scholarly journals The Serbian idea in an era of confused historical consciousness

Author(s):  
Milovan Mitrovic

This paper, represents a hypothetical consideration of the phenomenology of the Serbian national idea, within the traumatic circumstances of the breakup of the Yugoslav state at the end of the 20th century, when the Serbian national issue was reopened in an exceptionally unfavorable geopolitical context for the Serbian people. The author specifically analyzes the ideological and political factors behind the Serbian confusion with the theoretical framework of Agnes Heller's critical interpretation of history, which speaks of the 'confusion of historical consciousness' that began with World War I and was magnified by the Holocaust, Hiroshima, the Gulag and the European concentration camps. The author of this article adds the great Powers' Balkan interventions during the world wars to their dishonorable historical legacy, ending with their role in the creation and the breakup of Yugoslavia, at the expense of the Serbian people. The conclusion contains an appeal for a more rational national self-consciousness, founded in positive Serbian tradition and real insights into the social conditions that determine the processes in today's Serbian society and its environment.

2013 ◽  
Vol 21 (1) ◽  
pp. 34-43 ◽  
Author(s):  
Dusanka Dobanovacki ◽  
Milan Breberina ◽  
Bozica Vujosevic ◽  
Marija Pecanac ◽  
Nenad Zakula ◽  
...  

Following the shift in therapy of tuberculosis in the mid-19th century, by the beginning of the 20th century numerous tuberculosis sanatoria were established in Western Europe. Being an institutional novelty in the medical practice, sanatoria spread within the first 20 years of the 20th century to Central and Eastern Europe, including the southern region of the Panonian plain, the present-day Province of Vojvodina in Serbia north of the rivers Sava and Danube. The health policy and regulations of the newly built state - the Kingdom of Serbs, Croats and Slovenians/Yugoslavia, provided a rather liberal framework for introducing the concept of sanatorium. Soon after the World War I there were 14 sanatoria in this region, and the period of their expansion was between 1920 and 1939 when at least 27 sanatoria were founded, more than half of the total number of 46 sanatoria in the whole state in that period. However, only two of these were for pulmonary diseases. One of them was privately owned the open public sanatorium the English-Yugoslav Hospital for Paediatric Osteo-Articular Tuberculosis in Sremska Kamenica, and the other was state-run (at Iriski venac, on the Fruska Gora mountain, as a unit of the Department for Lung Disease of the Main Regional Hospital). All the others were actually small private specialized hospitals in 6 towns (Novi Sad, Subotica, Sombor, Vrbas, Vrsac, Pancevo,) providing medical treatment of well-off, mostly gynaecological and surgical patients. The majority of sanatoria founded in the period 1920-1939 were in or close to the city of Novi Sad, the administrative headquarters of the province (the Danube Banovina at that time) with a growing population. A total of 10 sanatoria were open in the city of Novi Sad, with cumulative bed capacity varying from 60 to 130. None of these worked in newly built buildings, but in private houses adapted for medical purpose in accordance with legal requirements. The decline of sanatoria in Vojvodina began with the very outbreak of the World War II and they never regained their social role. Soon after the Hungarian fascist occupation the majority of owners/ founders were terrorized and forced to close their sanatoria, some of them to leave country and some were even killed or deported to concentration camps.


2018 ◽  
Vol 10 (3/2) ◽  
pp. 42-53
Author(s):  
E. V. MIRONOVA

Our perception of the world and current events is formed through  diverse and often contradictory sources. It is always amended and  augmented throughout the unceasing process of information  consumption. Since the beginning of the XX century this process has  been more and more governed by images. That is why the  great powers drawn in the Great War were actively using visual  materials for propaganda purposes: to steer their people towards  confrontation and to create “the image of the enemy”. The issue “construction of an enemy” does not lose its relevance due to  the fact that today’s media wars propaganda principles and  techniques are still the same as they were one hundred years ago.  The article describes the milestones of the enemy image creation  and gives a thorough analysis of Russian propaganda postcards from the World War I in order to outline the key features of German  enemy figure. The emphasis is made on the idea that the image of  Germany is ambivalent: the country and its citizens were pictured  differently. The postcards serve as sources of the current study since they were one of the main means of communication during the war  time and one of the most effective propaganda tools: people used to  distribute the postcards themselves, thus creating an emotional  bond between the recipient and the image on the front side. The  novelty of the research is attributable to the fact that this issue has  not been considered through the prism of historical imagology. 


Author(s):  
Dale C. Copeland

This chapter explores the origins of three of the four most important wars of the first half of the twentieth century: the Russo-Japanese War of 1904–5, World War I, and World War II in Europe. These three wars had more than just a chronological connection to one another. The Russo-Japanese War helped solidify the diplomatic and economic alignments of the great powers in the decade before 1914, while the disaster of the First World War clearly set the stage for the rise of Nazism and the outbreak of yet another global war a generation later. This chapter focuses on providing a fairly comprehensive account of the causes of the Russo-Japanese War, confining the discussion of the world wars to the economic determinants of those conflicts.


1985 ◽  
Vol 9 (1) ◽  
pp. 49-69
Author(s):  
Eric D. Weitz

In the reichstag election of June 1920, Germany’s Independent Social Democratic Party (USPD) more than doubled its 1919 vote, while the Social Democratic Party (SPD) declined precipitously. Coming only nineteen months after the establishment of a German republic, the election indicated widespread discontent with the governments led by the Social Democrats, who had assumed power in November 1918. In Essen, located in the center of the Ruhr and dominated by coal mines and the giant Krupp works, the SPD was almost eliminated as a political force (Essen, Amt für Statistik und Wahlen, n.d.).


Author(s):  
Melissa L. Cooper

This chapter investigates the emergence of Gullah folk in the national imagination by exploring the convergence of the shift from Victorian thought to modernist thought during the World War I era; the advent of the social sciences; the Harlem Renaissance; the Great Migration; and the successes of Julia Peterkin's Gullah novels. Together, these phenomena, and the new strand of primitivism that took root as a result, are presented as essential forces that contributed to the reimagining of the value of black people's African heritage.


2018 ◽  
Vol 10 (3/2) ◽  
Author(s):  
Elizaveta V. Mironova

Our perception of the world and current events is formed through diverse and often contradictory sources. It is always amended und augmented throughout the unceasing process of information consumption. Since the beginning of the XXth century this process has been more and more governed by images. That is why the great powers drawn in the Great War were actively using visual materials for propaganda purposes: to steer their people towards confrontation and to create “the image of the enemy”. The issue “construction of an enemy” does not lose its relevance due to the fact that today’s media wars propaganda principles and techniques are still the same as they were one hundred years ago. The article describes the milestones of the enemy image creation and gives a thorough analysis of Russian propaganda postcards from the World War I in order to outline the key features of German enemy figure. The emphasis is made on the idea that the image of Germany is ambivalent: the country and its citizens were pictured differently. The postcards serve as sources of the current study since they were one of the main means of communication during the war time and one of the most effective propaganda tools: people used to distribute the postcards themselves, thus creating an emotional bond between the recipient and the image on the front side. The novelty of the research is attributable to the fact that this issue has not been considered through the prism of historical imagology.


Author(s):  
Nikita Evgen'evich Belukhin

Based on the historical analysis, this article attempts to give a detailed and comprehensive answer to the question about the reasons that forced Denmark to abandon the policy of neutrality after the World War II and become the member of the North Atlantic Alliance. The object of this research is the foreign policy of Denmark in the XV – XX centuries, while the subject is the balancing strategy of Denmark in the conditions of transition from the status of regional power to the status of second-order power, and ultimately, to the status of a small European state that seeks to ensure the own neutrality. Special attention is given to the analysis of strategic foreign policy decisions of Denmark in the conditions of major regional and European conflicts, such as the Dano-Swedish War of the XVII century, Great Northern War (1700-1721), Napoleonic Wars (1799-1815), First Schleswig War (1848-1850) and Second Schleswig War (1864), World War I (1914-1918) and World War II (1939-1945). The conclusion is made that reaching the actual neutral status for Denmark throughout its foreign policy history was virtually impossible due to the fact that conventional neutrality acquired either a pro-German or pro-British orientation, and in reality represented an attempt to find a complex balance between the interests of the great powers. The need for balancing overlapped the historical vulnerability of Northern European region to external influence. Since the great powers using bilateral diplomacy did allow close rapprochement countries between Nordic countries, the common defense alliance projects both prior to the World War II and after the World War II failed to implement  A crucial point in evolution of the foreign policy strategy of Danish politicians became the negative experience of the World War II, when strict conformity to the policy of neutrality did not prevent the German occupation of the country.


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