scholarly journals Ser, historia y escritura: Jacques Derrida y la «historicidad» en Martin Heidegger

2021 ◽  
Vol 26 (3) ◽  
pp. 49-67
Author(s):  
Marco Antonio Nuñez Cantos
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida

El presente trabajo analiza la lectura que Jacques Derrida realiza de la noción heideggeriana de «historicidad» (Geschichte) en oposición a una concepción historicista de la «historia empírica» (Historie). En primer lugar, pretendemos exponer la complejidad de una lectura que bascula entre la proximidad a los planteamientos heideggerianos y la toma de distancia de los mismos tomando como referencia el seminario Heidegger: La cuestión del ser y la historia. En segundo lugar, procuraremos analizar las consecuencias de desplazar el concepto de «historia» al ámbito de la escritura y la economía de la différance, para generar una nueva conceptualidad sentando las bases de una nueva filosofía de la historia a partir del pensamiento de la huella.

The Political Theology of Schelling

2016 ◽  
Author(s):  
Saitya Brata Das
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida ◽  
Political Theology ◽  
The Political ◽  
Franz Rosenzweig ◽  
Political Works ◽  
The Way

This book rigorously examines the theologico-political works of Friedrich Wilhelm Joseph von Schelling, setting his thought against Hegel's and showing how he prepared the way for the post-metaphysical philosophy of Martin Heidegger, Franz Rosenzweig and Jacques Derrida.

Waste and Welter: Derrida's Environment

2010 ◽  
Vol 32 (1) ◽  
pp. 37-49 ◽  
Author(s):  
Roy Sellars
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida ◽  
Environmental Issues ◽  
Wallace Stevens ◽  
The Earth

At first sight, environmental issues do not seem to feature prominently, if at all, in the work of Jacques Derrida. This essay aims to take a closer look, and thereby to issue a challenge to the burgeoning discipline of eco-criticism. Instead of promoting the Beautiful Soul who is equipped to save the planet by virtue of reading poetry, I argue for the ethical primacy of waste and welter (to recycle a phrase from Wallace Stevens). Jonathan Bate's The Song of the Earth, a powerful but pious work of eco-criticism, ends with a test proposed to the reader; I take the test, which entails reading Stevens's late poem ‘The Planet on the Table’, and fail. Bate's invocation of Martin Heidegger is briefly examined, as are traces of Derrida. What remains of Derrida, I propose, is neither method nor concept but rather remainders that trouble the grounding of environment (Umwelt) as such.

scholarly journals O fundamento como "fundamento ausente" nas ciências sociais: Heidegger, Derrida e Laclau

Sociologias ◽  
2016 ◽  
Vol 18 (41) ◽  
pp. 164-194 ◽  
Author(s):  
Daniel de Mendonça ◽  
Bianca de Freitas Linhares ◽  
Sebastián Barros
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida ◽  
Ernesto Laclau

Neste artigo, refletimos teoricamente sobre o pós-fundacionalismo, corrente filosófica que influenciou o surgimento do pós-estruturalismo francês na segunda metade do século XX. De uma forma mais específica, nosso objetivo é discutir as implicações ontológicas, teóricas e epistemológicas da abordagem pós-fundacional para pesquisas em ciências sociais. Para tanto, cumprimos o seguinte percurso. Primeiramente, discorremos sobre o que chamamos de o Zeitgeist pós-fundacionalista, em especial a ênfase na diferença ontológica e no fundamento como Abgrund oriundos da obra de Martin Heidegger. A seguir, apresentamos a influência heideggeriana na reflexão filosófica pós-estruturalista de Jacques Derrida. Na sequência, discutimos a incorporação e a aplicação da ontologia heideggeriana na obra de Ernesto Laclau, principalmente a partir da discussão das noções de hegemonia e de populismo. Ao final, apresentamos nossas considerações acerca da importância do pós-fundacionalismo para pesquisas na área das ciências sociais.

scholarly journals O apagamento do nome próprio como traço da escrevivência: Silviano Santiago e as Mil rosas roubadas

2020 ◽  
Vol 42 (2) ◽  
pp. e51545
Author(s):  
Pedro Henrique Alves de Medeiros ◽  
Edgar Cézar Nolasco
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida ◽  
Roland Barthes ◽  
Silviano Santiago

Este trabalho tem por objetivo propor uma série de reflexões biográfico-metafórico-ficcionais baseadas no apagamento do nome próprio/assinatura do narrador do romance Mil rosas roubadas (2014) do escritor mineiro, crítico literário e ensaísta Silviano Santiago. Esse estudo emerge da compreensão do nome próprio/assinatura enquanto traços, passíveis de serem apagados, de uma escrevivência atravessada por personificações das ausências a partir da morte e do ato de sobreviver (Silviano Santiago) à perda de um amado (Ezequiel Neves). Para isso, nos respaldaremos, essencialmente, na crítica biográfica (Souza, 2002, 2011) (Nolasco, 2010, 2018) e nos pressupostos filosóficos de Jacques Derrida e Geoffrey Bennington como base epistemológica da discussão fundamentada, sobretudo, nos conceitos de nome próprio/assinatura (Bennington, 1996) (Derrida, 1995, 1996, 2009), traço (Amaral, 2000) (Derrida, 2014) e escrevivência (Evaristo, 2017a). Para além dos críticos já mencionados no referencial teórico, também nos valeremos de Roland Barthes e de Martin Heidegger para circunscrever nossas considerações em instâncias e jogos de linguagens próprios à teorização crítico-biográfica que ensejamos nesse artigo. Portanto, no tocante aos resultados esperados, buscaremos explicitar que o traço, contido no nome próprio/assinatura, não pode ser a origem nem o fim, mas, sim, um elemento que desaparece-reaparecendo simultaneamente. Sendo assim, ainda que Silviano apague sua assinatura no corpus literário do romance Mil rosas roubadas, sua escrevivência o transpassa indo além do apagamento e avançando o nome próprio, que, pelo contrário, é impróprio, por excelência.

scholarly journals Los espectros del ser entre Heidegger y Derrida

ENDOXA ◽  
2021 ◽  
Author(s):  
Pablo Bernardo Sánchez Gómez
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida

En este texto se lleva a cabo una lectura de la obra de Martin Heidegger y Jacques Derrida tomando como eje la noción de “espectralidad”. Se comprueba cómo ambos autores comprenden el pasado como aquello que debe ser herededado desde la creación y no simplemente como algo que se recibiría pasiva o mecánicamente. El espectro, por tanto, es este “origen” que “no es” y que se entrega como porvenir, como tarea. Sin embargo, es precisamente esta coincidencia la que distancia absolutamente el pensamiento de Derrida de la experiencia heideggeriana de la imposibilidad del espectro, es decir, de la aporía de su identidad.

Hiding Between Basho and Chōra

2019 ◽  
Vol 49 (3) ◽  
pp. 335-361
Author(s):  
Brian Schroeder
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida ◽  
Cross Cultural ◽  
The Other ◽  
Comparative Approach ◽  
The One ◽  
Nishida Kitaro

Abstract This essay considers the relation between two fundamentally different notions of place—the Greek concept of χώρα and the Japanese concept of basho 場所—in an effort to address the question of a possible “other beginning” to philosophy by rethinking the relation between nature and the elemental. Taking up a cross-cultural comparative approach, ancient through contemporary Eastern and Western sources are considered. Central to this endeavor is reflection on the concept of the between through an engagement between, on the one hand, Plato, Martin Heidegger, Jacques Derrida, Edward Casey, and John Sallis, and on the other, Eihei Dōgen, Nishida Kitarō, and Watsuji Tetsurō.

Cultural Borders

2012 ◽  
Vol 42 (2) ◽  
pp. 157-205
Author(s):  
Charles E. Scott
Keyword(s):  
United States ◽  
Martin Heidegger ◽  
Michel Foucault ◽  
Jacques Derrida ◽  
The United States ◽  
Gloria Anzaldua ◽  
Relations Of Power

Abstract This essay is motivated by the question, how might we describe the occurrences of cultural borders? It is organized in three sections with these titles: A. Borders of Concealment and Translation; B. Attunement with Fragmented, Differential Borders; C. Metaphors, Relations of Power, Borderlands. I limit these topics by focusing primarily on cultural borders and transformations within the United States. My aims within the context of these situated accounts are to encourage greater awareness of borders as events that often have shared and describable characteristics, to make evident a group of issues that need further philosophical attention, to develop an enlarged philosophical vocabulary for such thought in comparison to that in standard use, and to bring to the fore questions of cultural sensibility and their transformations. In this process I address and utilize specific works by Martin Heidegger, Jacques Derrida, Michel Foucault, and Gloria Anzaldúa.

On the animal and the human. Martin Heidegger, Jacques Derrida and the question of zoology

2011 ◽  
Vol 2011 (2) ◽  
pp. 303-327 ◽  
Author(s):  
Iris Därmann
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida ◽  
Human Beings ◽  
Nature And Culture

"Martin Heidegger, Jacques Derrida and the question of zoology« This paper deals with the frontier between nature and culture, whose clearest form is seen is the designation of the border between animals and human beings. It has the character of a not yet established divide which can, as in Heidegger, be broken down to a hermeneutic abyss or, as in Derrida, be pluralised in asymmetrical standpoints and chiastic convolutions."

Varia: Beauty and/(n)or Truth: A (Hermeneutic) Rhetoric of the Aesthetic

2020 ◽  
Vol 4 (1) ◽  
Author(s):  
Ekaterini Douka-Kabitoglou ◽  
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida ◽  
John Keats ◽  
Emily Dickinson ◽  
Paul De Man ◽  
Romantic Poet ◽  
The Aesthetic ◽  
Divine Encounters ◽  
De Man ◽  
Hans Georg Gadamer

“Tell all the Truth but tell it slant –,” a line of poetry by the nineteenth-century American poet Emily Dickinson can be used as a signpost for this article, which attempts a hermeneutic regress from the postmodern to the archaic, in search of a rhetoric for the aesthetic. In this textual tour, some of the master narratives of our culture examining various versions of the story of beauty and truth are visited, and more specifically (always in backward motion), the work of the postmodern theorists Paul de Man and Jacques Derrida, the German philosophers Hans-Georg Gadamer and Martin Heidegger, the English Romantic poet John Keats, the Greek philosophers Plato and Parmenides, and, last but not least, the Greek poet Sappho. Paul de Man, the “sad” patriarch of postmodernism, who engaged deeply with the cardinal problem of the truth of poetry and its relation to reality, contests that all language is figurative and rhetorical, and hence unable to represent the real. De Man demystifies aesthetics exploding a whole tradition of aesthetic theory based on the ontology of language, that is, the relation between “word” and “thing.” Along the same lines, the deconstructive critique of Jacques Derrida supports that linguistic figurality contaminates not only literature but philosophy as well, playing mimetic games of seduction that limit reality to a textual frame. On the far side of deconstruction, the hermeneutic theory of Hans- Georg Gadamer and Martin Heidegger give figurality an overwhelming power by establishing a rhetoric of ontology and presence. Heidegger’s radical reformulation of truth as aletheia and its conjunction with beauty, not only reflects the romantic identification of “beauty is truth,” as best expressed by the poet John Keats, but also points back to Plato who “aporetically” devoted a lifetime to a search for the beautiful and the true, coming up with multiple and contradictory views. As we move into archaic times, the whispering voice of Parmenides unexpectedly recommends the rhetoric of persuasion as the way to truth, while Sappho, celebrating presence and union, employs an erotic rhetoric that names not only human, but natural and divine encounters of beauty and truth.

scholarly journals John Sallis, Ed. 2017. Plato’s Statesman: Dialectic, Myth, and Politics. Albany: SUNY. 326pp.

Plato Journal ◽  
2020 ◽  
Vol 20 ◽  
pp. 213-223
Author(s):  
Romeo Domdii Cliff
Keyword(s):  
Immanuel Kant ◽  
Martin Heidegger ◽  
Friedrich Nietzsche ◽  
Jacques Derrida ◽  
Contemporary Society ◽  
Single Character ◽  
Complete Rejection ◽  
New Research

The collected volume Plato’s Statesman: Dialectic, Myth, and Politics presents some of the new interesting research being conducted on the Statesman. The volume is edited by John Sallis who is well known for his work in phenomenology, including writings on such authors as Jacques Derrida, Martin Heidegger, Friedrich Nietzsche and Immanuel Kant, and he has a continental approach to reading Plato. The new research on the Statesman will proceed by ways of the following three points in the collected volume. We will look at the new trend among scholars to read into the Statesman the complete rejection of the existence of an ideal statesman in our contemporary society. Further, we will discuss the unexplored terrains in the dialogue scholars are gravitating to. And finally, we will comment on the fact that all contributors in the volume show a certain degree of sensitivity to the dramatic context of the dialogue and refrain from attributing Plato’s voice to a single character. A brief remark on an aspect of these points will be furnished at the end.

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