scholarly journals On the History of Critical Perception of the Story “For Future Use” by Platonov: About a Possible Reason for the “Big Bang”

2021 ◽  
Vol 6 (4) ◽  
pp. 246-261
Author(s):  
Elena V. Antonova

The article uses new materials to clarify the history of publication and the initial stage of criticism of Andrey Platonov’s story “For Future Use.” In particular, it attempts to bring as much clarity as possible as far as the date of the story’s publication in the magazine Krasnaia Nov’ is concerned and also to clarify the date of Stalin’s acquaintance of with this story. It is argued that Stalin’s attention was drawn to this publication due to its mentioning by critic G.V. Adamovich, in a note published in the emigrant newspaper Poslednie Novosti. Based on the evidence of S.I. Kanatchikov and V.A. Sutyrin, the author clarifies the nature of the “Politburo meeting,” at which the editor of Krasnaia nov’ A.A. Fadeev, was assigned the task of launching a critical campaign against For Future Use. The newspaper Poslednie novosti for some time monitored the situation with the novel and reacted to critical publications on this topic in central newspapers such as Pravda and Izvestia. The article is supplemented with documentary materials: excerpts from the diary of the writer I.V. Evdokimov and relevant notes from the newspaper Poslednie novosti.

2012 ◽  
Vol 11 (4) ◽  
pp. 345-350 ◽  
Author(s):  
Marcelo Gleiser

AbstractThe history of life on Earth and in other potential life-bearing planetary platforms is deeply linked to the history of the Universe. Since life, as we know, relies on chemical elements forged in dying heavy stars, the Universe needs to be old enough for stars to form and evolve. The current cosmological theory indicates that the Universe is 13.7 ± 0.13 billion years old and that the first stars formed hundreds of millions of years after the Big Bang. At least some stars formed with stable planetary systems wherein a set of biochemical reactions leading to life could have taken place. In this paper, I argue that we can divide cosmological history into four ages, from the Big Bang to intelligent life. The physical age describes the origin of the Universe, of matter, of cosmic nucleosynthesis, as well as the formation of the first stars and Galaxies. The chemical age began when heavy stars provided the raw ingredients for life through stellar nucleosynthesis and describes how heavier chemical elements collected in nascent planets and Moons gave rise to prebiotic biomolecules. The biological age describes the origin of early life, its evolution through Darwinian natural selection and the emergence of complex multicellular life forms. Finally, the cognitive age describes how complex life evolved into intelligent life capable of self-awareness and of developing technology through the directed manipulation of energy and materials. I conclude discussing whether we are the rule or the exception.


Author(s):  
Tully Barnett ◽  
Ben Kooyman

Contemporaneous with the collision of Science Fiction/Fantasy with the mainstream evident in the success of nerd culture show The Big Bang Theory (2007- ), Joss Whedon’s The Avengers (2012), the growth of Comic Con audiences and so on, Dan Harmon developed Community (2009- ), a sitcom depicting a study group at a second-rate community college. The show exemplifies a recent gravitation away from the multi-camera, laugh-track driven sitcom formula, alternating between “straight” episodes dealing with traditional sitcom premises, though always inflected with self-aware acumen, and more ambitious, unconventional episodes featuring outlandish premises, often infused with the trappings of genre and geek fandom. The show presents apocalyptic action- and Western-style paintball wars, epidemics that evoke zombie cinema, a Yahtzee game that spirals into alternate timelines, and a high-stakes Dungeons and Dragons game that blurs the boundaries between reality and fantasy.  Both the straight and the unconventional episodes ultimately serve the same purpose, examining the intersection between nerd culture and everyday life. This essay discusses a number of episodes which exemplify Community’s intersections between everyday life and popular culture, charting the show’s evolving preoccupation with pop culture and intertwining of reality and fantasy. It discusses Community’s self-referentiality as a sitcom, its ambitious and elaborate recreations of and homages to pop culture artefacts, and its explicit gravitation towards Science Fiction and Telefantasy in its third season. Through its various homages to popular culture and ongoing depiction of fan culture, we posit that the show is both a work of fandom and a work about fandom, advocating for the pivotal role of fandom in everyday life and for popular culture as a tool for interpreting, comprehending and navigating life. In this respect, the show contributes to the long history of both the sitcom and Telefantasy as vehicles for cultural commentary.


1994 ◽  
Vol 159 ◽  
pp. 293-299
Author(s):  
G. Burbidge ◽  
F. Hoyle ◽  
J.V. Narlikar

The standard big bang cosmology has the universe created out of a primeval explosion that not only created matter and radiation but also spacetime itself. The big bang event itself cannot be discussed within the framework of a physical theory but the events following it are in principle considered within the scope of science. The recent developments on the frontier between particle physics and cosmology highlight the attempts to chart the history of the very early universe.


Author(s):  
Luigi Cajani

This article presents an overview of the different periodizations of world history. It discusses first world histories that originated as part and parcel of religious visions which connect Creation myths and human history; Greek and Roman historiography; the Christian synthesis of salvation; medieval European historiography of the Six Ages and the Four Empires; Muslim historiography; the European discovery of new histories; the challenges against biblical chronology; Voltaire and the Enlightenment; German Aufklärung; Eurocentrism during the nineteenth century; Marxist historiography; UNESCO's world history after World War II; and current trends. The discussion ends with the big history, which places human history within the wider framework of the history of the universe, thus starting with the Big Bang and going through the formation of the galaxies, the solar system, planet Earth, and the geological eras until the evolution of human beings, and down to the present day.


2012 ◽  
Vol 21 (08) ◽  
pp. 1230006 ◽  
Author(s):  
HELMUT SATZ

The past 50 years have seen the emergence of a new field of research in physics, the study of matter at extreme temperatures and densities. The theory of strong interactions, quantum chromodynamics (QCD), predicts that in this limit, matter will become a plasma of deconfined quarks and gluons — the medium which made up the early universe in the first 10 microseconds after the Big Bang. High energy nuclear collisions are expected to produce short-lived bubbles of such a medium in the laboratory. I survey the merger of statistical QCD and nuclear collision studies for the analysis of strongly interacting matter in theory and experiment.


KronoScope ◽  
2013 ◽  
Vol 13 (1) ◽  
pp. 96-111
Author(s):  
Christophe Bouton

Abstract This paper deals with the problem of the emergence of time in three different ways, at the intersection of the history of philosophy and the history of science: 1) the emergence of time with subjectivity examined on the basis of Kant’s idealism; 2) the emergence of time with life, considered in the light of the work of Bergson; 3) the emergence of time with the Universe, in relation to the notions of ‘The Big Bang’ and ‘The Planck Wall’. It concludes that the idea of the emergence of time is inconsistent in a diachronic sense, and problematic in a synchronic sense. One meaning could, however, be accorded to this notion: with life, a new relation to time has emerged and has attained one of its most developed forms with the human being.


Author(s):  
Rodney Bartlett

This hypothesis is the result of my conviction that science will oneday prove everything in space and time is part of a unification. In "A Brief History of Time", Stephen Hawking wrote, "If everything in the universe depends on everything else in a fundamental way, it might be impossible to get close to a full solution (of the universe's puzzles) by investigating parts of the problem (such as general relativity and quantum mechanics) in isolation." The goal: to establish a “proof of concept” to which equations can be added. It’s concluded the Steady State, Big Bang, Inflation and Multiverse theories all ultimately fail and a topological model including bits (binary digits), Mobius strips, figure-8 Klein bottles and Wick rotation works better. The failed cosmologies have impressive points leading to the idea that they’re all necessary stepping-stones. For example, the Big Bang is seen here as violation of the 1st Law of Thermodynamics but its supposed origin from quantum fluctuations is reminiscent of bits switching between 1 and 0. The topological hypothesis has potential to explain dark matter, dark energy, and electromagnetic-gravitational union. Finally, the article introduces what is called vector-tensor-scalar geometry - and extensions of Einstein's Gravity and Maxwell's Electromagnetism.


2019 ◽  
Vol 25 (43) ◽  
pp. 67-83 ◽  
Author(s):  
Kwiryna Proczkowska

Denotation – Humour – TabooThis analysis takes as its subject jokes about Poles that appeared in two US-American sitcoms: The Big Bang Theory (Teoria wielkiego podrywu) and 2 Broke Girls (Dwie spłukane dziewczyny), as well as their official Polish TV translations made for Comedy Central Polska channel. The selected examples refer to Polish traditions, history, and stereotypes about Polish people. They were divided into three categories according to their subject: a joke based on a stereotype, jokes making Poles look exotic, and jokes referring to Polish-Jewish relations, and the history of World War II. The aim here is accordingly: to characterize the original jokes, to analyze their official Polish voice-over translation, and to consider the potential differences in the reception of given fragments by the sourceculture and target-culture viewers. This paper refers to the characteristics of sitcom as a text genre and Eugene A. Nida and Charlesa R. Taber’s theory of functional equivalence.


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