scholarly journals Book Trailer “Nawung, Puteri Malu dari Jawa” Dengan Teknik Pop-Up Projection Mapping

2020 ◽  
Vol 6 (1) ◽  
pp. 27-50
Author(s):  
Nissa Fijriani
Keyword(s):  
Effective Medium ◽  
Mapping Technique ◽  
The Novel ◽  
Motion Graphics ◽  
Communication Medium ◽  
Projection Mapping ◽  
Good Communication ◽  
Audiovisual Medium ◽  
The Arts ◽  
Reading Culture

Audiovisual medium is an effective medium for conveying information. The arts of videography gives birth to products that can not only displays the expression of it’s creator but also useful. Book trailers have a literacy function that can be a good communication medium for preserving a reading culture by recommending a book. One of audiovisual characteristics which involve more than one human senses to enjoy it has its own power to achieve its purpose. This book trailer takes some parts of the story in the novel “Nawung, Puteri Malu dari Jawa” which arranged into a series of story footage. The compiled plot will  be translated into a book trailer format. By using the pop-up projection mapping technique which is a combination of manual techniques (paper cutting and pop-up books) and digital (motion graphics and projection mapping), a book trailer will be made to recommend the novel “Nawung, Puteri Malu dari Jawa”to the wider community.

Diaghilev and British Writing

2009 ◽  
Vol 27 (1) ◽  
pp. 65-92
Author(s):  
Susan Jones
Keyword(s):  
Visual Arts ◽  
The Body ◽  
The Novel ◽  
Literary Responses ◽  
Literary Aesthetics ◽  
Ballets Russes ◽  
The Arts ◽  
The Subject ◽  
And Gender ◽  
Opening Up

This article explores the diversity of British literary responses to Diaghilev's project, emphasising the way in which the subject matter and methodologies of Diaghilev's modernism were sometimes unexpectedly echoed in expressions of contemporary British writing. These discussions emerge both in writing about Diaghilev's work, and, more discretely, when references to the Russian Ballet find their way into the creative writing of the period, serving to anchor the texts in a particular cultural milieu or to suggest contemporary aesthetic problems in the domain of literary aesthetics developing in the period. Figures from disparate fields, including literature, music and the visual arts, brought to their criticism of the Ballets Russes their individual perspectives on its aesthetics, helping to consolidate the sense of its importance in contributing to the inter-disciplinary flavour of modernism across the arts. In the field of literature, not only did British writers evaluate the Ballets Russes in terms of their own poetics, their relationship to experimentation in the novel and in drama, they developed an increasing sense of the company's place in dance history, its choreographic innovations offering material for wider discussions, opening up the potential for literary modernism's interest in impersonality and in the ‘unsayable’, discussions of the body, primitivism and gender.

Ronald Lockley and the Archipelagic Imagination

2017 ◽  
Author(s):  
Damian Walford Davies
Keyword(s):  
Social Sciences ◽  
Social History ◽  
Crucial Role ◽  
Field Studies ◽  
The Novel ◽  
Autobiographical Narratives ◽  
The Arts ◽  
Scientific Papers ◽  
Dynamic Research

Ronald Lockley (1903–2000), distinguished naturalist, pioneering conservationist, author in multiple genres, and paradigmatic modern ‘island dweller’, played a crucial role in defining our sense of Welsh and wider archipelagic ‘islandness’. Drawing on ‘nissology’—a dynamic ‘research frontier’ that brings together the arts, sciences, and social sciences to scrutinize not only islands ‘in their own terms’, but also the complex cultural condition of islandness—this chapter offers an analysis of how Welsh island space is mediated through Lockley’s plethora of discourses, from autobiographical narratives of island existence to definitive field studies and scientific papers, to works of popular anthropology, social history, and the novel Seal Woman (1974). It demonstrates how Lockley’s construction of a series of relational Welsh identities is linked to wider British and global archipelagic locations of culture.

Obsolescence

PMLA ◽  
2008 ◽  
Vol 123 (3) ◽  
pp. 718-722 ◽  
Author(s):  
Kathleen Fitzpatrick
Keyword(s):  
United States ◽  
Graduate Students ◽  
National Endowment ◽  
The Novel ◽  
Contemporary Culture ◽  
American Novel ◽  
The Arts ◽  
The Status ◽  
Material State ◽  
Different Response

I was invited by the MLA committee on the status of graduate students in the profession to speak at a convention workshop entitled “Keywords for a Digital Profession.” My keyword was obsolescence, a catchall term for a multiplicity of conditions; there are material obsolescences, institutional obsolescences, and purely theoretical obsolescences, each type demanding a different response. I spent years pondering theoretical obsolescence while writing The Anxiety of Obsolescence: The American Novel in the Age of Television. The book argues, in part, that claims about the obsolescence of cultural forms often say more about those doing the claiming than they do about the objects of the claims. Neither the novel in particular nor the book more broadly nor print in general is dead, and agonized announcements of the death of such technologies and genres often serve to re-create an elite cadre of cultural producers and consumers, ostensibly operating on the margins of contemporary culture and profiting from their claims of marginality by creating a sense that their own values, once mainstream and now decaying, must be protected. Two oft-cited reports of the National Endowment for the Arts, Reading at Risk (2004) and To Read or Not to Read (2007), come to mind; like numerous other expressions of anxiety about the supposed decline of reading, each rhetorically creates a cultural wildlife preserve in which the apparently obsolete can flourish (United States). These texts suggest that obsolescence is, in this case at least, less a material state than a political project.

Empathy and Interdisciplinarity

2017 ◽  
pp. 91-124
Author(s):  
Anne Whitehead
Keyword(s):  
Critical Point ◽  
Medical Humanities ◽  
Final Section ◽  
Popular Science ◽  
The Novel ◽  
Third Culture ◽  
Two Cultures ◽  
Arts And Sciences ◽  
The Arts ◽  
The Two Cultures

This chapter asks how, in the context of the medical humanities, we might productively think across disciplinary domains and boundaries. It draws on Ian McEwan’s Saturday as a focus for positioning the question of interdisciplinarity within a specifically British context. The first section, ‘The two cultures’, surveys the ‘two cultures’ debate and its legacy and discusses the appearance of Matthew Arnold’s poem ‘Dover Beach’ at a critical point of the novel. In the second section, ‘A third culture?’, the focus turns to McEwan’s engagement with popular science discourses and argues that it underpins a discernible conservatism in his work. The final section, ‘An unbounded view’, reads Saturday against the grain to argue that, in McEwan’s treatment of dementia a more positive, open-ended model for thinking across the arts and sciences might be seen to emerge.

scholarly journals Representasi Unsur Budaya Novel "Swarna Alor: Impian di Langit Timur" Karys Dyah Prameswarie

2021 ◽  
Vol 10 (1) ◽  
pp. 37
Author(s):  
Qhothrun Nadaul Jannah ◽  
Candra Rahma Wijaya Putra
Keyword(s):  
Secondary Data ◽  
Reciprocal Relationship ◽  
Cultural Preservation ◽  
Data Sources ◽  
Primary Data ◽  
The Novel ◽  
Cultural Elements ◽  
The Arts ◽  
Livelihood Systems ◽  
Descriptive Approach

Artikel ini akan mengungkapkan unsur budaya serta upaya pelestarian budaya yang dilakukan tokoh dalam novel "Swarna Alor" oleh Dyah Prameswarie. Jenis penelitian ini adalah penelitian kualitatif dengan pendekatan deskriptif. Data dalam penelitian ini meliputi kutipan terkait unsur budaya yang berupa kata, frasa, klausa, dan kalimat. Sumber data dalam penelitian diperoleh dari dua sumber yaitu sumber data primer dan sumber data sekunder. Teknik pengumpulan data pada penelitian ini menggunakan dua teknik yaitu teknik baca dan teknik catat. Hasil penelitian menunjukkan adanya (1) unsur budaya sistem religi berupa anismisme dan dinamisme, (2) unsur budaya sistem pengetahuan, menciptakan bahan pewarna alami, (3) unsur budaya sistem mata pencaharian hidup berupa menenun dan menjual, (4) unsur budaya sistem kesenian berupa tari lego-lego dan (5) hubungan timbal balik antara budaya dengan manusia, berupa peningkatan ekonomi manusia.Katakunci: budaya, mata pencaharian, pengetahuan, religi Abstract:This paper is going to reveal cultural aspect and cultural preservation efforts made by the character in the novel “Swarna Alor” by Dyah Prameswarie. This is a qualitative research with descriptive approach. The data in this study include cultural elements in the form of words, phrases, clauses, and sentences. Sources of data in the study were obtained from two sources: primary data sources and secondary data sources. Data collection techniques in this study used two techniques: reading and note taking techniques. The results showed (1) culture elements of religious system of animism and dynamism, (2) culture elements of knowledge system, creating natural dyes, (3) culture elements of livelihood systems in the form of weaving and trading, (4) cultural elements of the arts system in the form of lego-lego dance and (5) the reciprocal relationship between culture and humans, in the form of the human’s economy improvement.Keywords: culture, livelihood, knowledge, religion

Epilogue

2019 ◽  
pp. 167-170
Author(s):  
R. Bracht Branham
Keyword(s):  
Explanatory Power ◽  
Cultural Authority ◽  
The Novel ◽  
Distinct Form ◽  
Great Time ◽  
The Arts ◽  
History Of

The epilogue rounds out the argument of the volume by considering the declining cultural authority of the novel, the value of history versus the history of the arts, Bakhtin’s most famous aphorism, the concept of great time, and the explanatory power of Bakhtin’s approach to the novel as a distinct form of discourse.

Reviews: Before Orientalism: Asian Peoples and Cultures in European Travel Writing, 1245–1510, the Arts of Remembrance in Early Modern England: Memorial Cultures of the Post Reformation, a Will to Believe: Shakespeare and Religion, Uncommon Tongues: Eloquence and Eccentricity in the English Renaissance, Be it Ever So Humble: Poverty, Fiction, and the Invention of the Middle-Class Home, Backstage in the Novel: Frances Burney and the Theatre Arts, Protocols of Liberty: Communication, Innovation and the American Revolution, Romanticism and the Rural Community, Alone in America: The Stories That Matter, India in Britain: South Asian Networks and Connections, 1858–1950, Beastly Journeys: Travel and Transformation at the Fin de Siècle, London Underground: A Cultural Geography, London's Underground Spaces: Representing the Victorian City, 1840–1915, Literature, Modernism, and Dance, When Sex Changed: Birth Control Politics and Literature between the World Wars, Scarecrows of Chivalry: English Masculinities after Empire, British Fiction and the Cold War, Reading History in Children's Books, the End of Normal: Identity in a Biocultural Era

2014 ◽  
Vol 23 (2) ◽  
pp. 81-116
Author(s):  
Elizabeth Williamsen ◽  
R. C. Richardson ◽  
Julia Reinhard Lupton ◽  
Zoe Hawkins ◽  
Katie Barclay ◽  
...  
Keyword(s):  
English Renaissance ◽  
The Novel ◽  
Frances Burney ◽  
Politics And Literature ◽  
Theatre Arts ◽  
The Arts ◽  
British Fiction ◽  
The Cold War ◽  
Reading History ◽  
Normal Identity

The Arts Of The Novel

2005 ◽  
Vol 49 (2) ◽  
pp. 127-144
Author(s):  
Ammon Allred ◽  
Keyword(s):  
The Novel ◽  
The Arts
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