scholarly journals The body, the house and the city: the territorialities of black women in Brazil

Author(s):  
Maya Manzi ◽  
Maria Edna dos Santos Coroa dos Anjos

This article presents a discussion on the relationship between territoriality and intersectionality based on the experience of Black Brazilian women throughout the historical process that has triggered a long trajectory of struggle against racism and sexism. Bibliographical and documentary research has been used in order to discuss the territories of the body, the house and the city, understood as spaces of oppression and resistance. While these analytical categories have received considerable attention, especially within the Black feminist movement itself, few studies have explicitly or thoroughly addressed the relationship between intersectionality and territoriality based on an expanded conception of territory that goes from the body through to the city. Reflecting upon these concepts as a collective unit and through a multi-scalar perspective may help to provide greater visibility to the protagonist spaces of Black Brazilian women in their struggle for reparation, recognition and the right to exist.

Author(s):  
Kate I. Khan ◽  

The research is dedicated to the critical comparison of two phenomenological strategies that elaborate the issue of space (G. Bachelard’s and D. Trigg’s), and link the placement in space with the emotional and bodily experience and the ca­pacity of human to extend beyond. Phenomenological descriptions of the spacial experience indicate the deeply emotional colouring of human attitude towards place, that implies searching for one’s “own place in the world”, or a home. The article develops the idea that the relationship between the human and the space (or the way the body perceives the space) can be conceptualized through the concepts of topophilia and topophobia. This explanation has existential ground, and it has to deal with poetic imagination, hope and anxiety. The con­cepts of the friendly/unfriendly landscape or environment cannot be reduced to the personal or subjective judgement on its ergonomics, but it also cannot be limited to the constructive characteristics and pecularities of some place per­ceived as a “workspace”, “leisure area” etc. The friendliness of the space as such can be comprehended through the phenomenological description of bodily expe­rience and the corresponding research of topophilia and topophobia, which should be treated not as psychological diagnosis or concrete attitudes of con­sciousness, but as phenomena, which are revealing itself in the world. Phe­nomenology of bodily presence in space can be seen as a prolific method, that could provide the descriptions of experience, which are necessary for implemen­tation of “the right of the city” (H. Lefebvre).


2021 ◽  
pp. 1-20
Author(s):  
Benjamin Hegarty

The regulation of public space is generative of new approaches to gender nonconformity. In 1968 in Jakarta, the capital of Indonesia, a group of people who identified as wadam—a new term made by combining parts of Indonesian words denoting “femininity” and “masculinity”—made a claim to the city's governor that they had the right to appear in public space. This article illustrates the paradoxical achievement of obtaining recognition on terms constituted through public nuisance regulations governing access to and movement through space. The origins and diffuse effects of recognition achieved by those who identified as wadam and, a decade later, waria facilitated the partial recognition of a status that was legal but nonconforming. This possibility emerged out of city-level innovations and historical conceptualizations of the body in Indonesia. Attending to the way that gender nonconformity was folded into existing methods of codifying space at the scale of the city reflects a broader anxiety over who can enter public space and on what basis. Considering a concern for struggles to contend with nonconformity on spatial grounds at the level of the city encourages an alternative perspective on the emergence of gender and sexual morality as a definitive feature of national belonging in Indonesia and elsewhere.


2021 ◽  
pp. 053331642199776
Author(s):  
Suryia Nayak

This is the transcript of a speech I gave at an Institute of Group Analysis (IGA) event on the 28th November 2020 about intersectionality and groups analysis. This was momentous for group analysis because it was the first IGA event to focus on black feminist intersectionality. Noteworthy, because it is so rare, the large group was convened by two black women, qualified members of the IGA—a deliberate intervention in keeping with my questioning of the relationship between group analysis and power, privilege, and position. This event took place during the Covid-19 pandemic via an online platform called ‘Zoom’. Whilst holding the event online had implications for the embodied visceral experience of the audience, it enabled an international attendance, including members of Group Analysis India. Invitation to the event: ‘Why the black feminist idea of intersectionality is vital to group analysis’ Using black feminist intersectionality, this workshop explores two interconnected issues: • Group analysis is about integration of parts, but how do we do this across difference in power, privilege, and position? • Can group analysis allow outsider ideas in? This question goes to the heart of who/ what we include in group analytic practice—what about black feminism? If there ‘cannot possibly be one single version of the truth so we need to hear as many different versions of it as we can’ (Blackwell, 2003: 462), we need to include as many different situated standpoints as possible. Here is where and why the black feminist idea of intersectionality is vital to group analysis. On equality, diversity and inclusion, intersectionality says that the ‘problems of exclusion cannot be solved simply by including black [people] within an already established analytical structure’ (Crenshaw, 1989: 140). Can group analysis allow the outsider idea of intersectionality in?


Belleten ◽  
2012 ◽  
Vol 76 (276) ◽  
pp. 385-402
Author(s):  
Murat Kılıç

The origins of the imperial cult in Smyrna date back to the Hellenistic period. It is a fact that political concerns were effective in the generation of such cults. Predicting the super power of the future and proving to be a loyal ally whilst acting in satisfactory behaviors were essential factors. The right preference made between two fighting or contending powers ensured that a city would benefit from various privileges in the future. For example, Symrna, which had established a cult in the city previously on behalf of Stratonice, the mother of Antiochus II of Seleucid dynasty, would do the same by building a temple in the name of the dty of Rome for the first time in Asia in 195 BC, after recognizing the rising power. Later on, while giving permission to the provinces that wanted to establish an imperial cult, the Roman emperors and the Senate would consider first, their relationships with Rome in the past and second, their origins. Smyrna, building its relationships with the Roman state on a solid basis, was granted the title of neokoros three times by the Roman Emperors Tiberius, Hadrianus and Caracalla, respectively. In this essay, the development of the Roman imperial cult in Smyrna is discussed within the historical process outlined above. An attempt has been made to put forth new opinions about the issue by discussing the academicians' evaluations on the imperial cult, which apparently was effectively executed in Smyrna between the first and third centuries AD, with the support of epigraphic and numismatic evidences.


Author(s):  
Terrion L. Williamson

For commentators concerned with black cultural production in the contemporary era, there are few images more controversial than the angry black woman, particularly as it is reproduced within the confines of reality television. This chapter traces the lineage of the angry black woman back to key black feminist texts of the 1970s, arguing that the trope emerges out of a distinct sociopolitical history that was codified within both public policy and popular culture throughout the decade. Blaxploitation films became the site where black women’s anger was most visibly commodified, even as black women involved in an emergent black feminist movement worked to combat withering social commentaries that included Daniel Patrick Moynihan’s matriarchy thesis and sexist takedowns of black women writers like Ntozake Shange and Michele Wallace.


Author(s):  
David Zamorano-Garcia ◽  
Paula Flores-Morcillo ◽  
María Isabel Gil-García ◽  
Miguel Ángel Aguilar-Jurado

This chapter aims to shed light on the relationship between the development of laterality and the learning of mathematics in early childhood education using the ABN method. Thus, the authors present an experience developed with 24 children of 4 and 5 years old from several sessions of physical education where laterality and mathematics were worked on in the framework of a project developed in the classroom. The neuropsychological laterality test and a psychomotor table with values referred exclusively to manual and foot laterality, and indicators referred to the ABN method were used as evaluation instruments. The results obtained indicate that students with homogeneous right- or left-handed laterality obtain better results, as well as those with crossed laterality, since they have defined their manual and foot dominance. However, students with undefined laterality obtain worse results, even showing a lateral tendency towards the use of the right side of the body.


Author(s):  
Laura Di Michele

The relationship between spectators, performers and spaces is investigated in a critical perspective which aims at further developing the concept of the city as a performance place where precarious urban identities are dynamically and temporarily shaped and reshaped. Even if this essay takes into due account the seminal studies of Barthes (1971), H. Lefebvre (1974), and urban theorists such as Reyner Banham and Kevin Lynch who conceived of the city as a ‘legible’ text, at the same time it argues that textuality and performativity must be perceived as intertwined cultural practices that work together to shape the body of phenomenal, intellectual, psychic, and social encounters that frame a subject’s experience of the city. London 2012 Olympic Games, and in particular the stunning Opening Ceremony directed by Danny Boyle, for which visitors and overseas spectators were invited to transform themselves into a global theatrical audience, can be used as a privileged viewpoint from which to analyse the different ways of perceiving, but also being looked at and performing oneself, in and through spaces which tend at modifying, or at interrogating or destabilizing one’s traditional identity.


2020 ◽  
Vol 40 (2) ◽  
pp. 234-257
Author(s):  
Chris Sheehy ◽  
Suryia Nayak

We use the method of conversation as a tool of living activist struggles to end social injustice. We draw on Black feminism to create an intersectionality of diverse activist voices across time and space. We insist on an intersectional acuity to analyse Global alienation, subjugation and exploitation. We use examples from activist contexts such as the Trade Union and Rape Crisis movements. Our conversation speaks of the tensions and risks of solidarity and organizing across difference. We use Gramsci’s idea of the ‘interregnum’ to look at the in-between space of protest and transformation. We argue that the ‘interregnum’ is an opportunity to build solidarity for Global justice. In the context of intersectional racism, we ask, can the racial grief of Black women speak? We like Lorde’s idea that ‘Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare’ (Lorde, 1988: 332). We argue that the relationship of Black feminism to oppression, constitutes its revolutionary potential, and this distinguishes Black feminist activist methodologies from other methodologies as the tool for Global social justice and peace.


2016 ◽  
Vol 2016 ◽  
pp. 417-424
Author(s):  
Paola Vasconcelos Silveira

This paper is based on my master's thesis, which was developed in 2013–2014 at the Graduation Program in Performing Arts at the Federal University of Rio Grande do Sul (Brazil). This study aimed to reflect on the processes of developing an artistic experiment conducted from the encounter between my body and the club in transient places in the city of Porto Alegre. The starting point emerged from the experience of the artist in the practice of tango from a dialogue bias between peers. The object, in this proposal, becomes a present and active body—a lively piece that will enhance a one-to-one conversation. It is thus intended that the dance results from the relationship between two bodies, and not from the manipulation of one body over another. Therefore, the study finds resonance in the theoretical possibility of thinking of non-human bodies as vibrant matter with the capability to generate relationships and movements. In that way, this meeting would lead to a loss of the self. This study also contributes to a debate on proposals for dance training, as this research has chosen a path of building the danced relationship with the object from the kinesthetic perception of the body in motion. Finally, this study tenses the production of knowledge in the academic field, by assuming that the body produces a kind of knowledge—an embodied knowledge—which must be recognized and legitimized.


2018 ◽  
Vol 45 ◽  
pp. 00077
Author(s):  
Adam Rybka ◽  
Rafał Mazur

Cities often owe their existence to rivers; however, when cities begin to develop, the river turns into a barrier whose crossing becomes one of the more important engineering issues in municipal infrastructure. As a part of nature, a river significantly influences the form of a city. Its development can, in turn, also impact the shape of the river. It becomes an element of urban composition. This mutual dependency is a key problem in spatial planning. Finding the right balance between the natural character of the river, and the introduction of city structures into its course, leads to the creation of a balanced space, naturally utilized by city dwellers. The article analyses examples, which illustrate the relationship between a river and the city, with a particular look at Warsaw, where this relationship has undergone a huge transformation since the beginning of the 21st century.


Sign in / Sign up

Export Citation Format

Share Document