Oppression towards Women as Depicted in Marge Piercy’s Selected Poems

This present study would like to examine how women are oppressed by the patriarchal society in the selected poems written by one of the contemporary American female writers, Marge Piercy. Marge Piercy is particularly known as a female writer as well as a feminist activist. She has written numerous works, including novels and poetry books, which explore issues about women. Piercy’s poems are mostly known to be simple and vivid. Observing the use of figurative language and the diction in Piercy’s selected poems, entitled “A Work of Artifice” and “Barbie Doll”, in the light of feminist criticism, this article would like to show how oppression is done towards women and how it results in the silencing, shaping, and subordinating of women. In the poems, the oppression is mostly operated subtly and systematically through various cultural institutions, such as education, family, and media. Women, as a result, are trained to believe in the voice of the patriarchal society and to behave following what the patriarchal society demands. The long-practiced oppression has hindered women to develop to their fullest as human beings. The poems can be read as a medium to voice women’s experiences and to criticize the established patriarchal system and its oppression towards women.

Facing Anxiety through Ego Defense Mechanisms on The Walking Dead: Michonne Movie Game

With the advancement of technology, a newly adopted form of literary work was found, known as a movie game. It is one of the game genres that resembles real movies that provide choices to the players who can actively determine the story, ending, and characters' action. In literary work, a character is one of the intrinsic elements that can be interestingly analyzed from the psychological perspective, including Ego Defense Mechanisms. This study focuses on how the protagonist in a movie game entitled The Walking Dead: Michonne faced her anxiety through her ego defense mechanisms. It aims to identify the types of ego defense mechanisms and how they can help the protagonist cope with her anxiety. The discussion was based on psychoanalysis theory, namely Ego Defense Mechanisms proposed by Sigmund Freud. This study elaborated the description of the protagonist's actions when she faced anxiety through a qualitative method. The analysis revealed that the protagonist adopted the four types of Ego Defense Mechanisms: repression, sublimation, rationalization, and aggression. It was found that aggression was the most frequently adopted mechanism, followed by sublimation, rationalization, and the least was repression. This finding indicated that the protagonist chose aggression to release resentment or dissatisfaction, especially when facing objects or other characters that create anxiety or frustration. It implies that the persistence of aggression, sublimation, rationalization, and repression could reflect the presence of continual threats in the environment from which people should survive.

Racism towards Black American: Intersectionality in Constructing Social Racist through Poetical Depiction by Langston Hughes and Amy Saunders

In this research, the development of racism based on the different formations of socio-cultural and historical aspects was the standpoint that was shown by the interpretation of poetical depiction of meaning and messages. The gap between Langston Hughes in “I, too, sing America” (1926) and Amy Saunders in “You’re not Black” (2019) as the data advocates for racist transformation in natural past and present American socialization. Several critical studies have examined the racial issues reflected in poems however they didn’t elaborate on racism specifically rather than segregation and discrimination although racism is classified in several types. Moreover, the critical studies have been done only analyzed the racism happened on the past while this study compares the past and present racism as the concern of social construction among black American as the target of unfair treatments. The descriptive qualitative method using documentation, descriptive analysis, and note-taking technique was used to identify and elaborate meaning correlation with racial issues in the poems. This research aimed to classify the figurative language and its meaning related to racism while illustrating the development of racism from the perspective of socio-cultural and historical aspects that influenced the poets and their poetry. Theory of Critical Race was used to demonstrate that racism was developing in a different formation. The research has found the interconnection between historical values of slavery system constructed stereotypes of black people as minor American. Social construction formed a cultural differentiation which led to segregation and discrimination towards black in any form of everyday aspects.

Hybridity and the Shape of the New African Woman

Hybridity is argued as an intricate combination of attraction and repulsion that describes the relationship between the colonizers and the colonized. This combination creates a challenge to and disruption of the monolithic power exercised by the colonizers of Africa who (mis)represented the land as a Dark Continent. Such monolithic power underpins the portrayal of the colonizers’ patriarchal tradition within which women characters in creative works by Africans are commonly situated. The inclusion of women as part of the many subjects of power strengthens the discourse on hybridity in African literature. To question power is to see men and women both apart and together as ambivalence that defines the idea of hybridity in the African literary tradition. In this paper, the employment of deconstruction in the analysis of women characters in five selected stories by African writers reveals a new consciousness in African literature using the Dark Continent metaphor as a mirror of the female aesthetics. In this sense, the use of women’s bodies in the short stories does not only point to the issue of gender oppression but also to a power that is disrupting and slowly dismantling the long-entrenched patriarchal stance forcing the male characters to question their current worldview and position. Overall, this paper has established that contemporary African literature on women recognizes the hybridized identity and shape of the new woman, consequently proving that the so-called Dark Continent is nothing but a myth.

Revealing the Meanings of Prince Harry’s First Speech after Royal Split: Systemic Functional Grammar Analysis

The speech is delivered by Prince Harry. Three areas of SFG are applied to analyze the speech. The result shows that in terms of ideational metafunction, material, and mental processes are 2 highest occurrences in the speech. It happens since the speaker displays all his concrete actions including doing charity and meeting many people of his country. Through mental process, it shows that he involves his senses to communicate the language in his mind. Three types of mental process, namely cognition, affection, and perception are found in the speech indicating his empathy to the people towards the news of the royal split. The interpersonal metafunction shows that he does take sides on the wife and family. Using modality, he employs that the media power force creates huge speculations among the citizens. They accuse his wife for bringing bad impacts for him. By applying high commitment of modality, he reassures people that his wife is not the cause of the split. He also requests the people to love her as much as they love him. The modality shows that the split will not change the commitment he has for serving the country. The polarity displays a clarification that the decision of splitting is taken after long consideration. The personal pronoun ‘I’ shows that the speaker is the subject matter of the speech. The textual metafunction in the speech shows that unmarked theme deploys the idea that it is a declarative speech which functions to give information or clarification. The additional conjunction is used to explore detailed information people must know.

Folk Onomastics Study of Anthroponymy Found in Babad Banjoemas Wirjaatmadjan

Folk onomastics is a sub-category of socio-onomastics which deals with people’s beliefs and perceptions of names and name use. Interestingly, pragmatics also plays important role in the study of onomastics as names cannot be split up from the context where they are used. The phenomenon of anthroponymy that gradually advances relates to the development of human civilization. Personal name is very pivotal in human life due to the role of name bearers’ in history. Name is not only a name for it carries something along with it throughout the time particularly those who have power and position in history. Babad Banjoemas Wirjaatmadjan (BBW) was a chronicle of Banyumas regency from 1582 until 1932 which was written by Raden Wirjaatmadjan and continued by Raden Poerwasoepradja. As a chronicle of Banyumas regency, BBW displays historical names and aliases related to the cultural context of Banyumas. This article tries to dig out the phenomenon of anthroponymy of Banyumas’ regency leaders (bupati) in BBW as the names indicate the historical background of the bearers. Thus, the research spotlights the cultural values carried by alias or pseudonym of Banyumas leaders. Utilizing descriptive qualitative and library research, I found out that bupati’s names and aliases in BBW were classified based on five conditions: place of death, place of retirement, place of banishment, medal of appreciation, and lifelong action. The result highlights the traditional proverb that good men must die but death cannot kill their names.

Diphthongized Monophthongs of Acehnese Oral Vowels in Samatiga Dialect

Diphthong has been reported as the character of old Acehnese, which is now eroded in some words of modern Acehnese. However, some dialects, such as Daya and Pidie, still retain certain diphthongs in certain Acehnese words. Samatiga dialect is one of the dialects in Aceh Barat. People in Aceh Barat has commonly marked this dialect as producing certain vowel as diphthong similar to those in Teunom and Daya. Thus, the current study aims to explore the diphthongization of certain monophthong in Acehnese words by the people in Samatiga. Specifically, it aims to learn the monophthongs often diphthongized in this dialect, the position in which the diphthong occurs, and the movement trajectory of the diphthong. Two language consultants are consulted to explore their diphthongization, and two other Acehnes are discussed to determine their diphthongization. Their production is recorded using a high-quality recorder and analyzed in Praat to obtains its formants data. The findings indicate that not all monophthongs are produced as diphthongs in Samatiga dialect. Samatiga dialect replaces vowel /ɛ/and /ɔ/ with diphthong /ai/ and /au/. The diphthong /au/ seems to be unique to Samatiga dialect since previous studies did not mention Acehnese diphthong ending in /u/. The diphthongization only occurs when it comes in the word final and open syllable. The diphthong /au/trajectory movement is greater than /ai/, indicating the former, not the initial may experience transformation into monophthong like other major dialects in Aceh.

Women as Breadwinners in Maureen Sherry’s Opening Belle

There have been many popular fiction novels in the literature world that raise how women enter the economic aspect. One of them is the novel Opening Belle written by Maureen Sherry and published in 2016. Opening Belle represents women’s participation in the financial sector because they want a good life. This research is studied with the feminist political economy theory proposed by Jacqui True. In her book, The Political Economy of Violence against Women, True explains that economic globalization has changed women’s lives becoming financially independent. However, on the other hand, women involved in the public sphere are underappreciated and receive sexual harassment or violence, making it difficult for women to participate in the economic aspect. This research uses the descriptive qualitative method. With this method, the writer takes parts of the novel in the form of words, sentences, paragraphs which explain the economic aspect and women’s participation in it. This research is analyzed through the explanations and utterances of the characters. The results of this study are: first, the participation of women as breadwinners in this novel is started as part of her life experiences and is driven by the hardships of her family; second, women are highly motivated figures so that they implement several strategies to survive in their office, namely by proving their competence, joining the GCC women’s community and voicing equal rights in the workplace. In conclusions, economic globalization opens up women’s opportunity to become the sole breadwinner in the family.

Women and Matrimony: A Study of Mona Lisa Smile

This study intended to use the film Mona Lisa Smile (1993) as an example to examine how women in the traditional generation of 1950 were gender stereotyped and used to trade themselves off through marriage in consideration of a cost-and-benefit analysis. However, as the change of women’s gender consciousness from the conservative to the feminist in the USA of 1950, women began to realize their potential and subjectivity, hence questing for liberal spirit and autonomy to choose their career and husbands based on love. The researchers used the qualitative method, with both the primary and secondary data, to facilitate a latent-content analysis. After conducting a content analysis of the film and the script of Mona Lisa Smile, the researchers took notes regarding gender stereotyping and conventional gender norms in social interactions and conducted a literature review of Becker’s side bet theory and Homan’s social exchange theory to investigate how women in America in the 1950s were disciplined to meet the expectation of social norms to fit the notion of conventional matrimony, and how people, both men and women, while choosing their mates, seek the maximum interest and minimum cost. The film Mona Lisa Smile lets readers have a chance to see the transformation of a marital relationship from the old days to modern ones. With raised gender consciousness, women may now subject their choices to their own will and, hence, apply a different definition to the word “marriage.”

Quantitative Distribution of English and Indonesian Motion Verbs and Its Typological Implications: A case study with the English and Indonesian versions of the Twilight novel

This paper investigates the quantitative distribution (type and token frequencies, and type-per-token ratio [TTR]) of motion verbs found in English and Indonesian versions of the novel Twilight (Meyer, 2005; Sari, 2008). The study is contextualized within two divergent views on the typological characteristics of Indonesian lexicalization patterns of motion events. One study (Son, 2009) suggests that Indonesian behaves like English, representing a satellite-framed pattern (i.e., lexicalizing Manner of motion in the main verb) while another study (Wienold, 1995) argues for the verb-framed nature of Indonesian (i.e., lexicalizing Path of motion in the main verb). We seek to offer a quantitative perspective to these two proposals. Our study shows that, compared to English, Indonesian has significantly higher number (i.e., types) and occurrences (i.e., tokens) of Path verbs (reflecting the verb-framed pattern). Moreover, the higher TTR value of Path verbs for Indonesian shows a greater lexical diversity in the inventory of Indonesian Path verbs compared to English. In contrast, the English Manner verbs are significantly higher in number and in token frequency than Indonesian (suggesting the satellite-framed pattern), and show greater lexical diversity given the higher TTR value. While these findings lean toward supporting the verb-framed pattern of Indonesian (Wienold, 1995), we caution with the limitation of our conclusion and offer suggestions for future study.