scholarly journals Protestos e Marchas de Mulheres em Brasília: visualidades e estéticas

ILUMINURAS ◽  
2021 ◽  
Vol 22 (56) ◽  
Author(s):  
Luciana Ceschin ◽  
Virgínia Tiradentes Souto
Keyword(s):  
Collective Action ◽  
Identity Politics ◽  
Women's Movements ◽  
The Political ◽  
Political Imagination ◽  
Image Identity ◽  
The City

Um protesto é uma forma de interpelar visualmente a paisagem das cidades. As diversas formas de comunicar e expressar visualmente a imaginação política em manifestações podem ser exploradas como uma maneira de compreender as relações entre imagem, identidade, política e estética. Este trabalho tem por objetivo apresentar registros e análises de visualidades produzidas para protestos ou marchas protagonizados por movimentos de mulheres ocorridos na cidade de Brasília entre os anos de 2019 e 2020. Observamos que além do repertório visual clássico das manifestações há uma multiplicidade estética, entre as quais identificamos (1) estética da violência e morte, (2) estética do empoderamento, (3) estética festiva, (4) estética da provocação, e (5) estéticas identitárias. O material demonstra formas visuais herdadas de outros movimentos de ação coletiva, a adaptação e inovação destas visualidades e a transnacionalização de repertórios.Palavras chave: Visualidade. Estética. Protesto. Feminismo. Brasília.  WOMEN’S MARCHS AND PROTESTS IN BRASILIA: VISUALITIES AND AESTHETICS Abstract: A protest is a way to visually interpellate the landscape of cities. The various forms of communicate and visually express the political imagination in manifestations can be explored as a way to understand the relationships between image, identity, politics and aesthetics. This paper aims to present records and analysis of visualities produced for protests or marches protagonized by women's movements that occurred in the city of Brasilia between the years 2019 and 2020. We observed that besides the classic visual repertoire of the protests there is an aesthetic multiplicity, among which we identify (1) aesthetics of violence and death, (2) aesthetics of empowerment, (3) festive aesthetics, (4) aesthetics of provocation, and (5) identitarian aesthetics. The material demonstrates visual forms inherited from other collective action movements, the adaptation and innovation of these visualities, and the transnationalization of repertoires.Keywords: Visuality. Aesthetics. Protest. Feminism. Brasília.  

Making Cadres of the “City—Corporation”: Cultural and Identity Politics in Neoliberal Dubai

2009 ◽  
Vol 43 (2) ◽  
pp. 207-218 ◽  
Author(s):  
Ahmed Kanna
Keyword(s):  
Identity Politics ◽  
The Political ◽  
Cultural Dimension ◽  
State Actors ◽  
State Projects ◽  
The City ◽  
Culture Concept

The contributions by Bishara, Deeb and Harb, Silverstein, and Winegar explore the ways non-state actors confront nationalist state projects. If these projects are not always foregrounded, the modernist nationalist state is nevertheless always in the background in each case, inviting an examination and critique of the “political commodifications of culture.” Here, I take a different approach to the culture concept in struggles between modernizing states and their subjects. Particularly suggestive in Winegar’s piece on Egypt and Deeb and Harb’s on Lebanon is the ethico-cultural dimension ofthaqafa, its injunction to the would-bemuthaqqafto self-regulate, to refine the sensibilities, and so on. As the authors point out, there is an arguably Eurocentric and statist bias whenthaqafais deployed in this way. Part of this aspect ofthaqafais an implicit condescension toward “folk” (i.e., non-state) traditions, which are represented as retrogressive.

Pratiche di auto-organizzazione sociale. Due casi di Empresas Recuperadas in Argentina

TERRITORIO ◽  
2012 ◽  
pp. 149-157
Author(s):  
Ida Castelnuovo
Keyword(s):  
Collective Action ◽  
Economic Crisis ◽  
Local Communities ◽  
Social Organisation ◽  
The Political ◽  
Structural Unemployment ◽  
Political Dimension ◽  
The City

The question of empresas recuperadas has existed in Argentina since the end of the 1990s. These are fi rms ‘recovered' by workers who, in a context of political, social and economic crisis, and faced with the risk of structural unemployment, have opposed the closure of factories and have set in motion a process of recuperación in which the space of a factory and its relationship with the city is transformed and where the workers' collective reinvents itself as a ‘new' social organisation. Experiences are generated in this fashion which transform local communities, where the political dimension is closely connected with the dimension of action and collective action. The objective of this paper is to discuss the importance of considering social selforganisation practices in terms of their capacity to generate policies and to reinvent the use of land and the community by generating public effects and by providing adequate answers to solve collective problems.

Göçmen edebiyatında din ve kimlik yansımaları -Fakir Baykurt’un Yarım Ekmek Romanında Din ve Gelenek-

2015 ◽  
Vol 2 (1) ◽  
pp. 117-145
Author(s):  
İsmail Güllü
Keyword(s):  
The Political ◽  
The Novel ◽  
Cultural Shock ◽  
Turkish Literature ◽  
Socialist Realist ◽  
Long Time ◽  
Societal Structure ◽  
Immigrant Religion ◽  
Turks In Germany ◽  
The City

Yarım aşırı aşan bir geçmişe sahip Almanya’ya göç olgusu beraberinde önemli bir edebi birikimi (Migrantenliteratur) de getirmiştir. Farklı adlandırmalar ile anılan bu edebi birikim, kendi içinde de farklı renkleri de barındıran bir özelliğe sahiptir. Edebi yazını besleyen en önemli kaynaklardan biri toplumdur. Yazarın içinde yaşadığı toplumsal yapı ve problemler üstü kapalı veya açık bir şekilde onun yazılarına yansımaktadır. Bu bağlamda araştırma, 50’li yaşlarında Almanya’ya giden ve ömrünün sonuna kadar orada yaşayan, birçok edebi ve düşünsel çalışması ile Türk edebiyatında önemli bir isim olan Fakir Baykurt’un “Koca Ren” ve Yüksek Fırınlar” adlı romanları ile birlikte Duisburg Üçlemesi’nin son kitabı olan “Yarım Ekmek” romanında ele aldığı konu ve roman kahramanları üzerinden din ve gelenek olgusu sosyolojik bir yaklaşımla ele alınmaktadır. Toplumcu-gerçekçi çizgide yer alan yazarın, uzun yıllar yaşadığı Türkiye’deki siyasi ve ideolojik geçmişi bu romanda kullandığı dil ve kurguladığı kahramanlarda kendini göstermektedir. Romanda Almanya’nın Duisburg şehrinde yaşayan Türklerin yeni kültürel ortamda yaşadıkları çatışma, kültürel şok, arada kalmışlık, iki kültürlülük temaları ön plandadır. Yazar romanda sadece Almanya’daki Türkleri ele almamakta, aynı zamanda Türkiye ile hatta başka ülkeler ile de ilişkilendirmeler yaparak bireysel ve toplumsal konuları ele almaktadır. Araştırmada, romanda yer alan dini ve geleneksel unsurlar sosyolojik olarak analiz edilmiştir. Genel anlamda bir göç romanı olma özelliği yanında Yarım Ekmek romanında dini, siyasi ve ideolojik birçok yorum ve tartışma söz konusudur. Romandaki bu veriler, inanç, ritüel, siyaset ve toplumsal boyutlarda kategorize edilerek ele alınmıştır.  ENGLISH ABSTRACTReligion and identity reflections in literature of immigrant: Religion and Tradition in Fakir Baykurt’s novel Yarım EkmekThe immigration fact which has nearly half century in Germany have brought a significant literal accumulation (Migrantenliteratur) in its wake. This literal accumulation, which is named as several denominations, has a feature including different colours in itself. One of the most important source snourishing literature is society. Societal structure and problems that the writer lives inside, directly or indirectly reflect on his/her compositions. In this context, the matter of religion and tradition by way of the issue and fictious characters in the novel of Fakir Baykurt who went to Germany in her 50’s and lived in there till his death and who is a considerable name in Turkish literature with his several literal and intellectual workings; “Yarım Ekmek” which is the third novel of Duisburg Trilogy with “Koca Ren” and “Yüksek Fırınlar” are discussed sociologically in the study. The political and ideological past of the socialist realist lined writer in Turkey where he spent his life for a long time, manifest itself on the speech and fictious characters of novel. In the novel, themes of new Turks’ conflict, cultural shock, being in the middle, bi culturalism in their new cultural nature in Duisburg which is the city they live in. The writer not only deals with Turks in Germany but also personal and social subjects via comparing them to Turkey and even other countries. In the study, religious and traditional elements analyzed sociologically. Besides the speciality of being a migration novel in general, there are a lot of religious, political and ideological interpretations and discussions in the novel. These datum in the novel are examinated in the context of belief, ritual, politics and social categorisation. 

Identity Politics' Issue In Indonesia Presidential Election 2019

2019 ◽  
Vol 1 (5) ◽  
Author(s):  
Ida Susilowati ◽  
Zahrotunnimah Zahrotunnimah ◽  
Nur Rohim Yunus
Keyword(s):  
Identity Politics ◽  
Presidential Election ◽  
Political Identity ◽  
Secondary Data ◽  
The Other ◽  
The Political ◽  
Political Campaign ◽  
Communist Ideology ◽  
Presidential Election Campaign ◽  
Research Analysis

AbstractPresidential Election in 2019 has become the most interesting executive election throughout Indonesia's political history. People likely separated, either Jokowi’s or Prabowo’s stronghold. Then it can be assumed, when someone, not a Jokowi’s stronghold he or she certainly within Prabowo’s stronghold. The issue that was brought up in the presidential election campaign, sensitively related to religion, communist ideology, China’s employer, and any other issues. On the other side, politics identity also enlivened the presidential election’s campaign in 2019. Normative Yuridis method used in this research, which was supported by primary and secondary data sourced from either literature and social phenomenon sources as well. The research analysis concluded that political identity has become a part of the political campaign in Indonesia as well as in other countries. The differences came as the inevitability that should not be avoided but should be faced wisely. Finally, it must be distinguished between political identity with the politicization of identity clearly.Keywords. Identity Politics, 2019 Presidential Election

Some Aspects of Identity Politics of Kharkiv Local Authorities After 2013

2018 ◽  
Vol 6 (1) ◽  
pp. 68-81
Author(s):  
Denys Kutsenko
Keyword(s):  
Development Strategy ◽  
Identity Politics ◽  
Central Government ◽  
Research Question ◽  
Interesting Case ◽  
Cultural Development ◽  
Local Authorities ◽  
New Policies ◽  
National Flag ◽  
The City

AbstractThe paper analyzes the transformation of identity politics of Kharkiv local authorities after the Euromaidan, or Revolution of Dignity, the annexation of Crimea, and the War in Donbass. Being the second largest city in Ukraine and becoming the frontline city in 2014, Kharkiv is an interesting case for research on how former pro-Russian local elites treat new policies of the central government in Kyiv, on whether earlier they tried to mobilize their electorate or to provoke political opponents with using soviet symbols, soviet memory, and copying Russian initiatives in the sphere of identity.To answer the research question of this article, an analysis of Kharkiv city and oblast programs and strategies and of communal media were made. Decommunisation, as one of the most important identity projects of Ukrainian central authorities after 2014, was analyzed through publications in Kharkiv’s city-owned media as well as reports from other scholars. Some conclusions are made from the analysis of these documents: Kharkiv development strategy until 2020, Complex program of cultural development in Kharkiv in 2011–2016 (and the same for 2017–2021), The regional program of military and patriotic training and participation of people in measures of defense work in 2015–2017, Program of supporting civil society in 2016–2020 in Kharkiv region and the city mayor’s orders about the celebration of Victory Day (9 May), the Day of the National Flag (23 August), the Day of the City (23 August) and Independence Day (24 August) in 2010–2015.

Introduction

2017 ◽  
Author(s):  
Aled Davies
Keyword(s):  
Industrial Development ◽  
The Political ◽  
Social Democratic ◽  
Financial Centre ◽  
Conservative Government ◽  
The Social ◽  
Post War ◽  
City Of London ◽  
The Relationship ◽  
The City

This book is a study of the political economy of Britain’s chief financial centre, the City of London, in the two decades prior to the election of Margaret Thatcher’s first Conservative government in 1979. The primary purpose of the book is to evaluate the relationship between the financial sector based in the City, and the economic strategy of social democracy in post-war Britain. In particular, it focuses on how the financial system related to the social democratic pursuit of national industrial development and modernization, and on how the norms of social democratic economic policy were challenged by a variety of fundamental changes to the City that took place during the period....

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