Generalised Typesets in Experimental Ceramics: Widening Applicability and Maximizing Cross-cultural Assessments

Investigations tackling the production techniques used by ancient potters often rely upon experimental archaeology to clarify the relationship between surface morphology, surface topography, and the techniques, methods, and gestures used in the potting process. These experimental archaeology programmes focus on creating collections of experimental vessels to compare against archaeologicallyrecovered vessels, thus allowing production techniques to be identified. Often times, however, the typesets generated are designed to address a specific intersection of qualities; replica vessels adhere to a tight range of shapes, dimensions, paste recipes, and/or forming techniques. As such, the applicability of those typesets remains narrow and context-specific. How, then, can researchers tackle assemblages with diverse vessel types? Or contexts composed of competing potting traditions? Or contexts with significant proportions of vessels from many different origins? This paper presents a new approach to the way that experimental typesets are designed, developed specifically to address the problem of reliably identifying forming techniques across multiple assemblages. By focusing on accommodating common geometric possibilities of vessel shapes, a generalised typeset can allow individuals to make use of well-documented experimental data. The typeset for the Tracing the Potter’s Wheel project was designed for broad applicability, and has been made freely accessible as a reference collection. Through the creation of and comparison against a generalised typeset, heterogeneous assemblages can be better understood and resources can be directed toward answering specific questions. This paper presents the theoretical foundations supporting the concept of a generalised typeset, as well as the practice of using a generalised typeset for analysis.