scholarly journals Some reflections on the past, present and future of space rock music

2021 ◽  
pp. 63-83
Author(s):  
Oleg Vladimirovich Synieokyi
Keyword(s):  
Social History ◽  
Rock Music ◽  
Current Situation ◽  
Culture Studies ◽  
Special Contribution ◽  
Empirical Basis ◽  
The Past ◽  
New Interpretation ◽  
Communication Lines ◽  
Private Collections

The topic of space music requires a new scientific perspective. The goal of this article lies in examination of the historical and social peculiarities of the origin and development of space rock. The article presents futuristic interpretation of musicality of the celestial Universe. The article provides information about selected performers of this direction. Contextually, the article encompasses the stories of JULIAN'S TREATMENT and HAWKWIND. In reconstruction of the chronology for new interpretation, the author avoids repetitions and long descriptions of commonly known facts; aligns the key episodes of narration with the communication lines through the prism of social history; as well as gives assessment to the current situation and forecasts for the future. The recordings of space rock music stored in the audio archives, private collections, museums of music, and other sound libraries comprise the empirical basis for this publication. This article is first to offer periodization of the development of space music. The author’s special contribution of consists in clarification of the chronology of a range of recordings, as well as in familiarization of the audience with other aspects that are combined into a single concept. The provided material is intended for scholars in culture studies, musicologists, historians, archivists, as well as everyone interested in rock music.

On the specfics of postcolonial research in the conetmporary Ukrainian literary studies

2019 ◽  
pp. 446-461
Author(s):  
Ekaterina Baydalova
Keyword(s):  
Cultural Identity ◽  
Literary Criticism ◽  
Postcolonial Theory ◽  
Postcolonial Studies ◽  
Culture Studies ◽  
Self Presentation ◽  
Science Culture ◽  
The Past ◽  
Modus Vivendi ◽  
Ambivalent Attitude

The postcolonial studies have been under discussion in the Ukrainian historiography, social science, culture studies and literary criticism since 1990 years. They have originated from American, European, and Australian academic studies and became more and more popular in modern Ukrainian culture recently. The nation and the nationalism, Orientalism, multicultural and ambivalent individuality self-presentation, the search of cultural identity, the problem of ambivalent attitude to the past are in the paradigm of postcolonial studies. The problems of national identity, the totalitarian past, the interactions with neighboring countries especially Russia and Poland, the instable Ukrainian society’s condition are analyzed under the postcolonial ideas in the Ukrainian intellectual discourse. The postcolonial theory has become the main interpretative strategy of the Ukrainian researchers lately. Nevertheless, there is no unconditional modus vivendi in the Ukrainian academia about postcolonial conceptions, strategies and principles. One of the most important unsolved issues is the question of correlation of postcolonial and postmodern components of the Ukrainian national literature. The inclusion of the studies of trauma and anticolonial and posttotalitarian discourses into the framework of the postcolonial studies is the most distinguishing feature of postcolonial studies in the Ukraine.

scholarly journals Shopping Centres, Cycling Accessibility and Planning—The Case of Nova Lund in Sweden

Urban Science ◽  
2020 ◽  
Vol 4 (4) ◽  
pp. 70
Author(s):  
Till Koglin ◽  
Lucas Glasare
Keyword(s):  
Conflicts Of Interest ◽  
Current Situation ◽  
Decision Makers ◽  
Power Structures ◽  
Literature Study ◽  
Shopping Centre ◽  
The Past ◽  
Whole Process ◽  
The Subject

This paper evaluates the history and cycling accessibility of Nova, a shopping centre established in Lund, Sweden, in 2002. The current situation was also analysed through observation and a literature review. Moreover, the study conducted a closer analysis of the history and role of the municipality based on further literature study and interviews with officials. The conclusion of the analysis indicates poor and unsafe bikeways caused by conflicts of interest between politicians, officials, landowners and the general public. It also depicts a situation in which the municipality’s master plan has been ignored, and, in contrast to the local goals, cycling accessibility at Nova has seen no significant improvement since the shopping centre was first established. The reasons for this, arguably, are a relatively low budget for bikeway improvements in the municipality, as well as a situation in which decision-makers have stopped approaching the subject, as a result of the long and often boisterous conflicts it has created in the past. Lastly, it must be noted that it is easy to regard the whole process of Nova, from its establishment to the current situation, as being symptomatic of the power structures between drivers and cyclists that still affect decision-makers at all levels.

scholarly journals Changes within the editorial staff of the International Review of Social History

2007 ◽  
Vol 52 (3) ◽  
pp. 371-371
Keyword(s):  
Social History ◽  
Editorial Staff ◽  
International Review ◽  
Editorial Committee ◽  
Executive Editor ◽  
The Past ◽  
Leading Journals

After fulfilling the position since 1987, Marcel van der Linden stepped down as executive editor of the International Review of Social History in July 2007. Over the past two decades the Review has developed into one of the leading journals in the field of international, and increasingly global, social history. For anyone who has kept track of the journal in this period, the contribution Marcel van der Linden has made to the journal's development will be clear. He remains involved with the Review in a different role. From February 2008 onward, he will be the permanent Chair of the journal's Editorial Committee, and as such will continue to be engaged in the development of the journal.

Madhouse

2021 ◽  
Vol 15 (3) ◽  
pp. 347-363
Author(s):  
Elizabeth Tilley ◽  
Paul Christian ◽  
Susan Ledger ◽  
Jan Walmsley
Keyword(s):  
Twentieth Century ◽  
Learning Disability ◽  
Social History ◽  
Learning Difficulties ◽  
Historical Record ◽  
The Past ◽  
History Of ◽  
Immersive Theatre ◽  
Disability Research ◽  
History Of Institutions

Until the very end of the twentieth century the history of learning difficulties was subsumed into other histories, of psychiatry, of special education and, indeed, of disability. Initiatives to enable people with learning difficulties and their families to record their own histories and contribute to the historical record are both recent and powerful. Much of this work has been led or supported by The Open University’s Social History of Learning Disability Research (SHLD) group and its commitment to developing “inclusive history.” The article tells the story of the Madhouse Project in which actors with learning difficulties, stimulated by the story of historian activist Mabel Cooper and supported by the SHLD group, learned about and then offered their own interpretations of that history, including its present-day resonances. Through a museum exhibition they curated, and through an immersive theatre performance, the actors used the history of institutions to alert a wider public to the abuses of the past, and the continuing marginalization and exclusion of people with learning difficulties. This is an outstanding example of history’s potential to stimulate activism.

Living by the Sword

2020 ◽  
Author(s):  
Kristen B. Neuschel
Keyword(s):  
Material Culture ◽  
Social History ◽  
English History ◽  
Culture Studies ◽  
Prestige Goods ◽  
Material Culture Studies ◽  
French And English ◽  
Warrior Culture

This book sharpens the readers' knowledge of swords as it traverses through a captivating 1,000 years of French and English history. The book reveals that warrior culture, with the sword as its ultimate symbol, was deeply rooted in ritual long before the introduction of gunpowder weapons transformed the battlefield. The book argues that objects have agency and that decoding their meaning involves seeing them in motion: bought, sold, exchanged, refurbished, written about, displayed, and used in ceremony. Drawing on evidence about swords in the possession of nobles and royalty, the book explores the meanings people attached to them from the contexts in which they appeared. These environments included other prestige goods such as tapestries, jewels, and tableware — all used to construct and display status. The book draws on an exciting diversity of sources from archaeology, military and social history, literature, and material culture studies to inspire students and educated lay readers to stretch the boundaries of what they know as the “war and culture” genre.

scholarly journals Retro quality and historical consciousness in contemporary European television

2017 ◽  
pp. 78-96
Author(s):  
Louis Bayman
Keyword(s):  
Social History ◽  
Historical Consciousness ◽  
National History ◽  
The Past ◽  
Superior Knowledge ◽  
The Individual ◽  
Individual Self

This article investigates the trend represented by the recent TV series This Is England 86 (2010), Deutschland 83 (2015) and 1992 (2015). It analyses retro in the series as enabling an exhilarating experience of the music, fashions and lifestyles of the past while claiming to offer a serious social history. The article thus takes issue with theories of retro that view it as ahistorical (for example Guffey), to demonstrate how retro in these series enables a particular dramatic conception of the dynamics of national history, whether in post-imperial decline (This Is England), a westalgie for the grip of geopolitical conflict (Deutschland 83) or the cyclical progression of trasformismo (1992). The article discusses the series’ common visions of the past as characterised by a pleasing youthful naivety, opposed to an implied present of cynical superior knowledge. I argue that these series embody retro’s distinct ability to combine irony and fetishism in its recreation of the past, as befits an age in which historical consciousness is increasingly referred to the intimate sphere of the individual self and its uncertain relation to posterity.

scholarly journals Museum Collections as a Reflection of Cultural Landscape: the Interpretation of Collective Memory

2018 ◽  
Vol 3 (4) ◽  
pp. 170 ◽  
Author(s):  
Oskar Habjanič ◽  
Verena Perko
Keyword(s):  
Collective Memory ◽  
Cultural Landscape ◽  
Local Community ◽  
Political Identity ◽  
Vulnerable Groups ◽  
Museum Collections ◽  
The Past ◽  
Social Tasks ◽  
The Relationship ◽  
Private Collections

The article deals with the relationship between the local community, museum collections, collective memory and the cultural landscape. The ICOM Code of Museum Ethics defines a museum collection as a cultural and natural heritage of the communities from which they have been derived. The collections, especially in regional museums, are inextricably linked to the community. The cultural landscape can be read also as a bridge between the society and natural environment. The cultural landscape is vitally connected with a national, regional, local, ethnic, religious or political identity. Furthermore, the cultural landscape is a reflection of the community's activities. Therefore, private collections are the foundation of the collective memory and empower museums for important social tasks. They offer an opportunity for multilayered interpretation of the past and give a possibility for museums to work on the inclusion of vulnerable groups. The collections could be a mediator and unique tool for recovering of the “broken” memory. In this way certain tragic past events, ignored or only bigotedly mentioned by history, can be re-evaluated.

scholarly journals Nuevos y viejos campos para el estudio de la guerra a lo largo del siglo XX: un motor de innovación historiográfica

2018 ◽  
pp. 164
Author(s):  
David Alegre Lorenz
Keyword(s):  
Gender Studies ◽  
Social History ◽  
Critical Review ◽  
Great Influence ◽  
Military History ◽  
Cutting Edge ◽  
International Level ◽  
Total War ◽  
The Past ◽  
Siglo Xx

Resumen: Este artículo tiene por objeto analizar los principales debates y avances en uno de los campos más punteros y prolíficos de la historiografía a nivel internacional: los estudios de la guerra, también conocidos como nueva historia militar. Para ello propongo un recorrido a través de los cambios que se han producido dentro de éste ámbito durante las dos últimas décadas, así como también un examen crítico de los trabajos y tendencias historiográficas que más han contribuido a ello. En este sentido, planteo una puesta en valor de los estudios de la guerra y destaco su importancia para el conjunto de la historiografía por su capacidad para complejizar nuestro conocimiento y explicaciones del pasado; por el amplio y sugerente abanico de casos de estudio que pone a nuestra disposición; por sus tremendas posibilidades y potencial renovador a nivel metodológico e interpretativo; y, no menos importante, por su tremenda actualidad y sus conexiones con el presente.Palabras clave: estudios de la guerra, nueva historia militar, historia social, estudios de género, estudios culturales, guerra total.Abstract: This article is intended to analyze the major discussions and developments in one of the most prolific and a cutting-edge historiographic field on an international level: the war studies, also known as new military history. For this reason I propose a look through the changes which have taken place in this area over the last two decades, as well as a critical review of the works and historiographical paradigms that have contributed in that way. In this sense I defend the value of war studies and its importance for the whole historiography, taking into account specially its capacity to enable a more complex understanding and explanation of the past; the wide and suggestive range of subject matters that place at our disposal; its huge possibilities and renewing potential on a methodological and interpretative level; and last but not least its great influence and connections with the present.Keywords: war studies, new military history, social history, gender studies, cultural studies, total war.

scholarly journals Russian Nationalists Fight Ukrainian War

2015 ◽  
Vol 1 (1) ◽  
pp. 47-60 ◽  
Author(s):  
Natalia Yudina
Keyword(s):  
Current Situation ◽  
The Political ◽  
Nationalist Movement ◽  
Current Regime ◽  
The Past ◽  
Political Consolidation

Abstract In this article, I am going to focus on how the radical nationalist movement in Russia fares in the current situation, given the political consolidation of the current regime, and the war in Ukraine1 and the government’s reaction to it. The article describes the situation as it stood at the end of 2014, which makes it predictably incomprehensive because new updates on the conflict still arrive every day, and there has also been more news about Russian ultra-right forces over the past few months.

The melodic-harmonic ‘divorce’ in rock

Popular Music ◽  
2007 ◽  
Vol 26 (2) ◽  
pp. 323-342 ◽  
Author(s):  
DAVID TEMPERLEY
Keyword(s):  
Rock Music ◽  
Harmonic Structure ◽  
The Past ◽  
Common Situation

AbstractSeveral authors have observed that rock music sometimes features a kind of independence or ‘divorce’ between melody and harmony. In this article, I examine this phenomenon more systematically than has been done in the past. A good indicator of melodic-harmonic divorce is cases where non-chord-tones in the melody do not resolve by step. I argue that this does occur frequently in rock – often with respect to the local harmony, and sometimes with respect to the underlying tonic harmony as well. This melodic-harmonic ‘divorce’ tends to occur in rather specific circumstances: usually in pentatonically based melodies, and in verses rather than choruses. Such situations could be said to reflect a ‘stratified’ pitch organisation. A particularly common situation is where the verse of a song features stratified organisation, followed by a chorus which shifts to a ‘unified’ organisation in which both melody and accompaniment are regulated by the harmonic structure.

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