self-definition and naming. Philip Roth’s novel entitled The Human Stain (2000) shows how some black figures undress their black identity to wear the prestigious white one to go onward with life as full selves, to have access to all the privileges the whites enjoy, and, above all, to live without the specter of race and the decisiveness of epidermal signs. The novel calls into question and revision such essentialist notions as other, class,andrace by describing the crises the subject or self undergoes in the light of racial prejudices, center-periphery relations, and class stereotypes. The present paper, then, addresses the act of self-abdication the protagonist, Silk Coleman, carries out to overstep the feeling of otherness and to dodge racial discrimination. The paper looks into the notions of selfhood and Otherness by negotiating the definition of the self and the distortion it undergoes in its encounter with the Other . The study aims at revealing, primarily, the effects of Black racial-passing, a common phenomenon in American society of the first half of the twentieth century, on familial relationships and cultural heritage. It also reveals the weight of gender and class discrimination in the individual’s identity formation and well-being.

Filming Hegemony: Hollywood and the Manichean Script of Geopolitics

2017 ◽  
Author(s):  
Georg Löfflmann
Keyword(s):  
United States ◽  
Popular Culture ◽  
National Security ◽  
Common Sense ◽  
American Exceptionalism ◽  
The United States ◽  
External Threats ◽  
Hollywood Movies ◽  
American Hegemony ◽  
Film Productions

The chapter focuses on popular culture as key site for the production of constructs of geopolitical identity and practices of national security as common sense knowledge and conventional wisdom, examining popular Hollywood movies of the ‘national security cinema’ and the involvement of the Pentagon in the filmmaking process. Representations of geopolitical identity and national security are analyzed in some of the commercially most successful films in the United States released between 2009 and 2015. The chapter’s analysis testifies to the enduring popularity of key ideational themes and mythologies, such as American exceptionalism, military heroism, and external threats endangering the existence of the United States, its interests and values under the Obama presidency. The serial reproduction of these national security narratives, realized in multi-million dollar film productions, illustrates the cross-discursive leverage of American hegemony over alternative formulations of grand strategy under the Obama presidency and the popularity of a particular national security imagery of American geopolitical identity.

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