“To the soul made of fire ... I am ever tender and true”: The Foreshadowing Role of the Fire Motif in Charlotte Brontë’s Jane Eyre

Author(s):  
Felicia Latour

The literature concerned with the interpretation of the fire motif in Charlotte Brontë’s Jane Eyre is largely unsatisfactory, since most critics fail to address its function as a foreshadowing device. This study provides an original interpretation that concerns itself with highlighting the key role of fire in the signalling of Jane and Mr. Rochester’s union, and celebrating Brontë’s scrupulous writing style that greatly influenced the tradition of the romance novel. By collecting and analysing more than a hundred fire -related passages within Jane Eyre, this study reveals how they take on significant patterns throughout the novel. By exploring these patterns, this study traces the correlation between the novel’s fire-related passages and the development of Jane and Rochester’s budding romance, thus revealing how the fire motif sustains the notion that these lovers are destined for each other. Such patterns include the physical mirroring of fire, the portrayals of Jane’s inflammable personality, the descriptions of Rochester’s “fiery” gaze, and the significant recurrence of fire in the novel’s key events. Since the notion of destiny is a crucial convention of the romance genre, Brontë’s manipulation of the fire motif as a foreshadowing device is not only remarkable but significant in the understanding of how successful romance novels operate. Thus, this research demon strates Brontë’s innovative use of figurative writing in Jane Eyre, which not only presages the novel’s romantic conclusion, but heavily influences the works of such authors as Jean Rhys and Tessa McWatt.

2019 ◽  
Author(s):  
Fann Oudah Aljohani

This study explores the identity formation and mobility of the role of Antoinette in the novel "Wide Sargasso Sea" from the perspective of the cultural and human geography. In general, it is a space and place study. The thesis suggests that, Antoinette has some conditions and circumstances that she developed in an autonomic manner with different experiences in order to navigate and recognize the dangerous and safe spaces around her. Wide Sargasso Sea, by Jean Rhys, elaborates a self-sacrifice experience that the protagonist went through in her search for identity, which she lost due to the circumstances around her. In this research, a psychological analysis of Antoinette's personality will be taken, moreover; an attempt is made to find out the reasons for her schizophrenic behavior. The research focuses on Antoinette's shattered identity and the specters she faced in her life, which ultimately played a huge role in her madness. Also, the visible opposite aspects of black/white, rationality/unconsciousness, male/female, and sanity/madness are conceived by her conscious mind, and it causes the frantic thoughts of insanity, womanhood, and blackness. Also, it sheds light on Antoinette's journey in life to figure out where she belongs and her struggle in this search. Antoinette's personality and identity crisis as a Creole girl will be discussed in depth. There are different areas that are explored in this paper; such as the interpretation of how the surrounding spaces affect Antoinette and the reasons behind the absence of a loving mother in Wide Sargasso Sea. Furthermore, Rochester's character is also examined to find out how the masculine space differs from feminine space, and to what extent Mr. Rochester's cruelty harms Antoinette. Another important thing that is discussed in the paper is the effect of family relationships on a person's identity, and how it becomes a reason of mental disorder.


Author(s):  
Stefanie von Schnurbein

This chapter examines the role of gender and myth in the Swedish novel Hertha, which is often identified as the “first emancipatory women’s novel.” Combining Bruce Lincoln’s insights into myth with an experimental, self-reflexive writing style (suited to Hertha’s own experimental style), the chapter explores the ways in which the novel combines Christian and Norse religious narratives in order to imagine a radical new form of female identity and a utopian future. While Hertha might ultimately be read as a “failed novel,” the chapter suggest, it can also be seen as a kind of revolutionary myth that helped inspire change.


2018 ◽  
Vol 8 (9) ◽  
pp. 1221
Author(s):  
Li Luo

Wide Sargasso Sea is acclaimed as the masterpiece of the British female writer Jean Rhys. In the novel, Rhys reshapes the mad wife of Rochester, Bertha Mason, who is imprisoned in the attic in Jane Eyre. With her own life experience as a white Creole and her experience living in West Indies as a blueprint, setting the abolition of slavery in West Indies in the nineteenth century as the background of the times, Rhys restores Antoinette a real state of survival under colonialism and patriarchy, with a sense of identity loss and confusion. The use of symbolism is one of the most outstanding styles in description. Owing to the use of symbolism, the historical situation of Jamaica under colonialism and patriarchy has been successfully displayed and the abstract moral themes have been vividly conveyed. This paper seeks to set symbolism as a theoretical basis, classify and analyze the symbols in the novel in accordance with their roles in revealing the themes, illustrating a complete interpretation of the complicated racial conflicts and patriarchy oppression in West Indies.


Author(s):  
Alessia Polatti

The paper considers Phillips’s rewriting of the canonical nineteenth-century romances in three of his novels – A State of Independence (1986), The Lost Child (2015), and A View of the Empire at Sunset (2018). The three texts resettle the romance genre through the postcolonial concept of ‘home’. In A State of Independence, Phillips rearranges the role of one of Jane Austen’s most orthodox characters, the landowner Sir Thomas Bertram of Mansfield Park (1814), by transposing the Austenian character’s features to his protagonist Bertram Francis, a Caribbean man who comes back to his ancestral homeland after twenty years in Britain. In The Lost Child, chronicling literary-historical events in the present tense by transferring the life of the Brontë family into the protagonists of Wuthering Heights (1847) is for the author one way of calling into question the real sense of literature. It is for this reason that Phillips constructs a cyclic narration around the figure of Branwell Brontë, fictionalised by his sister Emily in the romance protagonist Heathcliff, and mirrored in The Lost Child in the character of Tommy Wilson. In A View of the Empire at Sunset, Phillips definitely overturns the colonial and genre categories by reassessing the in-between life of the Dominican-born writer Jean Rhys through her personal return journey to Dominica: as a result, the author of Wide Sargasso Sea (1966) (an intense rewriting of Jane Eyre) becomes a fictional character, and the literary events of her life sum up the vicissitudes both of the two ‘Bertrams’ – of Mansfield Park and A State of Independence – and the protagonists of Wuthering Heights and The Lost Child.


Author(s):  
Svetlana B. Koroleva ◽  
◽  
Marina Yu. Kovaleva ◽  

The article is devoted to the image of childhood as one of the most complex aesthetic elements in Charlotte Brontë’s novel Jane Eyre. The paper argues that there are two primarily important characteristics of the image in the novel: polyphony – that is, the presence of different points of view on the child and the adult – and thirst for happiness. Special attention is paid to the polyphony of voices describing the heroinenarrator. The paper also focuses on the role of the motifs of orphanhood, rejection and loneliness, on the one hand, and of search for happiness, on the other, in developing the image of childhood. The authors argue that the heroine-narrator not only overcomes ordeals but also accomplishes a multi-stage way of growing up – from vague impressions and sensations to a clear awareness, the development of principles and understanding of the structure of the world; from complete alienation from the world to the ability to empathize and open her heart to another; from creative inclinations and instinctiveness to enterprise, spiritual development, upholding her ‘naturalness’ and her own way. The paper researches Brontë’s technique of accuracy in details as applied to depict the development of the heroine-narrator’s spiritual world and her outer image and type of behavior. At the same time, it focuses on two versions (synchronic and in retrospect) of depicting Jane’s vision of her own behavior and character. There are also analyzed the ways of comparing and contrasting different child images in the novel: the one based on certain religious-didactic signals (Jane vs. Mrs. Reed’s children) and the one based on the religious system of values (Jane and Helen). The paper particularly emphasizes the role of natural tenacity (and naturalness in general) and the Protestant at its core model of responsible and natural behavior based on the feeling of love in leading the heroine-narrator to matrimonial happiness.


2019 ◽  
Author(s):  
F Foerster ◽  
K Mönkemüller ◽  
PR Galle ◽  
H Neumann

Author(s):  
Vike Martina Plock

This chapter analyzes the role of fashion as a discursive force in Rosamond Lehmann’s 1932 coming-of-age novel Invitation to the Waltz. Reading the novel alongside such fashion magazines as Vogue, it demonstrates Lehmann’s awareness that 1920s fashion, in spite of its carefully stylized public image as harbinger of originality, emphasized the importance of following preconceived (dress) patterns in the successful construction of modern feminine types. Invitation to the Waltz, it argues, opposes the production of patterned types and celebrates difference and disobedience in its stead. At the same time, the novel’s formal appearance is nonetheless dependent on the very same tenets it criticizes. On closer scrutiny, it is seen to reveal its resemblance to Virginia Woolf’s To the Lighthouse (1927). A tension between imitation and originality determines sartorial fashion choices. This chapter shows that female authorship in the inter-war period was subjected to the same market forces that controlled and sustained the organization of the fashion industry.


2020 ◽  
Vol 11 (SPL1) ◽  
pp. 977-982
Author(s):  
Mohamed J. Saadh ◽  
Bashar Haj Rashid M ◽  
Roa’a Matar ◽  
Sajeda Riyad Aldibs ◽  
Hala Sbaih ◽  
...  

SARS-COV2 virus causes Coronavirus disease (COVID-19) and represents the causative agent of a potentially fatal disease that is of great global public health concern. The novel coronavirus (2019) was discovered in 2019 in Wuhan, the market of the wet animal, China with viral pneumonia cases and is life-threatening. Today, WHO announces COVID-19 outbreak as a pandemic. COVID-19 is likely to be zoonotic. It is transmitted from bats as intermediary animals to human. Also, the virus is transmitted from human to human who is in close contact with others. The computerized tomographic chest scan is usually abnormal even in those with no symptoms or mild disease. Treatment is nearly supportive; the role of antiviral agents is yet to be established. The SARS-COV2 virus spreads faster than its two ancestors, the SARS-CoV and Middle East respiratory syndrome coronavirus (MERS-CoV), but has lower fatality. In this article, we aimed to summarize the transmission, symptoms, pathogenesis, diagnosis, treatment, and vaccine to control the spread of this fatal disease.


2020 ◽  
Vol 2 (3) ◽  
pp. 19-23
Author(s):  
Shakhlo Botirova ◽  
Keyword(s):  

In this article , in the novel “Rebellion and obedience” by Ulugbek Hamdam, the author analyzes the artistic psychological description of a person on the path of development in the center of an integral complex metaphorical system of being. The novel “Rebellion and obedience” is based onthe method of metaphorization of reality. In it, a personexperiences vertigo about who he is and what powerful being he possesses. The reason for this is a riot. After much agony, he obeys. Allegedly thus proves its existence. Finds answers to certain riddles


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