scholarly journals An Immobile Nomad: “the Peasant from the Danube”

2018 ◽  
Vol 7 (3) ◽  
pp. 69-79
Author(s):  
Pompiliu Crăciunescu
Keyword(s):  
Buenos Aires ◽  
Focal Point ◽  
The Novel ◽  
Art And Science ◽  
Way Of Thinking ◽  
To Come

Abstract European writer of Romanian origin, Vintila Horia (1915-1992) - Goncourt Prize in 1960 for the novel Dieu est né enexil - was a truly awakened consciousness of his time. Wherever he was - in Bucharest or Florence, Buenos Aires or Paris, Rome or Madrid - this “polyglot nomad” (Jean-François-Malherbe) never left the unyielding values of the spirit and of knowledge. His work of literary epistemology, hisnovelistic creation - fed by exile, love and by the divine -, as well as the Journal d’un paysan du Danube (1966), stand as testimony. Focal point of my approach, this text sheds light on the metaphysical realm of a way of thinking in which the undivided man (a double-faced reality: big infinity /small infinity) and the man to come are one and the same. Since for the exiled VintilaHoria,”the peasant from the Danube” is “celui dans lequel ce qui fut rencontre celui qui sera, dans un espace-temps non-euclidien”, and his journal emphasizes this “rediscovery”, in spite of the dark times of history; an encounter in, through and beyond the broken grounds of science, art and philosophy, but nevertheless, deeply anchored in philosophy, art and science. Apparently, rediscovery and isolation of the same proportion; in fact, we are talking about an anagnorisis: the inner man and the outer man have never separated, despite the “microbial fauna of Kali Yuga” (“la faunemicrobienne du Kali Yuga”). “Nomade polyglotte” through his evolution, a result of flawless reflexive stability, Vintila Horia proves himself to be, at the same time, animmobile nomad; “the peasant from the Danube” is the plenary expression of this unusual simultaneity.

Manifestations of the bias of an unreliable narrator in novel by V. Domontovich “Doctor Serafikus”

2018 ◽  
pp. 132-138
Author(s):  
М. І. Підодвірна
Keyword(s):  
Narrative Analysis ◽  
Focal Point ◽  
Comprehensive Analysis ◽  
The Novel ◽  
Personal Interest ◽  
Cognitive Approach ◽  
Personal Story ◽  
Unreliable Narrator ◽  
German Researcher ◽  
Different Levels

The results and achievements of the main schools and directions of naratology indicate the need to reread both well-known and recondite texts in order to spell out the meanings. We believe that the narrative analysis of prose by Victor Domontovich (the Ukrainian intellectual writer) is interesting and relevant. The article attempts to characterize the manifestations of the bias of an unreliable narato in the novel “Doctor Seraficus” based on the A. Nyuninga’s cognitive approach. A modern German researcher provides a set of tools that can supplemented for a multidimensional consideration of all ambiguities and contradictions in the text. An intelligent game that unfolds in the text manifests itself at different levels. V. Domontovych conducts the biggest game, the game with meaning through the pending authority of unreliable presenter. The text of the novel consists of abstract reflections, notes, dreams, illusions, fantasies, dreams and retrospective journeys. The main law of the text is the game. Irony and contradictions in the narrator’s words encourage the reader to feel dissonance, uncertainty. Therefore, in a narrative analysis, attention is focused on the speaker and who sees (the focal point). It was investigated that the artist Corvin is the narrator of the novel “Doctor Serafikus”, he tries to give as much as possible objectively the personal story. The motives for the unreliability narration based on the personal interest and bias of the character are determined. We identified the main symptoms of the unreliability of the narrator in the work, and the different levels at which the corresponding narrative is expressed, are highlighted. It is established that an unreliable narrative forces distancing itself from a narrator and takes everything that has been said with caution and detachment. Detailed narrative analysis of the work sheds light on the meanings, which for some reason masked, and allows you to establish artistic functions of an unreliable narrator. We believe that understanding this phenomenon makes it possible to make a comprehensive analysis of artistic text.

Vision

2018 ◽  
Author(s):  
Robin Holt
Keyword(s):  
The Novel ◽  
Strategic Vision ◽  
Henry Mintzberg ◽  
To Come

If knowledge does not create a sustained and unified sense of organizational self (skepticism is rife) then strategic inquiry can turn to vision, a move advocated by Henry Mintzberg amongst others. The chapter considers what it is to author a strategic vision, using the novel The Shape of Things to Come by H. G. Wells as an indicative and provocative example of an organizational attempt to present its own form to itself and others. The risks associated with propaganda and dogmatic assertion are discussed, as are the strategy documents by which many modern organizations attempt to instil an equivalent vision to that envisaged by Wells.

scholarly journals Belonging in the Coronaverse: Will There Be Time?

2021 ◽  
Vol 1 (1) ◽  
pp. 100-115
Author(s):  
Kate Fischer ◽  
Malika Rakhmonova ◽  
Mike Tran
Keyword(s):  
College Experience ◽  
The United States ◽  
Limited Time ◽  
The Novel ◽  
Residential University ◽  
To Come ◽  
Novel Coronavirus ◽  
University Experience ◽  
The U.S ◽  
Older Siblings

Abstract Since the spring of 2020 SARS-CoV-2, the novel coronavirus, has upended lives and caused a rethinking of nearly all social behaviors in the United States. This paper examines the ways in which the pandemic, shutdown, and gradual move towards “normal” have laid bare and obfuscated societal pressures regarding running out of time as it pertains to the residential university experience. Promised by movies, television, and older siblings and friends as a limited-time offer, the “typical” college experience is baked into the U.S. imaginary, reinforcing a host of notions of who “belongs” on campus along lines of race, class, and age. Fed a vision of what their whole lives “should be”, students who enter a residential four-year college are already imbued with a nostalgia for what is yet to come, hailed, in Althusser’s (2006[1977]) sense, as university subjects even before their first class. The upheaval of that subjecthood during the pandemic has raised important questions about the purpose of the college experience as well as how to belong to a place that is no longer there.

scholarly journals Critiquing Anthropocentrism in Henry Ole Kulet’s Vanishing Herds

2019 ◽  
Vol 3 (1) ◽  
pp. 52-55
Author(s):  
Pushpa Raj Jaishi
Keyword(s):  
Environmental Degradation ◽  
Physical Environment ◽  
Critical Issue ◽  
The Novel ◽  
Contemporary Society ◽  
Human Beings ◽  
East African ◽  
To Come

Vanishing Herds (2011) is Henry Ole Kulet’s novel that hovers around the ecological depletion caused by the anthropocentric attitude of the human beings. Set in the East African Savannah, the novel grapples with the critical issue of anthropogenic environmental degradation. The novel is based on the tribulations of a young Maasai couple –Kedoki and Norpisia whose epic journey through the wilderness provides a window through which the destruction of the physical environment can be viewed. Additionally, the text catalogues the challenges faced by a pastoralist community’s attempt to come to terms with the socio-economic realities of a fast-evolving contemporary society. The paper is an attempt to study this novel under the surveillance of green lens and throw light on the ecological destruction especially the clearing of the forest by human self centered endeavors and to critique the anthropocentric attitude of the human beings that render the environment at the verge of destruction.

Un autore raro: omaggio a Giambattista Muraro

2009 ◽  
pp. 39-54
Author(s):  
Franco Merlini
Keyword(s):  
Key Words ◽  
Small Contribution ◽  
Way Of Thinking ◽  
To Come ◽  
Real Person

- This article is a small contribution to keeping alive an original and rigorous way of thinking, coherent and articulated, not immediately revealed. The thinking of Muraro in Sorpresa ed Enigma (surprise and enigma). Muraro, who nurtured a deep impatience towards a certain psychoanalytic establishment, dedicated his book to those patients and to those analysts still animated by a spirit of research and engaged in a path of life for which both the direction and the result appear uncertain. According to Muraro the invariable fact in analysis is the method, whereas the pivot experience is the patient's surprise. The analyst is requested to be there. As a real person who is not thrown off balance. Maintaining the mysteriousness that the patient tries in every way to eliminate is indispensable for being able to restore to the patients their existential mysteriousness. Their enigma. To melt their own enigmas, patients must expose themselves through subjective choices. It is the feeling of surprise that permits them to come in contact with themselves. [KEY WORDS: spirit of research, mysteriousness, surprise]

The Datafied Society

2017 ◽  
Keyword(s):  
Big Data ◽  
Everyday Life ◽  
The Novel ◽  
Research Practices ◽  
Knowledge And Skills ◽  
Its Analysis ◽  
New Knowledge ◽  
Novel Methods ◽  
Way Of Thinking ◽  
Machine Readable

As machine-readable data comes to play an increasingly important role in everyday life, researchers find themselves with rich resources for studying society. The novel methods and tools needed to work with such data require not only new knowledge and skills, but also a new way of thinking about best research practices. This book critically reflects on the role and usefulness of big data, challenging overly optimistic expectations about what such information can reveal, introducing practices and methods for its analysis and visualisation, and raising important political and ethical questions regarding its collection, handling, and presentation.

Magical Realism: Language World Picture in the novel «One Hundred Years of Solitude» of Gabriel Garcia Márquez

2021 ◽  
Vol IX(257) (75) ◽  
pp. 21-26
Author(s):  
N. V. Chorna
Keyword(s):  
Magical Realism ◽  
Gabriel Garcia Marquez ◽  
Modern World ◽  
The Novel ◽  
World Picture ◽  
Realistic View ◽  
Way Of Thinking

The article focuses on the study of language world picture of the magical realism discourse in the novel «One Hundred Years of Solitude» of Gabriel Garcia Marquez. The magical realism discourse depicts a realistic view of the modern world through the prism of mythological way of thinking and supplements mysterious, farial and mystical elements. The main conceptual characteristics of magical realism discourse are considered to be: fantastical elements, unity of reality and magic, possible words, mythical chronotope, author’s reticence, hyperbolization of the secret and metadiscourse

Queer Masculinities: Gender Roles, the Abject and Bottomhood in Ocean Vuong’s On Earth We’re Briefly Gorgeous

2021 ◽  
Vol 139 (4) ◽  
pp. 739-757
Author(s):  
Christina Slopek
Keyword(s):  
Gender Roles ◽  
Coming Out ◽  
Sexual Intimacy ◽  
The Novel ◽  
Language Politics ◽  
White American ◽  
Sexual Orientations ◽  
Gender Performances ◽  
To Come ◽  
And Gender

Abstract This article analyzes queerness in Ocean Vuong’s On Earth We’re Briefly Gorgeous (2019), teasing out how the queer relationship at the core of the novel is framed. Ocean Vuong’s novel mobilizes queerness to straddle boundaries between cultures, gender roles and bodies. On Earth We’re Briefly Gorgeous places the queer sexual orientations and gender performances of its protagonists, one Vietnamese American, one white American, in firm relation to the formative force of cultural contexts. Zooming in on two young boys’ queerness, the novel diversifies gender roles and makes room especially for non-normative masculinities. What is more, On Earth We’re Briefly Gorgeous mobilizes the abject to showcase how queer sexual intimacy straddles boundaries between bodies and subjects. The article attends to language politics in connection with the novel’s coming-out performance, striated constructions of gender roles and their interplay with the abject and “bottomhood” (Nguyen 2014: 2) to come to grips with the novel’s diversification of queer masculinities.

scholarly journals Huwelik en seksualiteit in ’n postmoderne samelewing

2002 ◽  
Vol 58 (1) ◽  
Author(s):  
D.J.C. Van Wyk
Keyword(s):  
Way Of Thinking ◽  
To Come ◽  
The Church

Marriage and sexuality in a postmodern societyThe focus of the article is on the concepts marriage and sexuality against the background of changing paradigms. It shows how perseptions on marriage and sexuality has changed as it manifested and still manifests in premodern, modern and postmodern times. The article argues that it is possible that aspects of recent reflections on the postmodern way of thinking can help the church and Christians to come to a more balanced appreciation of marriage and sexuality.

scholarly journals Little, Maybe Less

2020 ◽  
Vol 75 (2) ◽  
pp. 207-238
Author(s):  
Daniel M. Stout
Keyword(s):  
Social Reform ◽  
The Novel ◽  
Social Critique ◽  
Way Of Thinking ◽  
Good And Evil

Daniel M. Stout, “Little, Maybe Less: Little Dorrit’s Minimal Moralia” (pp. 207–238) Against our ordinary ways of reading the novel, this essay argues that Charles Dickens’s Little Dorrit (1857) represents a stark refusal of the logics of accountability that necessarily underwrite any program of social reform. In pairing its critique of Circumlocution (which programmatically undervalues desert) with its critique of the Marshalsea (which programmatically overstates debt), the novel points not toward a future of happy proportionality—in which innovation might be meaningfully recognized and infractions responded to humanely—but toward a way of thinking that stands outside the liberal logics of exchange (of action and consequence, of sin and redemption, of debt and repayment) that animate both social critique and social reform. Rather than a reformist text, Little Dorrit’s horizon is a world beyond good and evil—or, as we might also call it, after liberalism.

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