scholarly journals Graphic arts of P.I. Basmanov in the collection of the State Art Museum of Altai Krai

2016 ◽  
Author(s):  
О.В. Сидорова
Keyword(s):  
Art Museum ◽  
The State ◽  
Museum Collection ◽  
Graphic Arts ◽  
History Of

Ленинградский художник Павел Иванович Басманов (1906–1993), родившийся на Алтае и воспевший Алтай в десятках сотен своих произведений, известен также как коллекционер русской и советской графики. Более восьмидесяти произведений из коллекции Басманова хранится в Государственном художественном музее Алтайского края. Это отечественная графика XIX–XX веков: акварели Бориса Кустодиева, уникальная графика Елизаветы Кругликовой, литографии Льва Бакста, Павла Кузнецова, Николая Тырсы, Алексея Пахомова, Георгия Верейского, Владимира Конашевича, Павла Митурича и Юрия Васнецова, книжная графика Константина Рудакова и Леонида Хижинского, эстампы Дмитрия Митрохина, Андрея Гончарова, Вадима Фалилеева. Статья рассказывает об отношениях, связывавших Павла Басманова с авторами работ, повествует об истории создания и бытования ряда произведений из музейной коллекции Басманова, воссоздает хронологию поступления работ в фонды ГХМАК. Leningrad painter Pavel Ivanovich Basmanov (1906–1993) was born in the Altai Krai, which was praised by him in tens of thousands paintings. Basmanov is also famous as a collector of Russian and Soviet graphic arts. More than eighty paintings from Basmanov's collection are reposited in the State Art Museum of Altai Krai. There is domestic graphic arts of XIX–XX centuries: watercolors by Boris Kustodiev, unique graphic arts by Elizaveta Kruglikova, lithographies by Lev Bakst, Pavel Kuznetsov, Nikolai Tyrsa, Aleksei Pachomov, Georgiy Vereyskiy, Vladimir Konashevich, Pavel Miturich and Yuriy Vasnetsov, book graphics by Konstantin Rudakov and Leonid Khizhinskiy, prints of Dmitriy Mitrichin, Andrey Goncharov, Vadim Falileev. The article is about relationships, united Pavel Basmanov and creators of works listed above. It also tells us about the history of creation and existence of a number of works from the museum collection of Basmanov and recreates the chronology of receipt of works in the funds of the State Art Museum of Altai Krai.

scholarly journals Information image of the art museum: current state and prospects

2020 ◽  
pp. 93-97
Author(s):  
D. D. Rodionova ◽  
◽  
E. P. Vykhodtsev ◽  
◽  
Keyword(s):  
Social Networks ◽  
Art Museum ◽  
Art Museums ◽  
The State ◽  
Museum Collection ◽  
Group Design ◽  
Museum Information ◽  
Current State ◽  
Information Image ◽  
State Of Activity

The paper provides an overview of the state of activity of art museums in the regions of Siberia in different social networks. Also, the authors monitor the presence of the official website of the museum and its presence in social networks. In addition, an attempt to give a definition «informational image of the museum» is made, and a selected list of art museums in the regions of Siberia is provided. Within the framework of the study, the authors developed recommendations for improving the information image of an art museum such as: group design, museum information, a fixed record, museum collection materials and publications. Moreover, the authors give the best examples of using the site and social networks by the museums to increase users’ activity during a pandemic. So, the authors prove that the official website and work with social networks is an integral part of museum activities aimed at improving a modern museum.

scholarly journals STRAIGHT TO THE NORTH: ARCTIC EXPLORATION IN ARTISTS’ WORKS.

2021 ◽  
Vol 13 (1/2021) ◽  
pp. 7-22
Author(s):  
Yu.I. Maksimov ◽  
◽  
A.B. Mambetova ◽  
A.I. Krivichev ◽  
◽  
...  
Keyword(s):  
Arctic Region ◽  
Art Museum ◽  
The Arctic ◽  
Graphic Arts ◽  
The North ◽  
History Of ◽  
Arctic Exploration ◽  
Art Community ◽  
Extreme North ◽  
Creative Team

The article provides an overview on the history of the Kola Arctic region and the Arctic artistic exploration based on the “Straight to the North” temporary exhibition in Murmansk Regional Art Museum, 2019. Pieces of icon painting, decorative and applied arts, books, household items, painting and graphic arts and collection of the Kola Peninsula minerals were exhibited there. Some art works are described in details: paintings of Russian artists of the late 19th and early 20th centuries and Soviet artists, including painters from Murmansk and members of “The Arctic” creative team in 1978–1985. The authors analysed, how social and economic development of the Kola Arctic region influenced new art styles and directions: from plein air painting under the Extreme North conditions to industrial landscapes and creation of an art community. The authors dedicate the article to the memory of Honored Artist of the Russian Federation, the leader of “The Arctic” creative team Arvi Ivanovich Huttunen (31.08.1922–27.08.2020).

A.V. KHUDYASHEV (1885–1927): BIOGRAPHICAL FEATURES AND ANALYSIS OF THE ARTIST’S CREATIVE HERITAGE

2021 ◽  
pp. 253-261
Author(s):  
Elena I. Darius ◽  
◽  
Mikhail Yu. Shishin ◽  
Keyword(s):  
Fine Arts ◽  
Art Museum ◽  
The State ◽  
Early Years ◽  
State Archive ◽  
Design Activities ◽  
History Of ◽  
Organizational Work ◽  
Museum Of Fine Arts ◽  
First Time

Alexander Khudyashev is a sculptor, painter, teacher, organizer who played a prominent role in the artistic life of two Siberian cities - Tomsk and Barnaul in the 10–20s of the twentieth century. This article, based on the documents found, represents for the first time the main stages of his life and work, active participation in the All-Siberian Association of Artists «New Siberia». Until recently, very little was known about the life and work of this artist. The authors of the article, relying on archival materials, restored the biography of A. Khudyashev, in particular, more fully covered the Barnaul period of his life. On the basis of the documents found in the State Archive of the Altai Krai, the facts of the early years of the master's biography, the period of study at the Kazan Art School, and studies at private art studios in Moscow became known. The article describes his organizational work in Tomsk: on the board of the Tomsk Society of Art Lovers, participating in annual periodic art exhibitions, organizing a number of exhibitions («Exhibition of paintings and sculptures by local artists» and «Autumn exhibition of local and non-resident authors»). In Novonikolaevsk (now Novosibirsk), together with the assistant of the Leipzig Royal Academy of Arts, Czech artist F. Havelka, he participated in the preparation of the first in the history of the city art exhibition of Tomsk and Novikolaevsk professional artists and students of the Tomsk Real School and private studio F. Havelka. The pedagogical activity of the master is noted: in parallel with the creative and organizational work, Khudyashev taught sculpture in F. Havelka’s private drawing classes, drawing in the theological schooland first city women’s school, as well as in the Mariinsky female gymnasium. In 1918, the artist returned to Barnaul, where, according to A. Khudyashev's questionnaire recently discovered in the State Archive of the Altai Territory, he continued his teaching activities at the Barnaul Pedagogical Technical School and at the Workers' Faculty, and also worked in the Altai provincial department of public education. In addition, the artist was engaged in design activities. Becoming a member of the AllSiberian Society of Artists «New Siberia», he took part in the First All-Siberian exhibition of painting, sculpture, graphics and architecture, opened by members of the "New Siberia" in 1927 in Novosibirsk. The history of the Museum of Fine Arts in Barnaul, the first art museum in Altai, is connected with the name of A. Khudyashev. In difficult historical times, the change of the social and political system, the civil war, the introduction of the New Economic Policy A.V. Khudyashev sought to save a unique collection of the first art museum in Altai, understanding the importance and necessity of his work for future generations. The article introduces for the first time into the scientific parlance and analyzes three of his remaining paintings, now stored in the State Art Museum of the Altai Krai, tells about the composition and fate of the collection of the Museum of Fine Arts in Barnaul.

scholarly journals Tuva stone carving in the collection of the State Art Museum of the Altai Krai

2019 ◽  
Author(s):  
Нина Прокопьевна Гончарик
Keyword(s):  
Art Museum ◽  
The State ◽  
Museum Collection ◽  
Stone Carving ◽  
The Republic

Статья посвящена музейной коллекции тувинской резьбы по камню уникального народного промысла, являющегося достоянием России. В статье рассматриваются этапы комплектования коллекции изделий из редкого камня агальматолита, основные залежи которого находятся в западных отрогах гор Республики Тыва, а также произведения выдающихся мастеров разных поколений, проиллюстрированные фотографиями из архива Государственного художественного музея Алтайского края. The article is devoted to the Museum collection of Tuvan stone carving of a unique folk craft, which is the property of Russia. The article considers the stages of acquisition of a collection of products made of rare agalmatolite stone, the main deposits of which are located in the Western spurs of the mountains of the Republic of Tyva, as well as the works of outstanding artists of different generations, illustrated with photos from the Museum archive.

scholarly journals Image of St. George as Dragon-Slayerr on the Seal M-8759 from the State Hermitage Museum Collection

2020 ◽  
Vol 48 ◽  
pp. 290-300
Author(s):  
Valerii P. Stepanenko ◽  
Keyword(s):  
Twelfth Century ◽  
The State ◽  
Museum Collection ◽  
Front Side ◽  
History Of Research ◽  
Private Collection ◽  
History Of

This paper addresses the history of research of a Byzantine seal dating from the twelfth century and analyzes of its iconography. In 1884, Gustave Schlumberger first published an anonymous Byzantine seal from his private collection in the famous Byzantine Sigillography (p. 502). Between 1905 and 1910, Nikolai P. Likhachev acquired a part of G. Schlumberger’s collection. This anonymous seal attracted Likhachev’s special attention, as evidenced by the inventory card written by his hand that survived. When entering the State Hermitage Museum collection, this seal got the number M–8759. Later on, it became a subject of the research by Valentina S. Shandrovskaia. According to the legend on the reverse, the seal belonged to an official of unknown name with the rank of protospatharios ἐπὶ τοῦ Χρυσοτρικλίνου, who held the position of the domestikos tes ypourgeias (δομέστικος τῆς ὐπουργείας) at the Christ-loving despotes (i. e. emperor). The front side of the seal features St. George spearing a dragon. It has been noticed that the scene showing this saint performing the feat rarely occurs on the tenth-to-twelfth century Byzantine seals with similar iconography.

scholarly journals The lost prewar collection of the Simferopol Art Gallery (1937–1941)

2021 ◽  
Vol 12 (1) ◽  
pp. 28-34
Author(s):  
Alexandra Yu. Kugusheva ◽  
Keyword(s):  
Art Museum ◽  
Second World War ◽  
The State ◽  
Museum Collections ◽  
World War ◽  
Art Gallery ◽  
Great Patriotic War ◽  
History Of ◽  
Second World ◽  
Official Data

The article highlights the history of the prewar collection of the Simferopol Art Museum in 1937–1941 and notes the most important works of art lost. The events that accompanied the loss of the collection during the Great Patriotic War were repeatedly covered by the museum in publications. According to official data, during the evacuation in October 1941, the boxes with the exhibits and the museum archive were transported to Kerch where they were burnt during a fire in the port caused by the bombing of enemy aircraft. For many years, the museum’s employees Galina I. Fedotova, Natalya D. Dyachenko and Natalya F. Grishchenko studied documents in the Simferopol, Moscow and St. Petersburg archives to restore the list of exhibits from the prewar collection. The result of their work was an extensive “Catalog of the values of the Simferopol Art Museum, lost during the Second World War” (2002), which is presented in the documentary archive of the museum. The main sections of the permanent exhibition of the prewar collection of the Simferopol Art Gallery are marked in the catalog. This information is of great importance for Russian museum science: many items transferred in 1937–1941 to the Simferopol collection were previously included in the funds of the State Russian Museum, the Tretyakov Gallery, the Hermitage and other major museum collections.

scholarly journals «Close-up» as a mirror: the Ob Ugrians through the eyes of V. A. Igoshev / the artist through the eyes of the Ob Ugrians (to the centenary of the People’s Artist of the USSR)

2021 ◽  
Vol 11 (3) ◽  
pp. 574-583
Author(s):  
А. А Galyamov ◽  
Keyword(s):  
Indigenous Peoples ◽  
Art Museum ◽  
The State ◽  
The North ◽  
History Of

Introduction: on October 28, 2021, People’s Artist of the USSR Vladimir Alexandrovich Igoshev would have turned 100 years old, whose work was inextricably linked with the culture and history of Yugra. Objective: on the basis of a theoretical and methodological combination of approaches («close-up» and «theory of mimesis») and oral reports of informants to consider the experience of V. A. Igoshev’s creative trips to Yugra. Research materials: catalogs of exhibitions and reproductions of V. A. Igoshev’s works, works of the artist from the funds of the State Art Museum, literature dedicated to the artist’s work, oral reports of informants. Results and scientific novelty: the article actualizes 1) a new theoretical and methodological reading of both the artist’s works and the understanding of the realities of the culture and life of the Ob Ugrians in the second half of the XX century; 2) thanks to the collected and recorded oral data of informants from among the indigenous peoples of the North, it became possible to fill in the gaps in the master’s creative heritage.

Ras al Khaimah: further archaeological discoveries

Antiquity ◽  
1976 ◽  
Vol 50 (200) ◽  
pp. 216-222
Author(s):  
Beatrice De Cardi
Keyword(s):  
United Arab Emirates ◽  
The State ◽  
Focused Attention ◽  
North East ◽  
The North ◽  
History Of ◽  
The City

Ras a1 Khaimah is the most northerly of the seven states comprising the United Arab Emirates and its Ruler, H. H. Sheikh Saqr bin Mohammad al-Qasimi, is keenly interested in the history of the state and its people. Survey carried out there jointly with Dr D. B. Doe in 1968 had focused attention on the site of JuIfar which lies just north of the present town of Ras a1 Khaimah (de Cardi, 1971, 230-2). Julfar was in existence in Abbasid times and its importance as an entrep6t during the sixteenth and seventeenth centuries-the Portuguese Period-is reflected by the quantity and variety of imported wares to be found among the ruins of the city. Most of the sites discovered during the survey dated from that period but a group of cairns near Ghalilah and some long gabled graves in the Shimal area to the north-east of the date-groves behind Ras a1 Khaimah (map, FIG. I) clearly represented a more distant past.

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