scholarly journals CULTURAL VALUES IN SONG LYRICS ENDENG-ENDENG IN WEDDING CEREMONY OF MANDAILING SOCIETY IN NORTH LABUHANBATU REGENCY

LINGUISTICA ◽  
2020 ◽  
Vol 8 (4) ◽  
pp. 197
Author(s):  
Lidya Utami Harahap ◽  
Elisa Betty Manullang ◽  
Citra Anggia Putri
Keyword(s):  
Cultural Values ◽  
Extended Family ◽  
Cultural Value ◽  
Qualitative Design ◽  
Song Lyrics ◽  
Wedding Ceremony ◽  
Descriptive Qualitative

This study focused on finding out the cultural values in song lyrics Endeng-endeng of Mandailing society in North Labuhanbatu Regency. The objectives of this study were : (1) to find out the types of cultural values in song lyrics Endeng-endeng, (2) to find out the dominant types that used in song lyrics Endeng-endeng and (3) how the realization of the cultural values in wedding ceremony of Mandailing society in North Labuhanbatu Regency. This research was conducted by using descriptive qualitative design. There were 18 data of cultural values that were taken from song lyrics Endeng-endeng transcriptions. The findings of this research were : (1) There were nine cultural values of Batak that found in song lyrics Endeng-endeng, that contained kinship (16.7%), religion (16.7%), hagabeon (extended family)(11.1%), hasangapon (respect) (11.1%), hamoraon (wealth) (5.5%), hamajuon (modernization) (11.1%),  patik dohot uhum (rules and laws) (11.1%), pangayoman (nurture) (5.5%) marsisarian (conflict) (11.1%). (2) The most dominant types of cultural value was kinship and religion (16.7%). (3) The realization of cultural values of song lyrics Endeng-endeng of Mandailing society in North Labuhanbatu Regency was described by interview the informants that understood about Endeng-endeng. The meanings in song lyrics Endeng-endeng were the advices for the groom that should be applied by them in their life after got marriage.Keywords: cultural values, Endeng-endeng, song lyrics, wedding ceremony of Mandailing society                          

scholarly journals CULTURAL VALUES IN SONG LYRICS ENDENG-ENDENG IN WEDDING CEREMONY OF MANDAILING SOCIETY IN NORTH LABUHANBATU REGENCY

LINGUISTICA ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 439
Author(s):  
LIDYA UTAMI HARAHAP ◽  
ELISA BETTY MANULLANG ◽  
CITRA ANGGIA PUTRI
Keyword(s):  
Cultural Values ◽  
Extended Family ◽  
Cultural Value ◽  
Qualitative Design ◽  
Song Lyrics ◽  
Wedding Ceremony ◽  
Descriptive Qualitative

This study focused on finding out the cultural values in song lyrics Endeng- endeng of Mandailing society in North Labuhanbatu Regency. The objectives of this study were : (1) to find out the types of cultural values in song lyrics Endeng- endeng, (2) to find out the dominant types that used in song lyrics Endeng-endeng and (3) how the realization of the cultural values in wedding ceremony of Mandailing society in North Labuhanbatu Regency. This research was conducted by using descriptive qualitative design. There were 18 data of cultural values that were taken from song lyrics Endeng-endeng transcriptions. The findings of this research were : (1) There were nine cultural values of Batak that found in song lyrics Endeng-endeng, that contained kinship (16.7%), religion (16.7%), hagabeon (extended family)(11.1%), hasangapon (respect) (11.1%), hamoraon (wealth) (5.5%), hamajuon (modernization) (11.1%), patik dohot uhum (rules and laws) (11.1%), pangayoman (nurture) (5.5%) marsisarian (conflict) (11.1%). (2) The most dominant types of cultural value was kinship and religion (16.7%). (3) The realization of cultural values of song lyrics Endeng-endeng of Mandailing society in North Labuhanbatu Regency was described by interview the informants that understood about Endeng-endeng. The meanings in song lyrics Endeng- endeng were the advices for the groom that should be applied by them in their life after got marriage.

scholarly journals THE INTERACTION OF SOCIAL STRATIFICATION AND KARONESE REGISTER IN GIVING PEDAH PEDAH PERJABUN

2021 ◽  
Vol 17 (3) ◽  
pp. 225
Author(s):  
Elkana Putra Tarigan ◽  
Amrin . Saragih ◽  
Siti Aisyah Ginting
Keyword(s):  
Social Stratification ◽  
Native Speaker ◽  
Qualitative Design ◽  
Wedding Ceremony ◽  
Modern Era ◽  
Descriptive Qualitative

Indonesia was well known for the variety of tribes, traditional languages, society and culture. It triggered to conduct this research that concerned to social stratification and Karonese register in giving pedah pedah perjabun. The problem of this research was how far the Karonese register change in this modern era or whether there were any differences among society group in Karonese traditional wedding ceremony. Based on this problem, this research aimed to 1) investigate the types of social stratification in traditional wedding ceremony of Karonese, 2) describe the reflections of social stratification toward the Karonese register, and 3) explain Karonese register in traditional wedding ceremony. This research was conducted by using descriptive qualitative design. The data were taken from Karonese register in traditional wedding ceremony and the source of data was Karonese native speaker who involved in traditional wedding ceremony. This research showed that 1) the interaction of Karonese society in traditional wedding ceremony stratifies Karonese people into four divisions. They are kalimbubu and anak beru that categorized as closed social stratification and sembuyak and teman meriah that categorized as opened social stratification, 2) social stratification were reflected through the differences and similarity form of register .Kallimbubu and anakberu used formal register as the most dominant regiser while sembuyak and anak beru  used consultative register as the most dominant, and 3) the cause of Karonese register in traditional wedding ceremony was caused by register with reference to field that covered factor of arena and register with reference to tenor that cover formality and status. Keywords: Karonese Register, Pedah Pedah Perjabun; Social Stratification

scholarly journals Reciprocal relationships: identity, tradition and food in the Kīngitanga Poukai He Manaakitanga: o te tuakiri, o te tikanga me te kai ki te Poukai o te Kīngitanga

2019 ◽  
Author(s):  
Priscilla Wehi ◽  
Tom Roa
Keyword(s):  
Cultural Values ◽  
Extended Family ◽  
Self Determination ◽  
Cultural Value ◽  
Food Sources ◽  
Traditional Foods ◽  
Reciprocal Relationships ◽  
The People ◽  
Food And Identity ◽  
Water Scarce

He kūaha whānui e pūare ana ki te puna kai, ki te puna tangata. (Tāwhiao 1894)‘A doorway opened wide to the bounty of foods, to the multitudes of people.’In 1884, the Kīngitanga (Māori King Movement) instituted its first punakai (uniting of food sources) to feed its people. At that time the country was ravaged by warfare, which rendered access to prime food and water scarce to followers of the Kīngitanga. King Tāwhiao, the second Māori King, established the punakai to feed the widowed, the orphaned, and the destitute, and all who mourned the loss of loved ones in the war. Later re-named poukai, this institution continues to this day. A series of annual gatherings take place at Kīngitanga marae, the gathering places of the extended family who belong to that place, and who are responsible for each poukai. Marae pool their food resources to host the Māori King and his family, and to feed the people. The poukai is now an institution in itself with food at its very centre. We provide examples of traditional pre-European foods, as well as foods introduced after the arrival of Europeans in New Zealand. We discuss the relationships between the poukai, food and identity, and identify some of the issues that poukai marae face, as well as events and trends that have impacted and caused change. In Māori culture, mana recognises the reciprocal relationships between people, and between people and place, asserting that each has a responsibility to each other. Control over resources, and provision of traditional foods at events such as the poukai, is essential to the mana of Māori. We discuss the cultural value that marae place on their kai and how these cultural values are impacted by change. Finally, we comment on the sustainability of these poukai, and how the poukai connect to a continuing vision of revitalisation and self-determination for Tainui.

scholarly journals ANALISIS NILAI-NILAI BUDAYA DUAN LOLAT BERBASIS KEARIFAN LOKAL PADA MASYARAKAT TANIMBAR DI KABUPATEN MALUKU TENGGARA BARAT

2021 ◽  
Author(s):  
Amtai Alaslan
Keyword(s):  
Qualitative Research ◽  
Cultural Values ◽  
Research Method ◽  
Research Data ◽  
Cultural Value ◽  
Social Solidarity ◽  
Mutual Cooperation ◽  
Related Research ◽  
Community Conflicts ◽  
Descriptive Qualitative

AbstractThis study aims to describe, analyze the cultural values of duan lolat based on local wisdom in the Tanimbar community in West Southeast Maluku Regency (MTB). The research method used is descriptive qualitative research, data is collected through interviews, observation and literature studies as well as tracking related research results.The results of the study show that duan-lolat cultural values based on local wisdom remain alive and take root in the Tanimbar community as an entity or characteristic of the Tanimbar community, so they can contribute positively to the provision of development in this country. The spirit of mutual cooperation, social solidarity, compassion, independence and consensus in resolving community conflicts which are actually duan-lolat values, starting from being corrected (deconstructed) the meaning exchanged for the low value of duan-lolat, can also be transformed into the wisdom of the Tanimbar community.Keywords: Cultural Value, Duan Lolat and Local WisdomAbstrakPenelitian ini bertujuan untuk mendiskripsikan, menganalisis Nilainilai budaya duan lolat berbasis kearifan lokal pada masyarakat Tanimbar di Kabupaten Maluku Tenggara Barat (MTB). Metode penelitian yang digunakan adalah penelitian deskriptif kualitatif, data dikumpulkan melalui wawancara, observasi dan studi pustaka serta penelusuran hasilhasil penelitian yang terkait.Hasil penelitian menunjukan nilainilai budaya duan-lolat yang berbasis kearifan lokal tetap hidup dan mengakar di masyarakat Tanimbar sebagai entitas atau ciri khas dari masyarakat Tanimbar, sehingga dapat memberikan kontribusi positif dalam mengisi pelaksanaan pembangunan di negeri ini. Semangat gotong royong, solidaritas sosial, bela rasa, kemandirian dan kemufakatan dalam menyelesaikan konflik masyarakat yang sejatinya merupakan nilainilai duan-lolat muali mengalami pergeseran (dekonstruksi) makna sehingga menyebabkan rendahnya derajat nilai duan-lolat itu sendiri sebagai sebuah kearifan lokal yang dianut oleh masyarakat Tanimbar.Kata Kunci : Nilai Budaya, Duan Lolat dan Kearifan Lokal

scholarly journals Figurative Language in Speechless Song by Naomi Scott : What Meaning Lies Behind It?

2021 ◽  
Vol 8 (2) ◽  
pp. 174-183
Author(s):  
Nafissa Tracy ◽  
Mutmainnah Mustofa ◽  
Erfan Effendi ◽  
Wardatun Nadzifah
Keyword(s):  
Figurative Language ◽  
Women Empowerment ◽  
Literary Works ◽  
Qualitative Design ◽  
Song Lyrics ◽  
Descriptive Qualitative

Figurative language is one part of semantic study which is usually used in poems and song to enrich the meaning of that literary works. This research aimed to find out the kinds of figurative language, the most popular kinds of figurative language, and the meaning lies behind Speechless song lyrics by Naomi Scott. The method of this study used descriptive qualitative design. The source of the data in this research was the lyrics of Speechless song. However, the researchers collected the data by reading the lyrics. The results showed there were three kinds of figurative language used in that song such as: metaphor, hyperbole and personification. Metaphor was the most repeatedly utilized in the song with 53% use, hyperbole was 30% and personification 15%. The meaning lies behind this song tells about feminism or women empowerment. Therefore, all figurative languages used were aimed to convey the personal emotional power of the singer toward her oppressor. It was vividly expressed by Naomi Scott by using those figurative languages in her song lyrics.

scholarly journals FIGURES OF SPEECH IN MELENGKAN OF GAYO WEDDING

2018 ◽  
Vol 1 (1) ◽  
pp. 417-423
Author(s):  
Pindra Ramadani ◽  
Jumino Suhadi ◽  
M. Manugeren
Keyword(s):  
Cultural Values ◽  
Qualitative Method ◽  
Video Recording ◽  
Cultural Value ◽  
Figures Of Speech ◽  
Descriptive Qualitative

Melengkan is a custom in the plateau of Gayo performed at a wedding expressed in poetical, lyrical or proverbial form.  The study is aimed at identifying the types and uses of figures of speech in Melengkan of   Gayo wedding supported by the concept of figures of speech proposed by Kosasih (2007). The data were collected through observation and a video-recording of the traditional Gayo wedding. as well as interviews with melengkan performers under descriptive qualitative method (Best, 1982). The figures of speech used in Melengkan also reflect the cultural value of Gayo community with points of local wisdom. The findings showed that there were four classifications of figures of speech: Comparison, Substitution, Addition or Amplification, and Omission or suppression used in Melengkan.  The cultural values of Melengkan are for remembrance of local wisdom, warnings from customary philosophy, religion, and also for giving advice and recalling the history and beauty of Melengkan speech. The context of using Melengkan is to perpetuate and reflect cultural values, namely, politeness, respect, speaking softly, friendliness and resoluteness. These findings imply the importance of conserving Melengkan as a part of the Gayo culture in every part of life.

Politeness Strategies Used in Javanese Wedding Ceremony

2015 ◽  
Vol 12 (1) ◽  
Author(s):  
Ika Agustina ◽  
Sumarsih Sumarsih ◽  
Busmin Gurning
Keyword(s):  
Politeness Theory ◽  
Social Harmony ◽  
Dominant Type ◽  
Qualitative Design ◽  
Politeness Strategies ◽  
Wedding Ceremony ◽  
Recorded Observation ◽  
Descriptive Qualitative

This study deals with Politeness Strategies Used in Javanese Wedding Ceremony. The objectives of the study were to identify types of Politeness strategies and the pattern of strategies used in Javanese wedding ceremony. The approach used in this study are based on Politeness theory by Brown and Levinson (1987); Bald on record, Positive politeness, Negative politeness and Off-record strategy. This study employed descriptive qualitative design. The data were the transcriptions of recorded observation and interview. The data were taken from observation using audio visual recorder in Javanese wedding ceremony of Dina Wagiani and Oman Syahputra especially in some events which were Peningsetan (17th March 2012), Midodaremi (14th April 2012), Panggih (15th April 2012) dan Sungkeman (15th April 2012) that are held in Medan located at Jl. Marelan II Pasar IV, Kelurahan Rengas Pulau, Kecamatan Medan Marelan. The finding showed that all the types of Politeness strategies were applied in Javanese wedding ceremony. The percentage of positive politeness was 54.21%, bald- on record was 33.16%, negative politeness was 8.95% and off-record was 3.68%. The most dominant type of politeness strategies used was positive politeness strategy. It was used because Javanese people try to satisfy the hearer and avoid conflicts with other people. They also applied it to make both families get closer each other, so there was no distance between them. They endeavor to maintain social harmony and solidarity between bride‘s family and bridegroom‘s family during wedding ceremony.

scholarly journals THE CULTURAL VALUES OF TOBA BATAK IN BULU TURAK ORAL TRADITION SIMANINDO KAB.SAMOSIR

LINGUISTICA ◽  
2017 ◽  
Vol 6 (4) ◽  
Author(s):  
Widy R.M Sitorus And Sri Minda Murni
Keyword(s):  
Cultural Values ◽  
Oral Tradition ◽  
Extended Family ◽  
Mental Process ◽  
Verbal Process ◽  
Toba Batak ◽  
Relational Process ◽  
Descriptive Qualitative

This study focused on finding out the cultural values of Toba Batak in Bulu Turak Oral Tradition in Simanindo, Kab.Samosir. The objectives of this study were to find out the cultural values of Toba Batak, to describe the realization of cultural values linguistically and to describe the reason of cultural values of Toba Batak  realization in bulu turak oral tradition. This research was conducted by using descriptive qualitative design.The data were 29 utterances of cultural values of Toba Batak that were taken from bulu turak transcription.The findings of this research were nine cultural values of Toba Batak was containing kinship 17%, religion 13%, extended family 20%, respect 10%, wealth 6%, modernization 3%, justice 3%, nurture 6%, and conflict 24%. The most dominant cultural values of Toba Batak is conflict 24%. The realization of cultural values of Toba Batak linguistically was described by the representation of experience was containing, mental process, verbal process, relational process, and the last finding was the reason of cultural values of Toba Batak realization because of sociocultural of character ancient, the character’s love, and believe to the character creature ( mula jadi nabolon ).

scholarly journals STYLISTICS OF NEMOKKE IN JAVANESE WEDDING CEREMONY IN LANGKAT SUMATERA UTARA

LINGUISTICA ◽  
2021 ◽  
Vol 10 (3) ◽  
pp. 543
Author(s):  
EVA SERVIYANA ◽  
MUHAMMAD NATSIR ◽  
SISILA FITRIANY LUBIS
Keyword(s):  
Qualitative Research ◽  
Qualitative Design ◽  
Wedding Ceremony ◽  
Descriptive Qualitative

The research was about Stylistics of Nemokke in Javanese wedding ceremony in Langkat Sumatera Utara. This study was conducted by applying descriptive qualitative design. The source of data was taken from the utterances of dukun manten and activities happened in Nemokke (traditional Javanese wedding ceremony) in Langkat Sumatera Utara. The data are the transcription of the Javanese ‘dukun manten’ utterances recording in Javanese wedding ceremony, especially in Nemokke and activities happened in Nemokke.  The technique for analyzing the data is descriptive qualitative research based on Miles & Huberman (1984). The technique of collecting the data of this research is observation, recording and interview. The findings indicate that there were three Stylistics (Sympson, 2004) found in Javanese wedding ceremony, they were Semantics, Pragmatics and Discourse. It is suggested to the dukun manten in Javanese wedding ceremony to use Discourse to give information and to show the great meaning and audience understand.

scholarly journals METAPHORS IN PANTUN FOR WEDDING CEREMONY IN MALAY LANGKAT TRADITION

2022 ◽  
Vol 18 (3) ◽  
pp. 172
Author(s):  
Afrida . Hanum ◽  
Anni Holila Pulungan ◽  
Siti Aisyah Ginting
Keyword(s):  
Qualitative Research ◽  
Cultural Values ◽  
Family Members ◽  
Information Function ◽  
Expressive Function ◽  
The People ◽  
Wedding Ceremony ◽  
Closed Society ◽  
Descriptive Qualitative

Pantun is a old poetry of Malay which is used as a means of delivering ideas, attitude, and cultural values (Sri, 2010:6). Along the ceremony of Malaynese Wedding, there are a lot of clauses that are used to express the speaker’s ideas that implies hopes and suggestions to the people. Next, the words of Pantun are also used to express the speaker’s attitude towards the marriage like to entertaint the bride and groom. In addition to delivering ideas and attitudes. Pantun is also used to present the cultural values of Malay that keep the kinship among family members. Words arranged in Pantun in terms of poetic values contain philosophical of life, politeness ethics, laws and society. Malaynese is a closed society to say something cannot be directly but must be coated with words that make its meaning disguised but easy to understand. The purpose of this study is to explain the use of metaphor types in Pantun for Wedding Ceremony in Malay Langkat tradition. The use of metaphor of this study divided into four, like: information function, expressive function, directive funtion, fatigue funtion. This study used descriptive qualitative research. The data of this study were collected from clauses in pantun that reflected metaphor. The realization of metaphors in pantun were especially existed in Hempang pintu, Hempang kipas, and Hempang batang. The result of this study showed that there were expressive function was 16 (53%), information function was 9 (30%), directive funtion was 4 (13%), and fatigue funtion was 1 (4%). Keywords: Metaphor, Pantun, Culture,  Malay Wedding Ceremony

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