scholarly journals Contemporary detail in zoom-in-zoom-out technique: God and scale

2017 ◽  
Vol 15 (3) ◽  
pp. 307-316
Author(s):  
Milos Kostic ◽  
Vladimir Milenkovic

Considering both the visual and narrative character of architectural discourse it is possible to examine the capacity of a drawing as an autonomous form, but also as one assigned to it throughout the course of creation of new architecture. This paper's intent is to examine the place and the role of the architectural drawing of the detail within design research. Thematically different, the narratives are instruments used for creating a relationship between the project as a whole and its parts, while the detail defines the path from an idea to the realization of architecture, that is, from abstraction to concretization within the above-mentioned process. The notion of scalar imagination has been introduced in order to indicate the relationship between the traditional modernist understanding of the roles of detail and scale have, while the question of the real size of designed architecture has been moved aside. The scalar imagination reveals the relationships between the elements of architecture, while its visibility reveals the architect's ability to build the necessary information network while moving throughout the diverse levels of those relationships. The goal is to avoid vagueness of architecture represented by the drawing and favor the polyvalence of its meaning by presenting concrete information. In that sense, for the benefit of achieving clarity within the methodological approach, we researched the conditions of visibility within the relationship between the drawing and its meaning. Therefore, this paper focuses on the scale as a direct connection between the drawing of the detail and the continuity of the idea of architecture.

2021 ◽  
Author(s):  
◽  
Samuel Journeaux

<p>This thesis seeks to investigate the role of architecture in distilling of ephemerality within a fixed geometry; using the variables of light, texture, context and atmospheric conditions as experimental catalysts. Consequently, this research explores the notion that a rigid architecture can play a central role in the creation of temporal atmosphere. It investigates this proposition by developing a method to represent ephemerality through architectural form and medium with an iterative design process as the overarching methodology.  The design research begins with establishing the literary and physical context of projective geometries, abstraction of ‘place’ and atmospheric manipulation. This follows onto a three-part design-led exploration, with each test increasing in scale and architectural complexity. These include a site less installation, a gallery and a rehabilitation centre site on the rugged South Brighton coastline. This series explores the relationship between the temporary and the constant, with lessons learnt from each previous experiment translated into the later. These develop a range of architectural techniques for distilling ephemerality within fixed geometries with social response and programmatic factors being supplementary factors.The research recognises the already well established study into the ephemerality of spatial conditions within the architectural discourse and seeks to build on this through abstraction of place and site specific design responses.</p>


2021 ◽  
Author(s):  
◽  
Samuel Journeaux

<p>This thesis seeks to investigate the role of architecture in distilling of ephemerality within a fixed geometry; using the variables of light, texture, context and atmospheric conditions as experimental catalysts. Consequently, this research explores the notion that a rigid architecture can play a central role in the creation of temporal atmosphere. It investigates this proposition by developing a method to represent ephemerality through architectural form and medium with an iterative design process as the overarching methodology.  The design research begins with establishing the literary and physical context of projective geometries, abstraction of ‘place’ and atmospheric manipulation. This follows onto a three-part design-led exploration, with each test increasing in scale and architectural complexity. These include a site less installation, a gallery and a rehabilitation centre site on the rugged South Brighton coastline. This series explores the relationship between the temporary and the constant, with lessons learnt from each previous experiment translated into the later. These develop a range of architectural techniques for distilling ephemerality within fixed geometries with social response and programmatic factors being supplementary factors.The research recognises the already well established study into the ephemerality of spatial conditions within the architectural discourse and seeks to build on this through abstraction of place and site specific design responses.</p>


Elenchos ◽  
2015 ◽  
Vol 36 (1) ◽  
pp. 45-88 ◽  
Author(s):  
Monica Ugaglia

Abstract Aristotle’s way of conceiving the relationship between mathematics and other branches of scientific knowledge is completely different from the way a contemporary scientist conceives it. This is one of the causes of the fact that we look at the mathematical passages we find in Aristotle’s works with the wrong expectation. We expect to find more or less stringent proofs, while for the most part Aristotle employs mere analogies. Indeed, this is the primary function of mathematics when employed in a philosophical context: not a demonstrative tool, but a purely analogical model. In the case of the geometrical examples discussed in this paper, the diagrams are not conceived as part of a formalized proof, but as a work in progress. Aristotle is not interested in the final diagram but in the construction viewed in its process of development; namely in the figure a geometer draws, and gradually modifies, when he tries to solve a problem. The way in which the geometer makes use of the elements of his diagram, and the relation between these elements and his inner state of knowledge is the real feature which interests Aristotle. His goal is to use analogy in order to give the reader an idea of the states of mind involved in a more general process of knowing.


Author(s):  
Hannu L. T. Heikkinen

The aim of this article is to introduce different ways to conceptualise approaches aimed at improving practices by combining practitioners’ professional work and research. In historical terms, the oldest of these approaches is action research which was introduced in the 1940’s. Thereafter, approaches combining practical work with academic aspirations have been conceptualised in a number of ways, such as design research, translational research, developmental work research (DWR) and practitioner research, and their numerous versions and combinations. Secondly, the purpose of this paper is, from a philosophical and theoretical perspective, to examine the relationship between theoretical and practical aims of research by integrating Aristotle’s classical views on epistemology with the theory of knowledge and human interests of Jürgen Habermas. The methodological approach of this article is a theoretical and philosophical analysis of the literature.


2021 ◽  
Vol 12 ◽  
Author(s):  
Anna Plessas ◽  
Moana W. Billot ◽  
Armon Tamatea ◽  
Oleg N. Medvedev ◽  
Jessica McCormack ◽  
...  

Background: The extent to which behavior-analytic interventions are offered to Indigenous populations across CANZUS in accessible and culturally appropriate ways is unknown. We conducted a scoping review with a thematic analysis of the extant literature to find: (1) what are the barriers and facilitators for providing effective and equitable delivery of psychological services (with a behavioral component) to Indigenous populations; and (2) what tools and practices exist for an effective and equitable service delivery.Methods: We systematically reviewed Medline, CINAHL, PubMed, PsycInfo, Web of science, Ovid and INNZ databases between 1990 and 2020. For the scoping review, we adhered to the JBI methodological approach (2015) and the PRISMA strategy for the identification, selection, and appraisal of the reviewed articles. A total of 1265 unique articles met the criteria for the screening by title; 238 by abstract; 57 were included for full text assessment; and 37 were included in the final analysis.Results: Three themes were revealed to account for the barriers and facilitators of culturally friendly practices: (1) connecting practices are about interactions shaping the relationship between service provider and service client; (2) innovative practices test new approaches and innovations that could facilitate access to psychological services and overcome barriers, and (3) reflective practices are about critically examining the processes and actions undertaken toward effective cultural adaptation of services.Conclusions: Our analysis suggests that the level of success in bringing together services and the recipients of treatment (connection), showing flexibility and persistence in finding solutions (innovation) and examining the role of our behaviors in reaching our goals (reflection) is determined by the providers' action in the aforementioned three dimensions of practice.


2020 ◽  
Vol 123 (1) ◽  
pp. 337-354
Author(s):  
Fahimeh Khatami ◽  
Alberto Ferraris ◽  
Paola De Bernardi ◽  
Valter Cantino

PurposeThis paper empirically tests the relationship between food heritage, familiness, and clan culture, thus, highlighting the pivotal role of familiness in building robustly competitive food firms based on clan culture and food heritage.Design/methodology/approachThe methodological approach adopted is based on a quantitative analysis with data from one eco-tourist city in Iran (Torqabeh). In this regard, we developed a structured questionnaire surveying 98 small- and medium-sized enterprises (SMEs) operating in the food industry. We then used partial least squares structural equation modeling (PLS-SEM) to carry out the analysis.FindingsThe results indicate the significant positive relationship between food heritage and clan culture, and highlight the role of familiness as a strong mediator, which is also associated with a strong relationship between food heritage and clan culture.Research limitations/implicationsIn the present study, the main limitation was linked to the small sample size and data collection, which took place in only a single city; however, further research could overcome this limitation by investigating SMEs from a heterogeneous geographical context.Originality/valueThe value of this research relates to studies that have examined food heritage as a possible antecedent of familiness. Moreover, the novelty of this research is to study the concept of familiness in improving resource-based views and organizational theories.


Author(s):  
Paul Stubbs

The chapter explores theoretical, political and ethical challenges inherent in activist research in conflict and post-conflict environments, focusing on Croatia and the wider post-Yugoslav space. Framed in terms of ‘ambivalence’, ‘positionality’ and ‘reflexivity’, the chapter revisits themes which were especially important in the wars of the Yugoslav succession: the ‘projectisation’ of NGOs; the relationship between ‘the real’ and ‘the virtual’; the role of external actors within a ‘new humanitarianism’; the over-emphasis on medicalised understanding of ‘trauma’; and the limits and possibilities of anti-nationalist movements in times of nationalist mobilisation. The chapter emphasises the importance of multi-voiced ethnography, a conscious post-colonial positioning and a stance of deep humility as preconditions for activist research to open up new arenas of possibility, struggle and change.


1996 ◽  
Vol 19 (2) ◽  
pp. 211-228 ◽  
Author(s):  
Asher Koriat ◽  
Morris Goldsmith

AbstractOur response to the commentators covers four general issues: (1) How useful is our proposed conceptualization of the real-life/laboratory controversy in terms of the contrast between the correspondence and storehouse metaphors? (2) What is the relationship between these two metaphors? (3) What are the unique implications of the correspondence metaphor for memory assessment and theory? (4) What are the nature and role of memory metaphors in memory research? We stress that the correspondence metaphor can be usefully exploited independent of the real-life/laboratory controversy, but that a variety of other metaphors, including the storehouse, should also be utilized in order to more fully capture the myriad facets and functions of memory in everyday life.


2012 ◽  
Vol 13 (1) ◽  
pp. 123-136 ◽  
Author(s):  
P.K. Mishra

Mutual funds allow for portfolio diversification and relative risk aversion through collection of funds from the households and investment of the same in the stock and debt markets. In this process, mutual funds industry plays the most important role of a resource mobilizer. As a resource mobilizer, the industry collects the investible surpluses from the surplus-spending units and channelizes the same to the deficit-spending units of an economy. Such a function has wide relevance for a developing country like India. Arguably, mutual funds industry as a resource mobilizer appears to contribute to real economic growth of a country by reducing the transaction costs and raising the purchasing power of the investors. Thus, this article is an attempt to investigate the dynamics of the relationship between gross funds mobilized by mutual funds and the real economic growth of a developing country like India for the period 1970–71 to 2008–09. Using the time series econometric techniques of cointegration and error correction estimates, the study concludes that the growth in real gross domestic product Granger causes gross resource mobilization by mutual funds in the long run, but not in the short run. This finding supports the demand-following hypothesis and thus, the policy implication is that the real economic growth of India may be considered as the policy variable to augment the resource mobilization by mutual funds.


2019 ◽  
Vol 20 (2) ◽  
Author(s):  
Carol-Anne Rodrigues

In modern day architecture practice, the role of the hand in the design process has been displaced by the advent of new technology. There is an inherent desire in practice to rely fully on the computer, which within its digital parameters removes the direct connection of the architect’s hand from the creative process. To create meaningful architecture, it is imperative to understand that the relationship of the architect’s hand in the design process is as critical as the relationship of the architectural joint to the project. To understand the hand, I approached it architecturally and rigorously studied its form and structure. At the same time, I studied several sculptors and artists, such as Richard Serra, Eduardo Chillida, Robert Morris and Eva Hesse who concentrated on the process over the final product.  I created section drawings of select pieces and analyzed them with hand motions to study their forms. With these analyses, I created a material joint that explored different ways to “hold” masses and “join” different materials. With my hand analyses and material joints, I have understood the level of the “joint” at different scales: from the hand that makes the architecture to the actual structure that holds architecture together.


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