In Search of One Word's Meaning: Zaman in Early Twentieth-Century Kano

1997 ◽  
Vol 24 ◽  
pp. 95-115 ◽  
Author(s):  
Allan Christelow

When Caliph Attahiru of Sokoto chose flight over submission to the British in March 1903, it was left to the blind and aging Waziri, Muhammad al-Bukhari, to provide those who remained behind with an explanation of how they could remain good Muslims while accepting infidel rule. Citing a text of the caliphate's founder, Shehu ʿUthman Dan Fodio, he argued that one could befriend the British with the tongue, without befriending them with the heart. It remained for others to develop the vocabulary that their tongues would need for this task.A particularly intriguing item in the vocabulary that emerged during the turbulent first decade of colonial rule was a new usage of zaman(time, era) that occurs in the records of the Emir of Kano's judicial council in such terms as hukm al-zaman (rule of the era) and ʿumur al-zaman (things of the era). It is worth noting that the judicial council did not keep written records before being instructed to do so by British Resident C.L. Temple in 1909, so the records might be seen as preserving what was essentially oral discourse—expressions of the tongue. These terms occur uniquely in relation to legal matters in which the British had intervened. Understanding them can shed new light on the religious and political adaptation of northern Nigerian Muslim leaders to life under British rule. To explore their meaning requires a threefold process of examining various usages and understandings of zaman in non-legal sources; describing how the judicial council used the word; and then analyzing how this usage may have been related to any of a number of influences, ranging from British officials to West African Islamic scholars to Western-educated North Africans passing through the region.

1995 ◽  
Vol 12 (1) ◽  
pp. 66-80
Author(s):  
Olakunle A. Lawal

IntroductionThis essay provides an explanation of the dynamics of the interactionbetween Islam and politics by placing emphasis on the role played byMuslims in the collision of traditionalism and British rule as colonialismtook root in Lagos. The focus is on the development of a political schismwithin the nascent Muslim community of metropolitan Lagos at the startof the twentieth century up until the end of the 1940s. It highlights therole of Islam in an emerging urban settlement experiencing rapid transformationfrom a purely rural and traditional center into a colonial urbancenter. The essay is located within the broader issues of urban change andtransition in twentieth-century tropical Africa. Three major developments(viz: the central mosque crisis, the Eleko affair, and the Oluwa land case)are used as the vehicles through which the objectives of the essay areachieved.The introduction of Islam into Lagos has been studied by T. G. O.Gbadamosi as part of the history of Islam in southwestern Nigeria. Thisepic study does not pay specific attention to Lagos, devoted as it is to thegrowth of Islam in a far-flung territory like the whole of modem southwesternNigeria. His contribution to a collection of essays on the historyof Lagos curiously leaves out Islam’s phenomenal impact on Lagosianpolitics during the first half of the twentieth century. In an attempt to fillthis gap, Hakeem Danmole’s essay also stops short of appreciating the fundamentallink between the process of urbanization, symbolized in this caseby colonial rule, and the vanguard role played by Muslims in the inevitableclash of tradition and colonial rule in Lagos between 1900 and 1950.


2011 ◽  
Vol 23 (1-2) ◽  
pp. 51-82
Author(s):  
Ben Winters

AbstractResponses to Korngold's 1920 opera Die tote Stadt have long been filtered through the lens of his later Hollywood career. To do so, however, not only risks misunderstanding the relationship between these two different spheres of the composer's output, but also ignores the opera's complex positioning within the gender discourses of early twentieth-century Vienna. This article offers a corrective to the clichéd view of Korngold the ‘pre-filmic’ opera composer by arguing that, in its treatment of the characters Marie and Marietta, Die tote Stadt draws on a tradition of ‘strangling blonde’ imagery from the nineteenth century in order to critique the gender theories of Otto Weininger (1880–1903), which were still current in the 1920s. As such, in its concern with the nature of femininity, Die tote Stadt also draws our attention to the modern woman who had just entered the composer's life, Luise (Luzi) von Sonnenthal.


2018 ◽  
Vol 25 (1-2) ◽  
pp. 78-120 ◽  
Author(s):  
Jonathan Miran ◽  
Aharon Layish

This study examines the testamentary waqf of Aḥmad b. ʿAbd Allāh al-Ghūl (1853-1919), a prominent merchant and communal leader in the cosmopolitan Red Sea port town of Massawa in Eritrea during the period of Italian colonial rule (1885-1941). We provide an annotated translation of the document and a detailed socio-legal analysis of its features. We argue that the testamentary waqf was a vehicle for ensuring the family’s integration in Eritrea in perpetuity. We also consider how the testamentary waqf was used as a strategy to sustain the al-Ghūl family as a corporate unit by preserving the integrity of its real estate assets and by upholding the family’s internal hierarchy of authority. Finally, by endowing properties to mosques and wells, the testator-founder sought to establish the family’s role as a patron of the Muslim community.



Author(s):  
Phillip Drew

The fact that a number of aspects of maritime blockade law are not settled in customary law infers that any state that engages in blockade operations risks the possibility that its actions will be found to have been unlawful. Because the consequences of a blockade can be so deleterious to vulnerable civilian populations, it is necessary that a legal framework for maritime blockade be established. At the core of any such framework must be the requirement to address humanitarian issues and concerns. Without such initiatives, the law of blockade will remain mired in the early twentieth century, and states engaging in this method of warfare will do so under a cloud of legal ambiguity.


2019 ◽  
Vol 24 (3) ◽  
pp. 578-600 ◽  
Author(s):  
Giacomo Domini

Abstract This paper investigates the relevance for innovation of international exhibitions. While the first of these events, i.e., London’s 1851 Great Exhibition, was an “exhibition of innovations,” many of the subsequent ones, following the model of industrial exhibitions developed in France, did not select exhibits based on novelty. In fact, they displayed a large spectrum of products, ranging from machines to primary products. Therefore, the suitability of data from their catalogs for proxying innovation, and their relationship to the traditional patent measure, should be better qualified. To do so, this paper performs an in-depth analysis of the Turin 1911 international exhibition, a medium-sized representative “French-model” exhibition. It matches a new database, built from the catalog of this event, with patents granted in Italy, revealing substantial differences. Furthermore, it evaluates how inventors could use the exhibition to promote their ideas, establish their reputation, and develop their career.


2019 ◽  
Vol 79 (4) ◽  
pp. 989-1026 ◽  
Author(s):  
Katherine Eriksson ◽  
Zachary Ward

We provide the first estimates of immigrant residential segregation between 1850 and 1940 that cover the entire United States and are consistent across time and space. To do so, we adapt the Logan–Parman method to immigrants by measuring segregation based on the nativity of the next-door neighbor. In addition to providing a consistent measure of segregation, we also document new patterns such as high levels of segregation in rural areas, in small factory towns and for non-European sources. Early twentieth-century immigrants spatially assimilated at a slow rate, leaving immigrants’ lived experience distinct from natives for decades after arrival.


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