Eschatology, Power, Sociality and Architecture in Russian Spiritual Tradition

2021 ◽  
Vol 64 ◽  
pp. 97-101
Author(s):  
Abbot Vitaly Utkin

The article is devoted to the study of the symbolic expression in architecture of the connections between eschatology, power concepts and sociality in the history of Russian spiritual culture. The author examines Heavenly Jerusalem concepts expressed in Orthodox liturgical tradition. The author comes out with the suggestion of the connection between Catholic second scholasticism and the concept of spiritual Antichrist in radical Old Belief. He offers the comparison of two types of prayer rooms of Fedoseevtsy in Ivanovo.

2019 ◽  
Vol 60 ◽  
pp. 103-110
Author(s):  
Игумен Виталий Уткин

Starting with the views of V.V Rozanov, the article studies the correlation of Slavic “Rusalii” (Green Week) eschatological rites and the intra-Church mystic sects traditionally called “Whips” (Khlysty or Christ believers) and “Skopsy”. The author comes out with the suggestion that those two phenomena were genetically connected. The author analyses the issue of the emotional experience of the communion unity using ritual eschatological dances and motions. Intra-Church mystic groups are closely connected with the history of Russian and Slavic folk spiritual culture.


2019 ◽  
Vol 12 (2) ◽  
pp. 511-526
Author(s):  
D. V. Mukhetdinov

The article deals with the history of development and basic ideas of Islamic feminist hermeneutics. In order to understand tendencies of development of the modern Islamic thought, it is important as well to study feminist ideas in their complexity. The author argues that feminist hermeneutics in Islam represents a set of approaches towards the interpretation of the Holy Qur’an, the Hadith and secondary sources of Islamic spiritual tradition. In the typological perspective, it is close to the so-called “Standpoint feminism”. The author singles out seven basic features to Islamic feminist hermeneutics, which are the religious frame of mind, following the principles of Islamic ethics, the use of so-called “contextual ijtihad”, accepting the egalitarist values, the critical approach to tradition, the critical approach towards the Hadith, use of the new methodology, which has its roots in the heritage of Neomodernist school of thought.


2015 ◽  
Vol 3 (1) ◽  
pp. 118
Author(s):  
Adem Balaban ◽  
Bünyamin Çağlayan ◽  
Rahım Ombashı

Hafiz Ali Korça had singled Islamic mysticism and its poetics, the tasavvuf, Oriental Sufi literature of Omar Khayyam. Nezim Berati, author of the Divan, the names mutesavvif. The form and manner of spiritual cleansing, uplifting, lighting internal and external, in order to obtain the agreement of God and eternal bliss, has singled out the Eqrem Çabej to Naim Frashëri poetic beginnings. Religious feelings helped him strengthen ethnic sense. The Divan, in complex form of oriental supplied popular culture, written text spoken text (sung text). Paid the debt that had to Albanian oral literary culture. The study will argue that the Albanian literature is added value. Our history of the spiritual culture of literary monuments go 4. The Divan first Albanian has pure literary discourse. It is a way of being self-sufficient. The truth of gazellas, his kasidas possible. Marked what could happen. The event provided the writers figured through the process of story, description or image. Real size of fables not lose, time and space are not fantasy. Therefore this is not fantasy literature, but the tassavvuf. Its hero acts in the domain of spirituality. As a combination of spiritual requirements for completing their dream. It is poetry as a separate value and beauty. Austrian researcher Han author make antonymyzation Anakreont of Albania. The Divan in Albanian literature was a unified stylistic formation, which served the Islamic aesthetic purpose. Her literary theoretical codification is tasavvuf. Is more universal than the national poet, despite the trend towards national.


2021 ◽  
pp. 69
Author(s):  
Valentina Baglay

The article is devoted to the study of the oldest cultures of the California Peninsula. The analysis is based on the study of archaeological monuments of material and spiritual culture, reflected in rock paintings, petroglyphs and geoglyphs. The first traces of settlers in the territory of Mexican California are about 14,000 years old (Clovis culture) and are associated with Aridoamerica. Cultures have been coming in from the north continuously, although their sequence has yet to be determined. A culture of nomadic and semi-nomadic groups (the conchero camp culture) was formed here, collecting shellfish, plants and fruits, coastal fishing, and hunting marine and terrestrial mammals. The geographical isolation of the peninsula did not allow the establishment of links between Californians and Mesoamerican cultural areas.


2009 ◽  
Vol 31 (1-2) ◽  
pp. 325-341 ◽  
Author(s):  
Larisa Abryutina

Abstract Before the Aboriginal peoples of Chukotka were introduced to European culture, they lived a traditional way of life which defined their material and spiritual culture. During the integration into the Russian State, all spheres of their life went through various transformations. This article presents an overiew of the history of Aboriginal peoples of Chukotka (Yupiget, Chukchi, Evens, Koryaks, Chuvans, Yukagirs and Kereks).


Author(s):  
T. Anantha Vijayah

This chapter considers how modernity has affected the livelihood of Paliyar community and how they have been affected by forest dispossession. Whether the weaning away from the forests has been manufactured or part of the systemic exploitation is discernible. The chapter traces the history of the Paliyars, their belief structures, and indigenous knowledge within sacred spaces. The chapter also presents a discussion of the relation between land and spiritual tradition as well as the importance of land to identity, transfer of oral tradition, and indigenous traditional knowledge. Removing the Paliyar from the land continues to erode their tradition, knowledge, and identity.


Author(s):  
Gerlya V. Nurova ◽  

The article discusses the history of the creation thangka paintings in the Central Buddhist Temple (khurul) of the Republic of Kalmykia which was opened in 2005. The article attempts at giving analysis of the formation of sacral art environment of the Elista Buddhist Temple in the context of the development of Tibetan-Kalmyk Buddhist relationships. The article describes the stages, peculiarities and complexity of the painting process that was done by the Tibetan artists who came from India and are masters of the traditional thangka painting. The author gives the documental facts about the work organization and process that lasted almost three years. The article gives information about thangka painters, well-known nowadays: their biographies, characteristics and the information about their further life. By creation the paintings of the Central Khurul, these painters contributed to the development of the spiritual culture in Kalmykia.


2021 ◽  
Author(s):  
Daphna Ephrat

This book explores the lives of Sufi masters who functioned as embodiments of Islamic sainthood and left a lasting mark on the land. These figures lived in the ancient cities of Syria and their surrounding towns and villages during a formative period in the social history of Syrian Sufism and the spiritual tradition of Islam.


2021 ◽  
Vol 75 (1) ◽  
pp. 187-193
Author(s):  
М. Aitimov ◽  
◽  
G. Karimova ◽  

The article analyzes the traditional essence of modern poetry - the proud glorification of the Kazakh clan, national history, as well as the fact that national pride is a sacred feeling passed from generation to generation. It is also worth to note that the works of the poets of the ancient Turkic kaganates, indigenous peoples, which are presented to sacred generations in the form of embroidered genres, are a powerful tool of our spiritual culture. We see that representatives of modern poetry continue to sing critical poems of modern poets in the development of their views on the national interests of the Kazakh people. The article also shows that modern poetry, combining the traditions of oral and written poetry, continues to elevate the national and ethnic identity of our people in the space of civilization. It is said in detail that this is a moral indicator of our spiritual values, which, with their innovative pace, artistic beauty, lead our people and other peoples on the path of good.


2009 ◽  
pp. 13-20
Author(s):  
Iryna Horokholinska

The focus of philosophical research attention on the theoretical and, where appropriate, specifically applied problems of religion is a phenomenon immanent and unpersuasive. Its relevance is explained by the fact that the reflexiveness of philosophical thinking always determines the search for the answer to the basic worldview questions and aims at grasping the standards of wisdom. The history of human civilization is confirmed by the fact that one of the major worldview issues that bothers man is the question of life and death, the meaning of human existence and the purpose of the world and, most often, in finding an answer to it, humanity turned to a religion that is vividly illustrated by the existence of the great the number of different doctrines and beliefs. It is no secret that a large number of people see in religion and the basis of wisdom, the ideological and axiological potential of its nurturing. Of course, this does not mean that within the human culture there is no attempt to find wisdom outside of religion and even against it. But in any case, it cannot be denied that the search for wisdom on the basis of religious outlook is historically natural, and even dominates spiritual culture in certain eras.


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