scholarly journals THE BLUE ALIEN IN KOI MIL GAYA FILM: POPULAR LITERATURE

2019 ◽  
Vol 4 (1) ◽  
pp. 10
Author(s):  
Luluk Hanikmah
Keyword(s):  
Qualitative Research ◽  
Popular Culture ◽  
Science Fiction ◽  
Outer Space ◽  
Popular Literature ◽  
Indian Culture ◽  
Ancient India ◽  
Similar Formula

<p>The purpose of this research is to<strong> </strong>describe<strong> </strong>the blue alien as the phenomenon Alien’s representation in science fiction of Bollywood and Bollywood’s action in bringing outer space alien to Indian culture that is represented in<em> Koi Mil Gaya </em>film. This research uses qualitative research. The researcher needs popular literature by Ida Rochani Adi to get what the author is willing to share her readers. It is also a way to the researcher to investigate why the author choose alien as the new character, and is there popular culture inside the character evidences the effects and goals of the author in creating a story. The analysis reveals that the alien’s representation of Bollywood’s science fiction, and Bollywood’s action in bringing outer space alien to India culture. The conclusion shows there are similar formula in each Bollywood science fiction in alien’s representation and Bollywood action in bringing outer space alien to India culture is influenced by 3 factors, there are: Hollywood influence, Ancient India influence, and popular news in India. The researcher uses the symbol to analyze the blue alien as the representation of Lord Krishna. It is Hindu mythology. Hindu mythology is popular culture in India belief. It is appropriate with the researcher’s assumption that the blue alien has correlation with India culture. In conclusion, the alien which has blue skin is the appearance of Lord Krishna.</p>

W cieniu radiacji. Seksualizacje bomby atomowej w kulturze popularnej lat 40. i 50. w Stanach Zjednoczonych

2017 ◽  
pp. 33-41
Author(s):  
Piotr Urbanowicz
Keyword(s):  
United States ◽  
Popular Culture ◽  
Cultural Studies ◽  
Science Fiction ◽  
Atomic Bomb ◽  
Outer Space ◽  
The United States ◽  
Popular Cinema ◽  
Social Concerns ◽  
Science Fiction Films

The aim of the article is to present a phenomenon of the sexualization of an atomic bomb in the popular culture of the 1940s and the 1950s in the United States. On the basis of sociological and cultural studies, the author lists the functions of this phenomenon. Furthermore, he uses the examples of press reports and popular cinema to indicate that the sexualization of the atomic bomb resulted from fear of sterilization and assimilation of soldiers coming back from the front. The analysis concerns the film I Married a Monster from Outer Space (1958). The author proves that science fiction films conceptualize social concerns, and accustom the viewers with atomic tension by means of appropriate narratives.

scholarly journals Repackaging Popular Culture: Commentary and Critique in Community

2012 ◽  
Vol 5 (2) ◽  
Author(s):  
Tully Barnett ◽  
Ben Kooyman
Keyword(s):  
Popular Culture ◽  
Science Fiction ◽  
Everyday Life ◽  
Pop Culture ◽  
Big Bang ◽  
Fan Culture ◽  
High Stakes ◽  
History Of ◽  
Nerd Culture ◽  
The Big Bang

Contemporaneous with the collision of Science Fiction/Fantasy with the mainstream evident in the success of nerd culture show The Big Bang Theory (2007- ), Joss Whedon’s The Avengers (2012), the growth of Comic Con audiences and so on, Dan Harmon developed Community (2009- ), a sitcom depicting a study group at a second-rate community college. The show exemplifies a recent gravitation away from the multi-camera, laugh-track driven sitcom formula, alternating between “straight” episodes dealing with traditional sitcom premises, though always inflected with self-aware acumen, and more ambitious, unconventional episodes featuring outlandish premises, often infused with the trappings of genre and geek fandom. The show presents apocalyptic action- and Western-style paintball wars, epidemics that evoke zombie cinema, a Yahtzee game that spirals into alternate timelines, and a high-stakes Dungeons and Dragons game that blurs the boundaries between reality and fantasy.  Both the straight and the unconventional episodes ultimately serve the same purpose, examining the intersection between nerd culture and everyday life. This essay discusses a number of episodes which exemplify Community’s intersections between everyday life and popular culture, charting the show’s evolving preoccupation with pop culture and intertwining of reality and fantasy. It discusses Community’s self-referentiality as a sitcom, its ambitious and elaborate recreations of and homages to pop culture artefacts, and its explicit gravitation towards Science Fiction and Telefantasy in its third season. Through its various homages to popular culture and ongoing depiction of fan culture, we posit that the show is both a work of fandom and a work about fandom, advocating for the pivotal role of fandom in everyday life and for popular culture as a tool for interpreting, comprehending and navigating life. In this respect, the show contributes to the long history of both the sitcom and Telefantasy as vehicles for cultural commentary.

Excavating the Future

2018 ◽  
Author(s):  
Shawn Malley
Keyword(s):  
Popular Culture ◽  
Science Fiction ◽  
Cultural Study ◽  
Homeland Security ◽  
War On Terror ◽  
Adaptive Responses ◽  
Film And Television ◽  
The Past ◽  
The Future ◽  
The U.S

Well-known in popular culture for tomb-raiding and mummy-wrangling, the archaeologist is also a rich though often unacknowledged figure for constructing ‘strange new worlds’ from ‘strange old worlds’ in science fiction. But more than a well-spring for scenarios, SF’s archaeological imaginary is also a hermeneutic tool for excavating the ideological motivations of digging up the past buried in the future. A cultural study of an array of popular though critically neglected North American SF film and television texts–spanning the gamut of telefilms, pseudo-documentaries, teen serial drama and Hollywood blockbusters–Excavating the Future treats archaeology as a trope for exploring the popular archaeological imagination and the uses to which it is being put by the U.S. state and its adversaries. By treating SF texts as documents of archaeological experience circulating within and between scientific and popular culture communities and media, Excavating the Future develops critical strategies for analyzing SF film and television’s critical and adaptive responses to contemporary geopolitical concerns about the war on terror, homeland security, the invasion and reconstruction of Iraq, and the ongoing fight against ISIS.

Jocular Juvenilia

2018 ◽  
pp. 17-29
Author(s):  
Gary Westfahl
Keyword(s):  
Science Fiction ◽  
Outer Space ◽  
Similar Material ◽  
Sense Of Humor ◽  
Professional Science

This chapter argues that Clarke’s fiction falls into two categories: farcical pieces filled with adolescent humor--his juvenilia and later texts described as his “mature juvenilia”; and his professional science fiction, which manifests only occasional, and subdued, touches of humor. The young Clarke prefers parodies, puns, wordplay, and slapstick, and he displays a rather cruel sense of humor in jocularly describing various deaths and catastrophes. Yet some early works also show Clarke developing his skill in extrapolation and the development of future worlds as well as his interests in outer space and the oceans. Pieces recalling Clarke’s juvenilia surface through his career, and similar material may someday be discovered in his private journals.

The Future of Epic in Cinema

2018 ◽  
pp. 119-132
Author(s):  
Pantelis Michelakis
Keyword(s):  
Popular Culture ◽  
Science Fiction ◽  
Biological Evolution ◽  
First Century ◽  
Genre Criticism ◽  
Early Twenty ◽  
The Future ◽  
Twenty First Century

This chapter explores the ways in which the generic label of ‘epic’ might be deemed relevant for Ridley Scott’s film Prometheus (2012), and more broadly for the ways in which a discussion about the meanings of epic in early twenty-first-century cinema might be undertaken outside the genre of ‘historical epic’. It argues for the need to explore how ‘epic science fiction’ operates in Scott’s Prometheus in ways that both relate and transcend common definitions of the term ‘epic’ in contemporary popular culture. It also focuses on the unorthodox models of biological evolution of the film’s narrative, suggesting ways in which they can help with genre criticism. When it comes to cinematic intertextuality, a discussion about generic taxonomies and transformations cannot be conducted at the beginning of the twenty-first century without reflecting on the tropes that cinema animates and the fears it enacts at the heart of our genetic imaginary.

Inside/Out

2017 ◽  
pp. 15-39
Author(s):  
Maria Manuela Lopes
Keyword(s):  
Popular Culture ◽  
Science Fiction ◽  
Ethical Dilemmas ◽  
Public Awareness ◽  
Science Research ◽  
News Reports ◽  
Memory Functioning ◽  
Research Institutes ◽  
Fast Pace ◽  
Inside Out

Technologies, for memory preservation and enhancement of our humane bodies, are developing at a fast pace, and the corresponding dystopic and utopic future scenarios are presented in speculative news reports, science research studies and popular culture such as science fiction films. Lopes' artistic/research projects explore ways of expanding concepts of memory, body, and representation/mediation, using art as a tool to enhance public awareness of several anxieties and technologies, raising ethical dilemmas and questioning norms of behavior and normality. This chapter is an exploration of the issues raised on the development of several artwork projects during the course of the author's PhD and present Postdoc research, when in residency at several Medical and Scientific Research Institutes, dealing with distinct studies on memory (functioning, loss and enhancement).

scholarly journals At the outer limits of the international: Orbital infrastructures and the technopolitics of planetary (in)security

2020 ◽  
Vol 5 (3) ◽  
pp. 294-314
Author(s):  
Columba Peoples ◽  
Tim Stevens
Keyword(s):  
Science Fiction ◽  
International Security ◽  
Outer Space ◽  
Security Analysis ◽  
Earth Observation ◽  
Detection Systems ◽  
Earth Object ◽  
Military Security ◽  
Technical Systems

AbstractAs staples of science fiction, space technologies, much like outer space itself, have often been regarded as being ‘out there’ objects of international security analysis. However, as a growing subset of security scholarship indicates, terrestrial politics and practices are ever more dependent on space technologies and systems. Existing scholarship in ‘astropolitics’ and ‘critical astropolitics’ has tended to concentrate on how such technologies and systems underpin and impact the dynamics of military security, but this article makes the case for wider consideration of ‘orbital infrastructures’ as crucial to conceptions and governance of planetary security in the context of the ‘Anthropocene’. It does so by outlining and analysing in detail Earth Observation (EO) and Near-Earth Object (NEO) detection systems as exemplary cases of technological infrastructures for ‘looking in’ on and ‘looking out’ for forms of planetary insecurity. Drawing on and extending recent theorisations of technopolitics and of Large Technical Systems, we argue that EO and NEO technologies illustrate, in distinct ways, the extent to which orbital infrastructures should be considered not only part of the fabric of contemporary international security but as particularly significant within and even emblematic of the technopolitics of planetary (in)security.

Space Elevator

2011 ◽  
pp. 312-331
Author(s):  
Paul E. Nelson
Keyword(s):  
High School ◽  
Cost Saving ◽  
Science Fiction ◽  
Low Cost ◽  
Outer Space ◽  
Daily Basis ◽  
Easy Access ◽  
The World ◽  
Survey Results ◽  
The Cost

Currently, transporting cargo into Outer Space is not only expensive, but a complicated and prolonged process. The Space Shuttles used today are inadequate, overused and obsolete. At this time, there are efforts all around the world to make Space more accessible. There have been many proposals to solve the Space transportation dilemma. One proposal is the creation of a Space Elevator. The Space Elevator would provide low-cost, easy access to Space by dramatically reducing the cost of sending cargo into Space. A $10-$100 per pound the Space Elevator would provide an astounding cost-saving compared to the tens of thousands of dollars per pound it costs today. This low-cost access to Space would make it possible to substantially increase the amount of cargo that could be sent into Space on a daily basis. The first part of this paper describes how the Space Elevator is expected to work, and the advantage of access to space via the SE versus using primarily rockets. A compendium of information from a variety of sources is included in order to explain how the Space Elevator would be designed, constructed, and how it could solve the problems of transporting cargo into Space easily, cheaply, and frequently. The Space Elevator is a relatively new topic in the area of realistic science concepts and was merely science fiction not too long ago. The Space Elevator (“SE”) concept has only been in the spotlight in the last five years due to the work of Dr. Bradley Edwards of Carbon Designs Inc. Acceptance of the SE will be a difficult task for many reasons. One of these is that most people do not know about the SE concept, and those who do, tend to have trouble believing it is possible to build. In order to determine the best way of integrating the SE concept into society, a survey was conducted at Darien High School. The survey included such topics as the naming of "The Space Elevator," and how best to get the younger generation interested in the idea. The second part of this paper describes how to utilize the survey results to further the SE concept.

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