scholarly journals Abstraction the architectural heritage of contemporary local architecture

2020 ◽  
Vol 19 (1) ◽  
pp. 1-12
Author(s):  
Sura Kassim Ameen ◽  
Ibrahim Jawad Al-yusif ◽  
Ali Musa Hussein

Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things. The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas

2020 ◽  
Vol 19 (1) ◽  
pp. 1-12
Author(s):  
Sura Kassim Ameen ◽  
Ibrahim Jawad Al-yusif ◽  
Ali Musa Hussein

Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things. The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas


2016 ◽  
Vol 1 (1) ◽  
pp. 92
Author(s):  
SARWINAH SARWINAH

AbstrakPenelitian ini bertujuan untuk menemukan jawaban atas fokus permasalahan yang telah dirumuskan yakni mendeskripsikan nilai sastra hideonik, nilai artistik, nilai kultural, nilai etis,moral, dan agama, serta nilai praktis yang terdapat pada lirik lagu Ridwan Sau, kondisi sosial budaya kota Makassar, ditinjau dari makna lagu Ridwan Saud dan relevansi nilai sastra pada lirik lagu Ridwan Sau dengan kondisi sosial budaya masyarakat Kota Makassar. Penelitian ini sebagai penelitian kualitatif, dengan pendekatan struktural genetik yang mempergunakan strategi berpikir fenomenologis yang lentur dan terbuka dari pencipta lagu daerah Makassar. Adapun lirik-lirik lagu yang digunakan sebagai objek penelitian ini adalah Julei Rikau, Tea Tonja, Burakne Tonja, Panngukrangi, Sarengku, Kakde Kapang Na Suruga, Harangmi, Larokong Tojengma Kapang, Naloko Nakku, I Kattemi Antu, Tea Lapanra Pinruang, dan Kere Tekneku. Pengumpulan data dengan teknik kaji dokumen. Analisis data dilakukan sejak awal peneliti mengumpulkan data, lalu mereduksi data kemudian menyajikan data, dan melakukan penelitian data dan penarikan kesimpulan. Selanjutnya diadakan teknik pemeriksaan keabsahan data. Hasil penelitian ini mendeskripsikan relevansi nilai sastra pada lirik lagu Ridwan Sau dengan kondisi sosial budaya masyarakat Kota Makassar. Yaitu antara nilai hideonik, nilai artistik, nilai cultural, nilai etis, dan nilai praktis dengan kondisi sosial budaya kota Makassar yang antara lain masih menganut ketat budaya Tau, budaya Sirik, budaya Pacce, budaya Panngalik, budaya Panngadakkang, dan budaya Agama (Batara). Budaya-budaya tersebut masih dianut sampai sekarang dan sudah menjadi kebiasaan dalam keseharian masyarakat Kota Makassar yang semuanya tercantum dan tergambar dalam lagu-lagu ciptaan Ridwan Sau. Kata Kunci: nilai sastra, lirik lagu Ridwan Sau, sosial budaya Makassar AbstractThis research aims to find answers to focus the issues that have been formulated to describe the value hideonik literary, artistic value, cultural values, ethical values, morals, and religion, as well as practical value contained in the lyrics of the song Ridwan Sau, socio-cultural city of Makassar, reviewed of the meaning of the song Ridwan Saud and the value relevance literature Ridwan Sau lyrics with social and cultural conditions of Makassar. This research was qualitative research with the genetic structural approach that used the phenomenology strategy openly from the outhor of Makassar song. The lyrics was used by the researcher was Julei Rikau, Tea Tonja, Burakne Tonja, Panngukrangi, Sarengku, Kakde Kapang Nasuruga, Harangmi, Larokong Tojengma Kapang, Naloko Nakku, I Kattemi Antu, Tea Lapanra Pinruang, and Kere Tekneku. The technique in collected, then taking reduction and presenting the data, and concluding. The next technique was validation. The research findings described The Relevance of Literature Value Toward the Lyrics of Ridwan Sau song with the condition of Social Culture of Makassar. It was the hedonic value, art value, cultural value, ethic value, and practical value with the social culture condition of Makassar community that submitted the Tau culture, Sirik culture, Pacce culture, Panngalik culture, Panngadakkang culture, and Religious (Batara) culture. Those culture still submit until now and became a habit in daily life of Makassar Community that quoted in Ridwan Sau song. Key words: literature value, Lyrics of Ridwan Sau Song, Makassar Social Culture


2016 ◽  
Vol 16 (1) ◽  
pp. 57
Author(s):  
Dyah Gayatri Puspitasari ◽  
Setiawan Sabana ◽  
Hafiz Aziz Ahmad

<p>Nowadays, during this intercultural era and global challenge, film can be interpreted as a practical strategy to develop meaning and Indonesian cultural identity. Through many singers of audiovisual creation, film has not only served as entertainment, but can also act as an instrument to reflect local values and traditional perspective through the storytelling that has been presented by film director. This role is a significant point to develop local insight and cultural value as the identity of Indonesian film. Although, at some point, this strategy still becomes a problem in Indonesian film fields. <em>Sang Pencerah</em> film that was directed by Hanung Bramantyo is one of Indonesian films that attempted to deliver local identity in its storytelling. This research is an endeavour to identify Indonesian cultural identity that has been represented through <em>Sang Pencerah</em> film. By applying cultural studies and interdisciplinary as their methods, the researchers acquired some interesting findings. Firstly, aesthetic and thematic elements in the film narrative had a significant relation to traditional and cultural values of Javanese society. Secondly, the meaning of cultural identity also had a linear proportion to spiritual values in life, such as determination, peacefulness, gloriness, tolerance, as well as social understanding. Therefore, it can be concluded that the <em>Sang Pencerah</em> film is a manifestation of Hanung Bramantyo regarding to the meaning of Indonesian culture that is based on Javanese society’s local wisdom.</p><p><strong>How to Cite:</strong> Puspitasari, D. G., Sabana, S., &amp; Ahmad, H. A. (2016). The Cultural Identity of Nusantara in a Movie Entitled <em>Sang Pencerah</em> by Hanung Bramantyo. <em>Harmonia: Journal of Arts Research And Education</em>, 16(1), 57-65. doi:http://dx.doi.org/10.15294/harmonia.v16i1.6768</p>


Jurnal Patra ◽  
2020 ◽  
Vol 2 (1) ◽  
pp. 27-36
Author(s):  
Hilmi Dzakaaul Islam ◽  
I Wayan Yogik Adnyana Putra ◽  
Ni Wayan Ardiarani Utami

ABSTRACT Traditional markets with their special characteristics and cultural values are still cinsidered dirty and unorganized places. This view is also found in Ngentak Traditional Market, Dayu Village, Kab. Blitar. This 50 years old market has many problems include patchy roofs that make the heat of the sun go inside and when it rains, making the market floor muddy, and it makes market feel so dirty. The absence of a zoning system makes buyers confused when shopping, the narrow circulation of space reduces the convenience of activities in the market. The market office on the 2nd (second) floor also has a problem with unstandard staircase, making user feel uncomfortable. The purpose of this redesign is to redesign traditional markets according to the interior design and market building standards, but also applying designs that still retain the characteristics, cultural value of traditional markets and the surrounding environment. The redesign used glass box design method with structured and systematic parameters based on facts. The results is redesign of the Ngentak Market with contemporary themes and local ethnic concepts typical of Blitar Regency that give new designs and arrangements to traditional markets, so that can overcome the problems that exist today to change the outlook on traditional markets to be positive. Key words : Traditional Market, Zoning, Contemporary, Local Ethnic.   ABSTRAK Pasar tradisional dengan ciri khas dan nilai kultural yang ada di dalamnya masih dipandang sebagai tempat yang kotor, kumuh dan tidak tertata. Pandangan tersebut juga dijumpai di Pasar Tradisional Ngentak, Desa Dayu, Kabupaten Blitar. Permasalahan pasar yang sudah berumur lebih dari 50 tahun ini diantaranya terlihat atap tambal sulam dengan bahan seadanya membuat panas terik matahari masuk ke dalam dan saat hujan air bocor menjadikan lantai pasar becek, serta menambah nuansa pasar menjadi kotor dan kumuh. Tidak adanya sistem zonasi pedagang membuat bingung pembeli saat berbelanja, sirkulasi ruang gerak yang sempit mengurangi kenyamanan beraktivitas di dalam pasar. Kantor pasar yang berada di lantai 2 (dua) juga mempunyai permasalahan ruang yaitu akses tangga sempit yang tidak sesuai standar membuat pengguna ruang merasa tidak nyaman. Tujuan perancangan ini adalah meredesain pasar tradisional sesuai standar ilmu desain interior dan standar bangunan pasar, selain itu juga dengan mengaplikasikan desain yang tetap mempertahankan ciri khas, nilai kultural pasar tradisional dan lingkungan sekitar. Metode perancangan yang digunakan yaitu metode desain glass box dengan parameter terstruktur dan sistematis berdasarkan fakta yang ada. Hasil yang diperoleh adalah perancangan redesain Pasar Ngentak dengan tema kontemporer dan konsep etnik lokal khas Kabupaten Blitar yang memberi desain dan tatanan baru pada pasar tradisional, sehingga bisa mengatasi permasalahan ruang yang ada sekaligus mengubah pandangan tentang pasar tradisional menjadi positif. Kata Kunci : Pasar Tradisional, Zonasi, Kontemporer, Etnik lokal.


2019 ◽  
Vol 7 (6) ◽  
pp. 865-869
Author(s):  
A. D. Zharkov ◽  
A. V. Dolosa ◽  
N. I. Anufrieva ◽  
D. V. Tsarev ◽  
A. P. Efremenko

Purpose of the study: The article is devoted to the analysis of the possibilities of reconstruction of socio-cultural activities in the direction of solving social problems through the involvement of various groups of people in a variety of mass cultural services. The main focus of this analysis is a differentiated approach to working with various age groups that have their own pressing social problems. The authors consider ways to solve the most acute social problems of Russian society, which are directly related to the social well-being and physical self-preservation of the majority of Russian citizens. Methodology: As a first step in solving this problem, it is necessary to study the traditional spiritual values of the Russian people, which formed the basis of their mentality and cultural identity. Knowledge of the spiritual life of the inhabitants of Russia should be drawn, first of all, from historical sources, as well as modern socio-cultural practices. Spiritual values of contemporaries are explored both by traditional methods of testing, interviewing, observing and analyzing mathematical-statistical data, as well as new methods. For example, reflexive methods are used as the main tool for studying A. Heger’s relevant values. The work also utilized M. Smirnova’s methods and psychometric research results. Main Findings: The main results of the research are the determination of reference points for further improvement of skills and increasing the level of professionalism in the work of specialists in the social and cultural sphere in a broad social context. The main reference point is the mastery of social scientific knowledge and social technologies of working with the population as the main content of the training of personnel of modern social and cultural activities demanded by society. Applications of this study: The results of the study are useful in the development of educational programs for training specialists in the socio-cultural sphere, the system of advanced training and retraining. The revealed new spiritual and value orientations necessitate the search for new organizational and pedagogical technologies of social and cultural activities, the study which is an important research problem of today. Novelty/Originality of this study: The novelty of the research lies in identifying ways to solve social problems, in particular, further rapprochement of socio-cultural activities and social work, where the main common interests of relevant specialists are to support members of society in acquiring life meanings and cultural values in everyday life, the absence of which generates the majority emerging social problems.


2015 ◽  
Vol 747 ◽  
pp. 88-92
Author(s):  
Noorul Huda binti Mohd Razali ◽  
Anuar bin Talib

The Malay Dwelling (MD) is resided by the Malay people, who practices Islam and the Malay cultural values in their daily life. The traditional timber dwelling units consist of theserambi, “middle space”, bedroom, dining, kitchen and bathroom. This dwelling emphasizes on the hierarchy of privacy spaces and visual privacy elements for womenfolk. In Islam, theawrah(modesty) of adult women must be protected from the gaze of non-mahram(blood related) visitors. The space planning demarcations and interior architectural elements are provided to control and regulate visual privacy. It is vital to study women visual privacy because the entire dwelling space is accessible by women. The objective of this paper to study the privacy, space provisions and interior architectural elements that are based by religious beliefs, culture, behavior (adab) and daily social interactions. The research method employs on-site observations, spatial measurements and semi-structured interviews with the dwellers. The result reveals the interior space planning privacy provision and the applications of various architectural elements.


2021 ◽  
Vol 110 ◽  
pp. 37-45
Author(s):  
Andreea Gabriela Trif ◽  
Cristian Oliviu Burada

The management of historic buildings is achieved through several types of interventions. The interventions are established in relation to the degree of protection through the List of Historical Monuments, or through its intrinsic value mentioned by the preliminary studies. In principle, within a historical area, cultural values ​​can be exceptional, high, medium and null. Safeguarding historic areas is considered fundamental to the local culture of each settlement. The patrimony of a community represents the accumulation of experiences, of crafts and arts, of its development. Heritage is the legacy left to future generations. Therefore, any intervention in a protected area must be subject to the rules for the protection of the original substance and valuable compositional elements. Another important goal is focused on managing the concept of built value. Thus, it must be borne in mind that any cultural objective must be doubled by a certain value of use. Any space that requires preservation will be better maintained if used. Consequently, the management of cultural value, involves the management of functions, strategies for establishing development directions. This balance can be ensured through intervention regulations that can provide for permitted, conditional and prohibited uses. In the article we present the ways in which interventions on historical monuments can be managed. The main professional concepts must be supported by effective urban instruments, implemented at administrative level. We also aim to present possible strategies for attracting investors and promoting architectural heritage resources. The balance of decisions, the process from the study of cultural value, to the implementation of the intervention categories and to the realization of the projects represent the main focus of the study. Our conclusions will be based on the project made for the protection and restoration of the historical center of Craiova.


2019 ◽  
Vol 7 (3) ◽  
pp. 24
Author(s):  
Romana Yasmin Khan ◽  
Kangli Ren ◽  
Wei Gan ◽  
Zain ul Wahab

Pakistani culture has the capacity to adopt multi-cultural values and décor practices in the society. With the gradual improvement of the living environment, people are pursuing more satisfaction and spiritual meaning the current interior decoration style in Pakistan considers a mix and match style. People in Pakistan cannot absolutely consider adopting a pure one style. Interior decoration is considered as primary to traditional living culture with distinctive cultural ideas, filling in the use of the latest style of thinking. The purpose of this study is to explore the development and current status of interior decoration styles in modern Pakistan and to collect background information on the current interior design decoration style and application of traditional elements in decoration.Also, investigate the extent of application of traditional thoughts in modern houses, their incorporation and blend with contemporary architecture so that the cultural values and the elements of traditional interior décor art and craft are not endangered. Study reveals that Pakistani interior décor style is the foremost interesting and attention-grabbing to work with because of the variations within the culture, splendid history and art and craft across the country.


2017 ◽  
Vol 10 (3) ◽  
pp. 86-96
Author(s):  
A.N. Lebedev

The article discusses the possibility of experimental modeling of mass culture phenomena while studying for small social groups. This strategy is defined on the base of the subject-active approach. In accordance with this approach the author claims by the following. As well as a person, small group, large social group and even society at large are subjects of the creative activity; therefore in many situations they are similar. The purpose of this study was to examine the emergence of the new group norms and cultural values in conditions of experimental simulation. The analysis of this phenomenon is based on the social and cultural dynamics theory, which was offered by A. Mole’s. The author believes that there are grounds to assert that meaningless objects can become the values of mass culture following the principle: an accidental phenomenon — the group norm — socio-cultural value. The study was conducted by the laboratory experiment in three stages. It showed that an object (a word) randomly selected by the participants in the experiment can become sensible in the framework of group decision-making. It gains «value» for the participants so as they try to keep it on while a discussion with opponents.


2019 ◽  
Vol 5 (1) ◽  
pp. 44-49
Author(s):  
Hidayah Quraisy ◽  
Sitti Asnaeni

Research on the existence of socio-cultural value a'dengkapada in the marriage event Kelara people Jeneponto Regency. This study aims to determine the existence and cultural values a'dengkapada in the marriage. The type of this research is descriptive qualitative method, data collection is used by observation, in-depth interview, documentation technique from result of photo and archives of local government. The results showed that, the existence of A'dengkap culture in marriage event still survive until now in Kelara society of Jeneponto Regency. The social values contained in the A'dengkapada culture are (1) As a tradition passed down from generation to generation, (2) Gratitude to the creator after the rice harvest and as a plea to be given safety in marriage and appeal (3) Entertainment for families and relatives in the afternoon (4) distant family gatherings (5) containers improve mutual cooperation and togetherness among families and relatives before carrying out the A'dengkapada event.Keywords: Existence, Social Value, Culture, A'dengkapada


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