scholarly journals Образ мазура в славянской фольклорной языковой картине мира (на материале текстов польского, украинского и частично русского и белорусского фольклора)

2021 ◽  
pp. 117-126
Author(s):  
Daria Ławrynow
Keyword(s):  
Fairy Tales ◽  
Research Method ◽  
Ethnic Stereotypes ◽  
Main Thesis ◽  
Folk Stories

The main thesis put forward in this article is the question of folk linguistic view of Mazur in the examples of Polish, Ukrainian, Belarusian and Russian folklore. The question are analyzed on the basis of folklore materials: anectodes, traditional oral folk stories, adages and fairy tales. The research method is based on Bartminski’s and J. Matskevichsconcept of linguistic worldview. Linguistic worldview is understood as a kind of interpretation of reality and group of ideas reflected in language. Folklore is understood as reflection of popular worldview, system of beliefs and ethnic stereotypes. This article focus on a reconstruction of Mazurs linguistic creation, and also try to define his role in Slavic folk linguistic view.

Irish Folk Stories and Fairy Tales

1959 ◽  
Vol 18 (4) ◽  
pp. 342
Author(s):  
W. Edson Richmond ◽  
William Butler Yeats
Keyword(s):  
Fairy Tales ◽  
Folk Stories

scholarly journals Konstruksi makna pegiat Kelompok Dongeng Bengkimut

2020 ◽  
Vol 8 (1) ◽  
pp. 69
Author(s):  
Nadia Dwi Putri ◽  
Edwin Rizal ◽  
Nuning Kurniasih
Keyword(s):  
Fairy Tales ◽  
Research Method ◽  
Phenomenological Approach ◽  
Research Purpose ◽  
Literature Study ◽  
Study Results

Every activist’s introduce stories to children through storytelling. This study discusses the construction of meanings, motives, and experiences of ‘Kelompok Dongeng Bengkimut’ (Bengkimut Fairytale Group) activists. This research purpose was to discover the meaning, motives, and experiences of storytellers as activists. The research method was qualitative with a phenomenological approach, used were observation, interview, and literature study. Informants were seven active members in the ‘Kelompok Dongeng Bengkimut’, who had at least four years' experience in joining the group. Study results found that three meanings and two motives could be obtained from the ‘Kelompok Dongeng Bengkimut’ activists. The meaning possessed is a bearer of happiness, something pleasant, and a messenger. The 'Kelompok Dongeng Bengkimut' owned two motives, namely the motive of reason and purpose. The activist's first motive was a motive for a reason because (s)he was often told tales when (s)he was small, was also comfortable, and was not burdened. Whereas the motive for the purpose was to become an activist, bring up the culture of storytelling, challenge oneself, and introduce books to children. The activist's experience was storytelling in the Children's Ward at Hasan Sadikin Hospital, telling about his work, and storytelling to young and adult listeners. The constraints ever experienced were listeners who did not pay attention to fairy tales, storytelling in groups, and nervousness when storytelling. The conclusion the research that storytelling is meaningful for activist a bearer of happiness, something pleasant, and a messenger, the motive of reason and purpose.

“Moscow Fairy Tales” of A.A. Kabakov in the Context of his Prose. Poetics. Concept of Person

2017 ◽  
Vol 6 (4) ◽  
pp. 74-78 ◽  
Author(s):  
В. Серафимова ◽  
V. Serafimova
Keyword(s):  
Detailed Analysis ◽  
Fairy Tales ◽  
Human Existence ◽  
The Subject ◽  
Folk Stories

The article considers the transformation of folk stories in cycle “Moscow fairy tales” of A. Kabakov. The existential questions of human existence — life, death, love, children, relationships between the characters, are revealed with a detailed analysis of the poetics of works, analysis of the language, expressive means, metaphors, folklore motifs of fear, road, choice. Metaphors “not a polluted life”, “elusive existence”, “vanishing time” will be decisive in revealing the basic thoughts of the writer’s prose. The concept of man in the prose of the writer is defined. Man, according to Kabakov, “is not an object, but the subject of one’s destiny.” “Religion does not make a difference.”

scholarly journals Struktur dan Sifat Pelesapan dalam Cerita Rakyat Bali

2021 ◽  
Vol 11 (1) ◽  
pp. 97
Author(s):  
Made Ratna Dian Aryani
Keyword(s):  
Qualitative Analysis ◽  
Fairy Tales ◽  
Research Method ◽  
Fairy Tale ◽  
Word Class ◽  
Structural Part ◽  
Data Source ◽  
Nominal Ellipsis ◽  
Descriptive Qualitative

The focus of this article is about ellipsis that occurs in the discourse in the Balinese folklore. Ellipsis is a part of the cohesiveness of a discourse so that it becomes a complete discourse. The research method used is descriptive qualitative analysis. This study uses ellipsis theory from Halliday and Hasan which is supported by McCarthy's ellipsis deixis theory. The data source was taken from a collection of tales in the Balinese language, namely the book Pupulan Satua Bali II. The results of this study indicate that the ellipsis that occurs in the book of fairy tales is in the form of nominal ellipsis which refers to humans (people) in the conversation and story prologue, verbal ellipsis that occurs in fairy tale conversations, refers to lexical ellipsis in the verb word class, and the ellipsis of clauses because clauses are considered as expressions of speech functions, such as statements, questions, responses, and clauses that have a structural part consisting of core and propositional elements. Even though there is an ellipsis, the process of conveying the content and message of the story is still effective.

scholarly journals Folk Carpathian-Ukrainian demonology: motivational-functional research method

2021 ◽  
Vol 29 ◽  
pp. 44-52
Author(s):  
Marina Valentsova ◽  
◽  
Ludmila Vinogradova ◽  
Keyword(s):  
Fairy Tales ◽  
Research Method ◽  
The People ◽  
The World ◽  
Magical Power

The traditional way of describing and researching national demonological systems is the character approach. The article attempts to substantiate another possibility of studying Slavic demonology – through the concept of a mythological motive. The motive is understood as a semantic predicate of demonological narratives of various kinds, the minimal meaningful unit of plot composition (including motives-actions, motives-situations, motives-descriptions etc.). The composition of motives in each mythological tradition is unique and can be used to understand the mentality of the people, their way of perception of the world and their attitude to the world. The article describes, with varying degree of detail, some of the motives characteristic of the Carpathian-Ukrainian demonology: motives “to scare a person”, “to lead astray”, telling fairy tales as a protective charm, substitution of babies by demons, motives of double-mindedness, gaining magical power against hail, a circular dance of forest demons and a number of others. Among them, there are world-known, all-Slavic, actually Carpathian-Ukrainian and also Carpathian-Balkan motives. An analysis of these, as well as of other motives, contained in mythological narratives from the collections of V. Hnatiuk, V. Shukhevych, A. Onyschuk and others, allows us to realize the specificity and uniqueness of the Carpathian Ukrainian tradition, and can also provide material for conclusions of an ethnogenetic nature.

Элементы волшебной сказки в цикле рассказов о Мастере-Аргачи

2020 ◽  
pp. 100-110
Author(s):  
Dmitrii A. Nosov ◽  
◽  
Siqinbatu Siqinbatu ◽  
Keyword(s):  
Detailed Analysis ◽  
Fairy Tales ◽  
Narrative Structure ◽  
People’S Republic Of China ◽  
People's Republic Of China ◽  
Autonomous Region ◽  
Republic Of China ◽  
Literary Images ◽  
Folk Stories

The article discusses folk stories about Master-Aragchi that exist among Mongolian speaking population of the Xinjang Uyghur Autonomous region of the People’s Republic of China as well as among torguts in Mongolia. It gives the brief grounding for the determination of the whole series. The study gives a detailed analysis of the four fairy tales published in Urumchi and Ulan Bator in 1990 and 2002 — «Aǰirɣ-a-yin sü-ber ariki neregsen ni» ‘On how he made vodka from stallion’s milk’, «Эргүү ванг ичээсэн нь» ‘On how he made a clueless van ashamed’, «Daɣardaq ügei debel» ‘Non-freezing deli’и «Arγači amban noyan-i šükügsen ni» ‘On how Aragchi won an ambar-noyon’s bet’. The article determines the elements common to fairy tells on the level of the narrative structure and among the literary images.

scholarly journals BUDAYA DAN KOMUNIKASI KESEHATAN (Studi Pandangan Kesehatan Pada Masyarakat Sunda Dalam Tradisi Makan Lalapan)

2018 ◽  
Vol 2 (1) ◽  
pp. 13-19
Author(s):  
Retno Hendariningrum
Keyword(s):  
Public Health ◽  
Informal Learning ◽  
Fairy Tales ◽  
Research Method ◽  
Qualitative Approach ◽  
Ecological Niches ◽  
Formal Learning ◽  
Literature Study ◽  
The Public ◽  
Fresh Vegetables

Culture is communication and communication is culture. Humans learn culture through communication. At the same time communication is a reflection of human culture. Culture is a subjective and objective element created by humans that increased survival of life and resulted in the satisfaction of actors in ecological niches. Cultures are spread among those who can communicate with each other because they have the same language and live at the same time and place. Culture can be learned, passed down from generation to generation. Culture can be learned through fairy tales, legends and myths. It is similar in a view of Sundanese public health on the tradition of eating fresh vegetables. This study aims to describe the public health view of Sundanese in the tradition of eating fresh vegetables. The research method used qualitative approach. Technique of collecting data was done by interview process and literature study. This study was conducted in Sumedang area of West Java. The results show that the healthy view in the tradition of eating fresh vegetables in Sundanese society is passed down from generation to generation and obtained through informal learning process, formal learning, fairy tales, and myths.

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