scholarly journals Recent Rock Art Research on East Seram, Maluku: A key site in the rock art of West Papua and South East Maluku

2018 ◽  
Vol 14 (2) ◽  
pp. 135 ◽  
Author(s):  
Adhi Agus Oktaviana ◽  
Peter Van Lape ◽  
Marlon NR Ririmasse
Keyword(s):  
Rock Art ◽  
Western Region ◽  
Scientific Publications ◽  
Geometric Patterns ◽  
Eastern Indonesia ◽  
The Social ◽  
West Papua ◽  
American Research ◽  
Human Animal ◽  
Art Research

Gambar cadas di Indonesia mulai diteliti sejak sebelum abad 20. Sejumlah publikasi ilmiah sebelumnya mencatat keberadaan situs gambar cadas di Pulau Seram, Provinsi Maluku yaitu di tebing Sawai dan Sungai Tala. Survei arkeologi terkini di kawasan Seram Timur dan Seram Laut yang dilakukan oleh gabungan Tim Peneliti Indonesian-American berhasil menemukan Situs gambar cadas baru di pesisir Seram Timur. gambar cadas ini terlukiskan di permukaan dinding tebing bernama lokal tebing Watu Sika. Gambar cadas di Situs Watu Sika tampak mirip dengan sejumlah situs gambar cadas lainnya di Indonesia Timur yang sebagian besar terlukis di dinding tebing karst sepanjang wilayah pesisir. Penelitian ini menggunakan metode perekaman verbal dan piktorial dibantu aplikasi Dstretch untuk memperjelas gambar-gambar agar mudah diidentifikasi. Penelitian ini menganalisis sejumlah pola figuratif dan non figuratif pada motif-motif gambar cadas di Situs Watu Sika. Hasil identifikasi terhadap sejumlah motif gambar cadas di situs ini diketahui terdapat motif gambar cadas berbentuk figur manusia, hewan, ikan, perahu, hand stencils negatif, dan pola geometris. Penelitian ini juga membahas analisis latar belakang konteks sosial terhadap tradisi gambar cadas di wilayah sekitarnya, yaitu wilayah Laut Banda. Berdasarkan jaringan persebaran temuan gambar cadas di Indonesia Timur, maka menghasilkan pengetahuan baru bahwa analisis data sementara ini menunjukkan Situs Watu Sika merupakan kunci penghubung jalur persebaran gambar cadas yang berasal dari wilayah barat ke dua jalur, pertama jalur ke arah Timur Laut, yaitu wilayah Papua dan Jalur ke Selatan, yaitu ke arah Kepulauan di sekitar Laut Banda.Rock art in Indonesia has been investigated before the 20th century. A number of previous scientific publications noted the existence of rock art sites on Seram Island, Maluku Province, which was on the cliff of Sawai and Tala River. Recent archaeological surveys in the area of East Seram and Seram Laut conducted by a joint Indonesian-American Research Team discovered a new rock art site in the coast of East Seram. The rock art is painted on the cliff wall which is called by the locals as Watu Sika. Rock art on the Watu Sika Site is similar to a number of rock art at other sites in Eastern Indonesia which were mostly painted on karstic cliffs along the coast. This study used verbal and pictorial recording methods using the Dstretch application to clarify images to support identification. This study analyzed a number of figurative and non-figurative patterns of rock art motifs at Watu Sika Site. The results of the identification of a number of rock art motifs on this site show that there are several patterns including figures of human, animal, fish, boats, negative hand stencils, and geometric patterns. This study also discussed an analysis of the social context background of rock art tradition in the surrounding region, particularly at the Banda Sea region. Based on the distribution network of rock art findings in eastern Indonesia, new insights are generated that this interim data analysis show that Watu Sika Site is the key to connecting the distribution path of rock art originating from the western region into two lanes. The first lane to the Northeast, which is the Papua region and South Lane, expanding towards the Islands around the Banda Sea.

scholarly journals Animals on display: animal motifs, human-animal relations and social semiotics in the Bronze Age rock carvings from Enköping and Norrköping, Sweden

2021 ◽  
Vol 26 (1) ◽  
pp. 189-218
Author(s):  
Anna Wessman
Keyword(s):  
Bronze Age ◽  
Red Deer ◽  
Rock Art ◽  
Social Semiotics ◽  
Common Motif ◽  
Biological Reality ◽  
The Social ◽  
Human Animal ◽  
Almost All ◽  
The Bronze Age

Animals make up one of the most common motif groups in south Scandinavian Bronze Age rock art, with depictions of pigs and horses, as well as wild animals like red deer and wild boar, occurring in almost all rock art areas. Despite their ubiquity, their treatment in previous research has been inadequate. In this article, the display of animals in the rock art tradition is mapped out and discussed from a perspective based in human-animal relations and social semiotics. The animal figures are analyzed in terms of species, sex, human practice and regional articulations, as well as in relation to the wider archaeological record. The results reveal that animal motifs probably had a dual role during the Bronze Age, showing both the biological reality and the social and symbolic values that were connected to animals. In addition, the animals depicted in rock art also worked as carriers of semiotic resources, which manifested human social and societal ideas and ideals.

scholarly journals Rock Art of Soqotra, Yemen: A Forgotten Heritage Revisited

Arts ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 99
Author(s):  
Julian Jansen van Rensburg
Keyword(s):  
Rock Art ◽  
Fundamental Importance ◽  
Comprehensive Review ◽  
Spatial Framework ◽  
The Social ◽  
Longue Duree ◽  
Longue Durée ◽  
Art Research ◽  
Historical Accounts

This paper presents a comprehensive review of historical and current rock art research on the island of Soqotra, Yemen and places these sites within a spatial framework from which it analyses themes concerning water and the visibility and invisibility of these sites within the broader landscape. The analysis of these sites shows how water was of fundamental importance to the indigenous inhabitants over the longue durée. It also highlights how rock art has not only been able to reinforce the ethnographic and historical accounts of the indigenous inhabitants, but also strengthen our temporal knowledge of the social and cultural lives of the inhabitants of Soqotra.

Rock Art as Cultural Expressions of Social Relationships and Kinship

2017 ◽  
Author(s):  
Liam M. Brady ◽  
John J. Bradley ◽  
Amanda Kearney
Keyword(s):  
Social Relationships ◽  
Social Connectedness ◽  
Rock Art ◽  
American Southwest ◽  
Social Embeddedness ◽  
The Social ◽  
Gulf Country ◽  
Cultural Expressions ◽  
Art Research ◽  
Relational Contexts

This chapter examines rock art as cultural expressions of social relationships and kinship. More specifically, it considers the type(s) of relationships that exist or emerge in Indigenous contexts and how appreciation of these relationships can elucidate the meaning, symbolism, and significance of rock art. It first explores the relational contexts of rock art by citing examples involving sorcery before discussing the social embeddedness of rock art and the network of relationships that rock art operates within. It then analyzes the regional relatedness and social connectedness of rock art and shows that the breadth of relationships into which rock art is embedded involves ontology and epistemology. The chapter uses a series of case studies drawn primarily from rock art research with Yanyuwa, a maritime-oriented Indigenous language group in northern Australia’s southwest Gulf country, supplemented with examples from the American Southwest and other areas within Australia.

PELUANG PENERAPAN KONSEP BLUE ECONOMY PADA USAHA PERIKANAN DI KABUPATEN LOMBOK TIMUR

2018 ◽  
Vol 4 (2) ◽  
Author(s):  
Achmad Zamroni ◽  
Nurlaili Nurlaili ◽  
Cornelia Mirwantini Witomo
Keyword(s):  
Content Analysis ◽  
Waste Treatment ◽  
Economic Pressure ◽  
Household Economy ◽  
Scientific Publications ◽  
Seaweed Farming ◽  
Alternative Livelihoods ◽  
Fisheries Resources ◽  
The Social ◽  
Blue Economy

Tantangan pengembangan ekonomi biru di Lombok adalah menurunnya habitat terutama rumput laut, terumbu karang dan bakau, karena tingginya tekanan ekonomi yang menyebabkan orang terlibat dalam eksploitasi sumber daya  perikanan. Tujuan riset adalah mereview penerapan konsep “Ekonomi Biru” pada usaha perikanan budidaya  di Kabupaten Lombok Timur. Data dan informasi dikumpulkan melalui penelusuran dokumen, laporan riset dan publikasi ilmiah terkait topik kajian. Dokumen-dokumen tersebut dianalisis secara konten (content analysis) dan direview dari aspek sosial dan ekonomi yang dijelaskan secara kualitatif. Hasil review menunjukkan bahwa 6 (enam) usaha perikanan dapat memberikan efek berganda yaitu budidaya  lobster, budi daya  rumput laut, pengolahan kepiting, pengolahan limbah kepala ikan, dan tambak garam mempunyai peluang menciptakan efek berganda, artinya keenam usaha tersebut dapat menciptakan alternatif mata pencaharian yang bisa berdampak pada peningkatan ekonomi rumah tangga. Title: Prospects of the Implementation of Blue Economy Concept on An opportunity Fisheries Bussiness in East Lombok DistrictThe challenge of developing a blue economy in Lombok is the decline of habitats, especially seaweed, coral reefs and mangroves, due to the high economic pressure that causes people to be involved in exploitation of fisheries resources. The aim of the research is to review the application of the concept of “Blue Economy” in aquaculture businesses in East Lombok District. Data and information were collected through documents investigation, research reports and scientific publications related to the topic of the study. These documents were analyzed using content analysis and reviewed from the social and economic aspects qualitatively described. The result shows that the review indicates that 6 (six) fisheries businesses can provide multiple effects namely lobster aquaculture, seaweed farming, crab processing, fish head waste treatment, and salt farming have the opportunity to create multiple effects, meaning that the six businesses can create alternative livelihoods that can has an impact on improving the household economy. 

Judges and defendants

2018 ◽  
Author(s):  
Gianfranco Pacchioni
Keyword(s):  
Peer Review ◽  
Review Process ◽  
Social Cost ◽  
Peer Review Process ◽  
Scientific Journals ◽  
Scientific Publications ◽  
Contemporary Science ◽  
The Social ◽  
Pros And Cons ◽  
Scientific Publishers

This chapter explores how validation of new results works in science. It also looks at the peer-review process, both pros and cons, as well as scientific communication, scientific journals, and scientific publishers. We give an assessment of the total number of existing journals with peer review. Other topics discussed include the phenomenon of open access, predatory journals and their impact on contemporary science, and the market of scientific publications. Finally, we touch on degenerative phenomena, such as the market of co-authors, bogus papers, and irrelevant and wrong studies, as well as the problem and the social cost of irreproducible results.

Canine Rescue as a Social Movement: The Politics of Love

2018 ◽  
Vol 28 (5-6) ◽  
pp. 670-687
Author(s):  
Anna L. Peterson
Keyword(s):  
Social Context ◽  
Public Sphere ◽  
Animal Rights ◽  
Animal Advocacy ◽  
The Social ◽  
Human Animal Bond ◽  
Nonhuman Animals ◽  
Political Approach ◽  
Human Animal ◽  
Politics Of Love

Abstract Canine rescue is a growing movement that affects the lives of tens of thousands of nonhuman animals and people every year. Rescue is noteworthy not only for its numbers, but also because it challenges common understandings of animal advocacy. Popular accounts often portray work on behalf of animals as sentimental, individualistic, and apolitical. In fact, work on behalf of animals has always been political, in multiple ways. It is characterized both by internal political tensions, especially between animal rights and welfare positions, and by complex relations to the broader public sphere. I analyze canine rescue, with a focus on pit bull rescue, to show that an important segment of canine rescue movements adopts an explicitly political approach which blurs the divide between rights and welfare, addresses the social context of the human-animal bond, and links animal advocacy to social justice.

scholarly journals Beyond Transgressive Lands and Forgotten Seas: Towards a Maritime Understanding of Rock Art in Bohuslän

2021 ◽  
Vol 12 (1) ◽  
pp. 121-140
Author(s):  
Johan Ling
Keyword(s):  
Bronze Age ◽  
20Th Century ◽  
Clay Soil ◽  
Rock Art ◽  
The Social ◽  
The Bronze Age

Since the beginning of the 20th century rock art in Bohuslän has traditionally been interpreted, on the basis of its adjacent location to the clay-soil plains, as an indicator ofpermanent pastoral or agrarian settlement units. However, recent results ofthe first substantial and extensive shoreline study, covering the whole of Bohuslän, have shown that, during the entire Bronze Age, many of these lower, clay- soil plains were in fact sea bottoms in shallow bays. On the basis of these results new measurement of the rock art panels and the surrounding terrain were made. The study showed that many rock carvings had been placed on or near the contemporary shore during the Bronze Age. It therefore seemed essential to present new questions about the social and ritual behaviour, as manifested by the rock art in these particular areas. It is here suggested that the rock art in the investigated area may be a materialised reflection of seasonal maritime interactions during the Bronze Age.

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