scholarly journals BENTUK PENYAJIAN MUSIK GONTONG–GONTONG PADA ACARA PERNIKAHAN DI NAGARI PASIR TALANG KECAMATAN SUNGAI PAGU KABUPATEN SOLOK SELATAN

2020 ◽  
Vol 10 (1) ◽  
pp. 140
Author(s):  
Arrithem Mosizi ◽  
Marzam Marzam
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Literature Study ◽  
The Public ◽  
Main Instrument ◽  
Writing Tools ◽  
Descriptive Method

This study aims to describe the presentation form of Gontong-gontong at wedding parties. This research belongs to a qualitative research using descriptive method. The main instrument in this research was the researcher itself and was assisted by supporting instruments such as writing tools and cameras. The data were collected through observation, literature study, interview, and documentation. The data analysis was conducted by collecting the data, describing the data, and concluding the data. The results show that Gontong-Gontong is an art which is recognized by the community and is considered as an important element due to the fact that it was inherited by previous ancestors. Gontong-Gontong also provides entertainment for the community although Gontong-Gontong is only a media for Arak-Arakan at weddings. The presentation ofGontong-Gontong is carried out in the form of a band wagon at weddings. Gontong-Gontong is a medium for conveying messages to the public about the existence of a marker or event. The presentation of Gontong-Gontong can be found at wedding parties of Manjalang Mintuo procession.Key words: Form, Presentation, Gontong-Gontong, Weddings.

scholarly journals PELESTARIAN TARI PIRIANG RANTAK TAPI DI KENAGARIAN PITALAH KECAMATAN BATIPUH KABUPATEN TANAH DATAR

2020 ◽  
Vol 10 (1) ◽  
pp. 237
Author(s):  
Srirahayu Srirahayu ◽  
Desfiarni Desfiarni
Keyword(s):  
Qualitative Research ◽  
Positive Impact ◽  
Next Generation ◽  
Literature Study ◽  
Main Instrument ◽  
The Impact ◽  
Writing Tools ◽  
Descriptive Method

This research aims to reveal and describe "The preservation of Piriang Rantak Tapi dance in Pitalah village, Batipuh District, Tanah Datar Regency". This research belongs to a qualitative research using descriptive method. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing tools and cameras. The data were collected through literature study, observation, interview, and documentation. The steps of analyzing data were collecting the data, describing the data, and concluding the data. The results show that the effort to preserve the Piriang Rantak Tapi dance isby collaborating with the Tuo Tari and the community in Pitalah village, Batipuh district. With the training of Piriang Rantak Tapi dance, the number of performers has increased from 1 to 8 people in the dance, so that currently the RantakTapipiriang dance has had the next generation to maintain the existence of the dance. This has a positive impact and can be accepted by the community because there are many dance performers around the community. The impact learned in the PiriangRantak dance is that those who previously did not understand dance, but then they can dance a dance taught, namely Piriang Rantak Tapi Dance.Keywords: Preservation, Rantak Piriang Dance, Kenagarian Pitalah

MAKNA TARI KAIN DALAM UPACARA PERKAWINAN MASYARAKAT PAUH V KECAMATAN PAUH KOTA PADANG SUMATERA BARAT

2020 ◽  
Vol 9 (4) ◽  
pp. 1
Author(s):  
Vhellani Harza Dena ◽  
Darmawati Darmawati
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Secondary Data ◽  
Literature Study ◽  
Marriage Ceremony ◽  
Traditional Dance ◽  
Wedding Ceremony ◽  
Main Instrument ◽  
Descriptive Method

This study aims to describe and analyze the meaning of Kain dance in marriage ceremony at Pauh V, Pauah district, Padang city. This is a qualitative research using a descriptive method. The object of this research was Kain dance in Pauh V community, Pauh district, Padang city. The data used in this study were primary and secondary data. The main instrument was the researcher itself and was assisted by supporting instruments such as writing instruments, cameras, and cellphones. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by reducing the data, displaying the data, and making conclusions. The results show that Kain dance is a traditional dance which is a manifestation of the values of Pauh V community in a marriage ceremony. The instructions are given by niniak mamak (headmen) and bako (fathers’ family) as people who are responsible. This is depicted in a dance by dancers who invite the bride and groom to dance as a form of learning.Kain dance depicts a man who is married and is recognized as an adult who must have dexterity, strength, and vigilance in facing challenges in life's journey. This dance is performed in a marriage ceremony during the malakek an gala (giving a title). However, over the time, Kain dance may be performedat religious events in Pauh V Community, Pauh District.Keywords : meaning, cloth dance, wedding ceremony

scholarly journals KOREOGRAFI TARI PIRING DI ATEH KARAMBIE DI KANAGARIAN PAYO KELURAHAN TANAH GARAM KECAMATAN LUBUK SIKARAH KOTA SOLOK

2020 ◽  
Vol 9 (2) ◽  
pp. 17
Author(s):  
Maharani Maharani ◽  
Herlinda Mansyur
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Social Values ◽  
Secondary Data ◽  
Literature Study ◽  
Dance Movement ◽  
Data Presentation ◽  
The People ◽  
Main Instrument ◽  
Descriptive Method

This study aims to reveal and describe the choreography of a dance called Tari Piring Diateh Karambie in Kanagarian Payo, Tanah Garam Village, Lubuk Sikarah District, Solok City. This research is a qualitative research using descriptive method. The main instrument of this research was the researcher itself and was assisted by supporting instruments such as writing instruments and voice recorders. This research used primary and secondary data. The data were through literature study, observation, interviews, and documentation. The data analysis was conducted by collecting the data, reducing the data, presentation the data, and making conclusions. The results show that Tari Piring Diateh Karambie a is a traditional dance using a choreographic approach, and it is cultivated by raising the life of nature and the people of Nagari Payo. This dance has been around since 1995. Tari Piring Diateh Karambie uses elements of dance composition consisting of: 7 types of movement, simple floor pattern, top design, music, dramatic design, dynamic, theme, composition, group, and equipment. The movement of Tari Piring Diateh Karambie comes from a combination of Nagari Payo and Simawang. The movements and floor patterns used by dancers have fulfilled the elements of the dance composition. There is also music to accompany the dance movement so that it makes the dance alive as well as it complements the dance. The equipment used also gives the nuance to the dance so that it is not monotonous. In addition, the group choreography shows high social values and depicts the nature around Nagari PayoKeywords: Choreography, Tari Piring on Karambie, Kanagarian Payo

scholarly journals BENTUK MUSIK SALUANG SIROMPAK VERSI ABAH EMI PADA ACARA ALEK PEMUDA DI PARIK DALAM NAGARI TAEH BARUAH KABUPATEN LIMA PULUH KOTA PAYAKUMBUH

2020 ◽  
Vol 10 (1) ◽  
pp. 1
Author(s):  
Rama Kurniawan ◽  
Syeilendra Syeilendra
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Musical Instruments ◽  
Musical Form ◽  
Literature Study ◽  
Minimum Duration ◽  
Descriptive Approach ◽  
Folk Performance ◽  
Main Instrument ◽  
Writing Tools

This study aims to describe Saluang Sirompak music of Abah Helmi version at Alek Pemuda event in Parik Dalam, Taeh Baruah village, Lima Puluh Kota regency, Payakumbuh City. This research belongs to a qualitative research using a descriptive approach. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing tools and cameras. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by collecting the data, clarifying the data, and summarizing the data. The results show that Saluang Sirompak of Abah Emi version is a folk performance art which is previously used as a ritual mean. Its song is in the form of a rhyme accompanied by Saluang and Gasiang Tangkurak musical instruments. There is no difference between the previous and current Saluang Sirompak song text anad between the old and present Saluang melodies. The use of the term Saluang Sirompak comes from the word Rompak /Rampok, so the lyrics are related to someone's desire to own someone by force. The musical form of Saluang Sirompak is a combination of Dendang accompanied by two musical instruments: Saluang Sirompak and Gasiang Tangkurak which form a complete unit. The music consists of three parts: part one (opening) of Saluang Sirompak and Gasiang Tangkurak instruments, part two (content) of Dendang accompanied by Saluang and Gasiang Tangkurak instruments, part three (closing) of saluang sirompak and gasiang tangkurak instruments. The music in Saluang Sirompak show has a minimum duration of 20 minutes. It starts with the Gasiang player who screams as a symbol of the beginning of part one. Dendang on Saluang Sirompak music is in the form of rhyme repeated alternately between one singer and another by singing one song, and this is the part two (content) of Saluang Sirompak music.Keywords: Saluang Sirompak music, Abah Emi’s version, Alek Pemuda event

scholarly journals Community Empowerment in Development Creative Economy through “Pahari” Rattan Crafts in Sabaru Kelurahan Sebangau Kota Palangka Raya

2020 ◽  
Vol 3 (4) ◽  
pp. 3949-3955
Author(s):  
Dedy Ilham Perdana ◽  
Novia Lestary
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Community Empowerment ◽  
Creative Economy ◽  
Assembly Process ◽  
Central Kalimantan ◽  
The Public ◽  
Analysis Techniques ◽  
Finishing Process ◽  
Main Instrument

Rattan woven handicrafts are creative economic enterprises that take advantage of local potential and also hone abilities and skills. Rattan is processed into handicraft items that have high selling value. The processing of handicrafts made from rattan is very attractive to the public with unique and distinctive motifs from Central Kalimantan. Empowerment of the community's economy through woven rattan handicrafts has good prospects for the future so that it can make the lives of people who are members of the pahari rattan craftsmen group prosperous. This research is a type of qualitative research. The data in this study were obtained by observation, interviews, and documentation. The main instrument in this study is the researcher himself with the help of observation guidelines, documentation guidelines, interview guides, and using other aids in the form of piles or cellphones, and writing instruments. The validity of the data was obtained by extension technique with participation, observation persistence and triangulation. Data analysis techniques are carried out by reducing data, presenting data, and drawing conclusions or verification. The results of this study indicate that (1) the process of making rattan woven bags, the process of designing, and preparing tools and materials. Production process: dye process, weaving process, assembly process and finishing process. (2) the motifs applied to the rattan woven bag craft in the Pahari Rattan Craftsmen Group are many motifs such as the lamiang motif on the ribbon tie, the dare bawak balanti motif, the dare sawang motif, the dare tie motif, the dare palapas tingang motif, the uhat djadjangkit motif, dare kilat mayambar, dare kambang malati motive, shoot dare rabung dare motif, dare anchor motif, daring rod garing dare motif, katimpun dare kambang motif, kumpang dare kumpang, dare boat motif, dare deer motif, and lamiang dare motif. (3) The types of bags produced by the Pahari Rattan Craftsmen Group are bags with various types of motifs typical of Central Kalimantan.

scholarly journals MAKNA TARI ALANG SUNTIANG PANGULU DALAM UPACARA BATAGAK PANGULU DI NAGARI PADANG LAWEH KECAMATAN SUNGAI PUA KABUPATEN AGAM

2020 ◽  
Vol 9 (2) ◽  
pp. 25
Author(s):  
Riri Fadri Azhari ◽  
Afifah Asriati
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Key Words ◽  
Descriptive Analysis ◽  
Analysis Method ◽  
Literature Study ◽  
Main Instrument

This study aims to describe the meaning of Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. This is a qualitative research with a descriptive analysis method. The object of this research was Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. The main instrument used was the researcher itself and was assisted by tools such as stationery and cameras to collect data in the field. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by reducing the data, describing the data, and making conclusion.The results show that Alang Suntiang Pangulu dance describes lessons about things a Pangulu (a leader) uses to maintain his crown or honor. These are found in Alang Suntiang Pangulu dance which gives textual meanings elaborated through motion, floor patterns, music, dancers, make-up, performance, and venues. Key words: Alang Suntiang Pangulu Dance, Meaning

scholarly journals TATA CARA PENYAJIAN TARI PERSEMBAHAN BUNGO DALAM ACARA PENYAMBUTAN TAMU DI KABUPATEN BUNGO PROVINSI JAMBI

2020 ◽  
Vol 9 (2) ◽  
pp. 55
Author(s):  
Lidya Indrawati ◽  
Indrayuda Indrayuda
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Analysis Data ◽  
Literature Study ◽  
Initial Stage ◽  
Main Instrument

This study aims to reveal the procedures for presenting Persembahan Bungo dance in a guest welcoming event in Bungo Regency, Jambi Province. This is a qualitative research resulting descriptive analysis data. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing instruments and cameras. The data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted bycollecting the data, reducing the data, presenting the data, and making conclusion. The results show that Persembahan Bungo dance has parts and sequences in each presentation. They are preparation before performing, initial stage, during the performance, and the end of the performance.Persembahan Bungo dance has 9 movements: Sembah Penghormatan, gerak selamat datang, sembah paduko, lenggang, putri malu, berinai, limbai, zapin bungo, and mambuko pagar ayu. The rules for performing Persembahan Bungo dance are compiled by custom or according to the customary rules in Bungo Regency, are in accordance with the motto of Bungo Regency, and pay attention to the values in a reception. For example, in the rule of washing betel, the betel must be washed first by the queen. This symbolizes cleanliness, purity, and respect for the welcomed guests by people of Bungo regency.Keywords: presentation, bungo dance, guest welcome

scholarly journals TARI BALANSE MADAM “FAKTOR-FAKTOR YANG MEMPENGARUHI EKSISNYA TARI BALANSE MADAM DI SEBERANG PALINGGAM”

2020 ◽  
Vol 9 (1) ◽  
pp. 71
Author(s):  
Dwi Witri Anggraini ◽  
Indrayuda Indrayuda
Keyword(s):  
Data Collection ◽  
Qualitative Study ◽  
Literature Study ◽  
Cultural Encounters ◽  
Factors Affecting ◽  
Data Presentation ◽  
The Public ◽  
The Government ◽  
Main Instrument ◽  
Descriptive Method

Abstract This study aims to express the factors that influence the existence of Madam balanse dance at Seberang Palinggam. Type of this research was a qualitative study with using descriptive method. The main instrument of this study was the researcher. The additional instruments used were such as stationery, camera and flash disk. Techniques of data collection werecarried out by using literature study, observation, interviews, documentation. The steps in analyzing data were data collection, reduction, data presentation and drawing conclusions of the research. The results show that the dance originated from trading activity which led to cultural encounters, namely Portuguese culture (dance) with Nias culture (maena). The cultural meeting creates a form of art performance  namely Madam Balance Dance. The existence of the Madam balanse dance is influenced by several factors such as: customs, religion, community and government environment. This dance has changed its function from dance as a custom to dance as entertainment, this is because of the lack of interest in the community and the government of Padang to preserve and learn the Madam Balanse dance. One of the efforts to keep the Madam Balanse dance alive and sustainable is that the government have to promote or introduce the Madam Balanse dance again to the public. Keywords: Factors Affecting the Existence of Madam Balanse Dance

scholarly journals Variasi Bahasa Indoglish dan Idiolek Publik Figur di Instagram

2020 ◽  
Vol 3 (2) ◽  
pp. 135
Author(s):  
Afifah Nuur Qory'ah ◽  
Agus Tika Dwi Savira ◽  
Elen Inderasari
Keyword(s):  
Qualitative Research ◽  
Social Media ◽  
Data Analysis ◽  
Data Sources ◽  
New Words ◽  
The Public ◽  
Public Figures ◽  
Language Patterns ◽  
Qualitative Descriptive ◽  
Descriptive Method

<p><span lang="IN">This study aims to describe the language variation phenomena in the form of indoglish and idiolect in the Girl Squad public figures on Instagram social media. This research is qualitative research with a qualitative descriptive method. The data in this study are in the form of captions or written expressions on Girl Squad’s Instagram uploads. Data sources were obtained from public social media Instagram of Girl Squad member figures. Data collection techniques are collected through documentation, listening, and note-taking. Data analysis was carried out in the interactive study by classifying data taken in written expressions on the Instagram caption of Girl Squad members who then organized and concluded indoglish languages and Idioms. The result of this study indicates the indoglish phenomenon that occurs in the upload of written expressions on the public Instagram figure of Girl Squad. Also, idiolect was found in several public members of the Girl Squad figure. Indoglish language patterns found include (1) prefix insertions, (2) suffix insertions, and (3) pronouns. Idiolect language patterns found include (1) word emphasis, (2) adaptation, (3) creation or formation of new words, and (4) contemporary language.</span></p>

scholarly journals PELAKSANAAN PEMBELAJARAN BERNYANYI SECARA UNISONO BERDASARKAN KURIKULUM 2013 EDISI REVISI DI KELAS VII-2 SMP NEGERI 3 PADANG

2020 ◽  
Vol 10 (1) ◽  
pp. 75
Author(s):  
Doni Febri ◽  
Tulus Handra Kadir ◽  
Harisnal Hadi
Keyword(s):  
Qualitative Research ◽  
Subject Matter ◽  
Learning Objectives ◽  
Classroom Teachers ◽  
Literature Study ◽  
Research Instrument ◽  
Learning Evaluation ◽  
The Subject ◽  
Writing Tools ◽  
Descriptive Method

This study aims to explore and describe the implementation of Culture and Arts instruction based on the revised 2013 curriculum of 2016 edition at SMP Negeri 3 Padang. This is a qualitative research using descriptive method. The research instrument was the researcher itself and was assisted by supporting instruments such as writing tools and cameras. The data were collected through literature study, observation, interview, and documentation. The data analysiswas conducted through collecting the data, describing the data, taking conclusion and making suggestions. The results showthat the unisono singing instruction conducted by teachers in class VII-2 of SMP Negeri 3 Padang has not gone well and had not met the targets of the learning objectives and the objectives of the revised 2013curriculum. This can be seen from the planning, implementation, and evaluation. Thereisnorelevancy between the lesson plans and those implemented by the teacher in the classroom. Teachers do not fully understand the concepts and techniques of singing unisono so that students do not understand the subject matter. The results of the unisono learning evaluation of students in class VII-2show that the highest score got only reached 87, the lowest score was 75, and 10 students did not reach the cut score.Keywords : Implementation, Instruction, 2013 Curriculum

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