scholarly journals Poetology of Vyktor Ivaniv

Litera ◽  
2020 ◽  
pp. 116-126
Author(s):  
Aleksandr Zhitenev
Keyword(s):  
Gottfried Wilhelm Leibniz ◽  
Comprehensive Analysis ◽  
Genetic Affinity ◽  
Universal System ◽  
Avant Garde ◽  
Nicholas Of Cusa ◽  
The World ◽  
Different Types ◽  
The Subject ◽  
Critical Writings

The subject of this research is the corpus of auto-reflexive texts of the contemporary poet Vyktor Ivaniv – his research, essayistic, literary-critical writings. The goal consists in reconstruction of V. Ivaniv’s poetology, which implies the system of representations on ultimate characteristics of poetry, poeticity, and poetic. It is established that poetological system of V. Ivaniv can be described as an example of radicalization of “magic” intentions of historical avant-garde. The novelty of V. Ivaniv consists in reassessment of the ideas of transformation of the world using such term as “utopic”. Having determined the genetic affinity of the constructs of Russian avant-gardists with the ideas of Nicholas of Cusa, Rene Descartes and Gottfried Wilhelm Leibniz, Ivaniv highlights their rootedness in the traditions of European rationalism. The novelty of the research lies in the comprehensive analysis, which allows restoring a universal system of representations on poetry based on the comparison of texts belonging to different types of discourse. Formulation of aesthetic principles in Ivaniv’s works is inseparable from philological reflection over the nature of symbol and its typology. Analyzing the principles of the construction of image at different stages of the establishment of avant-garde mentality, V. Ivaniv creates the concept of iconic symbol as a substitute of the event and a semantic operator, which replaces false meanings with true ones. According to Ivaniv, transgressive introduction to the truth of being – ecstatic and dangerous – comprises the essence of the poetic.

Comprehensive Effects of Short-Term Rental Platforms Across Hotel Types in U.S. and International Destinations

2021 ◽  
pp. 193896552110335
Author(s):  
John W. O’Neill ◽  
Jihwan Yeon
Keyword(s):  
Service Providers ◽  
Comprehensive Analysis ◽  
Competitive Market ◽  
Substitution Effects ◽  
Short Term ◽  
Hotel Performance ◽  
The World ◽  
Different Types ◽  
Location Type ◽  
The Impact

In recent years, short-term rental platforms in the lodging sector, including Airbnb, VRBO, and HomeAway, have received extensive attention and emerged as potentially alternative suppliers of services traditionally provided by established commercial accommodation providers, that is, hotels. Short-term rentals have dramatically increased the available supply of rooms for visitors to multiple international destinations, potentially siphoning demand away from hotels to short-term rental businesses. In a competitive market, an increase in supply with constant demand would negatively influence incumbent service providers. In this article, we examine the substitution effects of short-term rental supply on hotel performance in different cities around the world. Specifically, we comprehensively investigate the substitution effects of short-term rental supply on hotel performance based on hotel class, location type, and region. Furthermore, we segment the short-term rental supply based on its types of accommodations, that is, shared rooms, private rooms, and entire homes, and both examine and quantify the differential effects of these types of short-term rentals on different types of hotels. This study offers a comprehensive analysis regarding the impact of multiple short-term rental platforms on hotel performance and offers both conceptual and practical insights regarding the nature and extent of the effects that were identified.

Spatiotemporal coordinates of the artistic world of N. Abgaryan in the storybook “To live further”

Neophilology ◽  
2019 ◽  
pp. 371-380
Author(s):  
Elena O. Kuzminykh ◽  
Victoria V. Vyazovskaya
Keyword(s):  
Cultural Memory ◽  
Comprehensive Analysis ◽  
Food Preservation ◽  
Biological Time ◽  
Provincial City ◽  
The World ◽  
Key Concepts ◽  
Time Cycle ◽  
Cyclic Time ◽  
The Subject

We present the study of spatiotemporal coordinates of the artistic world of N. Abgaryan in the storybook “To live further”, which was not previously the subject of keen interest of re-searchers. The purpose of the study is to conduct a comprehensive analysis of the texts of story-book “To live further” as a whole, identifying the features of the writer’s artistic world through the revealing of its main spatiotemporal categories. We show that the main chronotopes in the studied storybook are “house” and “provincial city of Berd”, the locus of which are closely interrelated and perceived as the world. The key concepts for understanding the artistic world of N. Abgaryan are cultural and ancestral memory, the eternal cycle of existence. The restoration of the war-torn time cycle becomes possible thanks to the activation of cultural memory mechanisms. Ways to restore the cyclic time, disturbed by the war, in the studied storybook is the repeatability of ordinary actions. Actualization of memory is carried out through the thing, name, smell, food. Preservation of memory is associated with changes in the flow of biological time. The silence chosen by N. Abgaryan’s heroes is not only a way of displacing tragic events from memory, but also a new opportunity to experience memories. The emblematic title of the storybook “To live further” leads the reader to the idea that life always defeats death, and the cyclicity of time is the key to world harmony.

Independent Work of Pupils at the “The World Around US” Lessons

2019 ◽  
Vol 7 (4) ◽  
pp. 39-42
Author(s):  
Наталья Виноградова ◽  
Natalya Vinogradova ◽  
Г. Калинова ◽  
G. Kalinova
Keyword(s):  
Learning Activities ◽  
Independent Learning ◽  
Self Assessment ◽  
Self Monitoring ◽  
The World ◽  
Different Types ◽  
The Subject ◽  
Independent Work ◽  
Testing Work

The article discusses the organization of independent testing work of younger schoolchildren in the study of the subject “The World Around Us”. The authors discuss the implementation of the possibility of using different types of independent learning activities to clarify and systematize knowledge, their application in non-standard situations, improve universal learning activities, as well as the development of self-monitoring and self-assessment of students.

scholarly journals “Congenial people”, “dissonant people” and “image of the word” of a mature person

2020 ◽  
pp. 54-68
Author(s):  
Valeriya Alperovich
Keyword(s):  
Comparative Analysis ◽  
Theoretical Study ◽  
Psychological Characteristics ◽  
Basic Principles ◽  
The World ◽  
Different Types ◽  
Communication Partners ◽  
Positive Assessment ◽  
The Subject ◽  
Mature Person

This research is dedicated to the problem of correlation between perception of other people by a subject and phenomenon of the “image of the world”. This topic is relevant for scholars of humanities in different countries in conditions of aggravation of various macrosocial conflicts. A theoretical study is conducted on correlations between the phenomena of “image of the world”, “worldview”, “model of the world”,  and approaches of the Russian psychology towards them. The author explores the results of empirical study of the “image of the world”, reflected in drawings, through the prism of metaphorical representations of a mature person on “congenial people” and “dissonant people”. The goal consists on carrying out a comparative analysis of peculiarities of the “image of the world” among persons differing in metaphorical representations on “congenial people” and “dissonant people”. The subject of this research is the metaphors of "congenial person” and “dissonant person”, the basic principles of a person and types of the “image of the world” depicted in drawings and verbal characteristics. The scientific novelty lies in the development of additional parameters for the analysis of the “image of the world” of a person, reflected in drawings. This article is first to determine correlations between different types of metaphors of “congenial person” and “dissonant person” as communication partners, and parameters of the “image of the world” of a person depicted in drawings. The conclusion is made that attribution of positive metaphorical socio-psychological characteristics to “congenial people” and “dissonant people” is associated with positive assessment of the objects of surrounding world. Stereotypization of images of other people as communication partners correlates with such of the “image of the world” in consciousness of a subject. The research results indicate that perceptions of “congenial people” and “dissonant people” by the subject affect their “image of the world”. The presented materials can be used in socio-psychological counseling for elaboration of the programs of correcting the system of relations of the subject to themselves and other people.

scholarly journals EVOLUTION OF ABSOLUTE PARTICIPIAL CONSTRUCTION IN LANGUAGES OF ROMANCE, GERMANIC, AND SLAVIC GROUPS

2021 ◽  
Vol 31 (6) ◽  
pp. 1182-1192
Author(s):  
Yu.V. Bogoyavlenskaya
Keyword(s):  
Comprehensive Analysis ◽  
Controversial Issues ◽  
Semantic Features ◽  
Binary Structure ◽  
Part Of Speech ◽  
Different Types ◽  
Logical Subject ◽  
The Subject ◽  
The Absolute

The study was carried out within the framework of the current problems associated with the evolution of the absolute participial construction in several living and extinct languages of the Romance, Germanic and Slavic groups. The controversial issues, versions of the origin and development of the structure in these languages ("Latin", "Greek" and "autochthonous") are discussed. The structural and semantic features of the absolute participial construction are compared. It has been established that in the languages under study, the construction has a binary structure that includes a name (noun or pronoun) playing the role of a logical subject, and a participle in the role of a logical predicate. Together with the main sentence, the construction forms a paratactic syntactic complex, the constituents of which are not connected with each other by means of service words. Similarities include the ability to express definitively or syncretically temporary meaning; as for the differences, they are the expression in some languages of a causal, conditional, concessive, target, connecting meaning. Depending on the peculiarities of the development of grammatical systems of languages, the structure may include participles of different types, prepositions may be present, the structure may take both the general case form and another case fixed by the language for this type of structures. The words order, which can be either direct or inverse or depend on the transmitted meaning or part of speech of the subject, also differs in the languages. In conclusion, the necessity of further comprehensive analysis of this type of structures is substantiated.

scholarly journals On the technique of artistic parallelism in Dargin quatrains

Litera ◽  
2021 ◽  
pp. 126-133
Author(s):  
Fatyma Khamzaevna Mukhamedova ◽  
Fatima Abdulovna Alieva
Keyword(s):  
Emotional State ◽  
Natural World ◽  
Comprehensive Analysis ◽  
Text Structure ◽  
Emotional Perception ◽  
The World ◽  
Poetic Expression ◽  
Song Lyrics ◽  
The Subject

The subject of this research is the quatrains – a variety of lyrical songs, one of widespread and popular poetic genres in the folklore of the peoples of Dagestan. The object of this research is the method of artistic parallelism in Dargin quatrains, which plays an important compositional role within the text structure, which is reflected in juxtaposition of images from the natural world and the psychological affections of the lyrical hero. The goal of this article lies in demonstrating the functional peculiarities of artistic parallelism technique in each particular case; as well as in determining the basic principle of juxtaposition of the images of nature with the world of human feelings and degree of their convergence, which reveals the emotional state of a person. The research methods of comparative-historical and philological analysis of the lyrical songs are based on the ideas advanced by V. G. Belinsky, A. N. Veselovsky, A. M. Novikova, S. G. Lazutin, Y. M. Sokolov, and others. The method of analysis allows determining the role of artistic parallelism in conveying the emotional state of the heroes. The novelty[WU1]  of this research consists in comprehensive analysis of the structure and content of texts that are structured on the technique artistic parallelism; identification of the peculiarities of its application on the material of Dargin song lyrics, which have not been previously introduced into the scientific discourse. The author demonstrates that the technique of artistic parallelism carries a vast ideological meaning, performs an important compositional function in disclosure of the content of the song, contributing to a vivid and imagery expression of thoughts and feelings of the hero. The article is first to explore the commonly used in Dargin folklore technique of artistic parallelism, when a single principle of syntactic construction is characteristic for two quatrains of the same theme. It is established that the idea laid down in the first quatrain is being further developed, enriching its content and acquiring new details that enhance the emotional perception of the poetic expression.  [WU1]

scholarly journals Theoretical Review of Entrepreneur and Social Entrepreneurship Concepts.

2022 ◽  
Vol 3 (6) ◽  
pp. 19-26
Author(s):  
María Dolores Martínez García ◽  
José María Moreno Meneses ◽  
Karina Valencia Sandoval
Keyword(s):  
Literature Review ◽  
Social Entrepreneurship ◽  
Gradual Increase ◽  
Environmental Problems ◽  
Avant Garde ◽  
Correct Definition ◽  
Different Types ◽  
The Subject ◽  
Definition Of

This article includes a theoretical review of Social Entrepreneurship (SE) due to the gradual increase in the need for new businesses, but also for solutions to social and environmental problems. First, a brief introduction is given explaining why it is important today to have a correct definition of ES. Additionally, the concept of entrepreneur and its different types are defined to create a context and thus be able to talk about the subject. Likewise, a literature review is carried out to achieve a better understanding of an avant-garde concept such as this type of entrepreneurship. Finally, the article concludes with the most important points covered throughout the writing, in addition to a definition of entrepreneur and social entrepreneurship made after analyzing the information found.

The Russian Futuristic Experiment: the Language of the Poetic Resistance

2020 ◽  
Vol 29 (2) ◽  
pp. 261-272
Author(s):  
Magdalena Kostova-Panayotova
Keyword(s):  
Nineteenth Century ◽  
20Th Century ◽  
Artistic Expression ◽  
Poetic Language ◽  
Creative Mind ◽  
Avant Garde ◽  
The World ◽  
Poetic Text ◽  
The Subject ◽  
The Mind

The main Avant-garde trend in the first third of the 20th century, Futurism, through its various groups and creative personalities, upholds its own conception of art and creator, strives to give a contemporary image of the world, to reveal the hidden essence of things, the inner relation of the elements. According to Futurism, art is meant to change lives, but not as it seems in the writings of nineteenth-century realists: by influencing the rational and changing the mind of the reader. The development of a new artistic expression, in a new poetic language, the use of contemporary forms of artistic conditionality have become major tasks for the generation of poets and artists from the 1910s. Poet futurists reduce the language of literature to its traditional understandings, neglect its inherent rules and laws, because they accept it as something external to the subject, which impedes the expression of its essence. From the depiction of the object to its expression - this is how the break in the creative mind of the futuristic author can be characterized. The linguistic revolution, effected with poetic means by the futurists, is a desperate and utopian attempt to acquire the organic integrity of the world, thirsting for its transformation. Thanks to futurism, the register of poetic techniques was expanded in the 20th century and directions were created for the creation of new expressive means of writing poetic text.

From Figures of Paradox to a Philosophy of Review

2020 ◽  
pp. 206-254
Author(s):  
Rebecca A. Sheehan
Keyword(s):  
Fractal Theory ◽  
Film Theory ◽  
Incompleteness Theorem ◽  
Stanley Cavell ◽  
Avant Garde ◽  
The World ◽  
The Subject ◽  
The Spectator ◽  
Zeno's Paradox

This chapter examines the role of paradox in the films and film theory of Ken Jacobs, Hollis Frampton, and Michael Snow. Paradoxes such as Zeno’s paradox, Gödel’s incompleteness theorem, and Benoît Mandelbrot’s fractal theory of geometry, which inform the work of these filmmakers, propose and repeat the unresolvable gap between subject and world that informs skepticism. This chapter argues that the skeptical encounters these films invite, which entice the spectator to work toward solving a riddle or problem of incompleteness, also provide a model for overcoming skepticism by prompting re-encounters with the images on screen and the world to which they refer. These re-encounters occur in the same way that Stanley Cavell imagined the images of mainstream cinema could overcome problems of philosophical skepticism by drawing the subject closer to the world. The author argues, however, that these avant-garde meditations on mises en abyme are possibly more effective than Hollywood filmmaking for overcoming skepticism because of their more immediate emphasis on cinema’s very ability to engage and stage re-encounters between the subject and the limits of the world, rather than their reference to the world through images.

The American Avant-Garde’s Landscape Philosophy

2020 ◽  
pp. 87-144
Author(s):  
Rebecca A. Sheehan
Keyword(s):  
Recent Work ◽  
Historical Time ◽  
Avant Garde ◽  
The World ◽  
The Subject ◽  
A Site

This chapter considers how the American avant-garde utilizes landscape as a site in-between the subject and the world, one which negotiates skepticism’s dilemma of the perceiving subject’s simultaneous distance from and conflation with the world. Examining the films of James Benning, Sharon Lockhart, David Gatten, and Ernie Gehr, as well as Phil Solomon’s machinima and the figure of the border in Chick Strand’s work and recent work by Peggy Ahwesh, the chapter argues that these cinematic takes on landscape forge multiplicity within a singularity of space, staging a paradoxical plurality of encounters with the “same.” Taking up the figure of geological strata prevalent in Benning’s and Gatten’s work, the chapter theorizes the function of the interstitial where re-encounters invited by extreme long takes (Lockhart, Benning) or the obsessive review of “missable” details (Gatten, Solomon) yield forking conceptions of historical time and meaning rather than linear ones. Similarly, the chapter turns to how films by Benning, Gatten, Strand, and Ahwesh use the figure of the in-between to undermine the authority of man-made borders.

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