scholarly journals Création d’espaces relationnels dans le web documentaire

2019 ◽  
Vol 44 (3) ◽  
Author(s):  
Gilles Tassé

Context  Webdocumentaries are relatively new media and documentary entities and, though some articles have been written about them and typologies of the genre have been developed, no one has yet underlined or discussed their capacities for creating relational spaces, namely spaces that facilitate individual and group relationships, and social and individual links. Analysis This article examines, from a relational perspective, a selection of webdocumentaries produced primarily by the National Film Board of Canada (NFB), in a desire to identify the address modalities and interactive devices specific to this media object, that foster conversation, sharing, a sense of identification, collaboration and the discovery of others.Conclusions and implications  Webdocumentaries, through their spaces of expression, communication and collaboration, support a feeling of listening and of being heard. They act as a public place that encourages the meeting of others and asynchronous socialization.Contexte Les webdocumentaires sont des objets documentaires et médiatiques relativement nouveaux qui ont certes fait l’objet de quelques articles et d’élaboration de typologies, sans que toutefois soit relevé et discuté leur capacité à créer des espaces relationnels, c’est-à-dire des espaces favorisant les relations interindividuelles et groupales ainsi que le lien social et avec autrui. Analyse  Cet article étudie une sélection de webdocumentaires, principalement produits par l’Office national du film du Canada (ONF), depuis une perspective relationnelle afin d’identifier les modalités d’adresse de même que les dispositifs interactifs qui sont spécifiques à cet objet médiatique et qui encouragent la découverte d’autrui, la conversation, le partage, l’identification et la collaboration. Conclusions et implications  Le webdocumentaire, par ses espaces d’expression, de communication et de collaboration, permet un sentiment d’écouter et d’être entendu. Il agit telle une place publique qui favorise la rencontre avec l’autre et la socialisation en différé.

2021 ◽  
Vol 20 (03) ◽  
pp. E
Author(s):  
Frank Kupper ◽  
Carolina Moreno-Castro ◽  
Alessandra Fornetti

Science communication continues to grow, develop and change, as a practice and field of research. The boundaries between science and the rest of society are blurring. Digitalization transforms the public sphere. This JCOM special issue aims to rethink science communication in light of the changing science communication landscape. How to characterize the emerging science communication ecosystem in relation to the introduction of new media and actors involved? What new practices are emerging? How is the quality of science communication maintained or improved? We present a selection of papers that provide different perspectives on these questions and challenges.


2017 ◽  
Vol 2 (02) ◽  
Author(s):  
Ardhariksa Zukhruf Kurniullah

New media or convergence, in a few years we often hear, especially the convergence of media that are often associated with new media that is now developing, particularly media-related technology development. The rapidly of media convergence growthto advances in technology these days, especially when the advent of the Internet and the digitization of information. This media convergence brings together the name "three-C" (computing, communication, and content). Once of product a media convergence is transmediaa, in the paradigm of Transmedia, no longer known specific profession. Eg profession as creators of the film, director, screenwriter, animator, producer of the TV program, game creators, content developers, comic artist, broadcaster, author, novelist even journalists. Everything sublimate into a new capacity, the Story Teller. Selection of the research issue at Volkswagon simulation of interactive digital advertising is a new study in the field of advertising in Indonesia, especially on the concept of transmedia storytelling approach to advertising and media convergence. This study use qualitative research approach. While research method used in this research is the method of observation with descriptive type. Data collection techniques in this study using advertising document observation that in this case the advertisement print of Volkswagen Augmented Reality and literature studies / literature. From the results of research conducted can be obtained conclusion that the power of Transmedia Storytelling on this Volkwagon print reinforces a story. The impact is that consumers will be more emotionally attached to the main products and variants and derivatives. The concept of transmedia storytelling advertising can be effective in the process of imaging and delivery of advertising messages, so that the audience can engage fully in augmented reality.. Keywords: convergence, transmedia,storytelling, digital, augmented reality


MEDIASI ◽  
2021 ◽  
Vol 2 (3) ◽  
pp. 202-220
Author(s):  
Diah Amelia ◽  
Nurul Akmalia

This article discusses the selection of Instagram as a promotional medium in introducing the Creative Media State Polytechnic Publishing study program and publishing works. Information such as photos or videos of work products, pictures of learning activities, and other activities added to the Instagram account. This information can be seen by followers and can get a response or input directly. The study used qualitative research methods with a descriptive approach. The theory used is New Media and Internet theory, Social Media theory, and Marketing Communication theory. The study results explain that the use of Instagram significantly facilitates the spread of messages quickly and reaches more people. The content on the Instagram account @prodi.penerbitan.polimedia follows the institution's image but still has to be packaged in an attractive style and design and has new value.


Leonardo ◽  
2002 ◽  
Vol 35 (5) ◽  
pp. 471-484 ◽  
Author(s):  
Christiane Paul

This essay identifies the current qualifier of choice, “new media,” by explaining how this term is used to describe digital art in various forms. Establishing a historical context, the author highlights the pioneer exhibitions and artists who began working with new technology and digital art as early as the late 1960s and early 1970s. The article proceeds to articulate the shapes and forms of digital art, recognizing its broad range of artistic practice: music, interactive installation, installation with network components, software art, and purely Internet-based art. The author examines the themes and narratives specific to her selection of artwork, specifically interactive digital installations and net art. By addressing these forms, the author illustrates the hybrid nature of this medium and the future of this art practice.


Leonardo ◽  
2011 ◽  
Vol 44 (2) ◽  
pp. 101-106 ◽  
Author(s):  
Chris Welsby

The author began making films and installations in the early 1970s. Although he has worked across a range of media, he has always concentrated on one particular theme that he conceptualizes as a two-sided question: How do we see ourselves in relation to the natural world, and how should we position our selves and our technologies within it? This essay traces some of the threads of these seminal ideas through a selection of works made in the years between 1974 and 2009. The author concludes with a detailed description of Tree Studies, a large-scale new media installation powered by real-time data from weather stations around the planet.


2013 ◽  
Vol 6 (1) ◽  
pp. 19-33
Author(s):  
Árpád Bak

Abstract The paper compares how two theorists of media arts, Mark B. N. Hansen and Laura U. Marks, interpret the relation of Deleuze’s time-image to corporeality. Both argue that some novel types of images - in film and media art - engage the body in new and also more intensive ways than traditional cinema did. While they remain committed to Bergson’s theory of perception, their works offer different readings of how the Bergsonian concepts of Deleuze’s film philosophy can be applied to new media: on the one hand, to the non-signifying, affective properties of Hansen’s digital image in contemporary media arts, and on the other, to Marks’s - in the last instance, memory-signifying - haptic image, which she discussed initially in connection with video art and experimental film. In New Philosophy for New Media (2004), Hansen asserts that “Deleuze’s neo-Bergsonist account of the cinema carries out the progressive disembodying of the [body]”, which “reaches its culmination in […] what he calls the ‘time-image,’” and calls for “a rehabilitation of Bergson’s embodied concept of affection.” While Marks also offers some criticism on Deleuze, she suggests that his “theory of timeimage cinema permits a discussion of the multisensory quality of cinema,” and undertakes to examine “how the body may be involved in the inauguration of time-image cinema.” Besides arguing that both tendencies are present in Deleuze to varying degrees, I attempt to contextualize the divergences in their lines of thought by looking at the types of media and selection of works they examine, as well as the possible theoretical commitments that might guide these selective strategies


2021 ◽  
Vol 2 (3) ◽  
pp. 204-211
Author(s):  
Euis Komalawati ◽  
Rido Ariftio

Financial Technology is a new way of transacting that uses money and media that has elements of communication and technology in it. Along with the development of technology and lifestyle adaptation in society 5.0, Financial Technology becomes people's choice in shopping for needs and desires through a commercial online system (E-Commerce). Therefore, this study aims to find out and analyze financial technology service media utilization in improving customer satisfaction. Shopee International Indonesia. This research uses a qualitative approach and descriptive method with the selected research object of financial technology media Shopee International Indonesia. Data collection techniques used are interviews, observations and documentation. Based on the results of this study shows that service required a good relationship between customers and the company. The selection of online media or new media such as financial technology can be a communication link between consumer to consumer (C2C) and is supported by several service features that make it different between transactions through e-commerce media and conventional transactions, especially in creating customer satisfaction. The utilization of financial technology media involves customer relations, media services and impact on customer satisfaction


2021 ◽  
pp. 65
Author(s):  
Kevin Benedict Lesmana ◽  
Rustono Farady Marta ◽  
Sugeng Wahjudi

The tourism industry is one of the largest industries in the world, including Indonesia. So it is said that this industry has a considerable influence, so that it can be ascertained that this is an opportunity for a business. The large number of existing social media makes marketers have to see an appropriate and broad target. Based on this, marketers must be fully prepared with the selection of media, certain efforts and ways to attract consumers. PT. Bagus Trans Wisata has used new media as a channel in promoting its travel products. One of the new media used, namely Facebook, the use of this new media is one proof of the success of a well-known company name throughout Indonesia. New media is a new form of social media used by the public, considering that conventional media is less effective in conveying mass messages. This paper aims to examine marketing strategies through social media at PT. Bagus Trans Wisata. This research uses descriptive research with a qualitative approach which aims to identify, describe and explain the actual situation related to the marketing strategy undertaken by the service company PT. Bagus Trans Wisata Tour & Travel Jakarta. Keywords: online, marketing, tourism, travel


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