scholarly journals Studying Restoration Painting

Tahiti ◽  
2021 ◽  
Vol 11 (2) ◽  
Author(s):  
Emilia Laaksovirta

In this article I discuss the history of restoration painting through art history and art conservation with the help of a case study. Restoration painting has a long history as a part of art conservation. The methods and theories of restoration painting have evolved along with the process of art conservation into a discipline of academic study. I discuss an old method of restoration painting called overpainting by means of a case study. Overpainting was quite a common practice, until it became viewed as unethical and unprofessional. The case study is a painting that was modified by overpainting. The modifications were done most likely at the same time as damages to the canvas were repaired, possibly sometime before the middle of the 20th century. The old overpaintings were removed during a complete restoration of the painting in 2018–2019. The removal of the overpaintings uncovered new possibilities for the interpretation of the motif of the painting. I briefly discuss the idea of the Italian tratteggio method of restoration painting, which in my view demonstrates a scientific turn in conservation. I also discuss new ways of using scientific methods of collecting data for decision making in restoration.

Author(s):  
Elena V. Gordienko ◽  

This article analyzes the Story of a fisherman Yết Kiêu (歇驕) who is worshiped as a tutelary spirit in villages of Northern Vietnam. Yết Kiêu is a semi-mythical character and he is widely credited with supernatural abilities and merits in war against the Mongols (1288). I investigate the text that belongs to thần tích genre (神). It is a manuscript written in Vietnamese at Yết Kiêu’s birthplace, which is the central place of his worship (on the basis of previous texts of the 16th–19th centuries). The Story of Yết Kiêu has a complex structure reflecting the history of the development of this particular text and the whole genre as well. The story can be divided in four parts differing in form and content: the folk layer (the oldest part), the historical narrative (likely compiled by court historiographers in the 15th–17th centuries), the legend of Yết Kiêu’s Mongolian bride (emerged evidently in a temple community during later centuries) and the description of Yết Kiêu’s cult (which appeared under the influence of the European research methods in the early 20th century). The article contains a fragment of the story translated into Russian.


Author(s):  
G G Davidson ◽  
A W Labib

This paper proposes a new concept of decision analysis based on a multiple criteria decision making (MCDM) process. This is achieved through the provision of a systematic and generic methodology for the implementation of design improvements based on experience of past failures. This is illustrated in the form of a case study identifying the changes made to Concorde after the 2000 accident. The proposed model uses the analytic hierarchy process (AHP) mathematical model as a backbone and integrates elements of a modified failure modes and effects analysis (FMEA). The AHP has proven to be an invaluable tool for decision support since it allows a fully documented and transparent decision to be made with full accountability. In addition, it facilitates the task of justifying improvement decisions. The paper is divided as follows: the first section presents an outline of the background to the Concorde accident and its history of related (non-catastrophic) malfunctions. The AHP methodology and its mathematical representation are then presented with the integrated FMEA applied to the Concorde accident. The case study arrives at the same conclusion as engineers working on Concorde after the accident: that the aircraft may fly again if the lining of the fuel tanks are modified.


2017 ◽  
Vol 9 (2) ◽  
Author(s):  
Sekar Sari Wiradarma ◽  
Ken Dhita Tania ◽  
Dinna Yunika Hardiyanti

AbstractBusiness Intelligence (BI) is a collection of theories, methodologies, processes, architectures, and technologies that convert raw data into quality information for business purposes. BI can handle a large amount of information that can help in identifying problems and developing new opportunities. In designing and implementing Business Intelligence (BI) concept for monitoring banking product service using reference business intelligence roadmap approach. Business intelligence roadmap is one example of BI development that can be emulated because of its agile and adaptive nature and is intended to support the development of BI. By utilizing Business Intelligence application on transaction history of banking product data, it is hoped able to produce information that can support in giving recommendation and decision making appropriately. The data and information generated also become more accessible and easier to understand (user friendly).Keywords: business intelligence, business intelligence roadmap, OLAP, banking products


2020 ◽  
Vol 25 (3) ◽  
pp. 365-380
Author(s):  
Kathryn Milligan

Abstract ABSTRACT The Dublin Art(s) Club, which operated in the Irish capital from 1886 to 1898, offers an intriguing case study for modes of artistic networks and cultural exchange between Ireland and Britain in the closing decades of the nineteenth century. Despite this, the history of the Club has been little explored in historiography to date, often confused with other ventures by artists in the city. Examining the rise and fall of the Dublin Art(s) Club, along with its members and activities, this article retrieves its history and posits that it offers an example of an aspect of art in Ireland which was conspicuous for its cosmopolitan outlook and active engagement with the wider British art world, which then spanned across both islands. The history of the Dublin Art(s) Club poses a challenge to the extant scholarship of this period in Irish art history, which to date has been largely understood to be focused on themes of national identity, the cultural revival, and artists who left Ireland to train in Belgium and France. This article posits that by re-engaging with the activities of art clubs and societies, a more complex reading of artistic life in Victorian Dublin can emerge.


2011 ◽  
Vol 7 (3) ◽  
pp. 23
Author(s):  
Diane D. Galbraith ◽  
Fred L. Webb

The purpose of this case study is to provide a pedagogical teaching tool for undergraduate business students to fully comprehend the importance of the business management functions of planning, organizing, leading and controlling businesses. This case is inspired by events in the history of Rockwell International Corporation. As a major conglomerate struggles to transform itself over a period of eight decades, Rockwell provided a challenging problem for students to solve.


Author(s):  
Nataliya Abramovna Rozenberg

The interest in the history and culture of Argentina in the Russian Federation today has a special char-acter. It is believed that the presence of a huge number of immigrants from Europe, including from Russia, distinguishes Argentina culturally from oth-er countries of the New World, makes its culture more understandable. There is a perception that this is the most Europeanized country in South America. To a large extent, this ideologeme is the result of foreign policy pursued by Argentina itself. At the same time, the process of the formation of national identity in here was complicated and did not end until the 40s of the 20th century. The relevance of the study is to reveal the inconsistency of this process on the material of sculpture as a document of the era, to show the rejection by masters from a remote region of the country, the province of Chaco, the prevailing ideas about the barbarity and savagery of the Indians and Gauchos, the original population of this province and part of other territories of the state. The novelty lies in the comparative compari-son of the positions of the academic art history of Argentina and academic art in the understanding of Indian themes and in how it was interpreted by re-gional masters – K. Dominguez (died in 1969), C. Schenone (1907–1963), J. de la Mena (1897–1954), as well as in the art history analysis of significant works of the considered problematic and the roman-tic tendencies manifested in them. It is advisable to correlate the process of “Europeanization” of Indi-ans, bloody and long-term hostilities in order to expel the gaucho and Indians from their ancestral lands with the understanding of who was the true hero of history in the creations of their descendants. The works of the sculptors Chaco, romantic in spirit, are related to the great J. Hernandez’s poem “Martin Fierro”. Today they are kept not only in the capital of Chaco, Resistencia, but also in museums in Buenos Aires and foreign collections


2019 ◽  
Vol 63 (2) ◽  
pp. 267-284
Author(s):  
Melis Avkiran

"Diffusion – Disjunktion – Distanz Erwin Panofskys kulturmorphologische Grundierung oder Nachdenken über Renaissanceand Renascences (1944) Der vorliegende Beitrag skizziert den ersten Teil eines Forschungsentwurfs, in dessenZentrum Erwin Panofskys Artikel Renaissance and Renascences aus dem Jahr 1944steht. Die Analyse des Textes fokussiert Panofskys historische Formel des sog. ›Disjunktionsprinzips‹zur Antikenrezeption und beleuchtet das inliegende Verständniskultureller Prozesse und Zusammenhänge. Der Blick wird auf die kulturtheoretischenImplikationen gelenkt, die in Panofskys Formel enthalten sind. Diese impliziertnämlich eine grundsätzliche Mobilität antiker Kulturelemente. Mit Nähezum ethnologischen Modell der Diffusion wird ein kulturtheoretischer Zugangzu Panofskys Arbeit ermöglicht, der bisher ebenso wenig beachtet wie ideengeschichtlichkontextualisiert wurde. Dabei wird deutlich, dass kulturelle Tradierungsich anhand diffusionistischer Erklärungsmuster mit dem Ziel formiert, einehierarchische Ordnung europäischer (Kultur‑)Epochen am Beispiel der Antikenrezeptionzu postulieren. Der Ansatz zeigt das Potenzial, welches sich im Vergleichdominanter Strömungen der deutschen Ethnologie und der Kunstgeschichte imfrühen 20. Jahrhundert verbirgt. This article sketches the first part of a research project centred on Erwin Panofsky’s article»Renaissance and Renascences« from 1944. The analysis of the text focuses on Panofsky’shistorical formula of the so-called ›principle of disjunction‹ for the reception of antiquity andsheds light on the internal understanding of cultural processes and contexts. The view is directedto the cultural-theoretical implications contained in Panofsky’s formula. This implies afundamental mobility of classical cultural elements. The proximity to the ethnological modelof diffusion enables a cultural-theoretical approach to Panofsky’s work that has so far beenignored, nor has it been contextualized in terms of a history of ideas. It becomes clear thatcultural tradition is formed on the basis of diffusionist explanatory patterns with the aim ofpostulating a hierarchical order of European (cultural) epochs using the example of the receptionof antiquity. The approach shows the potential hidden in the comparison of dominantcurrents in German ethnology and art history in the early 20th century "


2022 ◽  
pp. 746-763
Author(s):  
Alessandro Laruffa

Within the historiography of history of Europe in the 20th century, it can be observed that the methodologies are mostly structured on archival research and comparative methods. Currently, the digital revolution has enabled the management of large amounts of data, information, and statistics. The history of historiography could consider the innovative methodologies for historical research like the digital humanities. This chapter reports the test of Omeka-S, an open-source content management system (CMS) specifically designed for humanities studies, on the history of European historiography. Omeka has been applied for the functions of digitisation, metadatation, and geolocation in accordance with international standards. The case study is the Association of European Historians (AsE), a network of historians from several European and non-European countries founded in 1983. The use of Omeka-S, in combination with traditional methodologies and network analysis, allows a more in-depth examination of the AsE's network and its historiographical paradigm.


Urban Health ◽  
2019 ◽  
pp. 316-324
Author(s):  
Russ Lopez

Understanding the history of a place is essential for incorporating local concerns and values into decision-making. Most important, history is present whether we acknowledge it or not. Creating change and improving the lives and health of the public demands effective public policies. These policies must rest on the foundation of a city’s or neighborhood’s history. Channeling new development, preserving and protecting health, and meeting challenges posed by changing environmental conditions need the participation and support of thousands of people. These issues are never discussed in a vacuum, and no problems are solved without regard to history and memory. The Boston experience highlights the need for careful consideration of present conditions in order to prepare for the unknown future. This chapter discusses Boston as a case study, aiming to understand how history shapes cities and creates health in urban populations.


Sign in / Sign up

Export Citation Format

Share Document