scholarly journals KOREOGRAFI TARI PIRING DI ATEH KARAMBIE DI KANAGARIAN PAYO KELURAHAN TANAH GARAM KECAMATAN LUBUK SIKARAH KOTA SOLOK

2020 ◽  
Vol 9 (2) ◽  
pp. 17
Author(s):  
Maharani Maharani ◽  
Herlinda Mansyur
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Social Values ◽  
Secondary Data ◽  
Literature Study ◽  
Dance Movement ◽  
Data Presentation ◽  
The People ◽  
Main Instrument ◽  
Descriptive Method

This study aims to reveal and describe the choreography of a dance called Tari Piring Diateh Karambie in Kanagarian Payo, Tanah Garam Village, Lubuk Sikarah District, Solok City. This research is a qualitative research using descriptive method. The main instrument of this research was the researcher itself and was assisted by supporting instruments such as writing instruments and voice recorders. This research used primary and secondary data. The data were through literature study, observation, interviews, and documentation. The data analysis was conducted by collecting the data, reducing the data, presentation the data, and making conclusions. The results show that Tari Piring Diateh Karambie a is a traditional dance using a choreographic approach, and it is cultivated by raising the life of nature and the people of Nagari Payo. This dance has been around since 1995. Tari Piring Diateh Karambie uses elements of dance composition consisting of: 7 types of movement, simple floor pattern, top design, music, dramatic design, dynamic, theme, composition, group, and equipment. The movement of Tari Piring Diateh Karambie comes from a combination of Nagari Payo and Simawang. The movements and floor patterns used by dancers have fulfilled the elements of the dance composition. There is also music to accompany the dance movement so that it makes the dance alive as well as it complements the dance. The equipment used also gives the nuance to the dance so that it is not monotonous. In addition, the group choreography shows high social values and depicts the nature around Nagari PayoKeywords: Choreography, Tari Piring on Karambie, Kanagarian Payo

MAKNA TARI KAIN DALAM UPACARA PERKAWINAN MASYARAKAT PAUH V KECAMATAN PAUH KOTA PADANG SUMATERA BARAT

2020 ◽  
Vol 9 (4) ◽  
pp. 1
Author(s):  
Vhellani Harza Dena ◽  
Darmawati Darmawati
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Secondary Data ◽  
Literature Study ◽  
Marriage Ceremony ◽  
Traditional Dance ◽  
Wedding Ceremony ◽  
Main Instrument ◽  
Descriptive Method

This study aims to describe and analyze the meaning of Kain dance in marriage ceremony at Pauh V, Pauah district, Padang city. This is a qualitative research using a descriptive method. The object of this research was Kain dance in Pauh V community, Pauh district, Padang city. The data used in this study were primary and secondary data. The main instrument was the researcher itself and was assisted by supporting instruments such as writing instruments, cameras, and cellphones. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by reducing the data, displaying the data, and making conclusions. The results show that Kain dance is a traditional dance which is a manifestation of the values of Pauh V community in a marriage ceremony. The instructions are given by niniak mamak (headmen) and bako (fathers’ family) as people who are responsible. This is depicted in a dance by dancers who invite the bride and groom to dance as a form of learning.Kain dance depicts a man who is married and is recognized as an adult who must have dexterity, strength, and vigilance in facing challenges in life's journey. This dance is performed in a marriage ceremony during the malakek an gala (giving a title). However, over the time, Kain dance may be performedat religious events in Pauh V Community, Pauh District.Keywords : meaning, cloth dance, wedding ceremony

scholarly journals NILAI-NILAI SOSIAL ADAT MINANGKABAU DALAM SILEK PAUH DI PERGURUAN SINGO BARANTAI LUBUK LINTAH KECAMATAN KURANJI PADANG

2020 ◽  
Vol 9 (4) ◽  
pp. 237
Author(s):  
Meri Rhama Nelly ◽  
Nerosti Nerosti
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Analytical Method ◽  
Social Values ◽  
Secondary Data ◽  
Next Generation ◽  
Literature Study ◽  
The Social ◽  
Shape Characters ◽  
Main Instrument

This study aims to reveal Minangkabau Custom Social Values in Silek Pauhat Perguruan Singo Barantai, Lubuk Lintah, Kuranji Padang. This is a qualitative research using descriptive analytical method. The main instrument used was the researcher itself and was assisted by supporting instruments such as writing instruments, cameras, and cellphones. The data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was done byreducing the data, displaying the data, and making conclusion. Based on the results of this research, it is found that there are social values which can shape characters of the next generation, especially for sasian generation in Perguruan Singo Barantai. The Minangkabau social values found in Silek Pauh at Perguruan Singo Barantai, Lubuk Lintah, Kuranji, Padang, can be described as follows: 1) The social values of the step moves is a person can consider other people / be considerate of being Minangkabau people. 2) The social values of attack motion is a person has an accurate consideration in making decisions. 3) The social values of the lockdown moves is a person can adapt to any situation. 4) The social values of defend movesis a person has alertness and capabiltyin reading situations.Keywords:  Social Values, Minangkabau Customs, Silek Pauh, Singo Barantai College

scholarly journals TATA CARA PENYAJIAN TARI PERSEMBAHAN BUNGO DALAM ACARA PENYAMBUTAN TAMU DI KABUPATEN BUNGO PROVINSI JAMBI

2020 ◽  
Vol 9 (2) ◽  
pp. 55
Author(s):  
Lidya Indrawati ◽  
Indrayuda Indrayuda
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Analysis Data ◽  
Literature Study ◽  
Initial Stage ◽  
Main Instrument

This study aims to reveal the procedures for presenting Persembahan Bungo dance in a guest welcoming event in Bungo Regency, Jambi Province. This is a qualitative research resulting descriptive analysis data. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing instruments and cameras. The data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted bycollecting the data, reducing the data, presenting the data, and making conclusion. The results show that Persembahan Bungo dance has parts and sequences in each presentation. They are preparation before performing, initial stage, during the performance, and the end of the performance.Persembahan Bungo dance has 9 movements: Sembah Penghormatan, gerak selamat datang, sembah paduko, lenggang, putri malu, berinai, limbai, zapin bungo, and mambuko pagar ayu. The rules for performing Persembahan Bungo dance are compiled by custom or according to the customary rules in Bungo Regency, are in accordance with the motto of Bungo Regency, and pay attention to the values in a reception. For example, in the rule of washing betel, the betel must be washed first by the queen. This symbolizes cleanliness, purity, and respect for the welcomed guests by people of Bungo regency.Keywords: presentation, bungo dance, guest welcome

scholarly journals KOREOGRAFI TARI INDANG RANDAI DI SANGGAR ALANG BANGKEH SILAING BAWAH KOTA PADANGPANJANG

2020 ◽  
Vol 9 (2) ◽  
pp. 9
Author(s):  
Uthi Sonia ◽  
Herlinda Mansyur
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Secondary Data ◽  
Daily Activities ◽  
Creative Dance ◽  
Straight Line ◽  
Dance Movements ◽  
Use Stage ◽  
Main Instrument ◽  
Descriptive Method

This study aims to reveal and describe the choreography form of Indang Randai Dance at Alang Bangkeh Studio, Silaing Bawah, Padang Panjang city. This is a qualitative research using descriptive method. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing instruments and cameras. The data used were primary and secondary data. The data were collected through interview, observation, and documentation. The data analysis was conducted by collecting the data, reducing the data, presenting the data, and making conclusions. The results show that Indang Randai dance is a creative dance whichholds the characteristics of Minangkabau women and rules which exist in Minangkabau custom. This dance tells about the joy of teenagers in doing activities. The dance functions as an entertainment dance. Related to the dance elements, Indang Randai dance choreography consists of 59 dance movements, the upper design dominantly using low design, the floor design which is dominantly from straight line developments, the music design, and the dramatic group choreography design. The dynamics are generally intermediate. The group choreography is performed simultaneously and balanced. The costumes worn are galembong pants, bajukurung, tokah, waist bands, and accessories. The dancers use stage make-up. From all those dance elements, relation to the theme of the daily activities of teenagers who are happy and enthusiastic in carrying out activities can be made.Keywords: Choreography, Indang Randai Dance, Alang Bangkeh Studio

scholarly journals PRESTASI SANGGAR RUMAH GADANG SEBAGAI SEBUAH ORGANISASI SENI PERTUNJUKAN DI NAGARI CUPAK KABUPATEN SOLOK: KAJIAN TERHADAP TATA KELOLA ORGANISASI

2020 ◽  
Vol 9 (2) ◽  
pp. 47
Author(s):  
Della Natasia Gunita Piska ◽  
Indrayuda Indrayuda
Keyword(s):  
Qualitative Research ◽  
Performing Arts ◽  
Secondary Data ◽  
Primary Data ◽  
Data Types ◽  
Data Presentation ◽  
Video Cameras ◽  
Library Studies ◽  
Main Instrument ◽  
Descriptive Method

This research aims to describe and explain the governance of the organization of Rumah Gadang Dance Art in managing the order well to be able to achieve achievement both national and international so that it remains exist and survive to date. This type of research is qualitative research with a descriptive method. The main instrument in this research is its own researchers and assisted with supporting instruments such as notebooks, note taking tools, video cameras, photo cameras, and tape recorders. The data types in this study are primary data and secondary data. Data collection techniques are conducted by way of library studies, observation, interviews, documentation. The steps for analyzing data are data reduction, data presentation and withdrawal of conclusions. The results showed that the governance of the organization run by Sanggar Rumah Gadang can run well so that it produces good achievements. The research is included in a line organization (a form of organization where direct authority delegation is vertically and completely from leadership to its subordinates). The advantage of the line organization, all decisions can be resolved directly because in a particular situation the leader becomes one of the main targets in problem solving. Disadvantages of the line organization, if there is an issue or problem can not be resolved quickly because the leader is not in place. Thus the governance of the line Oganisasi to solve the problem or problems in the workshop, the head of the workshop became the first person to complete and resolve the issue.Keywords: achievement, Rumah Gadang, performing Arts

scholarly journals BENTUK PENYAJIAN MUSIK GONTONG–GONTONG PADA ACARA PERNIKAHAN DI NAGARI PASIR TALANG KECAMATAN SUNGAI PAGU KABUPATEN SOLOK SELATAN

2020 ◽  
Vol 10 (1) ◽  
pp. 140
Author(s):  
Arrithem Mosizi ◽  
Marzam Marzam
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Literature Study ◽  
The Public ◽  
Main Instrument ◽  
Writing Tools ◽  
Descriptive Method

This study aims to describe the presentation form of Gontong-gontong at wedding parties. This research belongs to a qualitative research using descriptive method. The main instrument in this research was the researcher itself and was assisted by supporting instruments such as writing tools and cameras. The data were collected through observation, literature study, interview, and documentation. The data analysis was conducted by collecting the data, describing the data, and concluding the data. The results show that Gontong-Gontong is an art which is recognized by the community and is considered as an important element due to the fact that it was inherited by previous ancestors. Gontong-Gontong also provides entertainment for the community although Gontong-Gontong is only a media for Arak-Arakan at weddings. The presentation ofGontong-Gontong is carried out in the form of a band wagon at weddings. Gontong-Gontong is a medium for conveying messages to the public about the existence of a marker or event. The presentation of Gontong-Gontong can be found at wedding parties of Manjalang Mintuo procession.Key words: Form, Presentation, Gontong-Gontong, Weddings.

scholarly journals THE Utilization of Family Medicine Plant in Nias Islands, North Sumatra Province

2020 ◽  
Vol 1 (3) ◽  
pp. 174-184
Author(s):  
Adam Smith Bago
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Family Medicine ◽  
Medicinal Plants ◽  
Data Presentation ◽  
The People ◽  
Analysis Technique ◽  
Long Time ◽  
Three Stages ◽  
North Sumatra

Based on preliminary observations, it was found that the people in Nias Islands,North Sumatra province had used medicinal plants for a long time and had inheritedthem from generation to generation. So that many people still use medicinal plants.This study aims to determine the types of family medicinal plants used by thecommunity, how to mix or process family medicinal plants, and public perceptionsof family medicinal plants. This research is a type of qualitative research withdescriptive methods with 125 respondents. Collecting data by observation,interviews, documentation. The data analysis technique uses three stages, namelydata reduction, data presentation, and drawing conclusions or verification. Fromthe research results, there were 23 plant species used by the community in NiasIsland as Family Medicinal Plants. The method of concocting family medicinalplants varies greatly, depending on the type of plant and disease, the people ofSambulu village have good perceptions about family medicinal plants. Suggestionsare expected to maintain the habit of using medicinal plants, and also teach them tochildren or young people.

FENOMENA TRADISI ZIARAH MAKAM K.H.R BAGUS KHASANTUKA DI DUSUN SENUKO SIDOAGUNG GODEAN SLEMAN

2021 ◽  
Vol 2 (2) ◽  
pp. 1-12
Author(s):  
Pandiga Aji Norseta
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Positive Impact ◽  
Secondary Data ◽  
Data Sources ◽  
Primary Data ◽  
Data Presentation ◽  
Analysis Techniques ◽  
Youth Organization ◽  
Data Validity

This study aims to see the phenomena of the tradition of pilgrimage to the grave of K.H.R Bagus Khasantuka in Dusun Senuko Sidoagung Godean Sleman. The method used in this research is qualitative research methods. This study has two types of data and data sources, namely primary data and secondary data. Data interview techniques in this study were carried out by direct field observation, interviews, and documentation. The data analysis techniques used were data, data reduction, data presentation, and data collection. The data validity checking technique used was the source triangulation technique and the technique triangulation. The results of this study indicate the phenomenon of the pilgrimage tradition at K.H.Rr's grave intending to pray for and interpret the values of life, pilgrims who visit the grave of waliyullah K.H.R Bagus Khasantuka can trace the struggle of previous scholars in Islam. The existence of Sendang Bagusan as an example of K.H.R Bagus Khasantuka is still used by the Javanese mystical adherents for the kungkum ritual to achieve certain goals. The development of the Tomb of K.H.R Bagus Khasantuka also had a positive impact on the construction of hamlet roads, gates, and youth organization activities in Senuko Village.

scholarly journals MAKNA TARI ALANG SUNTIANG PANGULU DALAM UPACARA BATAGAK PANGULU DI NAGARI PADANG LAWEH KECAMATAN SUNGAI PUA KABUPATEN AGAM

2020 ◽  
Vol 9 (2) ◽  
pp. 25
Author(s):  
Riri Fadri Azhari ◽  
Afifah Asriati
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Key Words ◽  
Descriptive Analysis ◽  
Analysis Method ◽  
Literature Study ◽  
Main Instrument

This study aims to describe the meaning of Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. This is a qualitative research with a descriptive analysis method. The object of this research was Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. The main instrument used was the researcher itself and was assisted by tools such as stationery and cameras to collect data in the field. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by reducing the data, describing the data, and making conclusion.The results show that Alang Suntiang Pangulu dance describes lessons about things a Pangulu (a leader) uses to maintain his crown or honor. These are found in Alang Suntiang Pangulu dance which gives textual meanings elaborated through motion, floor patterns, music, dancers, make-up, performance, and venues. Key words: Alang Suntiang Pangulu Dance, Meaning

scholarly journals TARI BALANSE MADAM “FAKTOR-FAKTOR YANG MEMPENGARUHI EKSISNYA TARI BALANSE MADAM DI SEBERANG PALINGGAM”

2020 ◽  
Vol 9 (1) ◽  
pp. 71
Author(s):  
Dwi Witri Anggraini ◽  
Indrayuda Indrayuda
Keyword(s):  
Data Collection ◽  
Qualitative Study ◽  
Literature Study ◽  
Cultural Encounters ◽  
Factors Affecting ◽  
Data Presentation ◽  
The Public ◽  
The Government ◽  
Main Instrument ◽  
Descriptive Method

Abstract This study aims to express the factors that influence the existence of Madam balanse dance at Seberang Palinggam. Type of this research was a qualitative study with using descriptive method. The main instrument of this study was the researcher. The additional instruments used were such as stationery, camera and flash disk. Techniques of data collection werecarried out by using literature study, observation, interviews, documentation. The steps in analyzing data were data collection, reduction, data presentation and drawing conclusions of the research. The results show that the dance originated from trading activity which led to cultural encounters, namely Portuguese culture (dance) with Nias culture (maena). The cultural meeting creates a form of art performance  namely Madam Balance Dance. The existence of the Madam balanse dance is influenced by several factors such as: customs, religion, community and government environment. This dance has changed its function from dance as a custom to dance as entertainment, this is because of the lack of interest in the community and the government of Padang to preserve and learn the Madam Balanse dance. One of the efforts to keep the Madam Balanse dance alive and sustainable is that the government have to promote or introduce the Madam Balanse dance again to the public. Keywords: Factors Affecting the Existence of Madam Balanse Dance

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