scholarly journals V.V. Malyavin about the Origins of Ritualism in Chinese Culture

2021 ◽  
Vol 25 (1) ◽  
pp. 156-164
Author(s):  
Sergey A. Prosekov
Keyword(s):  
The Past ◽  

In the article analyzes the origin of Chinese ritualism based on the ideas expressed by well-known Sinologist V.V. Malyavin. The ceremoniality of Chinese culture, which has survived to the present day, is often presented to Europeans as a "relic of the past", a "retarding" mechanism in the civilization of Celestial. The author also demonstrates the fallacy of such beliefs and the closeness of some of the oldest complexes of the Chinese mentality and the postmodern mentality. In parallel, the basic foundations of the European and Chinese consciousness / unconscious are traced: cosmos and emptiness; man and the world as substances and as networks; the ratio of the signifier and the signified, the idea of true reality as such in European and Chinese traditions.

Author(s):  
Dr. Umida Khodzhakbarovna Mavlyanova ◽  

Numerals are used in a variety of tasks, both in science and in everyday life. Using numbers, we record the results of calculations (twenty, forty years), determine the order between the elements of the plural (the first speaker, the millionth person to live), and express the results of the measurement of something (a mile and a half). In addition, numeric characters can be used instead of words, letters, for example, to encode text. Chinese culture is recognized as one of the oldest written cultures. Yu. M. Lotman considers writing to be one of the forms of memory. In this sense, history can be interpreted as an “additional consequence of the emergence of writing”. “While written culture is about the past, oral culture is about the future. That's why predictions, divination and predictions played a big role in it. "According to the scientist, “the world of verbal memory is full of symbols”, the material is included in the list of objects and is included in the text of ceremonies, not in the text consisting of words. In the written culture, however, the situation is different. Such a culture "seeks to see the Text created by God or Nature, to read the message expressed in it." Numbers play an important role in this "reading of the world-text" by the Chinese. According to А. Karapetyants's Great Dictionary of the Chinese Language (中文大辞典 zhōngwén dà cídiǎn 1962-1968), there are 13,296 dictionary articles beginning with numbers.


2009 ◽  
Vol 34 (2) ◽  
pp. 129-155 ◽  
Author(s):  
Elena Barabantseva

This article examines how China, understood as a construct made up of multiple identities, constantly negotiates its relationships with the world. The oppositions—between tradition and modernity, the past and the present, China and the West— that are often presumed or reproduced in our thinking about China's place in the world are called into question. China's relationship with the world must be understood through the interplay between history and present, and thus through the particular uses of history in practice. The article especially explores how the world and China's place in it are seen in Chinese popular culture and visual expressions of state initiatives to promote Chinese culture. It focuses on the way images of the ever-changing world are depicted in two visual narratives: a promotional video of the Confucius Institute and the film The World (Shijie).


Author(s):  
Zixue Tai ◽  
Yonghua Zhang

Exponential growth in the past decade has turned the Chinese blogosphere into the largest blogging space in the world. Through studying some of the most popular blog sites and bloggers, this chapter critically examines a number of their key defining features such as rhetorical strategies and persuasive approaches in building popular ethos and unique online identities in order to attract a steady user base. It also discusses some of the personal, topical, social, cultural, and political factors of the emerging Chinese culture of blogs and blogging against the particular backdrop of China’s state-controlled media and communication environment.


Author(s):  
John Mansfield

Advances in camera technology and digital instrument control have meant that in modern microscopy, the image that was, in the past, typically recorded on a piece of film is now recorded directly into a computer. The transfer of the analog image seen in the microscope to the digitized picture in the computer does not mean, however, that the problems associated with recording images, analyzing them, and preparing them for publication, have all miraculously been solved. The steps involved in the recording an image to film remain largely intact in the digital world. The image is recorded, prepared for measurement in some way, analyzed, and then prepared for presentation.Digital image acquisition schemes are largely the realm of the microscope manufacturers, however, there are also a multitude of “homemade” acquisition systems in microscope laboratories around the world. It is not the mission of this tutorial to deal with the various acquisition systems, but rather to introduce the novice user to rudimentary image processing and measurement.


This paper critically analyzes the symbolic use of rain in A Farewell to Arms (1929). The researcher has applied the Sapir-Whorf Hypothesis as a research tool for the analysis of the text. This hypothesis argues that the languages spoken by a person determine how one observes this world and that the peculiarities encoded in each language are all different from one another. It affirms that speakers of different languages reflect the world in pretty different ways. Hemingway’s symbolic use of rain in A Farewell to Arms (1929) is denotative, connotative, and ironical. The narrator and protagonist, Frederick Henry symbolically embodies his own perceptions about the world around him. He time and again talks about rain when something embarrassing is about to ensue like disease, injury, arrest, retreat, defeat, escape, and even death. Secondly, Hemingway has connotatively used rain as a cleansing agent for washing the past memories out of his mind. Finally, the author has ironically used rain as a symbol when Henry insists on his love with Catherine Barkley while the latter being afraid of the rain finds herself dead in it.


The Eye ◽  
2019 ◽  
Vol 21 (128) ◽  
pp. 19-22
Author(s):  
Gregory DeNaeyer

The world-wide use of scleral contact lenses has dramatically increased over the past 10 year and has changed the way that we manage patients with corneal irregularity. Successfully fitting them can be challenging especially for eyes that have significant asymmetries of the cornea or sclera. The future of scleral lens fitting is utilizing corneo-scleral topography to accurately measure the anterior ocular surface and then using software to design lenses that identically match the scleral surface and evenly vault the cornea. This process allows the practitioner to efficiently fit a customized scleral lens that successfully provides the patient with comfortable wear and improved vision.


Author(s):  
Seva Gunitsky

Over the past century, democracy spread around the world in turbulent bursts of change, sweeping across national borders in dramatic cascades of revolution and reform. This book offers a new global-oriented explanation for this wavelike spread and retreat—not only of democracy but also of its twentieth-century rivals, fascism, and communism. The book argues that waves of regime change are driven by the aftermath of cataclysmic disruptions to the international system. These hegemonic shocks, marked by the sudden rise and fall of great powers, have been essential and often-neglected drivers of domestic transformations. Though rare and fleeting, they not only repeatedly alter the global hierarchy of powerful states but also create unique and powerful opportunities for sweeping national reforms—by triggering military impositions, swiftly changing the incentives of domestic actors, or transforming the basis of political legitimacy itself. As a result, the evolution of modern regimes cannot be fully understood without examining the consequences of clashes between great powers, which repeatedly—and often unsuccessfully—sought to cajole, inspire, and intimidate other states into joining their camps.


Author(s):  
Gerald Gaus

This book lays out a vision for how we should theorize about justice in a diverse society. It shows how free and equal people, faced with intractable struggles and irreconcilable conflicts, might share a common moral life shaped by a just framework. The book argues that if we are to take diversity seriously and if moral inquiry is sincere about shaping the world, then the pursuit of idealized and perfect theories of justice—essentially, the entire production of theories of justice that has dominated political philosophy for the past forty years—needs to change. Drawing on recent work in social science and philosophy, the book points to an important paradox: only those in a heterogeneous society—with its various religious, moral, and political perspectives—have a reasonable hope of understanding what an ideally just society would be like. However, due to its very nature, this world could never be collectively devoted to any single ideal. The book defends the moral constitution of this pluralistic, open society, where the very clash and disagreement of ideals spurs all to better understand what their personal ideals of justice happen to be. Presenting an original framework for how we should think about morality, this book rigorously analyzes a theory of ideal justice more suitable for contemporary times.


2013 ◽  
Vol 22 (3-4) ◽  
pp. 255-277 ◽  
Author(s):  
Vladimír Bačík ◽  
Michal Klobučník

Abstract The Tour de France, a three week bicycle race has a unique place in the world of sports. The 100th edition of the event took place in 2013. In the past of 110 years of its history, people noticed unique stories and duels in particular periods, celebrities that became legends that the world of sports will never forget. Also many places where the races unfolded made history in the Tour de France. In this article we tried to point out the spatial context of this event using advanced technologies for distribution of historical facts over the Internet. The Introduction briefly displays the attendance of a particular stage based on a regional point of view. The main topic deals with selected historical aspects of difficult ascents which every year decide the winner of Tour de France, and also attract fans from all over the world. In the final stage of the research, the distribution of results on the website available to a wide circle of fans of this sports event played a very significant part (www.tdfrance.eu). Using advanced methods and procedures we have tried to capture the historical and spatial dimensions of Tour de France in its general form and thus offering a new view of this unique sports event not only to the expert community, but for the general public as well.


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