MAKNA TARI KAIN DALAM UPACARA PERKAWINAN MASYARAKAT PAUH V KECAMATAN PAUH KOTA PADANG SUMATERA BARAT

2020 ◽  
Vol 9 (4) ◽  
pp. 1
Author(s):  
Vhellani Harza Dena ◽  
Darmawati Darmawati
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Secondary Data ◽  
Literature Study ◽  
Marriage Ceremony ◽  
Traditional Dance ◽  
Wedding Ceremony ◽  
Main Instrument ◽  
Descriptive Method

This study aims to describe and analyze the meaning of Kain dance in marriage ceremony at Pauh V, Pauah district, Padang city. This is a qualitative research using a descriptive method. The object of this research was Kain dance in Pauh V community, Pauh district, Padang city. The data used in this study were primary and secondary data. The main instrument was the researcher itself and was assisted by supporting instruments such as writing instruments, cameras, and cellphones. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by reducing the data, displaying the data, and making conclusions. The results show that Kain dance is a traditional dance which is a manifestation of the values of Pauh V community in a marriage ceremony. The instructions are given by niniak mamak (headmen) and bako (fathers’ family) as people who are responsible. This is depicted in a dance by dancers who invite the bride and groom to dance as a form of learning.Kain dance depicts a man who is married and is recognized as an adult who must have dexterity, strength, and vigilance in facing challenges in life's journey. This dance is performed in a marriage ceremony during the malakek an gala (giving a title). However, over the time, Kain dance may be performedat religious events in Pauh V Community, Pauh District.Keywords : meaning, cloth dance, wedding ceremony

scholarly journals KOREOGRAFI TARI PIRING DI ATEH KARAMBIE DI KANAGARIAN PAYO KELURAHAN TANAH GARAM KECAMATAN LUBUK SIKARAH KOTA SOLOK

2020 ◽  
Vol 9 (2) ◽  
pp. 17
Author(s):  
Maharani Maharani ◽  
Herlinda Mansyur
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Social Values ◽  
Secondary Data ◽  
Literature Study ◽  
Dance Movement ◽  
Data Presentation ◽  
The People ◽  
Main Instrument ◽  
Descriptive Method

This study aims to reveal and describe the choreography of a dance called Tari Piring Diateh Karambie in Kanagarian Payo, Tanah Garam Village, Lubuk Sikarah District, Solok City. This research is a qualitative research using descriptive method. The main instrument of this research was the researcher itself and was assisted by supporting instruments such as writing instruments and voice recorders. This research used primary and secondary data. The data were through literature study, observation, interviews, and documentation. The data analysis was conducted by collecting the data, reducing the data, presentation the data, and making conclusions. The results show that Tari Piring Diateh Karambie a is a traditional dance using a choreographic approach, and it is cultivated by raising the life of nature and the people of Nagari Payo. This dance has been around since 1995. Tari Piring Diateh Karambie uses elements of dance composition consisting of: 7 types of movement, simple floor pattern, top design, music, dramatic design, dynamic, theme, composition, group, and equipment. The movement of Tari Piring Diateh Karambie comes from a combination of Nagari Payo and Simawang. The movements and floor patterns used by dancers have fulfilled the elements of the dance composition. There is also music to accompany the dance movement so that it makes the dance alive as well as it complements the dance. The equipment used also gives the nuance to the dance so that it is not monotonous. In addition, the group choreography shows high social values and depicts the nature around Nagari PayoKeywords: Choreography, Tari Piring on Karambie, Kanagarian Payo

scholarly journals TATA CARA PENYAJIAN TARI PERSEMBAHAN BUNGO DALAM ACARA PENYAMBUTAN TAMU DI KABUPATEN BUNGO PROVINSI JAMBI

2020 ◽  
Vol 9 (2) ◽  
pp. 55
Author(s):  
Lidya Indrawati ◽  
Indrayuda Indrayuda
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Analysis Data ◽  
Literature Study ◽  
Initial Stage ◽  
Main Instrument

This study aims to reveal the procedures for presenting Persembahan Bungo dance in a guest welcoming event in Bungo Regency, Jambi Province. This is a qualitative research resulting descriptive analysis data. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing instruments and cameras. The data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted bycollecting the data, reducing the data, presenting the data, and making conclusion. The results show that Persembahan Bungo dance has parts and sequences in each presentation. They are preparation before performing, initial stage, during the performance, and the end of the performance.Persembahan Bungo dance has 9 movements: Sembah Penghormatan, gerak selamat datang, sembah paduko, lenggang, putri malu, berinai, limbai, zapin bungo, and mambuko pagar ayu. The rules for performing Persembahan Bungo dance are compiled by custom or according to the customary rules in Bungo Regency, are in accordance with the motto of Bungo Regency, and pay attention to the values in a reception. For example, in the rule of washing betel, the betel must be washed first by the queen. This symbolizes cleanliness, purity, and respect for the welcomed guests by people of Bungo regency.Keywords: presentation, bungo dance, guest welcome

scholarly journals NILAI-NILAI SOSIAL ADAT MINANGKABAU DALAM SILEK PAUH DI PERGURUAN SINGO BARANTAI LUBUK LINTAH KECAMATAN KURANJI PADANG

2020 ◽  
Vol 9 (4) ◽  
pp. 237
Author(s):  
Meri Rhama Nelly ◽  
Nerosti Nerosti
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Analytical Method ◽  
Social Values ◽  
Secondary Data ◽  
Next Generation ◽  
Literature Study ◽  
The Social ◽  
Shape Characters ◽  
Main Instrument

This study aims to reveal Minangkabau Custom Social Values in Silek Pauhat Perguruan Singo Barantai, Lubuk Lintah, Kuranji Padang. This is a qualitative research using descriptive analytical method. The main instrument used was the researcher itself and was assisted by supporting instruments such as writing instruments, cameras, and cellphones. The data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was done byreducing the data, displaying the data, and making conclusion. Based on the results of this research, it is found that there are social values which can shape characters of the next generation, especially for sasian generation in Perguruan Singo Barantai. The Minangkabau social values found in Silek Pauh at Perguruan Singo Barantai, Lubuk Lintah, Kuranji, Padang, can be described as follows: 1) The social values of the step moves is a person can consider other people / be considerate of being Minangkabau people. 2) The social values of attack motion is a person has an accurate consideration in making decisions. 3) The social values of the lockdown moves is a person can adapt to any situation. 4) The social values of defend movesis a person has alertness and capabiltyin reading situations.Keywords:  Social Values, Minangkabau Customs, Silek Pauh, Singo Barantai College

scholarly journals KOREOGRAFI TARI INDANG RANDAI DI SANGGAR ALANG BANGKEH SILAING BAWAH KOTA PADANGPANJANG

2020 ◽  
Vol 9 (2) ◽  
pp. 9
Author(s):  
Uthi Sonia ◽  
Herlinda Mansyur
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Secondary Data ◽  
Daily Activities ◽  
Creative Dance ◽  
Straight Line ◽  
Dance Movements ◽  
Use Stage ◽  
Main Instrument ◽  
Descriptive Method

This study aims to reveal and describe the choreography form of Indang Randai Dance at Alang Bangkeh Studio, Silaing Bawah, Padang Panjang city. This is a qualitative research using descriptive method. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing instruments and cameras. The data used were primary and secondary data. The data were collected through interview, observation, and documentation. The data analysis was conducted by collecting the data, reducing the data, presenting the data, and making conclusions. The results show that Indang Randai dance is a creative dance whichholds the characteristics of Minangkabau women and rules which exist in Minangkabau custom. This dance tells about the joy of teenagers in doing activities. The dance functions as an entertainment dance. Related to the dance elements, Indang Randai dance choreography consists of 59 dance movements, the upper design dominantly using low design, the floor design which is dominantly from straight line developments, the music design, and the dramatic group choreography design. The dynamics are generally intermediate. The group choreography is performed simultaneously and balanced. The costumes worn are galembong pants, bajukurung, tokah, waist bands, and accessories. The dancers use stage make-up. From all those dance elements, relation to the theme of the daily activities of teenagers who are happy and enthusiastic in carrying out activities can be made.Keywords: Choreography, Indang Randai Dance, Alang Bangkeh Studio

scholarly journals BENTUK PENYAJIAN MUSIK GONTONG–GONTONG PADA ACARA PERNIKAHAN DI NAGARI PASIR TALANG KECAMATAN SUNGAI PAGU KABUPATEN SOLOK SELATAN

2020 ◽  
Vol 10 (1) ◽  
pp. 140
Author(s):  
Arrithem Mosizi ◽  
Marzam Marzam
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Literature Study ◽  
The Public ◽  
Main Instrument ◽  
Writing Tools ◽  
Descriptive Method

This study aims to describe the presentation form of Gontong-gontong at wedding parties. This research belongs to a qualitative research using descriptive method. The main instrument in this research was the researcher itself and was assisted by supporting instruments such as writing tools and cameras. The data were collected through observation, literature study, interview, and documentation. The data analysis was conducted by collecting the data, describing the data, and concluding the data. The results show that Gontong-Gontong is an art which is recognized by the community and is considered as an important element due to the fact that it was inherited by previous ancestors. Gontong-Gontong also provides entertainment for the community although Gontong-Gontong is only a media for Arak-Arakan at weddings. The presentation ofGontong-Gontong is carried out in the form of a band wagon at weddings. Gontong-Gontong is a medium for conveying messages to the public about the existence of a marker or event. The presentation of Gontong-Gontong can be found at wedding parties of Manjalang Mintuo procession.Key words: Form, Presentation, Gontong-Gontong, Weddings.

scholarly journals TINJAUAN KOREOGRAFI TARI SILEK PAARAKAN DI JORONG KAMPUNG SURAU KENEGARIAN GUNUNG SELASIH KECAMATAN PULAU PUNJUNG KABUPATEN DHARMASRAYA

2020 ◽  
Vol 9 (4) ◽  
pp. 127
Author(s):  
Mahdalena Ekaputri ◽  
Darmawati Darmawati
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Open Field ◽  
Descriptive Analysis ◽  
Analysis Method ◽  
Literature Study ◽  
Traditional Dance ◽  
Photo Camera ◽  
Main Instrument

This research aims to describe and study the form of Choreography Review of Paarakan Silek Dance in Jorong Kampung Surau, Kenegarian Gunung Selasih, PulauPunjung District, Dharmasraya Regency. This is a qualitative research using a descriptive analysis method. The object of this research was Silek Paarakan dance in Jorong Kampung Surau. The main instrument was the researcher itselfand was assisted by stationery and a photo camera. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by collectingand analyzing the data. The results of the research prove that the Choreography Review of Silek Paarakan Dance is a traditional dance in Jorong Kampung Surau. It is especially performed at Maarak Niniak Mamak Ka Rumah Gadang event and is performed once a year after the Eid prayer. The movements of Silek Paarakan dance consist of Sambah Kiri, Sambah Kanan, Mempersilahkan, Manyangua Tingkok, Tampelong, Tupai Bagaluik, Lantiang Pauh, and Ujak Musang movements. The dancers consist of 20 men. The music used is Talempong Pacik Dan Gong. The costumes worn by the dancers include: Taluak Balango black shirts, Endong (itiak palm) pants, Sembat wrapped around the waists, and black caps. The performance is held in an open field (yard) during the day.Keywords: Review, Choreography, Silek Paarakan Dance

scholarly journals MAKNA TARI ALANG SUNTIANG PANGULU DALAM UPACARA BATAGAK PANGULU DI NAGARI PADANG LAWEH KECAMATAN SUNGAI PUA KABUPATEN AGAM

2020 ◽  
Vol 9 (2) ◽  
pp. 25
Author(s):  
Riri Fadri Azhari ◽  
Afifah Asriati
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Key Words ◽  
Descriptive Analysis ◽  
Analysis Method ◽  
Literature Study ◽  
Main Instrument

This study aims to describe the meaning of Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. This is a qualitative research with a descriptive analysis method. The object of this research was Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. The main instrument used was the researcher itself and was assisted by tools such as stationery and cameras to collect data in the field. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by reducing the data, describing the data, and making conclusion.The results show that Alang Suntiang Pangulu dance describes lessons about things a Pangulu (a leader) uses to maintain his crown or honor. These are found in Alang Suntiang Pangulu dance which gives textual meanings elaborated through motion, floor patterns, music, dancers, make-up, performance, and venues. Key words: Alang Suntiang Pangulu Dance, Meaning

scholarly journals REVITALISASI SILEK SUNUA DALAM MASYARAKAT KORONG KOTO TINGGI KANAGARIAN GUNUANG PADANG ALAI KABUPATEN PADANG PARIAMAN

2020 ◽  
Vol 9 (4) ◽  
pp. 165
Author(s):  
Suci Okta Rahmadani ◽  
Indrayuda Indrayuda
Keyword(s):  
Data Analysis ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Literature Study ◽  
Organizational Structuring ◽  
Younger Generation ◽  
Main Instrument ◽  
Holding Back

The background of this research is the loss of one of arts in Korong Koto Tinggi, namely Silek Sunua. This research aims to revitalize Silek Sunua in Korong Koto Tinggi community, Gunuang Padang Alai village, Padang Pariaman regency. The method used was descriptive analysis with a qualitative form. The types of data in this study were primary and secondary data. The main instrument was the researcher itself. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by using interpretation technique so that the truth can be obtained. The results of this study are efforts made to revitalize Silek Sunua. The efforts area ctivity excavation and re-activation as well as organization and socializat ionstructuring in Korong Koto Tinggi. Activity excavation and re-activation are done by holding back the Silek Sunua training and having organizational structuring torearrange the structure of the organization. Furthermore, the socialization is to reintroduce Silek Sunua to the community and the younger generation in Korong Koto Tinggi. Keywords: Revitalization, Sunua Silek, Koto Tinggi Korong

scholarly journals PELESTARIAN TARI PIRIANG RANTAK TAPI DI KENAGARIAN PITALAH KECAMATAN BATIPUH KABUPATEN TANAH DATAR

2020 ◽  
Vol 10 (1) ◽  
pp. 237
Author(s):  
Srirahayu Srirahayu ◽  
Desfiarni Desfiarni
Keyword(s):  
Qualitative Research ◽  
Positive Impact ◽  
Next Generation ◽  
Literature Study ◽  
Main Instrument ◽  
The Impact ◽  
Writing Tools ◽  
Descriptive Method

This research aims to reveal and describe "The preservation of Piriang Rantak Tapi dance in Pitalah village, Batipuh District, Tanah Datar Regency". This research belongs to a qualitative research using descriptive method. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing tools and cameras. The data were collected through literature study, observation, interview, and documentation. The steps of analyzing data were collecting the data, describing the data, and concluding the data. The results show that the effort to preserve the Piriang Rantak Tapi dance isby collaborating with the Tuo Tari and the community in Pitalah village, Batipuh district. With the training of Piriang Rantak Tapi dance, the number of performers has increased from 1 to 8 people in the dance, so that currently the RantakTapipiriang dance has had the next generation to maintain the existence of the dance. This has a positive impact and can be accepted by the community because there are many dance performers around the community. The impact learned in the PiriangRantak dance is that those who previously did not understand dance, but then they can dance a dance taught, namely Piriang Rantak Tapi Dance.Keywords: Preservation, Rantak Piriang Dance, Kenagarian Pitalah

scholarly journals KEBERADAAN TARI SALAPAN DI KENAGARIAN AIR BANGIS KECAMATAN SUNGAI BEREMAS KABUPATEN PASAMAN BARAT

2019 ◽  
Vol 8 (2) ◽  
pp. 17
Author(s):  
Ranti Lestari ◽  
Fuji Astuti
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Secondary Data ◽  
Local Communities ◽  
Library Studies ◽  
Main Instrument ◽  
Descriptive Method

Abstract The research aims to reveal and describe the existence of the Salapan dance in enagarian Air Bangis Kecamatan Sungai Beremas Kabupaten Pasaman Barat. This type of research is qualitative research with a descriptive method. This type of research uses primary and secondary data. The main instrument in this research is its own researchers and assisted with supporting instruments such as stationery and cameras. Data collection techniques are conducted by way of library studies, observations, interviews and documentation. The steps for analyzing data are data collection, classifying data, analyzing data, interpreting data and making conclusions. The results showed that the existence of the Salapan dance in the middle of society is no longer exist because this dance is rarely displayed and there is no workshop to defend this dance. The choreographers of the Salapan dance creations have also eliminated the meaning of the tradition of dance by changing the movements and properties of the dance itself. The Salapan dance is no longer displayed at events held by local communities such as weddings, but the Salapan dance is only shown more frequently at the request of Tourism office in West Pasaman and competition events. Keyword: existence of dance Salapan

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