scholarly journals Pengaruh Pariwisata pada Keberagaman Seni Rupa sebagai Modal Kultural Bali: Studi pada Komunitas dan Perhelatan Seni Rupa di Wilayah Denpasar, Klungkung, dan Singaraja

2016 ◽  
Vol 3 (2) ◽  
pp. 96-101
Author(s):  
Willy Himawan ◽  
Setiawan Sabana ◽  
A. Rikrik Kusmara
Keyword(s):  
Global Change ◽  
Modern Art ◽  
Field Research ◽  
Participatory Action ◽  
Aesthetic Value ◽  
Tourist Destination ◽  
The World ◽  
History Of ◽  
Art Activities ◽  
The Aesthetic

Pulau Bali terkenal sebagai salah satu tujuan wisata terbesar di dunia yang berkaitan erat dengan budaya Bali. Perkembangan seni rupa modern tidak dapat dipisahkan dari sejarah kolonialisme pada tahun 1900-an melalui pengembangan awal pariwisata yang memengaruhi perkembangan praktik seni Bali dan wacananya. Studi kualitatif ini akan melihat Bali sebagai kawasan-kawasan yang berbeda dalam spektrum perkembangan seni rupa yang dipengaruhi oleh konteks perkembangan pariwisata di tiap wilayah. Metode yang digunakan adalah aksi partipatoris di lapangan dengan pendekatan hermeneutik untuk memahami konteks, makna, dan nilai estetik yang terbangun dalam kegiatan-kegiatan seni rupa di Klungkung dalam kegiatan komunitas Batu Belah dalam acara Global Change Art Climate 2015, di Denpasar dan sekitarnya dalam kegiatan komunitas Sprites Art 2015, dan di Buleleng dalam kegiatan komunitas Segara Lor pada Buleleng Festival 2013. Perbedaan dalam konteks pengembangan pariwisata di daerah-daerah tertentu di Bali telah memengaruhi perkembangan dan perbedaan makna dan nilai estetika karya seni di sana. The Tourism Influence on Art Diversity as a Cultural Capital of Bali: Study on the Community and Art Events in Denpasar, Klungkung dan Singaraja. The island of Bali is famous as one of the largest tourist destination in the world. The development of modern art cannot be separated from the history of colonialism in the 1900s through the early development of Balinese art activities and their studies. This qualitative study sees Bali as different regions in the spectrum of the development of art which influenced by the context of the development of tourism in each region. The method used in this study is the action partipatoris field (participatory action field research) with a hermeneutic approachto understand the context, meaning, and aesthetic value that are built in the activities of art in Klungkung by among others are Batu Belah community in “The Global Change Art Climate 2015”, in Denpasar “Sprites activities Art” in 2015, and in Buleleng in activities “Segara Lor in Buleleng Festival 2013”. Differences in the context of the development of tourism in certain areas in Bali have influenced the development and meaning differences, and the aesthetic value of the works of art there.

What's the Message of Architecture?

2014 ◽  
pp. 126-136
Author(s):  
Аndrey G. Velikanov
Keyword(s):  
Separate Entity ◽  
Aesthetic Value ◽  
Current State ◽  
Entire Complex ◽  
History Of ◽  
The Aesthetic

Considers the aspects of architecture as a language able to express the current state and to prophetically indicate the upcoming changes. The aesthetic value of a construction cannot be perceived just as a separate entity, but it can be cognized in the context and not only a visual one, in space. It is necessary to see the entire complex of the accompanying phenomena, all the flow of the unfolding metaphors and values. In the model in view the figure of the author-creator must be reconsidered as no longer conforming to today's reality. The development of the Stalinist Empire style, as well as its transformations, is considered as one of the specific phenomena in the history of well-known constructions

Puccini's La Bohème

2020 ◽  
Author(s):  
Alexandra Wilson
Keyword(s):  
Cultural History ◽  
Cultural Contexts ◽  
Music Drama ◽  
Political Debates ◽  
The World ◽  
History Of ◽  
La Boheme ◽  
The Aesthetic ◽  
The Many ◽  
The City

La bohème is one of the most frequently performed operas in the world. But how did it come to be so adored? Drawing on an extremely broad range of sources, Alexandra Wilson traces the opera’s rise to global fame. Although the work has been subjected to many hostile critiques, it swiftly achieved popular success through stage performances, recordings, and filmed versions. Wilson demonstrates how La bohème acquired even greater cultural influence as its music and dramatic themes began to be incorporated into pop songs, film soundtracks, musicals, and more. In this cultural history of Puccini’s opera, Wilson offers a fresh reading of a familiar work. La bohème was strikingly modern for the 1890s, she argues, in its approach to musical and dramatic realism and in flouting many of the conventions of the Italian operatic tradition. Considering the work within the context of the aesthetic, social, and political debates of its time, Wilson explores Puccini’s treatment of themes including gender, poverty, and nostalgia. She pays particular attention to La bohème’s representation of Paris, arguing that the opera was not only influenced by romantic mythologies surrounding the city but also helped shape them. Wilson concludes with a consideration of the many and varied approaches directors have taken to the staging of Puccini’s opera, including some that have reinvented the opera for a new age. This book is essential reading for anyone who has seen La bohème and wants to know more about its music, drama, and cultural contexts.

scholarly journals IMPLEMENTASI ACCESSIBLE TOURISM DI TMII JAKARTA

Jurnal IPTA ◽  
2019 ◽  
Vol 7 (2) ◽  
pp. 96
Author(s):  
Nurul Sukma Lestari ◽  
Rachel Dyah Wiastuti ◽  
Ika Triana
Keyword(s):  
Pregnant Women ◽  
Elderly People ◽  
Field Research ◽  
Cultural Background ◽  
Tourist Attraction ◽  
Tourist Destination ◽  
Vertical Movements ◽  
Small Children ◽  
The World ◽  
Different Cultures

Indonesia is a big country consisting of various tribes and has different cultures from one to another. From this came the idea to create a tourist site with a cultural background. Taman Mini Indonesia Indah is a tourist attraction established since 1975, an attraction with the theme of Indonesian culture. Taman Mini Indonesia Indah is still a tourist destination that has been chosen by many families. Likewise, schools that still do a lot of tourist visits for study tours Visitors to Taman Mini Indonesia Indah are still the second most in Jakarta. With the development of tourism, the concept of tourism for all it becomes an absolute necessity. Because throughout the world there is also a very significant increase in the number of tourists, and ten percent have special needs including elderly people, tourists with small children, pregnant women, tourists with permanent and temporary disabilities. Therefore, the purpose of this study is to find out to what extent Taman Mini Indonesia Indah has implemented accessibility in tourism in accordance with standards set by the UNWTO. The method used is descriptive qualitative, where data is obtained through field research, documentation, checklists and literature studies. The results of the study are found that vertical movements still need to be improved because visitors using a wheelchair cannot enjoy all the regional platforms. And the suggestion from the research is to continue to improve the facilities so that everyone can access them by adding braille letters to the brochure and adding audio announcements to every tourist attraction.

Antarctica

2019 ◽  
Author(s):  
David Day
Keyword(s):  
United States ◽  
Great Britain ◽  
Global Change ◽  
The United States ◽  
Marine Resources ◽  
The World ◽  
History Of ◽  
Antarctic Treaty ◽  
The Antarctic

Part of the What Everyone Needs to Know® series, David Day's book on Antarctica examines the most forbidding and formidably inaccessible continent on Earth. Antarctica was first discovered by European explorers in 1820, and for over a century following this, countries competed for the frozen land's vast marine resources--namely, the skins and oil of seals and whales. Soon the entire territory played host to competing claims by rival nations. The Antarctic Treaty of 1959 was meant to end this contention, but countries have found other means of extending control over the land, with scientific bases establishing at least symbolic claims. Exploration and drilling by the United States, Great Britain, Russia, Japan, and others has led to discoveries about the world's climate in centuries past--and in the process intimations of its alarming future. Delving into the history of the continent, Antarctic wildlife, arguments over governance, underwater mountain rangers, and the continent's use in predicting coming global change, Day's work sheds new light on a territory that, despite being the coldest, driest, and windiest continent in the world, will continue to be the object of intense speculation and competition.

scholarly journals Complexity of Acapulco Evolution as a Tourist Destination

2017 ◽  
Vol 9 (3) ◽  
pp. 5-27
Author(s):  
Roger Joseph Bergeret Muñoz ◽  
Alejandro Quintero León ◽  
Mónica Corazón Gordillo Escalante
Keyword(s):  
Life Cycle ◽  
20Th Century ◽  
Historical Development ◽  
Significant Part ◽  
Historical Sources ◽  
Tourist Destination ◽  
Private Initiative ◽  
The World ◽  
History Of ◽  
Complexity Theories

AbstractThe paper analyzes diachronically the evolution and complexity of tourist activity in Acapulco, which was a very significant part of the history of Mexico in the 20th century and even centuries before, it was configured as Mexican icon of tourism for the world. This study is supported by evolution and complexity theories. The research presented is qualitative, inductive, diachronic and hermeneutical; relies on heuristics, criticism and synthesis. Applied materials were documentary, bibliographic and historical sources and statistical records on tourist activity. It is concluded that Acapulco, throughout the evolution history, has been an important factor in the economic, social and historical development, related to tourism, arising as an enclave of freedom, fantasy, imagination and hedonism, located on a life cycle of replenishment or rejuvenation in a sub-stage of stagnation although that is not what strategists, society and private initiative want, due changes in market behavior, complex actions are demarcated, they are not sustainable but still are being applied.

scholarly journals Ragam Ornamen Atap Klenteng Jin De Yuan sebagai Salah Satu Aset di Kawasan Kota Tua

Humaniora ◽  
2011 ◽  
Vol 2 (2) ◽  
pp. 1219
Author(s):  
Polniwati Salim
Keyword(s):  
Social Relationships ◽  
Cultural Preservation ◽  
Chinese Community ◽  
Aesthetic Value ◽  
City Area ◽  
Positive Side ◽  
The World ◽  
Old City ◽  
The Government ◽  
The Aesthetic

The Plurality of cultures in the country of Indonesia can be seen from the diverse ethnics and tribal minorities and the majorities either. The numbers of Klenteng/temple as one of the places of worship of minority Chinese community which has now been given freedom by the government of Indonesia, are still very few. Jin De Yuan Klenteng is one of the mainstay of tourism in the Area Chinatown, Glodok who entered the Old City area in the world. Therefore, the aesthetic value in the pagoda is very important to be raised in order to remain attractive as a tourism asset. How the application of aesthetic elements on the exterior of Jin De Yuan temple, and any decoration is used, by looking at the positive side of social relationships and cultural preservation, is the  point that must be noticed and developed by all of us. 

scholarly journals Building Preservation Case Study of Pancasila Building in Pasuruan City

2021 ◽  
Vol 04 (08) ◽  
Author(s):  
Prof. Dr. Lalu Mulyadi ◽  
Keyword(s):  
Urban Development ◽  
Feasibility Study ◽  
Descriptive Analysis ◽  
Field Observations ◽  
City Development ◽  
Aesthetic Value ◽  
History Of ◽  
The Aesthetic ◽  
The City

Some cities in Indonesia have a long history of city development, in East Java, for example the cities of Surabaya, Malang, Blitar, Kediri and Pasuruan are cities that have a history of urban development that still maintains the identity of the city. old buildings or colonial buildings, these buildings can still be suspected through the characteristics of building shapes and the use of ornaments that are characterized by European buildings. For this European building to be preserved, it is necessary to conduct a feasibility study of the aesthetic value contained in the building. The case study taken in writing this article is the Pancasila Building in the city of Pasuruan. The method used is descriptive analysis topically. To support the discussion in this article, field observations and literature studies were conducted. The findings in this study were to determine the physical identity of the building and the meaning of building ornaments.

Wordsworth's Unremembered Pleasure

2020 ◽  
Author(s):  
Alexander Freer
Keyword(s):  
Personal Experience ◽  
Conscious Experience ◽  
Aesthetic Value ◽  
The World ◽  
The Gift ◽  
History Of ◽  
Critical Prose

Wordsworth’s writing detects and investigates pleasures that are overlooked, underacknowledged, and ‘unremembered’. This book explores Wordsworth’s sustained interest in the ethical and aesthetic value of lost, inaccessible, and unfelt pleasure throughout his poetry and critical prose. Such pleasures are marginal and fleeting; they pass by silently and are recognized only retrospectively. Yet they shape the aims, technique, and ultimately the whole affective economy of Wordsworth’s writing. Rather than understanding the domain of pleasure to be subjective personal experience, Wordsworth posits affects and attachments beyond conscious experience and possession. By tracing the intertwined history of romanticism and psychoanalysis, the work teases Wordsworth’s interest in unnoticed experience apart from the psychoanalytic concepts that have shaped our understanding of it. Reading Wordsworth against Freud, it rethinks central critical categories: repression, sublimation, mourning, happiness, pleasure, and the gift. In Wordsworth’s account of composition, it locates the resources to rethink poetic pleasure: not as wish-fulfilment, nor as aesthetic escape, but as an engaged and reparative relation to the world.

SYSTEM OF ARCHAIC SIGNS-SYMBOLS IN THE ORNAMENTS OF THE MESENA SPINNING ROTARY

2021 ◽  
Vol 23 (77) ◽  
pp. 70-75
Author(s):  
A.A. Zhogolevа ◽  
◽  
E.G. Stolyarova
Keyword(s):  
Contemporary Art ◽  
Modern Art ◽  
Ancient Greece ◽  
Traditional Culture ◽  
Single System ◽  
Present Stage ◽  
Art And Design ◽  
The World ◽  
History Of ◽  
The Subject

The article is devoted to the study of the symbols of the Mezen painting as a single system. The spinning wheel is viewed as a cosmogonic model of our ancestors, where painting is directly related to the content of the image. The object of the research is the archaic symbols of the Mezen painting. The subject is the development of ornaments and prints for decor and product design. The history of the Mezen craft (geography, origins, traditions), the artistic features of the craft (materials, technology) and the semantics of the ornament are studied. The article considers archaic ornaments of Mezeno in connection with the ancient cultures of mankind (the Neolithic era, Andronov culture, Ancient Greece, etc.) and Slavic traditional culture. The article deals with deciphering the semantics of the ornament of the Mezen spinning wheel as a reflection of the idea of the world of our ancestors. The author's development "The symbolism of the Mezen painting in contemporary art" is given, showing the possibility of using the Mezen ornament at the present stage of the development of artistic culture in art and design. The authors of the article propose to use the ornaments and symbols of Mezeno as decor and prints in modern art and design.

Formalism and Phenomenology in Vasily Sesemann’s Aesthetics

2021 ◽  
pp. 45-62
Author(s):  
Dalius Jonkus
Keyword(s):  
Structural Analysis ◽  
Phenomenological Analysis ◽  
Aesthetic Value ◽  
Poetic Image ◽  
History Of Art ◽  
The World ◽  
Art And Culture ◽  
History Of ◽  
Aesthetic Structure ◽  
The Relationship

The purpose of this article is to analyze the connection between formalism and phenomenology in Vasily Sesemann’s aesthetics. In the articles “Aesthetic valuation in the history of art” (1922), “The nature of poetic image” (1925), “Art and culture” (1927), Seseman discusses the formalist concept of art. However, the most complete critique of the formalist idea of art is revealed in his Aesthetics (1970). In this book, he presented the most comprehensive conception of aesthetic structure. In this paper, I set out first to analyze the most important features of the formalist history of art, and then to explore how Sesemann transforms the concept of artistic form into a conception of aesthetic structure. I argue that formalistic analysis of art transforms the concept of artistic form into a style. This style is nothing less than the experience of being in the world. Sesemann abandons the dualistic separation of sensory material and intelligible form, and instead offers the concept of aesthetic structure. He reveals the relationship between the sensory structure of an aesthetic object and the perceiving subject. Aesthetic value can be revealed as meaningful only with the participation of a subject and with the necessary contemplative attitude. Analysis of art must cover not only individual structures of the object, but also a phenomenological analysis of perception. The combination of formalism and phenomenology is a peculiar characteristic of Sesemann’s aesthetics. The structural analysis reveals a systematic coherence among the artistic creator, work of art, and its perceiver.

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