Review: A History of Architectural Styles by Fritz Baumgart, Edith Küstner, J. A. Underwood

1972 ◽  
Vol 31 (1) ◽  
pp. 79-79
Author(s):  
Christian F. Otto
2020 ◽  
Vol 2020 (12-2) ◽  
pp. 60-68
Author(s):  
Marina Deveykis

The topic is relevant, since the museum, having become a civilization achievement, has been serving the spiritual development of society for over three centuries and preserving St. Petersburg’s cultural heritage. The article considers the peculiarities of building museums in the most important region of the country, different architectural styles of museum buildings, for the first time the grouping of all created museums of St. Petersburg from 1894 to 1917 in accordance with the areas of museum architecture was carried out, the problems faced by architects in designing museum buildings of each group were highlighted, the degree of dependence between museum founders and types of buildings was determined. The methods of historicism, artistic and stylistic analysis and systematization were used in the research.


2014 ◽  
Vol 584-586 ◽  
pp. 713-716
Author(s):  
Xiao Jian Yu

South-Fujian is one of the most famous hometowns for overseas Chinese. Lu Cuo is the most significant landscape architecture of the South-Fujian. The development of Lu Cuo is a struggle history of South-Fujianese. Locating in the center of the city, Lu Cuo has faced the danger of being destroyed as many of valuable Cuo. This study investigated landscape features of Lu Cuo, including the arcade, dovetail roof ridge, red brick, and exquisite carvings. The results showed that Lu Cuo is the pluralistic coexistence with Chinese and Western architectural styles. Therefore, the study suggests that cultural vale and physical value are importance for preserving and managing Lu Cuo and its surrounding area.


2019 ◽  
Vol 40 ◽  
pp. 168
Author(s):  
Júlia Heloísa Souza Lima ◽  
Manoela Da Rosa Salvador ◽  
Schayane Dias Pereira

Based on the methodology applied in the discipline of Theory and History of Architecture and Urbanism IV, based on part of its programmatic content that approached the organization of the built environment resulting from the Industrial Revolution until the First World War, a fanzine was developed as an evaluative exercise of the subject to expose the knowledge produced. Under the title "Architecture and Revolution", the fanzine depicts the relationship between historical moments and architecture, specifically on the French and Russian Revolutions and the Neoclassical and Constructivist architectural styles. The material produced seeks through its graphic and visual organization to reflect on the occurrences and social changes of each period and its reflection in the architectural environment, employing on its pages the contrast of the characteristics of each movement. As a reference for the development of the graphic content, political posters of the 20th century were used, which present an expressive and innovative visual language in relation to the materials from which they were produced up to that time, mainly the Russian posters, which used to be based on French pamphlets and have their own language, used as a means of political persuasion.


Author(s):  
V. M. Mzhelsky

The article analyzes the problem of the architectural style evolution not only in the past, but also in the 20th century. The comparative analysis of the different scientific approaches to this issue shows both their similarities and differences as well as their compliance with the facts.This paper compares the fundamental scientific works with new research results in the field and considers the history of this issue and systematizes the facts available.The aim of this work is to carry out the comparative analysis of the architectural style evolution based on works of scientists of the 19–20th centuries, identify similarities and differences in their scientific points of view on this issue and discussions in the Soviet and modern literature.The methodology and approaches of the study include the review of theoretical works of historians, art historians and architectural experts of the 19th and 20th centuries and also the up-to-date scientific publications.Similarities and differences in the scientific opinions of researchers concerning the evolution of the architectural styles are identified due to the different scientific schools, goals and objectives of research, scientific interests and worldview of researchers.


2018 ◽  
Vol 15 ◽  
pp. 31-48
Author(s):  
Phakthima Wangyao

Phayao is considered to be a city with a history of more than 700 years after Chao Luang Wong had evacuated people from Lampang and relocated them the city of Phayao. In order to gain useful information to promote cultural tourism, a study of Phayao’s commercial community included its history, architectural styles, and the perceptions of people in the community. The methods used for research were collecting historical and physical data as well as conducting surveys. The area studied was divided into four groups which were determined by the characteristics of the area. Based on the study of data, there are three existing commercial communities known as the following: the Sop-Tam commercial community of Tai Yai and Burmese which is currently closed, the Nong Ra-bu community in which most of the shops have been operated by Hainan Chinese, recently it has decreased in significances from the prosperity of the past, and the Mueang Phayao Market community operated by Teochiu Chinese, which is now the main commercial center of Mueang Phayao. There are four patterns of shops and houses. From the survey and interviews it was found that the area along Phaholyothin Road has stories that can be conveyed linking the two viable commercial communities with its architecture and places. This indicates that the stories can create perceptions of the commercial routes that could be useful in cultural tourism.


2010 ◽  
Vol 41 ◽  
pp. 33-45 ◽  
Author(s):  
Luca Cherstich ◽  
Anna Santucci

AbstractS64 is an extraordinary tomb. Its well-preserved isodomic façade leads to an antechamber decorated with wall paintings recalling what is usually labelled as ‘Pompeian Second Style’, a unique example in Cyrenaica thus far. This article gives a brief insight on this tomb, its wall paintings and a short discussion of their importance in the wider context of local and foreign monumental funerary customs. This tomb suggests a ritual complexity with few comparisons in Cyrene, but it is also important for the history of the Hellenistic and Roman painted architectural styles.


2019 ◽  
Vol 2 ◽  
Author(s):  
Polly Root Sturgeon

Indiana limestone, known to geologists as the Salem Limestone,is quarried in a narrow 30-mile-long area of south-central Indiana that is alsohome to Indiana University. Gracing up to 75 percent of all limestonebuildings in North America, this stone is known for its particularstrength, durability, and ageless beauty, and clads the nation’s most eminentbuildings, including the Empire State Building, Pentagon, andNational Cathedral. For more than 100 years, this local stone hasbeen used for buildings on the Bloomingtoncampus. Beginning in 1890 with Maxwell Hall,to 2017 and the completion of Luddy Hall,home of the School of Informatics, Computing,and Engineering, nearly all academic buildingshave been built of Indiana limestone. Architectural styles on campus span threecenturies. From the highly ornate carvings andpointed arches that define Collegiate Gothicarchitecture to the streamlined Art Deco styleof the early 1900s, the beauty of the campusreflects the skills of local stone artisans. In1979, the National Register of Historic Placesadded the Old Crescent portion of campus toits list to ensure its preservation. Walking around campus, you’ll see manycarvings on the exteriors of the buildings. Fish,maize, and chemical symbols can be foundon the science buildings on the south side ofcampus, while decorative scrolls of text adornseveral of the art buildings to the east. Themost common carved figure on campus is theowl, a symbol of learning and education, andtwelve are scattered on various buildings. Today, the history of Indiana’s limestone legacyis preserved in several campus collections andarchives. Most of the photographs used for themosaic on this calendar belong to the IndianaLimestone Photograph Collection. Curated bythe Indiana Geological and Water Survey since2012, this impressive archive consists of morethan 26,000 architectural photos depictingquarries, mills, and buildings from the earlyto mid-1900s. The digitized photographs arestored on IU Libraries Image Collections Online(http://go.iu.edu/16dx). Other photos in the mosaic are from researchand outreach efforts and the collections of theIndiana Geological and Water Survey.


Interiority ◽  
2020 ◽  
Vol 3 (2) ◽  
pp. 201-218
Author(s):  
David T. De Celis

This moment, the 2020 COVID-19 pandemic, has provided an opportunity—sometimes forced via crisis, or via moments of quiet reflection—to consider the inside, interior time and space, in new ways. In America, like other countries, architectural styles have come to us from foreign lands. Numerous domestic structures were influenced by British events from the 1700s–1800s. These styles—these architectures—were transformed by local/regional/national influences and events—events like this current international pandemic—that push the proverbial pause button, and cause us to re-think design. The author, who now resides and works (along with his family) in an 1886 Queen Anne style home, contemplates the various attributes and transformations of domestic architectures and the influences that shape them over time, asking: Why Queen Anne in America? How was it Victorian? And why is it relevant today? Empirical methods include observations and precedents-analysis, design work, the study of technological advances and interior-architecture history of the Victorian era. Emphasis on domesticity acknowledges both past and present by recognizing the importance of domestic architecture from the late 1700s through the 1800s, and into the present. Thus, we better understand how/why the Queen Anne style became ubiquitous in New England, and how its attributes of innate flexibility may help us today.


Author(s):  
Pushkar Sohoni

‘South Asia’ is a term used for the Indian subcontinent after its rearrangement into several independent nations in the mid-20th century. It includes the countries of Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka. Most of these countries have roots in common, shared history and culture, and very frequently, they have been part of the same empires—for example under the Mauryas, or the Mughals. The region is home to several faiths, the birthplace of the Indic religions of Buddhism, Hinduism, and Jainism. In addition, the region has a long-standing presence of Christianity, Islam, Judaism, Sikhism, and Zoroastrianism. The entire region has rich architectural traditions, with various geographical and cultural zones employing their own regional idioms of construction while also participating in much larger aspirational architectural styles. Exploring a span from the Indus Valley civilization in the Bronze Age (3rd and 2nd millennia bce) to the modernism of new nations in the 20th century, there are several works that center on the architectural history of South Asia. While there are some journals that are dedicated to the architectural and art history of South Asia, there are others that include architectural history of South Asia significantly though the publication might have a slightly different focus. Most monographs are dedicated to specific periods, geographies, and themes. Because of the identity politics of the modern nations in South Asia, most architectural themes after 1947 (when the British left South Asia) are usually limited to each single nation, often not relating that nation’s architecture to that of neighboring countries. However, books before 1947 tend to use ‘India’ as a generic civilizational term for the entire South Asian region, and not just the nation state of India. This bibliography deliberately leaves out several kinds of publications such as archaeological reports, volumes in which architecture is only one of the many cultural facets, common textbooks that are usually introductory surveys of both architecture and art, and monographs that are narrowly focused on period and place.


2021 ◽  
pp. 73-81
Author(s):  
Kirill A. Solovyov

The article is devoted to luminaires and the history of the development of artificial illumination. As you know, light is one of the human needs. At all stages of the development of human civilization, people have thought about how to use artificial light source if there is not enough daylight. That is why man constantly invented and improved certain light source, the framings of which we now call lighting device or luminaires. The stages of development and improvement of luminaires are a matter of separate serious scientific research. In this article, we are talking about how the development of lighting devices took place in different periods. In different epochs, luminaires corresponded to certain traditions and aesthetic views of certain architectural styles. That is why in his article the author pays great attention not only to the appearance of the described luminaires, but also to its architectural environment.


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