The Relationship between the Availability of a Children's Television Program and Song Recognition

2002 ◽  
Vol 50 (3) ◽  
pp. 227 ◽  
Author(s):  
Kenneth M. McGuire
2015 ◽  
Vol 31 (1) ◽  
pp. 132-145
Author(s):  
Lorna Piatti-Farnell

AbstractIn recent years, food scholarship has extended its preoccupation with consumption to interrogating the relationship between eating, culture and waste, and their effects on the environment. Simultaneously, food-related concerns have also become a recurrent part of popular culture, where examples from children's television provide fertile ground for discussion. This article analyses the multiple representations of food, consumption, and waste in Stephen Hillenburg's animated seriesSpongeBob SquarePants. Focusing on the specific food-related pedagogical philosophies that seem recurrent in the series, and following in Henry Giroux's footsteps by seeing a link between popular culture and educational structures, my discussion unravels the show's engagement with the over-consumption of fast food, the acculturation of the burger as the American meal par excellence, and environmental issues of ‘over-production’. I aim to show how, ultimately,SpongeBob SquarePantsoffers an evaluation of the connection between consumption, health, and disposability in contemporary Western societies.


2017 ◽  
Vol 163 (1) ◽  
pp. 20-30 ◽  
Author(s):  
Anna Potter

Since its inception, the relationship between television and the child audience has been the subject of public concern and regulatory attention. Little is known, however, about the recent impact of digitisation on the unfashionable but influential practice of television compliance, that is, the industry’s application of state regulations and broadcasters’ own editorial standards to children’s programmes. Drawing on extended interviews with broadcasters and producers, this article maps developing trends in UK and Australian compliance systems, focusing on their impact on the children’s television produced by public service broadcasters. It demonstrates that multi-platform delivery and dedicated children’s channels have caused a re-calibration of compliance standards, encouraging conservatism and risk aversion in programme production. Furthermore, as public service broadcasters abandon their efforts to attract teenage viewers, the live action drama series at which Australian producers have traditionally excelled are far less likely to be commissioned because their content and themes are considered unsuitable for young children.


Author(s):  
Cut Nya Dhin

Television broadcasts that are not in accordance with Islamic teachings, make children can watch whenever and wherever the broadcasts are there, therefore parents are needed supervision to select every television program watched by children. The problem in this study is parental supervision of television viewing and child discipline, as well as the efforts made by parents in increasing supervision of television viewing and child discipline, the constraints that become the population In this study are children aged 6-12 years, a total of 102 children and a sample of 30 children (30%). The methodology used in this study is field research. Data collection techniques used were observation, interviews, questionnaires and documents. The results showed that parental supervision of children's television viewing was not optimal. Obstacles faced by parents in supervising television viewing and child discipline are busy parents who work outside the home, lack of parental knowledge and parental indifference to television viewing supervision. Parents do not make any effort When children watch television that is violent/pornographic, but only a few who turn off the television and explain that these conditions are not good.


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