scholarly journals Category of Time and the Concept of Ideal Residence of the Monarch in the Architecture of the Great Livadia Palace

Author(s):  
Инесса Слюнькова ◽  
Inessa Slyun'kova

The paper describes the findings of some new historical and architectural surveys of the great Livadia Palace in H2 of the 19th — early 20th centuries. Belonging to the Russian monarchs — from Alexander II to Nicholas II — the building is a monument of architecture and the landmark of the palace and park ensemble in the Crimea. For the first time, the equal focus was given to the original and the new palace that replaced it and was built according to the designs of architects I.A. Monighetti (1866) and M.P. Krasnov (1911), a graphical comparative analysis of layouts was carried out. The author has used the newly discovered archival materials and graphic sources, which indicate the replacement of one palace by another and allow raising the question of similarity lines and fundamental differences between the architecture of the old and the new buildings, due to the content of the order and the unbiased historical course of time. The author dwells upon the interaction of the new art of symbolism in the early 20th century with the architectural texts of the past. She hypothesizes about the search for the artistic equivalent of existential perception of time in the architecture.

Author(s):  
Agnieszka Lubera

A small but valuable collection of calendars was donated to the National Museum in Krakow in 1896, 1898 and 1906 by Ignacy Wolski, a Warsaw bibliophile. In the article an overview of these publications is given for the first time. The donation consists of calendars diverse in form and content, published from the end of the 18th century to the early 20th century. Only ten of them were found during the research in the Museum. Most of the preserved calendars was marked with characteristic provenance stamps or stickers;a part of them has some historical notes written by Wolski. They are a great testimony of the past. Wolski’s motifs and idea behind collecting calendars and leaving these publications for future generations in the Museum were also presented in the article.


2020 ◽  
Vol 4 (4) ◽  
pp. 37-51
Author(s):  
A.K. Kirillov ◽  

For the first time in the history of the study of volost courts in pre-revolutionary Russia, a rare phenomenon is taken for study – a chain of interconnected claims considered by one court during the year. The use of a chain of claims makes it possible to solve the problem of excessive conciseness of the protocols of the volost courts, which arises during the transition from their mass processing to the study by the method of case study. Six investigated lawsuits, filed in 1914 in the Tulinsky volost court of the Tomsk province, were related to the departure of the peasant woman A. E. Borozdina, who complained about her husband’s abuse. The judges supported one part of her claims and ruled that the husband should give her the woman’s property and return the money for the cow he sold after his wife left. Another part of the claims related to the payment of money “for food” was rejected. As a result of studying these materials, it has been proved that Aleksandra Borozdina perceived the lawsuit as a tool in a multi-step game; each time adjusting the content of the claim to the needs of this struggle, taking into account rapidly changing circumstances. For their part, the volost court judges were pragmatic about the claims being filed, building the queue of their consideration not according to the chronology of filing, but according to the degree of their importance for the restoration of violated justice. In general, the above facts and the conclusions drawn work to reject the perception of the volost court of the early XX century as a relic of the past, which tried to put modern life in the mainstream of patriarchal customs. The peasants who came into contact with the volost court treated it in a businesslike manner, creatively using the opportunities given to them by law to fight for their interests (as long as we are talking about the plaintiffs) or (if we mean volost court judges) for adopting the correct (from their point of view) solutions.


2015 ◽  
pp. 48-51
Author(s):  
Nadezhda A. Dogorova

The article gives a comparative analysis of historical and ethnographic materials of the late 19th - early 20th century to define the anthropological characteristics of theatricality in the context of Mordovian dance plasticity. For the first time ever, the basis is provided to the artistic and esthetic levels of existence of the syncretic behavioural activities of ancient composition of the “bezaktersky” theater of the “folklore period”.


2012 ◽  
Vol 8 (4) ◽  
pp. 1169-1175 ◽  
Author(s):  
J. Liu ◽  
M. Song ◽  
Y. Hu ◽  
X. Ren

Abstract. Recent studies demonstrate that the Hadley Circulation has intensified and expanded for the past three decades, which has important implications for subtropical societies and may lead to profound changes in global climate. However, the robustness of this intensification and expansion that should be considered when interpreting long-term changes of the Hadley Circulation is still a matter of debate. It also remains largely unknown how the Hadley Circulation has evolved over longer periods. Here, we present long-term variability of the Hadley Circulation using the 20th Century Reanalysis. It shows a slight strengthening and widening of the Hadley Circulation since the late 1970s, which is not inconsistent with recent assessments. However, over centennial timescales (1871–2008), the Hadley Circulation shows a tendency towards a more intense and narrower state. More importantly, the width of the Hadley Circulation might have not yet completed a life-cycle since 1871. The strength and width of the Hadley Circulation during the late 19th to early 20th century show strong natural variability, exceeding variability that coincides with global warming in recent decades. These findings raise the question of whether the recent change in the Hadley Circulation is primarily attributed to greenhouse warming or to a long-period oscillation of the Hadley Circulation – substantially longer than that observed in previous studies.


2021 ◽  
Vol 201 (3) ◽  
pp. 534-545
Author(s):  
Janusz Zuziak

Lviv occupies a special place in the history of Poland. With its heroic history, it has earned the exceptionally honorable name of a city that has always been faithful to the homeland. SEMPER FIDELIS – always faithful. Marshal Józef Piłsudski sealed that title while decorating the city with the Order of Virtuti Militari in 1920. The past of Lviv, the always smoldering and uncompromising Polish revolutionist spirit, the climate, and the atmosphere that prevailed in it created the right conditions for making it the center of thought and independence movement in the early 20th century. In the early twentieth century, Polish independence organizations of various political orientations were established, from the ranks of which came legions of prominent Polish politicians and military and social activists.


10.34690/03 ◽  
2019 ◽  
pp. 166-175
Author(s):  
А.И. Демченко

Будучи одним из самых самобытных музыкантов начала ХХ века, Комитас претворил в своем искусстве ряд характерных для этого времени художественных идей, наиболее примечательные из которых связаны с музыкальным фольклоризмом и с понятием хронотопа. Блистательное композиторское мастерство Комитаса выводило его очень далеко за пределы привычных представлений о жанре фольклорной обработки. Глубокое проникновение в дух и законы родной музыкальной речи позволяло ему широко применять методы полифонической обработки народных мелодий, активно развивать фактуру сопровождения, которая в ряде случае приобретала самостоятельную художественную ценность. Самобытность песен и хоров Комитаса в ряде случаев определяется связью с восточным миросозерцанием, для которого в сравнении с европейским менталитетом характерно особое восприятие времени и пространства. При этом наибольший интерес представляют те образцы, где раскрывается сопричастность к категориям всеобщей материи и вечности. Особенно широко представлено в творчестве Комитаса погружение в природную сферу с растворением в ней человеческого начала. Восхождение к надвременным категориям композитор чаще всего совершает, когда делает основой сочинений фольклорные мелодии, пришедшие из толщи времен и запечатлевшие в себе устойчивые, коренные черты народного характера. Особым достижением Комитаса является то, что он не ограничивается претворением пантеистического и надвременного как отдельных сущностей. В ряде сочинений композитор дает их в соединении, чему опять-таки способствовали особенности восточного понимания хронотопа. Being one of the most original musicians of the early 20th century, Komitas has put into his art a number of typical for this time of artistic ideas, the most notable of which are associated with the musical folklorism and with the concept of the chronotope. His brilliant compositional skills took him far beyond the usual ideas about the genre of folklore processing. A deep insight into the spirit and laws of his native musical speech allowed him to widely apply the methods of polyphonic processing of folk melodies, actively develop the texture of accompaniment, which in some cases acquired an independent artistic value. The identity of Komitass songs and choirs is in some cases determined by the connection with the Eastern worldview, which is characterized by a special perception of time and space in comparison with the European mentality. At the same time, the most interesting are the samples, which reveal participation in the categories of universal matter and eternity. Especially widely represented in the works of Komitas deep immersion in the natural sphere with the dissolution of the human principle in it. The ascent to supra-temporal categories the composer often does, when making the basis of the works of folk tunes, came from strata of the times and depicting in a sustainable, indigenous features of the national character. A special achievement of Komitas is that it is not limited to the implementation of the pantheistic and supra-temporal as separate entities. In a number of works the composer gives them in conjunction, which again contributed to the features of the Eastern understanding of the chronotope.


Author(s):  
William Shust ◽  
Michael M. Palmieri

Abstract At first glance, it seems appealing to suggest additional wheelsets under a given railcar type. From the track’s viewpoint, and in a simplistic analysis, trading a particular car’s four-axles for the use of six should allow half again more car weight. This paper will examine efforts to test this concept over the past century. Indeed, the railway marketplace has investigated the three-axle truck in both the freight and passenger car arenas multiple times over the past century. Except in heavy-duty flatcars, the record shows that each implementation has proven to be only temporary. In general, three-axle freight trucks were developed for use with steam locomotive tenders in the early 20th century. These designs were then adapted to other car types over several decades, involving thousands of individual cars. Today, three-axle trucks are nearly extinct. This paper will address the history and status of three-axle freight trucks (or bogies) as used in North American railcar operations. Various past 20th-century applications will be discussed. International efforts will be reviewed as well. The very limited and remaining current usage of three-axle trucks is also discussed.


2016 ◽  
Vol 125 (1) ◽  
pp. 34-38 ◽  
Author(s):  
Nils Hansson ◽  
Heiner Fangerau ◽  
Annette Tuffs ◽  
Igor J. Polianski

Abstract Taking the examples of the pioneers Carl Ludwig Schleich, Carl Koller, and Heinrich Braun, this article provides a first exploratory account of the history of anesthesiology and the Nobel Prize for physiology or medicine. Besides the files collected at the Nobel Archive in Sweden, which are presented here for the first time, this article is based on medical literature of the early 20th century. Using Nobel Prize nominations and Nobel committee reports as points of departure, the authors discuss why no anesthesia pioneer has received this coveted trophy. These documents offer a new perspective to explore and to better understand aspects of the history of anesthesiology in the first half of the 20th century.


Sign in / Sign up

Export Citation Format

Share Document