Cheng Kuan-Ying: The Comprador as Reformer

1969 ◽  
Vol 29 (1) ◽  
pp. 15-22 ◽  
Author(s):  
Yen-P'ing Hao

In Chinese history, few reformers have been merchants and, prior to Cheng Kuan-ying, none of them was a merchant working for foreigners. In the late Ch'ing, the rise of the merchant class was remarkable and the reformers came from varying social backgrounds. Yet Cheng Kuan-ying (1842–ca. 1923) was the only noted merchant-reformer in this period. Due to his association with the foreign merchants, he was probably the first reformer in modern China who mastered a Western language. This fact made his reform proposals unique in many ways, although his understanding of the West as a whole was limited. The significance of Cheng Kuan-ying as a reformer lies in the fact that he implicitly challenged the programs of the self-strengthening movement by pointing out the necessity of institutional change.

2006 ◽  
Vol 40 (3) ◽  
pp. 691-723 ◽  
Author(s):  
ROBERT BICKERS

For John King Fairbank the establishment of the foreign inspectorate of the Chinese Maritime Customs Service was a key symbolic moment in modern Chinese history. His landmark 1953 volume Trade and Diplomacy on the China Coast culminates with the 1854 Inspectorate agreement, which, he argued, ‘foreshadowed the eventual compromise between China and the West—a joint Chinese and Western administration of the modern centers of Chinese life and trade in the treaty ports’. Without the CMCS, he implied, there could be no modern China. It was the ‘the institution most thoroughly representative of the whole period’ after the opening of the treaty ports down to 1943, he wrote. By 1986 he was arguing that it was the ‘central core’ of the system. ‘Modernity, however defined, was a Western, not a Chinese, invention’, he claimed, and Sir Robert Hart's Customs Service was its mediator.


2005 ◽  
Vol 48 (2) ◽  
pp. 523-543 ◽  
Author(s):  
RANA MITTER

Twenty years ago, the study of modern China in the west was heavily focused on rural China. It used the rise to power of the Chinese Communist Party as its overarching narrative, and treated the communist victory of 1949 as a watershed. This review surveys several recent trends in the writing of Chinese history in the west which have challenged these models. Among the changes of emphasis in the field that are noted are: a new interest in China's place in global history, urban history, and the history of consumption; a rethinking of the significance of nationalism and imperialism; warfare as a vehicle of sociocultural change; and a reinterpretation of Chinese modernity that stresses the similarities, as well as the differences, between the Chinese Communist Party and its predecessors, the Nationalists, and also stresses continuities as well as changes across the ‘barrier’ date of 1949. The review highlights areas of interest to non-specialists in Chinese history, and concentrates on studies of the Republican period (1912–49) published since the 1990s, although it also covers work covering topics in the late imperial and early People's Republic periods.


Author(s):  
David L. Hall ◽  
Roger T. Ames

Any attempt to survey an intellectual tradition which encompasses more than four thousand years would be a daunting task even if it could be presumed that the reader shares, at least tacitly, many of the assumptions underlying that tradition. However, no such commonalities can be assumed in attempting to introduce Asian thinking to Western readers. Until the first Jesuit incursions in the late sixteenth century, China had developed in virtual independence of the Indo-European cultural experience and China and the Western world remained in almost complete ignorance of one another. The dramatic contrast between Chinese and Western modes of philosophic thinking may be illustrated by the fact that the tendency of European philosophers to seek out the being of things, the essential reality lying behind appearances, would meet with little sympathy among Chinese thinkers, whose principal interests lie in the establishment and cultivation of harmonious relationships within their social ambiance. Contrasted with Anglo-European philosophic traditions, the thinking of the Chinese is far more concrete, this-worldly and, above all, practical. One reason for this difference is suggested by the fact that cosmogonic and cosmological myths played such a minor role in the development of Chinese intellectual culture and that, as a consequence, Chinese eyes were focused not upon issues of cosmic order but upon more mundane questions of how to achieve communal harmony within a relatively small social nexus. The rather profound linguistic and ethnic localism of what Pliny the Elder described as a ‘stay-at-home’ China, reinforced by a relative freedom from intercultural contact, generated traditional radial communities in which moral, aesthetic and spiritual values could remain relatively implicit and unarticulated. By contrast, in the West these norms had to be abstracted and raised to the level of consciousness to adjudicate conflicts occasioned by the complex ethnic and linguistic interactions associated with the development of a civilization rooted almost from the beginning in the confluence of Greek, Hebrew, and Latin civilizations. The distinctive origins and histories of Chinese and Western civilizations are manifested in a number of important ways. The priority of logical reasoning in the West is paralleled in China by the prominence of less formal uses of analogical, parabolic and literary discourse. The Chinese are largely indifferent to abstract analyses that seek to maintain an objective perspective, and are decidedly anthropocentric in their motivations for the acquisition, organization and transmission of knowledge. The disinterest in dispassionate speculations upon the nature of things, and a passionate commitment to the goal of social harmony was dominant throughout most of Chinese history. Indeed, the interest in logical speculations on the part of groups such as the sophists and the later Mohists was short-lived in classical China. The concrete, practical orientation of the Chinese toward the aim of communal harmony conditioned their approach toward philosophical differences. Ideological conflicts were seen, not only by the politicians but by the intellectuals themselves, to threaten societal well-being. Harmonious interaction was finally more important to these thinkers than abstract issues of who had arrived at the ‘truth’. Perhaps the most obvious illustration of the way the Chinese handled their theoretical conflicts is to be found in mutual accommodation of the three emergent traditions of Chinese culture, Confucianism, Daoism and Buddhism. Beginning in the Han dynasty (206 bc–ad 220), the diverse themes inherited from the competing ‘hundred schools’ of pre-imperial China were harmonized within Confucianism as it ascended to become the state ideology. From the Han synthesis until approximately the tenth century ad, strong Buddhist and religious Daoist influences continued to compete with persistent Confucian themes, while from the eleventh century to the modern period, Neoconfucianism – a Chinese neoclassicism – absorbed into itself these existing tensions and those that would emerge as China, like it or not, confronted Western civilization. In the development of modern China, when Western influence at last seemed a permanent part of Chinese culture, the values of traditional China have remained dominant. For a brief period, intellectual activity surrounding the May Fourth movement in 1919 seemed to be leading the Chinese into directions of Western philosophic interest. Visits by Bertrand Russell and John Dewey, coupled with a large number of Chinese students seeking education in Europe, Great Britain and the USA, promised a new epoch in China’s relations with the rest of the world. However, the Marxism that Mao Zedong sponsored in China was ‘a Western heresy with which to confront the West’. Mao’s Marxism quickly took on a typically ‘Chinese’ flavour, and China’s isolation from Western intellectual currents continued essentially unabated.


2019 ◽  
Vol 12 (1) ◽  
pp. 34-46 ◽  
Author(s):  
Chengcheng You

This article reviews four major Chinese animated adaptations based on the classic Journey to the West. It shows how these adaptations, spanning four historical phases of modern China, encapsulate changes in Chinese national identity. Close readings underpin a developmental narrative about how Chinese animated adaptations of this canonical text strive to negotiate the multimodal expressions of homegrown folklore traditions, technical influences of western animation, and domestic political situations across time. This process has identified aesthetic dilemmas around adaptations that oscillate between national allegory and individual destiny, verisimilitude and the fantastic quest for meaning. In particular, the subjectivisation of Monkey King on the screen, embodying the transition from primitivistic impulse, youthful idealism and mature practicality up to responsible stewardship, presents how an iconic national figure encapsulates the real historical time of China.


2018 ◽  
Vol 32 (2) ◽  
pp. 37-56
Author(s):  
Dhruba Karki

 Zhang Yimou’s Hero presents an action hero, yet in a slightly different cinematic mode than that of Stephen Chow-directed Shaolin Soccer to blend myth and modernity. In Yimou’s martial arts cinema, Jet Li-starred Nameless hero uses martial arts to combat the king’s adversaries, including Donnie Yen-starred Long Sky, Maggie Cheung-starred Flying Snow and Tony Leung Chiu-Wai-starred Broken Sword in the service to the Qin Dynasty (221 BC – 207 BC). The warrior hero’s indigenous body art helps the Qin Dynasty transform the smaller warring kingdoms into a powerful Chinese Empire, a strong foundation of modern China with economic and military superpower. Like their western counterparts, including T1000 and Neo, the Hong Kong action heroes, such as the warrior hero and the Qin King have been refashioned in the Hollywood controlled twentieth-century popular culture. Different from their Hollywood counterparts in actions, the Hong Kong action heroes in Hero primarily use their trained bodies and martial skills to promote the Chinese civilization, an adaptation of the Hollywood tradition of technologized machine body. Reworking of myth and archetype in Nameless’s service to the Qin Dynasty and the emperor’s mission to incept the Chinese Empire, the Hong Kong action heroes appear on screen, a blend of tradition and modernity. The film industry’s projection of the Chinese history with the legendary action heroes, including Nameless soldier and the Qin King globalizes the indigenous Chinese culture by using modern electronic digital technology, a resonance of the western technological advancement.


Religions ◽  
2021 ◽  
Vol 12 (7) ◽  
pp. 480
Author(s):  
Frank G. Bosman

The story collection known in the West as The Arabian Nights or One Thousand and One Nights, is famous, among other things, for its erotic playfulness. This eroticism was (and is) one of the key reasons for its continuous popularity after Antoine Galland’s French translation in 1704. The Arabian Nights includes, besides traditional, heterosexual acts, play, and desires, examples of homoerotic playfulness—even though we must tread lightly when using such Western concepts with an oriental text body such as this one. The homoerotic playfulness of The Arabian Nights is the subject of this article. By making use of a text-immanent analysis of two of the Nights’ stories—of Qamar and Budûr and of Alî Shâr and Zumurrud—the author of this article focuses on the reversal of common gender roles, acts of cross-dressing, and, of course, homoerotic play. He will argue that these stories provide a narrative safe environment in which the reader is encouraged to “experiment” with non-normative sexual and gender orientations, leaving the dominant status quo effectively and ultimately unchallenged, thus preventing the (self-proclaimed) defenders of that status quo from feeling threatened enough to actively counter-act the experiment.


2021 ◽  
Vol 2021 (271) ◽  
pp. 1-16
Author(s):  
Alexandra Grey ◽  
Loy Lising ◽  
Jinhyun Cho

Abstract That English has spread in Asia is well-known, but this critical reflection, and the five contributions and book review that we hereby introduce, contribute to rectifying the relative absence in the sociology of language literature of studies approaching language ideologies and practices in specific Asian contexts from local perspectives. We are not alone; our inspections of journal archives show that scholars are increasingly responding to this relative absence in recent years. What this special issue offers is further diversity of both authors and cases, and moreover this special issue draws attention to the immutable, binary structure underlying the various globally-circulating discourses of the East and the West as part of investigating how socially constructed East-West binaries interact with language ideologies about English and other languages. It shifts the attention from fixity – East versus West – to diversity, extending East to Easts and West to Wests as our contributors identify and examine multiple, endogenous “imaginative geograph[ies]” (from Arif Dirlik’s [1996] “Chinese history and the question of Orientalism”, History and Theory 35(4): 97) constructed through various Orientalist ideologies. It founds this approach on a combination of the theory of recursive language ideologies and critical Orientalism scholarship. This is generative of new and useful sociolinguistic analyses. Having laid out this theoretical extension, this editorial then provides an overview of the issue’s contributions, which examine how socially constructed East-West binaries are interacting with language ideologies about English and other languages on sub-national scales in various Asian contexts including in Korea, China, Japan, Tajikistan and Pakistan.


2018 ◽  

What does it mean to be a good citizen today? What are practices of citizenship? And what can we learn from the past about these practices to better engage in city life in the twenty-first century? Ancient and Modern Practices of Citizenship in Asia and the West: Care of the Self is a collection of papers that examine these questions. The contributors come from a variety of different disciplines, including architecture, urbanism, philosophy, and history, and their essays make comparative examinations of the practices of citizenship from the ancient world to the present day in both the East and the West. The papers’ comparative approaches, between East and West, and ancient and modern, leads to a greater understanding of the challenges facing citizens in the urbanized twenty-first century, and by looking at past examples, suggests ways of addressing them. While the book’s point of departure is philosophical, its key aim is to examine how philosophy can be applied to everyday life for the betterment of citizens in cities not just in Asia and the West but everywhere.


2003 ◽  
Vol 37 (1) ◽  
pp. 1-39 ◽  
Author(s):  
Yangwen Zheng

The history of opium is a major theme in modern Chinese history. Books and academic careers have been devoted to its study. Yet the question that scholars of the opium wars and of modern China have failed to ask is how the demand for opium was generated. My puzzle, during the initial stage of research, was who smoked opium and why. Neither Chinese nor non-Chinese scholars have written much about this, with the exception of Jonathan Spence. Although opium consumption is a well-acknowledged fact, the reasons for its prevalence have never been fully factored into the historiography of the opium wars and of modern China. Michael Greenberg has dwelt on the opium trade, Chang Hsin-pao and Peter Fay on the people and events that made armed conflicts between China and the West unavoidable. John Wong has continued to focus on imperialism, James Polachek on Chinese internal politics while Opium regimes: China, Britain, and Japan, 1839–1952, the latest work, has studied the political systems that controlled opium. But the political history of opium, like the opium trade and the theatre of war, is only part of the story. We need to distinguish them from the wider social and cultural life of opium in China. The vital questions are first, the point at which opium was transformed from a medicine to a luxury item and, secondly, why it became so popular and widespread after people discovered its recreational value. It is these questions that I address. We cannot fully understand the root problem of the opium wars and their role in the emergence of modern China until we can explain who was smoking opium and why they smoked it.


Author(s):  
Mongi Zidi ◽  
Turki Al-Shalaki ◽  
Talal Alsaif ◽  
Saeed Al-Dossary ◽  
Desouki Hamed ◽  
...  

An exploratory study was conducted examining the problem of identity and participation among Saudi youth in light of social transformations. The project combined the quantitative and the qualitative curricula and relied on a field study using an electronic questionnaire with a sample of 1318 male and female students from the University of Hail and the participation of 120 students in focus groups during the beginning of the 2020/2021 academic year. The research was based on a number of international and local studies and surveys, and its conclusions were compared with their outcomes. The study outlined a set of indicators that showed the growing expression of the national belonging of the Saudi state in the context of an Arab–Islamic civilisation, a moderate view of the West, a balanced vision of reconciling conservatism with a move towards more openness, and a sense of confidence in the state and in the self. The research also found that the low rate of social participation is matched by a full awareness of its importance and a desire to practise it. The study recommended strengthening the gains of young people and developing areas of participation in proportion to the aspirations of those individuals.


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