scholarly journals On the Paradigmatic Influence of the Bauhaus in the Nordic Countries

Tahiti ◽  
2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Gerd Bloxham Zettersten
Keyword(s):  
Compositional Analysis ◽  
Nordic Countries ◽  
Curtain Wall ◽  
New Objectivity ◽  
The Public ◽  
City Hall ◽  
Large Size ◽  
Neue Sachlichkeit ◽  
Building Plans ◽  
Walter Gropius

Presented here is a brief review of the route for and delayed time factor of Bauhaus influences, in particular via architectural journals, into the Nordic countries, as well as some examples of contemporary influence of the Bauhaus Dessau building’s plan form from 1926 in the public building type, the city hall. A question being raised is what types of assimilation can be noted, and not least, where and why they occur. By the 1950s, is it a consolidation of impulses and/or a changed paradigm for compositional analysis that we see? It turns out that there are clear examples of such influence notably in Finland both in competition projects from the 1930s and in the odd completed building, such as the town hall in the municipality of Valkeakoski, 1950-56. Here one also sees examples of architectonic solutions originating in the Deutscher Werkbund, founded in 1907, and subsequently in the Neue Sachlichkeit/New Objectivity ideology developed in 1923-33. The Deutscher Werkbund in its turn was influenced by innovative designer Peter Behrens and his AEG Turbine Factory in Berlin from 1909, as well as in architecture more directly influenced by the Bauhaus architect and leader Walter Gropius and Bauhaus ideas and practice. One such solution affecting building plans was, in particular, the side corridor system which is used in the Bauhaus bridge element. An architectonic device was the exposed staircase behind a large glass window which was to become ubiquitous. Meanwhile the glass curtain wall of course becomes a well-known feature, but as used mostly in other large-size building types. For this aspect of assimilation a major example of technologization characterized by self-serving aesthetics, in Rødovre city hall, 1954-56, in Denmark, will be discussed.

Neue Sachlichkeit in Architecture

2018 ◽  
Author(s):  
Tanja Poppelreuter
Keyword(s):  
Subject Matter ◽  
Weimar Republic ◽  
Personal Taste ◽  
New Objectivity ◽  
Avant Garde ◽  
Neue Sachlichkeit ◽  
Architecture And Design ◽  
Mies Van Der Rohe ◽  
Martin Wagner ◽  
Walter Gropius

The term Neue Sachlichkeit was coined by Gustav Hartlaub with his exhibition: ‘Neue Sachlichkeit. Deutsche Malerei seit dem Expressionismus’ (New Objectivity. German Painting Since Expressionism) at the Kunsthalle Mannheim in 1925 and is now used to describe a movement during the politically, socially, and economically unstable years of the Weimar Republic in Germany (1919–1933) that includes painting, photography, design, and architecture (Rewald, 2006). In architecture the term mainly relates to Neues Bauen (New Building) and avant-garde currents of rationalist and functionalist Modernism that existed alongside conservative counterparts and Expressionism. Among its contributors in Germany were Walter Gropius, Otto Haesler, Ludwig Hilberseimer, Ernst May, Hannes Meyer, Ludwig Mies van der Rohe, and Martin Wagner. Architecture and design was created in order to fulfill objective functions and not along the lines of personal taste, preexisting historical, national, or regional styles. The Sache–the object, subject matter–was scrutinized in order to fulfill its function and serve its user best as possible. The way in which this was approached was sachlich–objectively and factually–without emotional attachment to ways in which the object was designed or used previously. Neue Sachlichkeit therefore was an approach to design pursuing, but not always achieving, practicality, suitability, and objectivity by setting aside all matters considered by its practitioners as irrelevant (Schwartz, 1998 and Schmalenbach, 1940).

scholarly journals A rede de educação, ciência e tecnologia no Contestado e a atuação para redução das desigualdades

2020 ◽  
Vol 11 (1) ◽  
pp. 33-46
Author(s):  
Eduardo Do Nascimento Karasinski ◽  
William Douglas Gomes Peres ◽  
Letíssia Crestani ◽  
Juciara Ramos Cordeiro ◽  
Fernanda Zanotti ◽  
...  
Keyword(s):  
Basic Education ◽  
Science And Technology ◽  
Public Institutions ◽  
Private Institutions ◽  
Santa Catarina ◽  
The Public ◽  
City Hall ◽  
Federal Institute ◽  
Education Science ◽  
The City

Neste artigo será apresentada uma perspectiva histórica dos acentuados índices de desigualdade socioeconômica observados atualmente no estado de Santa Catarina. Em seguida, serão descritos os eventos Semana do Contestado e Congresso Nacional do Contestado, bem como, estes contribuíram para o debate sobre esta problemática. No ano de 2018, o Instituto Federal de Santa Catarina, Prefeitura Municipal de Caçador e Museu do Contestado propuseram a criação de uma agenda de atividades em rede, como metodologia de abordagem para ações de educação, ciência e tecnologia. Portanto, este projeto teve como objetivo ampliar a divulgação científica e o debate sobre as desigualdades no Contestado. A comunidade organizada foi convidada para construir e executar diversas ações. Participaram instituições públicas, instituições privadas, coletivos de artistas e representantes de grupos sociais. Desta forma, o principal resultado obtido foi o sinergismo entre as atividades realizadas e o seu impacto no público de diversos segmentos. As ações em rede demonstraram maior capacidade de alcançar principalmente estudantes da educação básica, assim como, maior cooperação dos grupos e núcleos de pesquisa das instituições envolvidas em torno do Contestado. Palavras-chave: Ensino Fundamental; Desigualdades; Educação   The network of education, science and technology in the Contestado and the action to reduce inequalities Abstract: This article will present a historical perspective of the accented socioeconomic inequality rates observed in the state of Santa Catarina today. Then, the events “Semana do Contestado” and “Contestado Nacional Congress” will be described and as they contributed to the debate on this problem. In 2018, the Federal Institute of Santa Catarina, the city hall of Caçador and the Contestado museum proposed the creation of an agenda of network activities as a methodology for approaching education, science and technology actions. Therefore, this project aimed to expand scientific dissemination and debate about inequalities in the Contestado. The organized community was called upon to construct and execute various actions. Public institutions, private institutions, collectives of artists and representatives of social groups participated in these actions. In this way, the main result obtained was the synergism between the activities and their impact on the public of different segments. The actions in network demonstrated a higher capacity to reach mainly students of basic education, as well as, higher cooperation of the groups and research centers of the institutions involved around the Contestado. Keywords: Elementary School; Inequalities; Education

scholarly journals REGULATIONS IN THE SOCIAL WELFARE STATE: NORDIC COUNTRIES AND TURKEY EXAMPLE

2021 ◽  
Vol 6 (3) ◽  
Author(s):  
Nagihan Ozkanca Andic ◽  
Ekrem Karayilmazlar
Keyword(s):  
Welfare State ◽  
Social Welfare ◽  
Public Expenditure ◽  
Nordic Countries ◽  
Data Envelopment ◽  
Analysis Method ◽  
Political Factors ◽  
The Public ◽  
The Social ◽  
The Welfare State

The Public Expenditure/GDP ratio is one of the most significant metrics that measure the state's share of the economy. It can be said that there is an interventionist state type in countries where this rate is high, or it can be argued that the share of the public sector in the economy is low in countries where this rate is low. It is also possible to argue that the countries' economic, sociological, and political factors play an essential role in determining this ratio. Regulations, which are the most important tools of the welfare state, may arise through economic controls as well as through social policies. This study aims to find an answer to the question of whether this situation is possible for a developing country such as Turkey while Nordic countries, which determine a system different from other welfare models, succeed in raising social welfare without giving up the principles such as equality and justice that they have despite the globalization effect. The data obtained by various methods were subjected to comparison using the Data Envelopment Analysis method in order to achieve this purpose. <p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0777/a.php" alt="Hit counter" /></p>

Neue Sachlichkeit in Visual Arts [New Objectivity in Visual Arts]

2018 ◽  
Author(s):  
Michael Mackenzie
Keyword(s):  
Visual Arts ◽  
Right Wing ◽  
Left Wing ◽  
Still Life ◽  
Social Commentary ◽  
Local Color ◽  
New Objectivity ◽  
Neue Sachlichkeit ◽  
Contour Lines ◽  
The Right

Neue Sachlichkeit, which can be translated as "New Objectivity," was the name given to a tendency in painting which, from about 1921 on, returned to something like traditional compositional and representational codes, eschewed vehemence of any kind, "Primitivism," and even painterliness, while emphasizing unbroken contour lines and unbroken local color. Painters depicted conventional subject matter such as still life, landscapes, and portraits with the pictorial means of sculptural volume, perspectival space, natural proportions, and unbroken, evenly modulated tonal values which had dominated painting since the Renaissance but which had been systematically dismantled by Modernism. The tendency received its name with an exhibition at the Mannheim Kunsthalle in 1925, organized by Gustav Friedrich Hartlaub, although art critics had sought to name and define it since 1920, and explicitly in opposition to an Expressionism widely perceived as moribund. Hartlaub described what he saw as a split in the overall tendency, with an inclination toward traditionalism and classicism on the "right" wing, and toward aggressively critical social commentary and a propensity to exaggeration and caricature on the "left" (although Hartlaub denied that there was any political significance to his terminology of "left" and "right," the artists assigned to the "left" wing were either active in or openly sympathetic to the left wing of German politics).

Observations on the Size and Construction of Lunatic Asylums

1860 ◽  
Vol 7 (35) ◽  
pp. 104-111 ◽  
Author(s):  
Joseph Lalor
Keyword(s):  
Satisfactory Solution ◽  
The Public ◽  
Large Size ◽  
Public Approval ◽  
Lunatic Asylums ◽  
Satisfactory Answer ◽  
Enormous Number

It is only after much thinking, and with much hesitation, that I venture to advocate in the following pages, principles as to the size and construction of lunatic asylums, which I believe to be at variance with those upheld by the highest authorities on this subject; but the question how provision may be best made for the enormous number of lunatics now known to exist in every civilized country, is one of such importance, and still so far from having received a satisfactory answer, that it seems a matter of duty on the part of every one who has had favourable opportunities for considering the matter, to place his views before the public. In this, as in other questions, full and free discussion seems to offer the best chance for a speedy arrival at the truth, and though my views may not meet public approval, yet their publication may contribute to enquiry, and thus tend to a satisfactory solution of the question. I am of opinion, that asylums of large size are the best adapted for the curative and humane treatment of the insane, and whilst I am not prepared to say what limit should be put to the size of an asylum, I do not consider that Colney Hatch, which is the largest of our public asylums, would be too large, if its internal construction had been arranged so as to meet certain modifications in the principles of management, which, in my mind, would be advisable in all asylums, but which are still more requisite in those of large than of small size.

Towards formalisation: The organisation of work in the public and private sectors in Nordic countries

2018 ◽  
Vol 62 (3) ◽  
pp. 315-333
Author(s):  
Timo Anttila ◽  
Tomi Sakari Oinas ◽  
Armi Mustosmäki
Keyword(s):  
Public Sector ◽  
Cost Reduction ◽  
Organisational Change ◽  
Nordic Countries ◽  
Work Organisation ◽  
Public And Private ◽  
The Public ◽  
European Working ◽  
Everyday Work ◽  
Public And Private Sector

According to European comparative studies, organisational change and restructuration have been especially prevalent in Nordic countries. In particular, public-sector organisations have been under turbulence due to pressures for cost reduction and increased efficiency. Yet, not much is known about how these changes have affected the organisation of everyday work. Based on the three waves of European Working Conditions surveys (2000, 2005, 2010), this paper analyses the change in the organisation of work in Nordic countries. The aim is to look into types of work organisation in public- and private-sector organisations in Sweden, Finland, and Denmark. The questions asked are how the type of work organisation differs between sectors and to what extent are there changes in the prevalence of work organisation types. According to the results, the trend is a move away from the use of forms of work organisation characterised by high levels of learning and autonomy to more constrained or formalised forms. However, differences were also found between countries and sectors. The formalisation of work (i.e. features characteristic especially of the lean model of work organisation) is more common in the public sector and in Finland and Denmark compared to Sweden.

scholarly journals Ernst Ludwig Kirchner – the sculptor

2018 ◽  
Author(s):  
Анастасия Юрьевна Королева
Keyword(s):  
Folk Art ◽  
African Art ◽  
New Objectivity ◽  
Neue Sachlichkeit

Имя Эрнста Людвига Кирхнера практически не рассматривается в ряду мастеров скульптуры. Однако, наряду с Эрнстом Барлахом и Вильгельмом Лембруком, он принадлежит к числу крупнейших мастеров скульптуры первой трети XX века. В статье рассматриваются различные периоды творчества художника и их отражение в искусстве скульптуры – от романтических увлечений народным искусством, в том числе африканским, и классического экспрессионизма до неореализма «Новой вещественности». Рассматриваются специфические особенности произведений пластики в зависимости от возможностей разного материала, их отношение к произведениям живописи, а также роль этого вида искусства в творчестве мастера. The name of Ernst Ludwig Kirchner is very seldom considered in the series of names of sculptures. However, together with names of Ernst Barlach and Wilhelm Lehmbruck, his name belongs to the numbers of the great sculptors of the first third of 20-th century. The article deals with the different periods of the masters work and demonstrate, how they reflect in sculpture: from early romantic enthusiasm for the folk art, including African art and classic expressionism to the neorealism in form of «New Objectivity»/«Neue Sachlichkeit». The author says about specificity of materials in sculpture objects of Kirchner, also their interaction with painting and about the role of plastic in art heritage of painter.

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