scholarly journals ABSTRACT LOCAL CULTURAL ARTS IN THE GLOBAL ERA

2021 ◽  
Vol 14 (2) ◽  
pp. 33
Author(s):  
I Wayan Deddy Sumantra ◽  
I Made Suastika ◽  
I Wayan Ardika ◽  
I Wayan Suardiana
Keyword(s):  
Life Quality ◽  
Cultural Value ◽  
Value Systems ◽  
Local Culture ◽  
Spiritual Values ◽  
Media Technology ◽  
Traditional Art ◽  
Global Era ◽  
Cultural Arts ◽  
Religion And Art

The art of Local culture will be more meaningful because of being able to push the spirit of love with the pluralism toward human's life and universe. Meanwhile, media technology as the physical result of culture that lacks spiritual values ??if compared to custom, religion and art will lose its function to increase human's life quality. Values, norms and ethics contained in customary rules that are reflected in art of culture are indeed useful references in the globalization era. This research used qualitative data that were then analyzed descriptively. According to Alvin Boskoff's thought, it shows that factors becoming challenges for local culture are the change of cultural value systems in society and the death of traditional art forms in several areas in Nusantara caused by technology in the global era. The art of Local culture is one of components that gives Indonesian identity as a special community that exists among nations in this world. Therefore it is necessary to grow awareness particularly in young generations in order to comprehend more about their culture by empowering local wisdom growing in the cultural areas of whole Nusantara. Keywords: Art of Culture, local, the change of value, global

scholarly journals Literasi Pancasila Dalam Seni Pertunjukan Reak Di Kampung Jati, Kelurahan Pasir Biru, Kecamatan Cibiru

2021 ◽  
Vol 1 (2) ◽  
Author(s):  
Willfridus Demetrius Siga ◽  
Kristining Seva ◽  
Topik Mulyana ◽  
Tri Joko Her Riadi
Keyword(s):  
Cultural Values ◽  
Performing Arts ◽  
Human Life ◽  
Literature Study ◽  
Traditional Art ◽  
Cultural Arts ◽  
Art And Culture ◽  
Service Activity ◽  
Younger Generation ◽  
Religion And Art

Kebudayaan adalah salah satu komponen yang menunjukkan jati diri kita sebagai sebuah bangsa. Nilai kearifan lokal yang terkandung dalam seni budaya seyogyanya mampu mendorong semangat kecintaan pada kehidupan manusia dan bangsa. Kearifan lokal yang terkandung dalam seni dan budaya merupakan referensi yang bermanfaat, terutama dalam rangka edukasi generasi muda. Sementara di sisi lain, teknologi sebagai hasil kebudayaan yang bersifat fisik dianggap mereduksi nilai-nilai yang terkandung dalam adat istiadat, agama, dan kesenian. Faktor-faktor yang menjadi tantangan bagi budaya lokal adalah perubahan tata nilai-nilai budaya dalam masyarakat serta matinya bentuk-bentuk seni tradisi di Indonesia, khususnya Jawa Barat, yang disebabkan oleh ideologi digital dan acuhnya generasi muda akan pentingnya nilai seni dan budaya lokal. Maka, dipandang perlu menumbuhkan kesadaran bagi generasi muda untuk lebih memahami budaya yang dimilikinya melalui edukasi seni pertunjukkan reak. Merujuk pada fenomena-fenomena di atas, kegiatan pengabdian ini menggunakan pendekatan kualitatif yang dianalisis secara deskriptif. Pencarian atau pengumpulan data dilakukan melalui observasi, wawancara, dan studi pustaka guna mendalami seni Reak sebagai ritual, hiburan, dan memperkokoh integritas kebangsaan berdasarkan semangat Pancasila.Kata Kunci : Nilai, Kebudayaan, Kearifan Lokal, Reak, Pancasila, Disrupsi Culture is one component that shows our identity as a nation. The value of local wisdom contained in cultural arts should be able to encourage a spirit of love for human life and the nation. Local wisdom contained in art and culture is a useful reference, especially in the context of educating the younger generation. While on the other hand, technology as a physical cultural product is considered to reduce the values contained in customs, religion and art. Factors that challenge local culture are changes in cultural values in society and the death of traditional art forms in Indonesia, especially West Java, which is caused by digital ideology and the youth's indifference to the importance of local artistic and cultural values. Thus, it is deemed necessary to raise awareness for the younger generation to better understand their culture through education on reak performing arts. Referring to the above phenomena, this service activity uses a qualitative approach which is analyzed descriptively. Search or data collection is carried out through observation, interviews, and literature study in order to explore the art of Reak as a ritual, entertainment, and strengthen national integrity based on the spirit of Pancasila..Keywords: Values, Culture, Local Wisdom, Reak, Pancasila, Disruption

scholarly journals Considerations on the quality of life in patients with dual diagnosis of depressive disorder and alcohol dependence

2015 ◽  
Vol 62 (4) ◽  
pp. 339-343
Author(s):  
Diana Patriche ◽  
◽  
Octavian Vasiliu ◽  
Irina Filip ◽  
Carmen Tănase ◽  
...  
Keyword(s):  
Quality Of Life ◽  
Depressive Disorder ◽  
Dual Diagnosis ◽  
Psychological Treatment ◽  
Life Quality ◽  
Life Assessment ◽  
Cultural Value ◽  
Value Systems ◽  
Quality Of Life Assessment

Quality of life is defined as the individual’s perception of his social, cultural value systems in the context in which one lives and in corelation with his needs, aspirations and standards (WHO, 1994). Patients with depression and alcoholism are associated with low scores on tests assessing quality of life. Quality of life assessment is useful for planning and evaluation of medical and psychological treatment outcomes.

Immigration, Multiculturalism, and the Social Contract

1997 ◽  
Vol 10 (2) ◽  
pp. 343-361 ◽  
Author(s):  
Joseph Heath
Keyword(s):  
Cultural Values ◽  
Minority Groups ◽  
Social Institutions ◽  
Cultural Value ◽  
Value Systems ◽  
Dominant Culture ◽  
National Unity ◽  
Religious Traditions ◽  
Institutional Expectations ◽  
Internal Coherence

Since the failure of the Meech Lake constitutional reforms and the crisis of national unity prompted by the most recent Quebec referendum, the Canadian Multiculturalism Act has been subjected to particularly intense and hostile scrutiny. While some of the criticism of this policy reflects merely parochial adherence to particular cultural or religious traditions, some of it has raised more significant doubts about the internal coherence, efficacy, and overall desirability of the policy. Most importantly, the multiculturalism policy is faulted for attempting to pursue two simultaneously unachievable goals, viz., to integrate ethnic minority groups into the dominant institutions of the society, while at the same time to protect them against various pressures to assimilate to the dominant culture. Critics have pointed out that social institutions and cultural values are interdependent. Not only do cultural value systems provide the central legitimations for social institutions, but the internalization of these values through socialization processes provides agents with their primary motivation for conforming to institutional expectations. This means that integrating an agent into a system of institutions can only be achieved by assimilating the agent to its underlying cultural system.

scholarly journals Identity, Citizenship, and Moral Constructs from the Virtual Self

2015 ◽  
pp. 217-237
Author(s):  
Stewart Martin
Keyword(s):  
Young People ◽  
Identity Development ◽  
Social Inequalities ◽  
Cultural Value ◽  
Value Systems ◽  
Digital Networks ◽  
Political Issues ◽  
Project Study ◽  
Virtual Self ◽  
National Citizenship

Many young people now access digital networks that include individuals very unlike them who promote different cultural, religious and ethical value systems and behaviour. Such value systems can create conflicts of expectation for young people seeking to resolve their relationship to a national citizenship in a pluralistic society, especially if they are experiencing adolescent uncertainties or a growing awareness of social inequalities. The emergence of trans-national political structures and their differing value systems, together with the rise of international tensions, have increased uncertainty about the nature of identity and entitlement to a national citizenship. This paper describes the ongoing Citizens project study of identity development in young people, using real-world scenarios to discover the values that underpin their engagement with this wider range of religious and cultural value systems and to explore personal identity, political issues and citizenship.

scholarly journals Abstraction the architectural heritage of contemporary local architecture

2020 ◽  
Vol 19 (1) ◽  
pp. 1-12
Author(s):  
Sura Kassim Ameen ◽  
Ibrahim Jawad Al-yusif ◽  
Ali Musa Hussein
Keyword(s):  
Cultural Values ◽  
Interior Design ◽  
Cultural Value ◽  
Spiritual Values ◽  
Architectural Heritage ◽  
Political Aspect ◽  
Architectural Elements ◽  
The Social ◽  
Successive Generations ◽  
Contemporary Architecture

Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things. The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas

The Bi Cultural Value System: Undertaking Research Amongst Ethnic Audiences

2009 ◽  
Vol 51 (6) ◽  
pp. 1-17 ◽  
Author(s):  
Yasmin Kaur Sekhon ◽  
Isabelle Szmigin
Keyword(s):  
Decision Making ◽  
Second Generation ◽  
Cultural Value ◽  
Value Systems ◽  
Research Approach ◽  
Ethnic Communities ◽  
Multicultural Society ◽  
Value System ◽  
Research Findings ◽  
Key Issues

Marketing to ethnic communities is fraught with problems of understanding the cultural contexts and value systems of others. Within Britain, this is in many ways exacerbated by the prevalence of a multicultural society that spans generations. Second-generation ethnic consumers live in the world of their parents and their community, but often work and socialise in a very different cultural and social context. Inevitably these influences impact upon decision making. In this study we seek to unravel some of the factors that impact upon ethnic decision making, with a particular focus on one group: second-generation Punjabi Indians. We examine research that has sought to identify factors that impact upon their consumption behaviour, in particular acculturation, identity and ethnicity. We then present research findings that reveal some of the key issues that need to be considered in developing a research approach to understanding ethnic communities.

scholarly journals Aesthetics of Prajuritan Dance in Semarang Regency

2015 ◽  
Vol 15 (1) ◽  
pp. 16
Author(s):  
Muhammad Jazuli
Keyword(s):  
Sense Of Belonging ◽  
Cultural Value ◽  
Value Systems ◽  
Young Generation ◽  
Dance Performance ◽  
Dance Floor ◽  
Royal Palace ◽  
Traditional Arts ◽  
Musical Accompaniment

<p>The scarcity of aesthetic study of traditional arts has evoked my intention to promote a model of aesthetic study in dance performance. The focus of this research is the aesthetics of Prajuritan dance in Semarang  regency. The aesthetics were founded on dance choreography and cultural value systems, which grow and develop in the community of Semarang regency. Dances choreography includes dance background, form, shape, theme, number and formation of dancers, moves, musical accompaniment, make-up and costume, and dance floor patterns. Cultural value systems include communicating stories, expressed symbols, function and meaning of Prajuritan dance for its supporting community. The stories were derived from the heroic tale of Prince Sambernyawa (KGPAA, king Mangkunegara I in Mangkunagaran royal palace, Surakarta) when he rebelled against the arbitrary Dutch colonialists, with his famous spell, “<em>tiji tibeh </em>(<em>mukti siji mukti kabeh</em> – being prosperous for one and all)” and Three Dharma of soldiers, namely “<em>rumangsa melu handarbeni, melu hangrungkebi, mulat sarisa hangrasa wani</em>, which means having sense of belonging, protection, and awareness to bravely do whatever to defend  his nation and country. Therefore, Prajuritan dance brings the mission to evoke sense of courage, discipline, and responsibility for the young generation.    </p>

scholarly journals Kekuatan dan Kekuasaan (dalam) Bahasa: Potret Tradisi Ritual Etnik Rongga, di Manggarai Timur

2020 ◽  
Vol 19 (2) ◽  
pp. 205
Author(s):  
Ni Wayan Sumitri ◽  
I Wayan Arka
Keyword(s):  
Cultural Capital ◽  
Cultural Values ◽  
Cultural Value ◽  
Linguistic Knowledge ◽  
Value Systems ◽  
Social Hierarchies ◽  
National University ◽  
Qualitative Descriptive ◽  
Ritual Language ◽  
High Degree

Kekuatan dan Kekuasaan (dalam) Bahasa:Potret Tradisi Ritual EtnikRongga, di ManggaraiTimur Ni Wayan SumitriFPBS IKIP PGRI BaliJalanSeroja, Tonja, Denpasar Utara, Telepon [email protected] Wayan ArkaAustralian National University/ FIB Universitas UdayanaJalanNias No 13, Denpasar [email protected] AbstrakPenelitian ini mengkaji kekuatan dan kekuasaan dalam bahasa pada etnikRongga dalam konteks kehidupan kontemporer di Manggarai Timur. Fokus kajiannya pada aspek sosio-etnolinguistik terkait dengan bentuk-bentuk linguistik dan non linguistik, sistem nilai budaya yang terkait dengan nilai-nilai kekuasaan, proses pemerolehan, pewarisan, pemertahanannya di masa lampau dan kini, serta prospeknya di masa mendatang. Penelitian deskriptif-kualitatif ini menggunakan pendekatan etnografi, ditopang data  wawancara, studi dokumentasi, rekam dan catat, memaparkan inovasi kajian kapital lingusitik sebagai bagian dari kapital lainnya (sisiokultural dan ekonomis).Hasil temuan menunjukkan bahwa secara linguistik, terdapat kekhasan satuan bentuk ujaran bahasa ritual bersifat puitis arkais dalam pola-pola bersajak dengan tingkat kesulitan bentuk dan irama yang tinggi. Secara etnolinguistik, ada pesan/makna yang sarat nilai sosial budaya dan pengetahuan etnik Rongga terutama terkait dengan kekuasaan. Relasi kekuasaan dan bahasa ritual terbangun secara alamiah melalui  sejumlah kualitas persona dengan mendapatkan pengakuan/ligitimasi atas posisi hirarki sosial seperti kemampuan, keterampilan, dan kepekaan dalam penguasaan pengetahuan adat. Semua itu, sebagai bentuk kapital linguistik dan kultural bagi seseorang, dan juga otoritas rohaniah yang bersifat genealogis menjadi sumber daya potensial pada pengaruh dan kekuasaan menggerakkan kepatuhan dan penghormatan warga lain.Walaupun mengalami penyusutan, danl egitimasinya tergerus karena kehadiran sistem kekuasaan pemerintahan/birokrasi modern Indonesia, namun sistem pewarisan kekuasaan tradisional masih mengikuti garis kekuasaan kepada orang yang memiliki kapital linguistik-budaya, umumnya tokoh adat yang berpengaruh, yang mampu menguasai bahasa ritual dan memanfaatkan pengetahuan adat dan energi lembaga adat untuk berbagai kepentingan, baik ritual/tradisi maupun kontemporer. Kata kunci: kekuatan, kekuasaan,bahasa, tradisi ritual, capital linguistic/budaya AbsractThis study examines power within and behind language with reference to the Rongga people in the contemporary East Manggarai context. The focus is on socio-ethnolinguistic aspects as seen in linguistic and non-linguistic forms and cultural value systems reflecting power, the process of acquiring and preserving it in the past and present, and its prospect in the future. This is a qualitative-descriptive study, using an ethnographic approach, supported with data collected by means of interview and documentation. It provides a description and offers a fresh analysis of linguistic capital as part of other kinds of capital (cultural and economic).  The findings show that ritual language linguistically has peculiarities with a high degree of difficulty in terms of poetic and archaic expressions and patterns of rhyme and rhythm.Ethnolinguistically, the ritual language carries messages reflecting socio-cultural values and knowledge, especially in relation to traditional power.  Power within and behind ritual language is acquired and developed naturally through personal qualities (such as ability, skill, and sensitivity in mastering indigenousand linguistic knowledge), with legitimation and recognition of the authority gained by inhereted positions in the traditional social hierarchies. All these form a socio-cultural capital by which one can earn power and respect, driving influence and compliance by fellow members of the community.  While shrinking with eroding legitimacy due to modern Indonesian bureaucratic system, the acquisition of traditional power still relies on heredity, combined with ability in mastering ritual language and indigenous knowledge as part of linguistic-cultural capital for various purposes in both traditional and contemporary contexts.Keywords: power, language, ritual tradition, linguistic/cultural capital

scholarly journals The Cultural Identity of Nusantara in a Movie Entitled Sang Pencerah by Hanung Bramantyo

2016 ◽  
Vol 16 (1) ◽  
pp. 57
Author(s):  
Dyah Gayatri Puspitasari ◽  
Setiawan Sabana ◽  
Hafiz Aziz Ahmad
Keyword(s):  
Cultural Identity ◽  
Cultural Values ◽  
Cultural Value ◽  
Local Identity ◽  
Spiritual Values ◽  
Significant Relation ◽  
Global Challenge ◽  
Practical Strategy ◽  
Research And Education ◽  
Significant Point

<p>Nowadays, during this intercultural era and global challenge, film can be interpreted as a practical strategy to develop meaning and Indonesian cultural identity. Through many singers of audiovisual creation, film has not only served as entertainment, but can also act as an instrument to reflect local values and traditional perspective through the storytelling that has been presented by film director. This role is a significant point to develop local insight and cultural value as the identity of Indonesian film. Although, at some point, this strategy still becomes a problem in Indonesian film fields. <em>Sang Pencerah</em> film that was directed by Hanung Bramantyo is one of Indonesian films that attempted to deliver local identity in its storytelling. This research is an endeavour to identify Indonesian cultural identity that has been represented through <em>Sang Pencerah</em> film. By applying cultural studies and interdisciplinary as their methods, the researchers acquired some interesting findings. Firstly, aesthetic and thematic elements in the film narrative had a significant relation to traditional and cultural values of Javanese society. Secondly, the meaning of cultural identity also had a linear proportion to spiritual values in life, such as determination, peacefulness, gloriness, tolerance, as well as social understanding. Therefore, it can be concluded that the <em>Sang Pencerah</em> film is a manifestation of Hanung Bramantyo regarding to the meaning of Indonesian culture that is based on Javanese society’s local wisdom.</p><p><strong>How to Cite:</strong> Puspitasari, D. G., Sabana, S., &amp; Ahmad, H. A. (2016). The Cultural Identity of Nusantara in a Movie Entitled <em>Sang Pencerah</em> by Hanung Bramantyo. <em>Harmonia: Journal of Arts Research And Education</em>, 16(1), 57-65. doi:http://dx.doi.org/10.15294/harmonia.v16i1.6768</p>

scholarly journals AJARAN AGAMA HINDU SEBAGAI INSPIRASI PENCIPTAAN KARYA SENI LUKIS TRADISIONAL BALI

2020 ◽  
Vol 9 (1) ◽  
pp. 158
Author(s):  
I Wayan Agus Gunada
Keyword(s):  
Qualitative Method ◽  
Qualitative Data ◽  
Spiritual Values ◽  
Traditional Art ◽  
Hindu Religion ◽  
Pragmatic Research ◽  
Religious Teaching ◽  
The Creation ◽  
First Time

AbstrakPenelitian ini merupakan bentuk analisis serta kajian mengenai peran ajaran agama Hindu dalam proses penciptaan karya seni lukis umumnya seni lukis tradisional Bali. Seni lukis sebagai bagian dari seni rupa di Bali berkembang cukup pesat, dimana terdapat dua dikotomi seni lukis di Bali yaitu seni lukis tradisional di Bali dan Seni lukis modern. Seni lukis tradisional Bali merupakan bentuk seni lukis yang proses pembuatannya masih menggunakan tradisi-tradisi baik proses pembuatan dan bahan-bahan yang tradisional walaupun kini sudah umum ditemukan menggunakan alat serta bahan yang sudah tergolong modern, dan seni lukis tradisional Bali ini yang sudah berlangsung sejak dulu yaitu terdapat pakem-pakem serta prinsip yang dilakukan ketika proses penciptaan karya tersebut dikreasikan. Ketika seorang pelukis mencipta sebuah karya maka realita dan imajinasi menjadi sumber ide namun Seni lukis tradisional Bali memiliki ciri khasnya yang sangat kentara ketika dilihat secara langsung, yaitu penggambaran objek bentuk karyanya yang cenderung mengambil bentuk-bentuk alam, cerita-cerita rakyat, mitologi serta ajaran-ajaran agama Hindu yang direinterpretasikan melalui bentuk simbol-simbol didalamnya. Sehingga sebagian besar tema-tema yang dihadirkan dalam seni lukis tradisional Bali adalah mengimajinasikan ajaran-ajaran agama Hindu yang kental akan nilai-nilai spiritual dan memiliki nilai-nilai magis kedalam sebuah karya yang tidak hanya sekedar memuaskan pengalaman keindahan namun secara tidak langsung juga menjadi media wahana pengajaran ajaran agama Hindu. Penelitian ini bertujuan untuk menggambarkan bagaimana ajaran agama Hindu menjadi sumber inspirasi dalam penciptaan karya seni lukis tradisional Bali. Metode yang digunakan dalam mengkaji fokus penelitian ini adalah metode penelitian kualitatif deskriftif dengan pendekatan studi fenomenologi yaitu penelitian menggunakan data-data kualitatif untuk menggambarkan fenomena-fenomena ajaran agama Hindu yang menjadi sumber inspirasi penciptaan. Secara pragmatis penelitian ini diharapkan berdampak dalam memberikan informasi dan menambah wawasan terkait keberadaan seni lukis tradisional Bali sebagai bentuk kekayaan budaya bidang seni yang masih hidup serta keberadaannya yang masih lestari dan hidup di Bali.Kata Kunci: hindu, seni, lukis tradisional, bali.AbstractThis research is a form of analysis and study of the role of the Hindu religion in the process of creation of art painting generally traditional Balinese painting. Art painting as part of the art in Bali develops quite rapidly, where there is two art dichotomy in Bali is a traditional art painting in Bali and the art of modern paint. Traditional Balinese painting is a form of art painting that process is still using the traditions of both the making process and traditional materials although it is now common to be found using tools and materials that are already relatively modern, and the traditional Balinese painting that has been held since the first time is there are pakem and the principle that is done when the process of creation of the work is Reincreikan. When a painter creates a masterpiece, the reality and imagination become the source of ideas but the traditional Balinese painting has its distinctive characteristic when viewed directly, that is the depiction of the object of his form that tends to take the forms of nature, folklore, mythology, and teachings of Hindu religion that is interpreted by the form of symbols inside. So most of the themes presented in the art of traditional Balinese painting are too imaginative Hindu teachings that are strong in spiritual values and have magical values into a work that not only satisfies the experience of beauty but indirectly also becomes a medium of religious teaching of Hindu teachings. This research aims to illustrate how Hinduism's teachings are a source of inspiration in the creation of traditional Balinese art paintings. The method used in reviewing the focus of this research is a qualitative method of research with the approach of phenomenology study using qualitative data to describe the phenomena of Hindu religious teachings that are the source of the inspiration of creation. Pragmatic research is expected to have an impact on providing information and adding insight related to the existence of traditional Balinese art painting as a form of cultural richness of living arts and its existence that is still sustainable and living in Bali. Keywords: hindu, art, traditional painting, bali

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